(Piano Acc.). For Piano Acc.. Book; CD; Instrumental Series; Play-Along; Worship...(+)
(Piano Acc.). For Piano
Acc.. Book; CD;
Instrumental Series;
Play-Along; Worship
Resources. Instrumental
Solo Series. Contemporary
Christian; Hymn; Sacred.
Grade 2; Grade 2.5; Grade
3. 56 pages. Published by
Alfred Music Publishing
(Light Jazz Piano Arrangements) Songbook and accompaniment CD for piano. Jazzed ...(+)
(Light Jazz Piano
Arrangements) Songbook
and accompaniment CD for
piano. Jazzed on Hymns is
a creative, yet playable
collection of favorite
hymns in a light jazz
style.. 55 pages.
Published by Music Sales.
Composed by Edvard Grieg (1843-1907), edited by Dan Fog, Nils Grinde. Collection...(+)
Composed by Edvard Grieg
(1843-1907), edited by
Dan Fog, Nils Grinde.
Collection for voice solo
and piano accompaniment.
Urtext Edition. Text
language English, German
and Norwiegan. 304 pages.
Published by C.F. Peters.
Violin and Piano - Grade 1.5 SKU: AP.36-52710030 Composed by Ted Hunter. ...(+)
Violin and Piano - Grade
1.5
SKU:
AP.36-52710030
Composed by Ted Hunter.
Method/Instruction;
Reference Textbooks; Solo
Small Ensembles. Ludwig
Masters. Secular. Book.
Latham Music Enterprises
#36-52710030. Published
by Latham Music
Enterprises
(AP.36-52710030).
ISBN
9781633619579. UPC:
679360704073.
English.
All 1st
position, compatible with
Suzuki Book #1; violin
plays melody with simple
accompaniments. Includes
optional descant for
violin. Hymns included:
Jesus Loves Me; I Sing
the Mighty Power of God;
Take My Life, and Let it
Be; Come Thou
Long-Expected Jesus;
Joyful, Joyful, We Adore
Thee; Amazing Grace; For
the Beauty of the Earth;
Holy, Holy, Holy; Be Thou
My Vision; Fairest Lord
Jesus.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Cello and Piano - Grade 2 SKU: AP.36-52730061 Composed by Ted Hunter. Met...(+)
Cello and Piano - Grade 2
SKU:
AP.36-52730061
Composed by Ted Hunter.
Method/Instruction;
Reference Textbooks; Solo
Small Ensembles. Ludwig
Masters. Sacred. Book.
Latham Music Enterprises
#36-52730061. Published
by Latham Music
Enterprises
(AP.36-52730061).
ISBN
9781628760101. UPC:
746241200297.
English.
1st-4th
positions; cello plays
melody with simple
accompaniments. Includes
optional descant for
violin in addition to
descant part for cello.
Hymns included: Jesus
Loves Me; I Sing the
Mighty Power of God; Take
My Life, and Let it Be;
Come Thou Long-Expected
Jesus; Joyful, Joyful, We
Adore Thee; Amazing
Grace; For the Beauty of
the Earth; Holy, Holy,
Holy; Be Thou My Vision;
Fairest Lord Jesus.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Choral SATB Choir and Piano SKU: CF.CM9787 Composed by Coty Raven Morris....(+)
Choral SATB Choir and
Piano
SKU:
CF.CM9787
Composed by
Coty Raven Morris.
Arranged by Saleel Menon.
Duration 3:45. Carl
Fischer Music #CM9787.
Published by Carl Fischer
Music (CF.CM9787).
ISBN 9781491164587.
UPC: 680160923496. Key: D
major. English.
Original.
The text
for the first voicing
(SSA) of this piece came
to me in the fall of 2020
while teaching at Crosby
High School in Crosby,
Texas. My students,
though enthusiastic to be
back in Choir, were
struggling to cope with
the civil unrest around
them, in addition to the
pandemic. When
considering how I could
help them navigate this
time, I realized that
they were in need of some
sort of consistency, of
feeling grounded in
themselves. As weÂ
focused on building of
community and
citizenship, this text
and tune came to mind,
each phrase highlighting
an element of personal
and community wellness.I
lead with my
spirit keeping love in
the circle around me.
(Social)Expressing my
spirit
(Occupational)Loving what
I can see and cannot see,
I'll take care of the
vessel I am in
(Physical)I love with me
that's under the skin
(Emotional)Taking care of
my mind
(Intellectual)Envisioning
the me I want to be
(Spiritual)I had the
honor of collaborating
with composer/educator
Saleel Menon to create
the beautiful piano
accompaniment and SATB
setting.Who I Want To Be
opens with a solo
functioning as a mantra
throughout the tune. As
the piece continues,
voices join in unison and
harmony to emphasize the
intent.When the repeats
in mm. 48–51
occur, invite students to
share some of their own
mantras and affirmations,
or feel free to borrow
from the words my
students in the Crosby HS
choir inspired me to
write:Allow yourself
graceI am persistentI am
fragile, not brokenYou
are worthyI am worthyI
know that your success is
not my demise!The only
validation I need is my
ownI believe in myselfI
see youIt’s okay
to not be okayBreatheI
love and I am
lovedPrepare yourself for
not only a powerful
performance, but a
rewarding experience and
conversations with your
students.THIS is the
piece you want stuck in
your students’
heads!~CRM.
Instruments Sib, Mib, Do et Bass clef [Partition + CD] Lorenz Publishing Company
Simple Solos for Sunday. (Instrumental Solos for Beginners with Piano Accompanim...(+)
Simple Solos for Sunday.
(Instrumental Solos for
Beginners with Piano
Accompaniment). By Stan
Pethel. Woodwind solo.
For C instrument (Bb
Instrument, Eb
Instrument, c bass
Instrument), piano. Score
and accompaniment CD.
Published by Lorenz
Publishing Company
Looking Up Chorale SATB SATB, Piano St Rose Music Publishing
Choir, Piano Accompaniment (SATB Choir) SKU: HL.277282 SATB and Piano ...(+)
Choir, Piano
Accompaniment (SATB
Choir)
SKU:
HL.277282
SATB and
Piano Vocal Score.
Composed by Nico Muhly.
Music Sales America.
Classical. Softcover. 60
pages. St. Rose Music
#SRO10015201. Published
by St. Rose Music
(HL.277282).
UPC:
840126915006. 6.75x10.5
inches.
Program
note:
Looking Up
is a piece for large
chorus and orchestra, and
is in three sections,
played without pause. In
the 16th century, a
variety of psalters in
meter were printed in
England, with the idea of
making psalm-singing
something that could
happen easily at home,
with the rhyming meter
being an aid to
memorization. These
translations are
wonderful exercises in
brevity and sometimes
clumsy rhymemaking, and
were usually prefaced by
a lengthy explanation as
to their merits; the
title of one of the first
such volumes in English
is: The Psalter of Dauid
newely translated into
Englysh metre in such
sort that it maye the
more decently, and wyth
more delyte of the mynde,
be reade and songe of al
men. I thought it would
be appropriate to set one
of these introductions,
and the first section of
Looking Up sets the
preface to Thomas
Ravenscroft's psalter
(1621), in which he
writes: “The
singing of Psalmes (assay
the Doctors) comforteth
the sorrowfull, pacifieth
the angry, strengtheneth
the weake, humbleth the
proud, gladdeth the
humble, stirres up the
slow, reconcileth
enemies, lifteth up the
heart to heavenly things,
and uniteth the Creature
to his
Creator.”
It
begins meditatively, but
eventually grows agitated
and fervent, with a
vision of the
“quire of Angels
and Saints”
“redoubling
anddescanting” - an
ecstatic and terrifying
vision of the skies
opening up. Ravenscroft
then encourages the use
of instrumental musicfor
worship, at which point,
a long, acrobatic
orchestral interlude with
jagged edges antagonizes
the choir, who sing a
kind of private, anxious
meditation on two
pitches.
One of
the most delicious
biblical texts is an
Apocryphal prayer known
as the Benedicite or the
Prayer of the Three
Children (the same who
were rescued by an angel
after King Nebuchadnezzar
tried to have them burnt
in an oven for not bowing
to his image). The text
is repetitive, obsessive,
and a gift to composers -
each line is an
invocation of an element
of the natural world,
followed by the phrase,
“blesse ye the
Lord, praise him &
magnify him for
ever.” In Looking
Up, the setting begins
with three solo voices,
and then grows to include
the whole choir,
itemizing the whole of
creation. The idea that
these boys are spared
from the furnace and then
five minutes later are
saying, “O ye the
fire and warming heate,
blesse ye the
Lord...” has always
felt very loaded to me,
and the orchestra plays
with this conflict
between joyful praise and
a more terrible (in the
16th-century sense)
awefor the
divine.
The text
for the third, and
shortest, section is
taken from Christopher
Smart's (1722-1771) A
Song to David,
purportedly written
during his confinement in
a mental asylum. This ode
to King David points out
how David, as the author
of some of the Psalms,
observes the whole world
from the
“clustering
spheres” to the
“nosegay in the
vale.&rdquo.
Unison voices (with optional second part) & piano/organ SKU: OU.9780193433540...(+)
Unison voices (with
optional second part) &
piano/organ
SKU:
OU.9780193433540
Composed by Bob Chilcott.
Vocal score. 8 pages.
Duration 2.5'. Oxford
University Press
#9780193433540. Published
by Oxford University
Press (OU.9780193433540).
ISBN 9780193433540. 10
x 7 inches.
For
unison voices (with opt.
second part) and piano or
organ Arranged here for
unison voices and piano,
this heartfelt setting is
built upon a haunting
melody of folk-like
simplicity, underpinned
throughout by a lyrical
and independent
accompaniment. Also
available in versions for
SATB, solo high voice,
and solo low voice.
Piano Accompaniment; Violin (Score and Solo Part) SKU: HL.50600469 For...(+)
Piano Accompaniment;
Violin (Score and Solo
Part)
SKU:
HL.50600469
For
Violin and Piano.
Composed by Krzysztof
Meyer. String. Classical,
Contemporary. Softcover.
48 pages. Sikorski
#SIK1496. Published by
Sikorski (HL.50600469).
8.25x11.75x0.14
inches.
“I
belong to that group of
people who appropriate
Debussy's wonderfully
formulated philosophy
according to which music
begins where words end.
Contrary to a view that
has become widespread
during the past 100
years, I am convinced
that the task of the
composer is to write
music, not to talk about
it. Even if my technical
and aesthetic
commentaries on one of my
compositions were to have
a certain value for
listeners, such a
commentary would have the
effect that I were more
or less forcing my own
vision of the work onto
the listener. The power
of music is, however, a
gift that makes it
capable of calling forth
different reactions in
listeners. I shall
therefore limit myself to
saying that the
'Imaginary Variations'
were inspired by the
wonderful recordings of
Janet Packer that I
listened to with the
greatest pleasure prior
to the beginning of my
work. The title is
derived from the fact
that this composition is
structured similarly to
the classical variation
form and that the
audience can listen to
the constant changes of
the musical ideas. In
truth, however, the
twelve short sections of
the work are not true
variations even though
they reveal some
connections and
similarities.â€
(Krzysztof Meyer).