Variations on Shalom Chaverim Ensemble de cuivres [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Brass Band - Grade 3 SKU: BT.GOB-000845-030 Composed by Andreas Ludwig Sc...(+)
Brass Band - Grade 3
SKU:
BT.GOB-000845-030
Composed by Andreas
Ludwig Schulte. Set
(Score & Parts). 30
pages. Gobelin Music
Publications #GOB
000845-030. Published by
Gobelin Music
Publications
(BT.GOB-000845-030).
Shalom Chaverim
is an ancient Hebrew
(farewell)song, which was
originally sung at the
end of a celebration or
meeting. It was and is
mostly sung as a round.
Freely translated the
words mean “Goodbye,
friends, goodbye and see
you again!”. The
varying moods at a
parting have been
captured very well by
Andreas Schulte in his
arrangement ‘Variations
on Shalom Chaverim’.
The composer himself says
about the song,
‘Although the melody is
in a minor key, the
overall atmosphere in the
song is positive. one
wishes each other all the
best. Saying goodbye,
however, also hurts. When
you slow down the pace of
the melody and add
‘blue notes’ in the
harmonies, this can be
sensed
immediately.’Schulte
refers here to the first
variation. The second
variation is very intense
with possibly even
deeper-felt emotions.
‘Variations on Shalom
Chaverim’ ends on a
cheerful and positive
note, in fast tempo, and
with oriental elements in
the melody:
‘L'hitra'ot, Shalom’
(See you again, and
farewell!).
Shalom Chaverim
is een oud hebreeuws
(afscheids)lied, dat
oorspronkelijk aan het
eind van een viering of
bijeenkomst gezongen
werd. Dit werd en wordt
meestal in ‘canon’
gedaan. Vrij vertaald
luidt de tekst: ‘Dag
makkers, dag,
totziens!’. De
verschillende stemmingen
bij een afscheid zijn
bijzonder fraai door
Andreas Schulte in zijn
‘Variations on Shalom
Chaverim’ verwerkt.
Zelf zegt de componist
over het lied:
‘Alhoewel de toonsoort
van de melodie in
mineuris, is de teneur
van het lied positief. je
wenst elkaar alle goeds
toe. Maar afscheid doet
soms pijn. Wanneer je het
tempo van de melodie
verlaagt en
‘blue-notes’ toevoegt
in de samenklanken, is
dit direct voelbaar.’
Schulte doelthiermee op
de eerste variatie. De
tweede variatie is zeer
intens met mogelijk nog
diepere gevoelens. Met
een hoog tempo en
oosterse elementen in de
melodie, eindigt
Variations on Shalom
Chaverim, opgewekt en
positief:
‘L'hitra'ot,Shalom’
(Tot ziens, het ga je
goed!).
Concert Band/Harmonie - Grade 3 SKU: BT.GOB-000843-140 Composed by Andrea...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.GOB-000843-140
Composed by Andreas
Ludwig Schulte. Score
Only. Gobelin Music
Publications #GOB
000843-140. Published by
Gobelin Music
Publications
(BT.GOB-000843-140).
Shalom Chaverim
is an ancient Hebrew
(farewell)song, which was
originally sung at the
end of a celebration or
meeting. It was and is
mostly sung as a round.
Freely translated the
words mean “Goodbye,
friends, goodbye and see
you again!”. The
varying moods at a
parting have been
captured very well by
Andreas Schulte in his
arrangement ‘Variations
on Shalom Chaverim’.
The composer himself says
about the song,
‘Although the melody is
in a minor key, the
overall atmosphere in the
song is positive. one
wishes each other all the
best. Saying goodbye,
however, also hurts. When
you slow down the pace of
the melody and add
‘blue notes’ in the
harmonies, this can be
sensed
immediately.’Schulte
refers here to the first
variation. The second
variation is very intense
with possibly even
deeper-felt emotions.
‘Variations on Shalom
Chaverim’ ends on a
cheerful and positive
note, in fast tempo, and
with oriental elements in
the melody:
‘L'hitra'ot, Shalom’
(See you again, and
farewell!).
Shalom Chaverim
is een oud hebreeuws
(afscheids)lied, dat
oorspronkelijk aan het
eind van een viering of
bijeenkomst gezongen
werd. Dit werd en wordt
meestal in ‘canon’
gedaan. Vrij vertaald
luidt de tekst: ‘Dag
makkers, dag,
totziens!’. De
verschillende stemmingen
bij een afscheid zijn
bijzonder fraai door
Andreas Schulte in zijn
‘Variations on Shalom
Chaverim’ verwerkt.
Zelf zegt de componist
over het lied:
‘Alhoewel de toonsoort
van de melodie in
mineuris, is de teneur
van het lied positief. je
wenst elkaar alle goeds
toe. Maar afscheid doet
soms pijn. Wanneer je het
tempo van de melodie
verlaagt en
‘blue-notes’ toevoegt
in de samenklanken, is
dit direct voelbaar.’
Schultedoelt hiermee op
de eerste variatie. De
tweede variatie is zeer
intens met mogelijk nog
diepere gevoelens. Met
een hoog tempo en
oosterse elementen in de
melodie, eindigt
Variations on Shalom
Chaverim, opgewekt en
positief:‘L'hitra'ot,
Shalom’ (Tot ziens, het
ga je goed!).
Fanfare Band - Grade 3 SKU: BT.GOB-000844-120 Composed by Andreas Ludwig ...(+)
Fanfare Band - Grade 3
SKU:
BT.GOB-000844-120
Composed by Andreas
Ludwig Schulte. Score
Only. Gobelin Music
Publications #GOB
000844-120. Published by
Gobelin Music
Publications
(BT.GOB-000844-120).
Shalom Chaverim
is an ancient Hebrew
(farewell)song, which was
originally sung at the
end of a celebration or
meeting. It was and is
mostly sung as a round.
Freely translated the
words mean “Goodbye,
friends, goodbye and see
you again!”. The
varying moods at a
parting have been
captured very well by
Andreas Schulte in his
arrangement ‘Variations
on Shalom Chaverim’.
The composer himself says
about the song,
‘Although the melody is
in a minor key, the
overall atmosphere in the
song is positive. one
wishes each other all the
best. Saying goodbye,
however, also hurts. When
you slow down the pace of
the melody and add
‘blue notes’ in the
harmonies, this can be
sensed
immediately.’Schulte
refers here to the first
variation. The second
variation is very intense
with possibly even
deeper-felt emotions.
‘Variations on Shalom
Chaverim’ ends on a
cheerful and positive
note, in fast tempo, and
with oriental elements in
the melody:
‘L'hitra'ot, Shalom’
(See you again, and
farewell!).
Shalom Chaverim
is een oud hebreeuws
(afscheids)lied, dat
oorspronkelijk aan het
eind van een viering of
bijeenkomst gezongen
werd. Dit werd en wordt
meestal in ‘canon’
gedaan. Vrij vertaald
luidt de tekst: ‘Dag
makkers, dag,
totziens!’. De
verschillende stemmingen
bij een afscheid zijn
bijzonder fraai door
Andreas Schulte in zijn
‘Variations on Shalom
Chaverim’ verwerkt.
Zelf zegt de componist
over het lied:
‘Alhoewel de toonsoort
van de melodie in
mineuris, is de teneur
van het lied positief. je
wenst elkaar alle goeds
toe. Maar afscheid doet
soms pijn. Wanneer je het
tempo van de melodie
verlaagt en
‘blue-notes’ toevoegt
in de samenklanken, is
dit direct voelbaar.’
Schultedoelt hiermee op
de eerste variatie. De
tweede variatie is zeer
intens met mogelijk nog
diepere gevoelens. Met
een hoog tempo en
oosterse elementen in de
melodie, eindigt
Variations on Shalom
Chaverim, opgewekt en
positief:‘L'hitra'ot,
Shalom’ (Tot ziens, het
ga je goed!).
Variations on Shalom Chaverim Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 3 SKU: BT.GOB-000843-010 Composed by Andrea...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.GOB-000843-010
Composed by Andreas
Ludwig Schulte. Set
(Score & Parts). 81
pages. Gobelin Music
Publications #GOB
000843-010. Published by
Gobelin Music
Publications
(BT.GOB-000843-010).
Shalom Chaverim
is an ancient Hebrew
(farewell)song, which was
originally sung at the
end of a celebration or
meeting. It was and is
mostly sung as a round.
Freely translated the
words mean “Goodbye,
friends, goodbye and see
you again!”. The
varying moods at a
parting have been
captured very well by
Andreas Schulte in his
arrangement ‘Variations
on Shalom Chaverim’.
The composer himself says
about the song,
‘Although the melody is
in a minor key, the
overall atmosphere in the
song is positive. one
wishes each other all the
best. Saying goodbye,
however, also hurts. When
you slow down the pace of
the melody and add
‘blue notes’ in the
harmonies, this can be
sensed
immediately.’Schulte
refers here to the first
variation. The second
variation is very intense
with possibly even
deeper-felt emotions.
‘Variations on Shalom
Chaverim’ ends on a
cheerful and positive
note, in fast tempo, and
with oriental elements in
the melody:
‘L'hitra'ot, Shalom’
(See you again, and
farewell!).
Shalom Chaverim
is een oud hebreeuws
(afscheids)lied, dat
oorspronkelijk aan het
eind van een viering of
bijeenkomst gezongen
werd. Dit werd en wordt
meestal in ‘canon’
gedaan. Vrij vertaald
luidt de tekst: ‘Dag
makkers, dag,
totziens!’. De
verschillende stemmingen
bij een afscheid zijn
bijzonder fraai door
Andreas Schulte in zijn
‘Variations on Shalom
Chaverim’ verwerkt.
Zelf zegt de componist
over het lied:
‘Alhoewel de toonsoort
van de melodie in
mineuris, is de teneur
van het lied positief. je
wenst elkaar alle goeds
toe. Maar afscheid doet
soms pijn. Wanneer je het
tempo van de melodie
verlaagt en
‘blue-notes’ toevoegt
in de samenklanken, is
dit direct voelbaar.’
Schultedoelt hiermee op
de eerste variatie. De
tweede variatie is zeer
intens met mogelijk nog
diepere gevoelens. Met
een hoog tempo en
oosterse elementen in de
melodie, eindigt
Variations on Shalom
Chaverim, opgewekt en
positief:‘L'hitra'ot,
Shalom’ (Tot ziens, het
ga je goed!).
By Patrick M. Liebergen (Arranger). For SAB Choir. Choral, Piano Trax, Folk Song...(+)
By Patrick M. Liebergen
(Arranger). For SAB
Choir. Choral, Piano
Trax, Folk Songs,
Graduation, Hanukkah,
Multi-Cultural. Sheet
Music. Published by
Shawnee Press.
Collection (with digital access to lesson slides) Choral (Collection) SKU: HL...(+)
Collection (with digital
access to lesson slides)
Choral (Collection)
SKU: HL.261481
Play and Sing Songs in
the Music Class with
Step-by-Step Projectable
Lesson Slides.
Composed by Marty Gross
and Sally Haines.
ExpressiveArts.
Collection, Elementary.
Softcover Media Online.
72 pages. Published by
Hal Leonard (HL.261481).
ISBN 9781540020376.
UPC: 888680727437.
8.5x11.0x0.208 inches. By
Marty Gross and Sally
Haines.
Get on
board! Using ukuleles in
an elementary general
music class can open new
experiences for your
students. These fun,
accessible instruments
encourage singing while
promoting confidence and
musical independence.
Ukuleles also provide an
additional way for you to
observe student progress
and assess musical
understanding. UKULELES
ON BOARD is a collection
of sequential lessons
that illustrate how
teachers can use ukuleles
along with other common
classroom resources to
create engaging, robust
musical activities for
students. Examples are
provided for using
ukuleles together with
Orff instruments,
recorders, a variety of
percussion and even jug
band instruments. Each
unit includes digital
access to step-by-step
projectable lesson slides
so you can project all
the visual cues your
students will need. In
addition to being easy to
learn and fun, the folk
songs used throughout the
book provide students
with cultural and
historical connections.
The activities and
concepts found in
UKULELES ON BOARD are
based on the National
Standards for Music
Education. The material
has been field-tested in
grades 2-4, but is also
appropriate for fifth
grade students new to the
ukulele. This is a
valuable guide to using
ukuleles to support and
enhance the music
curriculum in your
school. Songs include:
Are You Sleeping? (Frere
Jacques!), Michael
Finnegan, Buffalo Gals,
Joe Turner Blues, Shalom
Chaverim, I Love the
Mountains, Little 'Liza
Jane, Hambone, One Bottle
of Pop, Pay Me My Money
Down, Let Us Chase the
Squirrel, Go Tell Aunt
Rhody, Old Joe Clark.
Suggested for grades
2-5.
Contents: Finale from Symphony No. 5 (Beethoven) · Be Thou My Vision · And...(+)
Contents: Finale from
Symphony No. 5
(Beethoven) · Be Thou
My Vision · And the
Multitude with One Voice
Spoke · The Highlander
· Shalom Chaverim ·
Full Spectrum · The
Magical Mozart (from
Magic Flute) · The
Morning Trumpet
·Prelude, Hymn and
Fugue · Acclamation
· Trumpet Voluntary
· Fantasy on a
Canadian Folk Song ·
Rats, Bats and Spiders
· Bay Town Festival
· Allegria! Allegria!
· Go Ring Them Bells
Harpsichord SKU: HL.48188014 Composed by Francois Couperin. Leduc. Baroqu...(+)
Harpsichord
SKU:
HL.48188014
Composed
by Francois Couperin.
Leduc. Baroque.
Softcover. 140 pages.
Heugel and Cie #HE31972.
Published by Heugel and
Cie (HL.48188014).
UPC: 888680844363.
9.0x12.0x0.39
inches.
â??Harpsic
hord work - Volume 4,
LP.24 by Francois
Couperin is the fourth in
a series of 4 volumes of
suites for Harpsichord.
Published in 1930, three
years before Couperin?s
death, when he was very
ill, this volume
initially presented some
small mistakes and some
white pages. It features
seven Ordres, from the
20th to the 27th, with a
total of 43 pieces. For
upper-intermediate
players, this volume was
edited by Kenneth
Gilbert. François
Couperin was a very
famous French composer
who played the
Harpsichord, the Organ.
Coming from a famous
family of musicians, he
was nicknamed ?Couperin
le Grand?
(â?â??Couperin the
Greatâ?â??).â?.
Harpsichord SKU: HL.48188013 Composed by Franç and ois Couperin. Le...(+)
Harpsichord
SKU:
HL.48188013
Composed
by Franç and ois
Couperin. Leduc. Baroque.
Softcover. 150 pages.
Heugel & Cie #HE31971.
Published by Heugel & Cie
(HL.48188013).
UPC:
888680908263.
9.0x12.0x0.499
inches.
The first
volume of Couperin's
Harpsichord Pieces does
not contain a date of
publication, however, it
is thought to have been
composed during
1716-1717, due to the
address which the
composer gave on his
other Harpsichord
compositions. Yet, the
compilation remains a
favourite. Francois
Couperin (1668-1733) is
often nicknamed 'Couperin
the Great' to distinguish
him from other members of
the musical family. Many
of the composer's works
have picturesque titles.
Examples of this in his
first volume of Pieces
for Harpsichord include,
Les Papillons (The
Butterflies),
L'Enchanteresse (The
Enchanting) and Les
Plaisirs de Saint Germain
en Laye (The Pleasures of
Saint Germain en Laye).
Couperin's moods are
expressed through choices
of keys, adventurous
harmonies and discords.
With a significant amount
of variation and
inspiration, Pieces for
Harpsichord is essential
to the repertoire of
aspiring players of the
instrument..
Cello (Cello) SKU: HL.48183212 Composed by Franç and ois Couperin. ...(+)
Cello (Cello)
SKU:
HL.48183212
Composed
by Franç and ois
Couperin. Leduc. Baroque.
Alphonse Leduc #AL25226.
Published by Alphonse
Leduc (HL.48183212).
Couperin's
Concert Pieces for Cello
and String Quartet
accompaniment is an
exciting addition to the
string repertoire for its
slightly unusual
instrumentation. Francois
Couperin (1668-1733) is
often nicknamed 'Couperin
the Great' to distinguish
him from other members of
the musical family.
Concert Piecesis made up
of five movements; 1)
Prelude, 2) Sicilienne,
3) The Trumpet, 4) The
Complaint, and 5) Devil's
Air. Couperin's moods are
expressed through choices
of keys, adventurous
harmonies and discords.
With a significant amount
of variation and
inspiration, Concert
Pieces is essential to
the repertoire of
aspiring, advanced String
Quartets and solo
cellists..
Harpsichord SKU: BT.ALHE31970 Le Pupitre. Composed by Francois Cou...(+)
Harpsichord
SKU:
BT.ALHE31970
Le
Pupitre. Composed by
Francois Couperin. Book
Only. Heugel & Cie
#ALHE31970. Published by
Heugel & Cie
(BT.ALHE31970).
French.
The
third volume of
Couperin's Pieces for
Harpsichord does not
contain a date of
publication, however it
is thought to have been
composed during
1716-1717, due to the
address which the
composer gave on his
other
Harpsichordcompositions.
Yet, the compilation
remains a favourite.
François Couperin
(1668-1733) is often
nicknamed 'Couperin the
Great' to distinguish him
from other members of the
musical family. Many of
the composer's works
havepicturesque titles.
Examples of this in his
third volume of Pieces
for Harpsichord include,
La Langueur (Languor), Le
Petit-Rien (The
Little-Nothing) and
L'Artiste (The Artist).
Couperin's moods are
expressed through choices
ofkeys, adventurous
harmonies and discords.
With a significant amount
of variation and
inspiration, these Pieces
for Harpsichord are
essential to the
repertoire of aspiring
players of the
instrument.
Piano SKU: BR.EB-8029 Piano Lessons by Francois Couperin. Composed...(+)
Piano
SKU:
BR.EB-8029
Piano
Lessons by Francois
Couperin. Composed by
Francois Couperin. Edited
by Heinz Walter. Solo
instruments; Softcover.
Edition Breitkopf.
Baroque period. Score. 20
pages. Breitkopf and
Haertel #EB 8029.
Published by Breitkopf
and Haertel (BR.EB-8029).
ISBN 9790004174326. 9
x 12 inches.
This
series of easy piano
music for teaching
purposes presents pupils
in the lower and lower
middle grades with a
carefully chosen
selection of well-known
and lesser-known
compositions by important
masters. The volumes are
deliberately kept small
in extent, since it is
more stimulating for
children to change the
teaching material
frequently. There are
four existing harpsichord
books with a total of 226
compositions by Francois
Couperin le Grand (1668
-1733). His works are as
unknown to pianists as
they are famous among
harpsichord players. The
grace and imaginativeness
of his works lend
themselves especially
well to the sound of the
harpsichord, which is why
the piano interpretation
of works by Couperin,
Rameau, Scarlatti and
other composers of that
time has been
categorically rejected.
But, after all, the works
of Bach and Handel were
written for the
haipsichord and
clavichord, and no one
would dare question their
intetpretation on the
pianoforte. In order to
introduce these
lmpressionists of the
Baroque Era to piano
instruction, the editor
has added to this series
a folio of both
Couperin's and Rameau's
(EB 8033) music. The
selection of the pieces
is based on two criteria:
1. relatively modest
demands made on
technique, 2. various
musical forms of
expression. The
Butterflies and the
Windmills are both
especially typical of
masterful character
pieces. The demands made
on technique certainly
correspond to a level of
moderate difficulty. The
simplifications made are
restricted to the
artistically realized
twopart accompaniment
(eg. p. 4 f. and p. 8 f.)
with regard to finger
stretch and to the
profuse ornamentation of
the original. The
indications for phrasing
and articulation are
those of the editor. The
first two pieces have
been precisely elaborated
on in this respect to
serve as a model, whereas
the remaining pieces
contain only suggestions.
As in other folios of
this series; what is here
to be stressed, is the
importance of working out
independently the
phrasing and the
dynamics. Directions for
this are given by the
respective footnotes;
these directions,
however, are not
obligatory. lndications
pertaining to dynamics
and tempo have been
omitted completely; the
clearly recognizable
character of the
individual pieces should
be direction enough. The
tonal possibilities of
the piano should in any
case be used subtly. The
very precise fingerings
have been adapted to the
suggested phrasings and
to the corresponding
realization of trills
(according to the table).
Heinz Walter, Salzburg,
Spring 1980.
Harpsichord SKU: HL.48188858 Composed by Louis Couperin. Leduc. Softcover...(+)
Harpsichord
SKU:
HL.48188858
Composed
by Louis Couperin. Leduc.
Softcover. 172 pages.
Heugel & Cie #HE33691.
Published by Heugel & Cie
(HL.48188858).
UPC:
840126994933.
9.0x12.0x0.306 inches.
French.
The
complete Harpsichord work
- Volume 2 by Louis
Couperin is the second of
a series of volumes with
suites for Harpsichord.
Composed in a Baroque
style, the whole series
features 133 pieces for
advanced players. Louis
Couperin (1626-1661) was
a French composer and
performer, who created
many pieces for Organ and
for Harpsichord who later
became musician at the
court. He invented the
genre of Unmeasured
Prelude for which he
created a form of
notation where the
harpsichordist can choose
how long each note lasts.
Francois Couperin, Louis?
nephew, is also a very
famous musician who
played the
Harpsichord..
Composed
by Francois Couperin.
Edited by Denis Herlin.
This edition: urtext
edition. Stapled.
Performance score, Set of
parts (2), anthology.
Baerenreiter Verlag
#BA11844_00. Published by
Baerenreiter Verlag
(BA.BA11844).
ISBN
9790006574797. 31 x 24.3
cm inches.
This
edition contains
Couperin’s four
“Concerts
royauxâ€, which were
published in 1722 as part
of Book III of his
“Pièces de
clavecinâ€. For the
first time it makes these
pieces, scored for
chamber ensemble,
separately available in
an Urtext edition. It is
based on the musical text
of the solo harpsichord
version found in the
pioneering new edition of
“Pièces de
clavecin III†(BA
10846). The editor has
painstakingly evaluated
the many impressions of
the original print, most
of which he himself
discovered in libraries
throughout the
world.
The preface
(Fr/Eng) contains
informative details on
historical performance
practice and on the
conception of the
“Concerts
royauxâ€, which
Couperin expressly
intended to be performed
either by solo
harpsichord or with
accompanying ensemble.
The modern engraving
preserves essential
features of the original
print, which largely
avoids page-turns within
the pieces. It thereby
brings today’s
players close to the
special sound of this
music in a fascinating
way. Couperin’s
table of embellishments
and symbols as well as a
glossary (Fr/Eng) and a
detailed Critical
Commentary (Eng) round
off this long-overdue
Urtext edition.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
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91 Selections from Keyboard Literature, Concertos, Oratorios and Operas. By Vari...(+)
91 Selections from
Keyboard Literature,
Concertos, Oratorios and
Operas. By Various.
World's Greatest
Classical Music. 224
pages. Published by Hal
Leonard.
Composed by
Francois Couperin. Wind &
brass music. Clifton
Edition #C423. Published
by Clifton Edition
(ST.C423).
ISBN
9790570814237.
Four contrasting
movements. Giocoso,
Sostenuto, Allegro and
Comodo
The
Couperin family’s
influence extended over
five generations and was
as important to French
music as the Bachs’ to
German music. François
1668-1733 (known as ‘le
Grand’) was, like his
father, organist of St.
Gervais and in 1693
became organist to the
King at
Versailles.
He
excelled as a composer of
keyboard music and
produced an instruction
book L’Art de Toucher
le Clavecin, which is
valuable for the light it
throws on contemporary
practice in harpsichord
playing.
J. S.
Bach knew and admired
François Couperin’s
music and the two did
correspond. Alas, the
letters disappeared when,
(according to an article
in Grove) they were used
as lids for
jampots!
Arranged
by B
ryan Kelly Former
Spartan Press Cat. No.:
SP1115.
Harpsichord SKU: FZ.5834 Serie I - France 1600-1800. Edited by Phi...(+)
Harpsichord
SKU:
FZ.5834
Serie I -
France 1600-1800.
Edited by Philippe
Lescat, Jean
Saint-Arroman. This
edition: Facsimile.
Methodes & Traites.
Score. Published by Anne
Fuzeau Productions -
France (FZ.5834).
ISBN
9790230658348. 24.00 x
33.00 cm
inches.
These early
music methods are in
facsimile in two books.
Anonyme - Jean-Henry
d'ANGLEBERT - Francois
COUPERIN (1-2) -
Jean-Joseph Cassanea de
MONDONVILLE - Michel
CORRETTE (1) - Jacques
Champion de CHAMBONNIERES
- Francois DAGINCOURT -
Jean-Francois DANDRIEU -
Louis Claude DAQUIN -
Jean II DENIS - Francois
DIEUPART - Louis-Antoine
DORNEL - Antoine
FORQUERAY - Antoine
FURETIERE - Charles
Alexandre JOLLAGE -
Nicolas-Antoine LEBEGUE -
Jean Leonor LE GALLOIS -
Gaspard LE ROUX - Marin
MERSENNE - Jean-Philippe
RAMEAU (1-2-3) - Pancrace
ROYER - Michel de SAINT
LAMBERT - Charles Joseph
VAN HELMONT. Table of
contents: Mersenne Marin:
Harmonie universelle -
1636. Denis Jean II:
Traite de l'accord de
l'espinette - 1650.
Chambonnieres Jacques
Champion de: Les pieces
de clavessin - 1670.
Anonyme: Tablature pour
le clavecin - s. d.
Lebegue Nicolas-Antoine:
Les pieces de clavessin -
1677. Le Gallois Jean
Leonor: Lettre de Mr Le
Gallois - 1680. Anglebert
Jean-Henry d': Pieces de
clavecin - 1689.
Furetiere Antoine:
Dictionnaire universel -
1690. Dieupart Francois:
Six suittes de clavessin
- 1701. Saint-Lambert
Michel de: Les principes
du clavecin - 1702. Le
Roux Gaspard: Pieces de
clavessin - 1705.
Couperin Francois: Pieces
de clavecin - 1713.
Couperin Francois: L'art
de toucher le clavecin -
1717. Rameau
Jean-Philippe: Pieces de
clavecin - 1724. Dandrieu
Jean-Francois: Livre de
pieces de clavecin -
1724. Rameau
Jean-Philippe: Nouvelles
suites de pieces de
clavecin - 1728. Dornel
Louis Antoine: Pieces de
clavecin - 1731.
Dagincourt Francois:
Pieces de clavecin -
1733. Corrette Michel:
Premier livre de pieces
de clavecin - 1734.
Daquin Louis Claude: 1er
livre de pieces de
clavecin - 1735. Rameau
Jean-Philippe: Pieces de
clavecin - 1736. Van
Helmont Charles Joseph:
Pieces de clavecin -
1737. Jollage Charles
Alexandre: Premier livre
de pieces de clavecin -
1738. Royer Pancrace:
Pieces de clavecin -
1737. Forqueray Antoine:
Pieces de viole (. . . )
mises en pieces de
clavecin - 1747.
Mondonville Jean-Joseph
Cassanea de: Pieces de
clavecin avec voix ou
violon - 1748. Collection
supervised by the
musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile of
copies from:-
Inguimbertine Library of
Carpentras (France). -
Municipal Library of Lyon
(France). - National
Library of Paris
(France). - Sainte
Genevieve Library of
Paris (France). - British
Library of London
(England). - Municipal
Library of Grenoble
(France). - Municipal
Library of Bordeaux
(France). - Gemmente
Museum of The Hague
(Netherlands). - In
Private collection. Anne
Fuzeau Classique propose
the complete theoretic
documentation, methods,
classical music scores on
the harpsichord.