Recorder f1, 2 Violins, Basso continuo

SKU: CA.1121300

Composed by Giuseppe Tartini. Edited by Peter Thalheimer. This edition: Paperbound. German title: Concertino Fur Blockflote Und Streicher. Full score. 20 pages. Duration 8 minutes. Carus Verlag #CV 11.213/00. Published by Carus Verlag (CA.1121300).

ISBN 9790007026219. Key: F major. Language: all languages.

Peter Thalheimer presents a concertino for recorder unknown until now. The concertino by Giuseppe Tartini is of the genre Concerto da camera and is of comparable musical quality to corresponding works by A. Scarlatti and A. Vivaldi.

SKU: BR.SON-609

Skogsgraet/Varsang . Composed by Jean Sibelius. Edited by Tuija Wicklund. Linen. Complete Works. Late-romantic; Early modern. Complete Works. 260 pages. Breitkopf and Haertel #SON 609. Published by Breitkopf and Haertel (BR.SON-609).

ISBN 9790004802717. 10 x 12.5 inches.

Sibelius orchestral works rediscovered It was a minor sensation when in 1996 the conductor Osmo Vanska recorded a completely unknown, more than 20-minute-long orchestral work by the young Jean Sibelius in Lahti: Skogsraet (The Forest Nymph) had suddenly re-emerged. But this was no mere rediscovery, since in his later years, Sibelius had graciously agreed that his early work could be performed in a radically abridged form. He thus left his score in a rather confusing condition. Varsang (Spring Song), the second work in this volume of the Complete Edition, has two (or even three?) early versions, which makes for a most complicated source examination. Tuija Wicklund thus faced a mountain of problems in preparing the edition. The editor's meticulous work ultimately yielded three complete orchestral scores from the years 1894/95, thus from a period in which no one can claim that such pieces are early works. By this time, Sibelius had already made a name for himself in Finland with his first masterpieces Kullervo (1892), En saga (first version, 1892), the Karelia Suite (1893) and Rakastava (1894).

String quartet

SKU: HH.HH369-FSP

Composed by Anonymous. Edited by Christopher Hogwood. Two Violins, Viola, Violoncello. Full score and parts. Edition HH Music Publishers #HH369-FSP. Published by Edition HH Music Publishers (HH.HH369-FSP).

ISBN 9790708041887.

This previously-unpublished Concerto a Quadro presumably started life as a concerto for the standard Baroque forces of flute, strings and continuo, now otherwise unknown; it is preserved in its surviving form for flute, violin, viola and cello in a set of manuscript parts apparently copied by an amateur musician in Sweden. Although unlikely to be the work of Handel, as a rare early example of music for flute quartet it is an attractive extension to a repertoire otherwise dominated by the works of Mozart and his contemporaries. In the present publication, editorial figuring in the cello part allows for the possibility of expanding the texture with additional continuo instruments.

Piano - late intermediate

SKU: BT.SLB-00596300

By Robert Orledge. By Erik Satie. Durand-Salabert-Eschig-Si gnature Series. Set of Books. Composed 2016. 600 pages. Editions Salabert #SLB 00596300. Published by Editions Salabert (BT.SLB-00596300).

PIANO inches. English-French.

Thi s new, completely revised and reset centenary edition of Satie’s complete piano music in three volumes has returned to Satie’s manuscripts and first editions to give pianists completely accurate and reliable texts to play from.

As well aspresenting every piece for piano solo or piano reduction that Satie published, this edition also includes some previously unknown pieces, like the Petite Sonate that he wrote for Vincent d’Indy at the Schola Cantorum, as well as some interestingfirst versions of well-known pieces, like San Bernardo, a trial version of Españaña (1913) and the markedly different first version of Les Pantins dansent (1914). In addition, there areexamples of the different types of exercises that Satie completedat the Schola between 1905 and 1912, some extra trial Enfantines, and some earlier drafts of his famous Sports et divertissements. To help pianists, suggested metronome marks have been added throughout, and there are also some performance suggestionsfor the Rose Croix pieces of the 1890s, which otherwise appear to be all quiet and slow. The notation has been made as user-friendly as possible, without detracting from Satie’s concerns about the “extériorisation ” of his musical thought in print.

Cette nouvelle édition de l’intégrale de la musique pour piano d’Erik Satie, en trois volumes, est une version totalement révisée et regravée de l’édition centenaire de son oeuvre pianistique. Elle revient aux sources manuscrites et premièreséditions des pièces de Satie, et offre aux interprètes des textes musicaux fi ables et pertinents.Ces volumes proposent toutes les pièces pour piano solo, ou en réduction pour piano, publiées par Satie, incluant quelques pièces antérieures inconnues, telles la Petite Sonate que Satie écrivit pour Vincent d’Indy la Schola Cantorum, et quelquespremières versions de pièces très connues, comme San Bernardo, version d’essai d’Españaña(1 913), ou encore les premières versions très différentes de Les Pantins dansent (1914).

On trouvera également quelques exemples des différents exercicesque Satie exécuta la Schola entre 1907 et 1912, quelques tentatives supplémentaires d’Enfantines, et quelques brouillons antérieurs de ses célèbres Sports et divertissements.

D es indications métronomiques ont été ajoutées afi n d’aider lesinterprètes, de même que certaines suggestions de jeu pour les oeuvres relatives la période Rose Croix des années 1890, pièces qui sinon pourraient ne sembler que lentes et tranquilles. La notation a été envisagée sous l’angle le plus pratiquepossible, sans pour autant négliger le soucis de Satie quant l’ « extériorisation » de sa pensée musicale sur papier.

Questa nuova edizione in tre volumi delle composizioni per pianoforte di Satie offre ai pianisti una revisione accurata e fedele alle intenzioni dell’autore grazie all’analisi e al confronto dei manoscritti e delle loro prime edizioni astampa.

La pubblicazione, oltre a includere tutti i pezzi per pianoforte o in riduzione che Satie ha pubblicato, offre anche alcuni brani fino a oggi sconosciuti, come la Petite Sonate che ha scritto per Vincent d’Indy e interessanti primeversioni di pezzi celebri, tra cui San Bernardo, un primo tentativo di Españaña (1913) e la prima versione, considerevolmente diversa, di Les Pantins dansent (1914).

Per agevolare gli interpreti, il curatoreha aggiunto, all’occorrenza, segnidi metronomo e alcuni suggerimenti per l’esecuzione. La notazione musicale è stata resa il più possibile comprensibile senza depauperare il pensiero musicale di Satie sull’esteriorizzaz ione della musica.

Oboe

SKU: BT.MUSM570362158

By Melinda Maxwell_John Stringer. Classical. Book Only. 40 pages. University of York Music Press #MUSM570362158. Published by University of York Music Press (BT.MUSM570362158).

English.

This collection of oboe music, written by living composers, is an invaluable resource for any oboist of Grade 8 and conservatoire standard who is curious about widening their repertoire, and exploring the various languages of modern music. The term modern music can alienate many minds who may think it will be too difficult technically; aurally unknown and therefore unsatisfying; harmful or damaging to their musical sensibility. To all these points this volume has the answers. Every one of these pieces requires challenging technical skills demanded of any of the more traditional oboe repertoire, and additionally they will improve technique. Each piece portrays a characterand language that is approachable and compelling. Far from damaging musical sensibility these musical types will open the ear and enrich the spirit. Some are physically demanding and require very good breath control, others need patience in learning new fingerings and timbres, and some travel to extreme registers. But, in all cases, the effort will be rewarding, and not only that, the knowledge gained about the oboe and how it works will be equally entertaining and stimulating.

Piano - Grade 4

SKU: FA.MFCD015PN

Suite for piano. Composed by Claude Debussy/Robert Orledge. Rediscovered Debussy. Classical : Modern. Score. Musik Fabrik #MFCD015PN. Published by Musik Fabrik (FA.MFCD015PN).

8.27 x 11.69 inches.

A seven-movement suite for orchestra taken from sketches for Debussy's music for King Lear and completed by Robert Orledge. As recorded by Nicolas Horvath on << The Unknown Debussy >> (GP822).

Voice and piano

SKU: BR.EB-8601

Kommentar von W. Schubert. Composed by Bernhard Theodor Breitkopf. Edited by Gunter Raphael. Voice; Softcover. Edition Breitkopf. Goethe, who studied in Leipzig between 1765 and 1768 (a period he wrote about in Dichtung und Wahrheit), was friends there with a young man of his age, Bernhard Theodor Breitkopf, the grandson of the publishing house's founder. Song; Classical. Score. 36 pages. Breitkopf and Haertel #EB 8601. Published by Breitkopf and Haertel (BR.EB-8601).

ISBN 9790004178829. 9 x 12 inches.

Goethe, who studied in Leipzig between 1765 and 1768 (a period he wrote about in Dichtung und Wahrheit), was friends there with a young man of his age, Bernhard Theodor Breitkopf, the grandson of the publishing house's founder. Breitkopf set his friend's first poems to music in the style of the day. The Neue Lieder und Melodien came out for the 1770 Leipzig spring fair, though without any mention of the poet, still completely unknown at that time. The title Goethes Leipziger Liederbuch dates only from 1932, when Gunter Raphael prepared a new edition for the Goethe commemorative year. Since several poems from the Neue Lieder are found in highly altered forms in later work collections, this publication of Goethe's first poems is also of great value to literary scholars.

Goethe, who studied in Leipzig between 1765 and 1768 (a period he wrote about in Dichtung und Wahrheit), was friends there with a young man of his age, Bernhard Theodor Breitkopf, the grandson of the publishing house's founder.

Violin - intermediate

SKU: HL.50601152

Violin Solo. By Italo Vescovo. By Nicolo Paganini. String Solo. Classical. Softcover. Composed 2017. 24 pages. Ricordi #NR14171700. Published by Ricordi (HL.50601152).

UPC: 888680739379. 9x12 inches. Italian-English.

Th e Caprice d'Adieu (autograph unknown) is appended to Eduard Eliason's Six Caprices Caractéristiques pour le Violon, Op. 12, which was published in Mayence by B. Schott in 1833. This piece, which Paganini dedicated to Eliason, is part of a series of compositions for violin solo that have been widely ignored by both performers and scholars of the great Genoese musician. It is a composition whose size and structure (A-B-A, with two refrains) follows the pattern of some of his Capricci, Op. 1, but, unlike these proper studies, the Caprice d'adieu is lighter and more lively in character. Although not as brilliant, musically, as the Capricci, it still contains some original musical ideas, mostly articulated in two parts with a few complex technical passages and a central, contrasting section featuring different dynamics and a range of chords and trills. This critical edition is based on the first edition and is collated with the most important nineteenth and twentieth-century editions.

Concert Band - Grade 0.5

SKU: AP.35335S

Composed by Ralph Ford. Concert Band; MakeMusic Cloud; Performance Music Ensemble; Single Titles. Belwin Very Beginning Band. Novelty. Score. 16 pages. Belwin Music #00-35335S. Published by Belwin Music (AP.35335S).

UPC: 038081409801. English.

Look up the word Gizmo, and you will find references to its origin in the slang used by United States Marines and Navy personnel when referring to a gadget of unknown origin or design. Ralph Ford's inventive work for your first-year players uses a ratchet in the percussion section to musically depict a gizmo. Great fun! (1:30) This title is available in MakeMusic Cloud.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 horns, 2 violin, viola, basso continuo - Level 3

SKU: CA.3410413

Passions-Oratorium . Composed by Johann Christoph Friedrich Bach. Edited by Ulrich Leisinger. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Viola. Sacred vocal music, Oratorios, Passions, Lent and Passiontide. Single Part, Viola. BR JCFB D 1. 36 pages. Duration 135 minutes. Carus Verlag #CV 34.104/13. Published by Carus Verlag (CA.3410413).

ISBN 9790007212599. Language: German.

An unknown work from the so-called Buckeburger Bach, which at first was ascribed unjustly to Carl Philipp Emanuel Bach. The story of the Suffering of the Lord is examined from a different perspective. Pilgrims have undertaken a journey to the Holy Land and when they arrive they are informed by a hermit of the suffering and death of Christ. An additional figure, an angel, lends this representation of the Passion a heightened form for communicating the importance of the suffering of Christ.. Score and part available separately - see item CA.3410400.

SKU: CA.5021500

Composed by Josef Gabriel Rheinberger. Edited by Manuela Jahrmarker. This edition: Complete edition, linen cover. Josef Gabriel Rheinberger - Complete Works. German title: Lieder fur Singstimme und Klavier. Josef Gabriel Rheinberger. Complete Works. Full score (complete edition / selected edition). Carus Verlag #CV 50.215/00. Published by Carus Verlag (CA.5021500).

ISBN 9790007090265.

Volu me 15 reveals a largely unknown treasure of the romantic song for voice with piano accompaniment in which his complete 100 solo songs with opus numbers are united in one collection. The musical spectrum ranges from the naive-witty Kinderlieder op. 152 to the highly dramatic setting of Des Madchens Klage op. 57,7 from Schiller's Wallenstein. Among the authors of these poems Rheinberger's scarcely-known contemporaries are represented, just as are the great names of German literature, including Goethe, Eichendorff, and Scheffel. English and Italian poets are also represented (Burns, Moore, Petrarca, Savonarola).

Concert Band/Harmonie - Grade 1

SKU: BT.GOB-000544-140

Arranged by Andrew R. Mackereth. Score Only. 8 pages. Gobelin Music Publications #GOB 000544-140. Published by Gobelin Music Publications (BT.GOB-000544-140).

In English-speaking countries ‘Away in a Manger’ is one of the first Christmas songs to be taught to little children. It is a moving song with simple words, which makes it easy to understand.

The song is also known as ‘Luther’s Cradle Hymn’. This suggests that Martin Luther was the author of the lyrics. According to researchers, however, this is a misconception the author is unknown.
In England ‘Away in a Manger’ is sung to a different melody than in the USA, for example. The ‘English’ melody was composed by W.J. Kirkpatrick.
Andrew Mackereth made a touching arrangement of the ‘English’ melody, which suits the tender lyrics perfectly.

In Engelstalige landen is ‘Away in a Manger’ een van de eerste kerstliedjes dat de kinderen geleerd wordt. Het is een gevoelig lied met een eenvoudige en daarom aansprekende tekst.

Het lied staat ook wel bekend als ‘Luther’sCradle Hymn’. Dit suggereert dat Martin Luther de schrijver van de tekst is. Volgens onderzoekers is dit een misvatting en is de auteur onbekend.
In Engeland wordt ‘Away in a Manger’ op een andere melodie gezongen danin bijv. in de USA. De ‘Engelse’ melodie is gecomponeerd door W.J. Kirkpatrick.
Andrew Mackereth maakte een gevoelige bewerking van de ‘Engelse’ melodie, die prima aansluit bij de tedere tekst.

SB vocal soli, SATB choir, violin, oboe, bassoon, recorder, 2 violas da gamba (viola), basso continuo

SKU: CA.3913912

Funeral music. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. Viola da gamba 1. Sacred vocal music, Cantatas, Mourning, death. Single Part, Viola da gamba 1. TVWV 4:17. 12 pages. Duration 30 minutes. Carus Verlag #CV 39.139/12. Published by Carus Verlag (CA.3913912).

ISBN 9790007216177. Text language: German.

With the final verse of the Book of Daniel from the Old Testament and a related cantata text, Telemann mourns the death of a prominent, but until now unknown dignitary in a cantata marked by great intimacy and with exquisite instrumentation. Jakob Ditmar, the Kantor of the Nikolaikirche in Berlin, to whom we owe the survival of this work, contributed two beautiful chorale settings for a performance in 1757. First critical edition of this cantata. Score and part available separately - see item CA.3913900.

SB vocal soli, SATB choir, violin, oboe, bassoon, recorder, 2 violas da gamba (viola), basso continuo

SKU: CA.3913900

Funeral music. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. Sacred vocal music, Cantatas, Mourning, death. Full score. TVWV 4:17. 48 pages. Duration 30 minutes. Carus Verlag #CV 39.139/00. Published by Carus Verlag (CA.3913900).

ISBN 9790007167752. Language: German.

With the final verse of the Book of Daniel from the Old Testament and a related cantata text, Telemann mourns the death of a prominent, but until now unknown dignitary in a cantata marked by great intimacy and with exquisite instrumentation. Jakob Ditmar, the Kantor of the Nikolaikirche in Berlin, to whom we owe the survival of this work, contributed two beautiful chorale settings for a performance in 1757. First critical edition of this cantata.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 horns, 2 violin, viola, basso continuo - Level 3

SKU: CA.3410405

Passions-Oratorium . Composed by Johann Christoph Friedrich Bach. Edited by Ulrich Leisinger. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Oratorios, Passions, Lent and Passiontide. Choral Score. BR JCFB D 1. 16 pages. Duration 135 minutes. Carus Verlag #CV 34.104/05. Published by Carus Verlag (CA.3410405).

ISBN 9790007103408. Language: German.

An unknown work from the so-called Buckeburger Bach, which at first was ascribed unjustly to Carl Philipp Emanuel Bach. The story of the Suffering of the Lord is examined from a different perspective. Pilgrims have undertaken a journey to the Holy Land and when they arrive they are informed by a hermit of the suffering and death of Christ. An additional figure, an angel, lends this representation of the Passion a heightened form for communicating the importance of the suffering of Christ.. Score available separately - see item CA.3410400.

Woodwinds - Intermediate

SKU: MB.30964

Old Time, Saddle-stitched. Country. Book. 44 pages. Mel Bay Publications, Inc #30964. Published by Mel Bay Publications, Inc (MB.30964).

ISBN 9781513469775. 8.75x11.75 inches.

This collection of 41 timeless melodies is tastefully arranged for soprano and tenor recorders with suggested breath marks and accompaniment chords. Selections include a variety of influences which provide a historical and aesthetic view of the American musical landscape. The works of both well-known, classically trained composers and unknown folk artists are featured in standard notation arrangements suitable for performance by intermediate players. The one thing these tunes have in common is their striking melodies, which in many cases have endured throughout the ages.

SSAA Choir and Orchestra

SKU: BP.2121F

Composed by Dan Forrest. Arranged by Unknown. Band & orchestra. Sacred, Christmas. Score and parts. Beckenhorst Press #2121F. Published by Beckenhorst Press (BP.2121F).

Full orchestration for BP2121 Hark the Herald Angels Sing - SSAA (Forrest). Score and parts for 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 3 trumpets, 3 trombones, tuba, 2 percussion, organ, violin I, II, violas cellos and bass.

Can be used without keyboard, or with the piano 4-hand accompaniment in the choral octavo and/or the optional organ accompaniment (please note the organ part is included with the set of orchestra parts). It is also fully compatible with the optional handbell part.

Concert Band (Score) - Grade 2

SKU: HL.4005908

Composed by Michael Sweeney. MusicWorks Grade 2. Concert. Softcover. 24 pages. Duration 269 seconds. Published by Hal Leonard (HL.4005908).

UPC: 888680942816. 9.0x12.0x0.066 inches.

The image of a path not taken may evoke a sense of mystery and excitement at the unknown, as well as the satisfaction of following our own individual path in life - a unique journey different from all others. This engaging work for band follows an arc of emotions ranging from the eager anticipation at the start of a journey; frustration and doubt as the path becomes more difficult and perilous; then elation and joy as the goal is reached and our dreams are realized.