Concert band - Pre 1 SKU: CL.023-4346-01 Composed by J. McBride. Young Co...(+)
Concert band - Pre 1
SKU:
CL.023-4346-01
Composed by J. McBride.
Young Concert Band. Sound
Foundations Series. Audio
recording available
separately (item
CL.WFR386). Extra full
score. Composed 2015.
Duration 1 minute, 33
seconds. C.L. Barnhouse
#023-4346-01. Published
by C.L. Barnhouse
(CL.023-4346-01).
Confluence
conveys the majesty and
power of converging
rivers while using just
the first six notes
taught in most band
methods. Bringing
together two distinct
melodic ideas over
powerful harmonic
rhythms, Confluence is a
mature-sounding work that
is very accessible for
your beginning band. The
flowing middle section
gives each instrument
group a chance to shine
before both themes return
for a final, mighty
Confluence..
Sight-Reading Builders. (Grade 1 to 2.5 - Score and Parts). By James Curnow. For...(+)
Sight-Reading Builders.
(Grade 1 to 2.5 - Score
and Parts). By James
Curnow. For Concert Band.
Curnow Music Concert
Band. Grade 1-2. Curnow
Music #101806. Published
by Curnow Music
Confluence Orchestre d'harmonie [Conducteur et Parties séparées] C.L. Barnhouse
Composed by J. McBride. For concert band. Young Band. Sound Foundations. Grade ....(+)
Composed by J. McBride.
For concert band. Young
Band. Sound Foundations.
Grade .5. Score and
parts. Duration 1 minute,
33 seconds. Published by
C.L. Barnhouse
Impertinences # 1 Flûte traversière et Piano International Music Diffusion
(Pour Flute Et Piano). Composed by F. Grosborne. For flute and piano. Confluenc...(+)
(Pour Flute Et Piano).
Composed by F. Grosborne.
For flute and piano.
Confluences Yves Galin &
Francois Grosborne
Collection. Contemporary.
Grade 6. Published by
International Music
Diffusion
Cello and piano - Grade 7 SKU: AR.639 Pour Violoncelle Et Piano. C...(+)
Cello and piano - Grade 7
SKU: AR.639
Pour Violoncelle Et
Piano. Composed by F.
Grosborne. Confluences
Yves Galin & Francois
Grosborne Collection.
Contemporary. Sheet music
and CD. Published by
Arpeges Diffusion (IMD)
(AR.639).
No. 2 from the
Symphonic Poem My
Fatherland. Composed
by Bedrich Smetana.
Edited by Milan Pospisil.
Stapled. Eulenburg
Orchestral Series.
Today, it is hard to
believe that Bedrich
Smetana kept receiving
rejections when he tried
to get his enormously
popular Moldau
printed.
Symphonic
poem; Romantic. Part. 8
pages. Duration 13'.
Breitkopf and Haertel
#EOS 20472-23. Published
by Breitkopf and Haertel
(BR.EOS-20472-23).
ISBN 9790004184981. 10
x 12.5
inches.
What is
also amazing is that the
first text-critical
edition prepared by the
Czech Smetana expert
Milan Pospisil in 1999,
which had entailed an
exhaustive evaluation of
the sources and been
given a full
text-critical editorial
treatment as a Eulenburg
study score, had no
resonance of any kind
among performers since no
performance material had
been published. After 15
years, Pospisils edition
is finally being
completed in a manner
suitable for practice:
with a conducting score
and orchestral parts
which will ensure that
all future performances
are based on a musical
text that is as reliable
as can
be.
The
work depicts the course
of the river Vltava,
beginning with its first
two sources, the cold and
warm Vltava, and the
confluence of the two
streams that join to form
a single river; then the
course of the Vltava
through forests and
meadows, and through open
countryside where a
peasant wedding is being
celebrated; water-sprites
dance by the light of the
moon; on the nearby
cliffs castles, mansions
and ruins rise proudly
into the air; the Vltava
eddies in the St John's
Rapids, then flows in a
broad stream as it
continues its course
towards Prague, where the
Vysehrad appears, before
the river finally
disappears into the
distance as it flows
majestically into the
Elbe.
Vltava
(The Moldau),
Smetana's best-known and
most frequently performed
orchestral work, was
written between 19
November and 8 December
1874, at a time when
Smetana was already
completely deaf. The
world premiere took place
in Prague on 4 April
1875, but the score was
not published until
1880.
No. 2 from the
Symphonic Poem My
Fatherland. Composed
by Bedrich Smetana.
Edited by Milan Pospisil.
Stapled. Eulenburg
Orchestral Series.
Today, it is hard to
believe that Bedrich
Smetana kept receiving
rejections when he tried
to get his enormously
popular Moldau
printed.
Symphonic
poem; Romantic. Part. 10
pages. Duration 13'.
Breitkopf and Haertel
#EOS 20472-19. Published
by Breitkopf and Haertel
(BR.EOS-20472-19).
ISBN 9790004184974. 10
x 12.5
inches.
What is
also amazing is that the
first text-critical
edition prepared by the
Czech Smetana expert
Milan Pospisil in 1999,
which had entailed an
exhaustive evaluation of
the sources and been
given a full
text-critical editorial
treatment as a Eulenburg
study score, had no
resonance of any kind
among performers since no
performance material had
been published. After 15
years, Pospisils edition
is finally being
completed in a manner
suitable for practice:
with a conducting score
and orchestral parts
which will ensure that
all future performances
are based on a musical
text that is as reliable
as can
be.
The
work depicts the course
of the river Vltava,
beginning with its first
two sources, the cold and
warm Vltava, and the
confluence of the two
streams that join to form
a single river; then the
course of the Vltava
through forests and
meadows, and through open
countryside where a
peasant wedding is being
celebrated; water-sprites
dance by the light of the
moon; on the nearby
cliffs castles, mansions
and ruins rise proudly
into the air; the Vltava
eddies in the St John's
Rapids, then flows in a
broad stream as it
continues its course
towards Prague, where the
Vysehrad appears, before
the river finally
disappears into the
distance as it flows
majestically into the
Elbe.
Vltava
(The Moldau),
Smetana's best-known and
most frequently performed
orchestral work, was
written between 19
November and 8 December
1874, at a time when
Smetana was already
completely deaf. The
world premiere took place
in Prague on 4 April
1875, but the score was
not published until
1880.
No. 2 from the
Symphonic Poem My
Fatherland. Composed
by Bedrich Smetana.
Edited by Milan Pospisil.
Stapled. Eulenburg
Orchestral Series.
Today, it is hard to
believe that Bedrich
Smetana kept receiving
rejections when he tried
to get his enormously
popular Moldau
printed.
Symphonic
poem; Romantic. Part. 4
pages. Duration 13'.
Breitkopf and Haertel
#EOS 20472-27. Published
by Breitkopf and Haertel
(BR.EOS-20472-27).
ISBN 9790004184998. 10
x 12.5
inches.
What is
also amazing is that the
first text-critical
edition prepared by the
Czech Smetana expert
Milan Pospisil in 1999,
which had entailed an
exhaustive evaluation of
the sources and been
given a full
text-critical editorial
treatment as a Eulenburg
study score, had no
resonance of any kind
among performers since no
performance material had
been published. After 15
years, Pospisils edition
is finally being
completed in a manner
suitable for practice:
with a conducting score
and orchestral parts
which will ensure that
all future performances
are based on a musical
text that is as reliable
as can
be.
The
work depicts the course
of the river Vltava,
beginning with its first
two sources, the cold and
warm Vltava, and the
confluence of the two
streams that join to form
a single river; then the
course of the Vltava
through forests and
meadows, and through open
countryside where a
peasant wedding is being
celebrated; water-sprites
dance by the light of the
moon; on the nearby
cliffs castles, mansions
and ruins rise proudly
into the air; the Vltava
eddies in the St John's
Rapids, then flows in a
broad stream as it
continues its course
towards Prague, where the
Vysehrad appears, before
the river finally
disappears into the
distance as it flows
majestically into the
Elbe.
Vltava
(The Moldau),
Smetana's best-known and
most frequently performed
orchestral work, was
written between 19
November and 8 December
1874, at a time when
Smetana was already
completely deaf. The
world premiere took place
in Prague on 4 April
1875, but the score was
not published until
1880.
By Miles Osland, saxophone; Osland Saxophone Quartet; The University of Kentucky...(+)
By Miles Osland,
saxophone; Osland
Saxophone Quartet; The
University of Kentucky
Wind Ensemble. For
saxophone solo; saxophone
quartet; wind ensemble.
Classical. Performance CD
No. 2 from the
Symphonic Poem My
Fatherland. Composed
by Bedrich Smetana.
Edited by Milan Pospisil.
Softbound. Eulenburg
Orchestral Series.
Today, it is hard to
believe that Bedrich
Smetana kept receiving
rejections when he tried
to get his enormously
popular Moldau
printed.
Symphonic
poem; Romantic. Full
score. 84 pages. Duration
13'. Breitkopf and
Haertel #EOS 20472-00.
Published by Breitkopf
and Haertel
(BR.EOS-20472-00).
ISBN 9790004780008. 10
x 12.5
inches.
What is
also amazing is that the
first text-critical
edition prepared by the
Czech Smetana expert
Milan Pospisil in 1999,
which had entailed an
exhaustive evaluation of
the sources and been
given a full
text-critical editorial
treatment as a Eulenburg
study score, had no
resonance of any kind
among performers since no
performance material had
been published. After 15
years, Pospisils edition
is finally being
completed in a manner
suitable for practice:
with a conducting score
and orchestral parts
which will ensure that
all future performances
are based on a musical
text that is as reliable
as can
be.
The
work depicts the course
of the river Vltava,
beginning with its first
two sources, the cold and
warm Vltava, and the
confluence of the two
streams that join to form
a single river; then the
course of the Vltava
through forests and
meadows, and through open
countryside where a
peasant wedding is being
celebrated; water-sprites
dance by the light of the
moon; on the nearby
cliffs castles, mansions
and ruins rise proudly
into the air; the Vltava
eddies in the St John's
Rapids, then flows in a
broad stream as it
continues its course
towards Prague, where the
Vysehrad appears, before
the river finally
disappears into the
distance as it flows
majestically into the
Elbe.
Vltava
(The Moldau),
Smetana's best-known and
most frequently performed
orchestral work, was
written between 19
November and 8 December
1874, at a time when
Smetana was already
completely deaf. The
world premiere took place
in Prague on 4 April
1875, but the score was
not published until
1880.