By Andre Bush. For Guitar (All). Method. Jazz. Level: Beginning-Intermediate. Book/CD Set. Size 8.75x11.75. 104 pages. Published by Mel Bay Publications, Inc.

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, Tuba, timpani, 2 violins, viola, cello, contrabass, organ

SKU: CA.2719009

Composed by Anton Bruckner. Edited by Ernst Herttrich. This edition: urtext. 1x 27.190/21 flute 1, 1x 27.190/22 flute 2, 1x 27.190/23 oboe 1, 1x 27.190/24 oboe 2, 1x 27.190/25 clarinet 1, 1x 27.190/26 clarinet 2, 1x 27.190/27 bassoon 1, 1x 27.190/28 bassoon 2, 1x 27.190/31 horn 1, 1x 27.190/32 horn 2, 1x 27.190/33 horn 3, 1x 27.19. Stuttgart Urtext Edition: Urtext Editions; Carus sheet music series: Vocal scores XL. Harmony parts. Innovative practice aids, Sacred vocal music, Praise and thanks. Set of Orchestra Parts. WAB 45. Duration 25 minutes. Carus Verlag #CV 27.190/09. Published by Carus Verlag (CA.2719009).

ISBN 9790007200732. Text language: Latin.

Anton Bruckner's Te Deum - a high point in the composer's output and one of the most important works of the sacred choral repertoire in the 19th century - is now available in a modern, scholarly edition. The Carus edition draws on both the two sources regarded as important, the autograph score and the first printed edition, with careful consideration given to variant readings. And so a music text has been prepared which reflects the composer's intentions as closely as possible. Great emphasis has been placed on a clear-to-read layout of the full score pages, as well as excellent legibility for the parts, which are available on sale. With current performance practice in mind, the clarinet parts are notated in B flat instead of A, corresponding with the first printed edition. The vocal score has been newly prepared to reflect current practical requirements. As an economical alternative, a chorus score is available. Bruckner's Te Deum is also available in carus music, the choir app. The app contains the music and a recording, as well as a coach to help with learning each choral part. In preparation: arrangement of the Te Deum for soli, choir, brass quintet and organ. Score and parts available separately - see item CA.2719000.

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, Tuba, timpani, 2 violins, viola, cello, contrabass, organ

SKU: CA.2719049

Composed by Anton Bruckner. Edited by Ernst Herttrich. This edition: urtext. Stuttgart Urtext Edition: Urtext Editions; Carus sheet music series: Vocal scores XL. Organ. Innovative practice aids, Sacred vocal music, Praise and thanks. Single Part, Organ. WAB 45. 8 pages. Duration 25 minutes. Carus Verlag #CV 27.190/49. Published by Carus Verlag (CA.2719049).

ISBN 9790007200794. Language: Latin.

Anton Bruckner's Te Deum - a high point in the composer's output and one of the most important works of the sacred choral repertoire in the 19th century - is now available in a modern, scholarly edition. The Carus edition draws on both the two sources regarded as important, the autograph score and the first printed edition, with careful consideration given to variant readings. And so a music text has been prepared which reflects the composer's intentions as closely as possible. Great emphasis has been placed on a clear-to-read layout of the full score pages, as well as excellent legibility for the parts, which are available on sale. With current performance practice in mind, the clarinet parts are notated in B flat instead of A, corresponding with the first printed edition. The vocal score has been newly prepared to reflect current practical requirements. As an economical alternative, a chorus score is available. Bruckner's Te Deum is also available in carus music, the choir app. The app contains the music and a recording, as well as a coach to help with learning each choral part. In preparation: arrangement of the Te Deum for soli, choir, brass quintet and organ. Score and part available separately - see item CA.2719000.

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, Tuba, timpani, 2 violins, viola, cello, contrabass, organ

SKU: CA.2719014

Composed by Anton Bruckner. Edited by Ernst Herttrich. This edition: urtext. Stuttgart Urtext Edition: Urtext Editions; Carus sheet music series: Vocal scores XL. Violoncello. Innovative practice aids, Sacred vocal music, Praise and thanks. Single Part, Cello. WAB 45. 12 pages. Duration 25 minutes. Carus Verlag #CV 27.190/14. Published by Carus Verlag (CA.2719014).

ISBN 9790007200770. Text language: Latin.

Anton Bruckner's Te Deum - a high point in the composer's output and one of the most important works of the sacred choral repertoire in the 19th century - is now available in a modern, scholarly edition. The Carus edition draws on both the two sources regarded as important, the autograph score and the first printed edition, with careful consideration given to variant readings. And so a music text has been prepared which reflects the composer's intentions as closely as possible. Great emphasis has been placed on a clear-to-read layout of the full score pages, as well as excellent legibility for the parts, which are available on sale. With current performance practice in mind, the clarinet parts are notated in B flat instead of A, corresponding with the first printed edition. The vocal score has been newly prepared to reflect current practical requirements. As an economical alternative, a chorus score is available. Bruckner's Te Deum is also available in carus music, the choir app. The app contains the music and a recording, as well as a coach to help with learning each choral part. In preparation: arrangement of the Te Deum for soli, choir, brass quintet and organ. Score and part available separately - see item CA.2719000.

Band concert band - Grade 1

SKU: CF.BPS138F

Composed by Joseph Compello. Full score. 10 pages. Carl Fischer Music #BPS138F. Published by Carl Fischer Music (CF.BPS138F).

ISBN 9781491159507. UPC: 680160918096.

Woody Woodblocker is a novelty piece featuring the title instrument as a soloist. It is suitable for bands currently in the first year of lessons. It should be performed in a lively manner and played at a tempo deemed suitable by the director. While the typical woodblock is usually struck with a drumstick, the director may wish to explore other types of blocks and mallets which may prove more effective with bands of varying sizes. To overcome the issue of balance, the woodblock notes are primarily sounded while the winds have rests within a measure. Young bands, therefore, with more than a few players in the percussion section may use more than one woodblock player on the solo part without upsetting the balance between woodblock(s) and winds. Thank you for choosing this composition.
Woody Woodblocker  is a novelty piece featuring the title instrument as a soloist. It is suitable for bands currently in the first year of lessons. It should be performed in a lively manner and played at a tempo deemed suitable by the director. While the typical woodblock is usually struck with a drumstick,  the director may wish to explore other types of blocks and mallets which may prove more effective with bands of varying sizes. To overcome the issue of balance, the woodblock notes are primarily sounded while the winds have rests within a measure. Young bands, therefore, with more than a few players in the percussion section may use more than one woodblock player on the solo part without upsetting the balance between woodblock(s) and winds.Thank you for choosing this composition.

Choral SSA Choir and Piano

SKU: CF.CM9716

Day of Wrath. Composed by David (D) Smith. 12 pages. Duration 0:01:57. Carl Fischer Music #CM9716. Published by Carl Fischer Music (CF.CM9716).

ISBN 9781491160954. UPC: 680160919550. Key: D minor. Latin. Early Latin Text.

This text is taken from the Dies Irae Sequence from the Requiem Mass. It is a contemplation of the arrival of judgment day. The A-sections, mm. 1-29 & mm. 43-end, are a manic depiction of the fierce wrath of judgment day. They should be sung with fire, crisp consonants while always enunciating the accents in order to realize the full effect of this powerful text. The entire demeanor of the tone and facial expressions should change for the B-section, mm. 30-42 as it is a plea for mercy. The audience should realize the change in this contrasting section. Translation Dies irae, dies illa: Day of wrath, that day Solvet saeclum in favilla: shall dissolve the world into embers Teste David cum Sibylla: As David prophesied with the Sibyl. Voca me cum benedictis :Call me to be with the blessed. Salva me fons pietatis : Save me, fount of pity. The Sibyl is a reference from a Greek word, which means Prophetess. In this context, the word appears in plural, referring to many prophetesses. David, or King David, has long been considered prophetic among biblical scholars. About the Arranger D. Farrell Smith is the Director of Choirs at Hilldale Middle School, and Hilldale High School in Muskogee, Oklahoma. He holds a B.A. in Music Education and the M.A. in Theological Studies. Currently the Minister of Music at Eastern Heights Baptist Church, he has been a Music educator and Minister for 20 years. Mr. Smith studied with Dr. Gary Foster and Dr. Donald Studebaker and has performed under such notables as R. Evan Copley, Daniel Pinkham, Lloyd Pfautsch, and Bev Henson.
This text is taken from the Dies Irae Sequence from the Requiem Mass. It is a contemplation of the arrival of judgment day. The A-sections, mm. 1-29 & mm. 43-end, are a manic depiction of the fierce wrath of judgment day. They should be sung with fire, crisp consonants while always enunciating the accents in order to realize the full effect of this powerful text. The entire demeanor of the tone and facial expressions should change for the B-section, mm. 30-42 as it is a plea for mercy. The audience should realize the change in this contrasting section.TranslationDies irae, dies illa: Day of wrath, that daySolvet saeclum in favilla: shall dissolve the world into embersTeste David cum Sibylla: As David prophesied with the Sibyl.Voca me cum benedictis :Call me to be with the blessed.Salva me fons pietatis : Save me, fount of pity.The “Sibyl” is a reference from a Greek word, which means Prophetess. In this context, the word appears in plural, referring to many prophetesses. David, or King David, has long been considered prophetic among biblical scholars.About the ArrangerD. Farrell Smith is the Director of Choirs at Hilldale Middle School,  and Hilldale High School in Muskogee, Oklahoma.   He holds a B.A. in Music Education and the M.A. in Theological Studies. Currently the  Minister of Music at Eastern Heights Baptist Church, he has been a Music educator and Minister for 20 years. Mr. Smith studied with Dr. Gary Foster and Dr. Donald Studebaker and has performed under such notables as R. Evan Copley, Daniel Pinkham, Lloyd Pfautsch, and Bev Henson.

Band concert band - Grade 1

SKU: CF.BPS138

Composed by Joseph Compello. Set of Score and Parts. 10+8+2+8+2+5+2+2+8+3+6+2+ 3+2+1+2+2 pages. Duration 1 minute, 59 seconds. Carl Fischer Music #BPS138. Published by Carl Fischer Music (CF.BPS138).

ISBN 9781491159491. UPC: 680160918089.

Woody Woodblocker is a novelty piece featuring the title instrument as a soloist. It is suitable for bands currently in the first year of lessons. It should be performed in a lively manner and played at a tempo deemed suitable by the director. While the typical woodblock is usually struck with a drumstick, the director may wish to explore other types of blocks and mallets which may prove more effective with bands of varying sizes. To overcome the issue of balance, the woodblock notes are primarily sounded while the winds have rests within a measure. Young bands, therefore, with more than a few players in the percussion section may use more than one woodblock player on the solo part without upsetting the balance between woodblock(s) and winds. Thank you for choosing this composition.
Woody Woodblocker  is a novelty piece featuring the title instrument as a soloist. It is suitable for bands currently in the first year of lessons. It should be performed in a lively manner and played at a tempo deemed suitable by the director. While the typical woodblock is usually struck with a drumstick,  the director may wish to explore other types of blocks and mallets which may prove more effective with bands of varying sizes. To overcome the issue of balance, the woodblock notes are primarily sounded while the winds have rests within a measure. Young bands, therefore, with more than a few players in the percussion section may use more than one woodblock player on the solo part without upsetting the balance between woodblock(s) and winds.Thank you for choosing this composition.

Concert Band Bass Clarinet, Bassoon, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, Euphonium, Flute 1, Flute 2, Horn 1, Horn 2, Oboe, Suspended Cymbal, Timpani, Trumpet 1, Trumpet 2, Trumpet 3, Tuba, Vibraphone, alto Clarinet, alto Saxophone 1 and more. - Grade 3-3.5

SKU: CF.CPS13F

My Lord, What A Mornin' - Full Score. Composed by Carl Strommen. Arranged by Carl Strommen. Carl Fischer Concert Performance Series. Full score. With Standard notation. 12 pages. Carl Fischer Music #CPS13F. Published by Carl Fischer Music (CF.CPS13F).

ISBN 9780825843617. UPC: 798408043612. 9 X 12 inches.

Commissione d by the South Carolina Chapter of Phi Beta Mu Band Fraternity in honor of Lorraine Paris, Band Director for 47 years at Newberry High School, Newberry, SC. Lorraine Paris is a native of Greenville, South Carolina, where she graduated from Parker High School. She received her B.S. in Music Education from Winthrop College and her M.A. from Furman University. She began her teaching career in 1948 in Newberry, South Carolina, where she taught for the next 47 years until her retirement in 1995. A member of numerous musical organizations, including Phi Beta Mu and the Theta chapter of Alpha Delta Kappa, she served as the first president of the South Carolina Band Directors Association and currently serves as their first Executive Secretary-Treasurer. She has been named Outstanding Bandmaster and Outstanding Contributor by the South Carolina Chapter of Phi Beta Mu, and was also named to that organization's Hall of Fame. Other honors include the South Carolina Career Service Award from ASBDA, the Silver Baton and Scroll of Excellence Awards from WBDNA, and the Band World Legion of Honor. In 1993, she was presented the Key to the City of Newberry, and at her retirement, was awarded the Order of the Palmetto from the State of South Carolina. It is to this legacy that the Phi Beta Mu fraternity commissions Prelude to an American Spiritual and it is Lorraine Paris' love of the hymn song that prompted this arrangement of My Lord, What a Momin'.
Commissioned by the South Carolina Chapter of Phi Beta Mu Band Fraternity in honor of Lorraine Paris, Band Director for 47 years at Newberry High School, Newberry, SC.Lorraine Paris is a native of Greenville, South Carolina, where she graduated from Parker High School. She received her B.S. in Music Education from Winthrop College and her M.A. from Furman University. She began her teaching career in 1948 in Newberry, South Carolina, where she taught for the next 47 years until her retirement in 1995. A member of numerous musical organizations, including Phi Beta Mu and the Theta chapter of Alpha Delta Kappa, she served as the first president of the South Carolina Band Directors Association and currently serves as their first Executive Secretary-Treasurer.She has been named Outstanding Bandmaster and Outstanding Contributor by the South Carolina Chapter of Phi Beta Mu, and was also named to that organization’s Hall of Fame. Other honors include the South Carolina Career Service Award from ASBDA, the Silver Baton and Scroll of Excellence Awards from WBDNA, and the Band World Legion of Honor. In 1993, she was presented the Key to the City of Newberry, and at her retirement, was awarded the Order of the Palmetto from the State of South Carolina.It is to this legacy that the Phi Beta Mu fraternity commissions Prelude to an American Spiritual and it is Lorraine Paris’ love of the hymn song that prompted this arrangement of My Lord, What a Momin’.

(The Ultimate Guide to Building Tone Technique and Flexibility). By Frank T. Williams. For trumpet. Softcover book. 64 pages. Published by Carl Fischer

Voice (music for voice)

SKU: HL.48184833

Composed by Dia Succari. Leduc. Classical. CD only. 30 pages. Alphonse Leduc #AL28138. Published by Alphonse Leduc (HL.48184833).

UPC: 888680827502. 6.25x9.5 inches.

“Born in Syria in 1938, Dia Succari undertook his musical studies with his Father before moving to the Paris Conservatoire. He studied composition with Olivier Messiaen before beginning a career as a successful composer and pedagogue. Theory Exercises for Musical Education is no exception to the composer''s achievements. Currently a professor at the Paris Conservatoire, Succari has led a prominent career and therefore, his Theory Exercises for Musical Education are compiled from a wealth of experience and expertise. The fifth volume addresses differing clefs and their common voice ranges, as well as note names. The 25 exercises ensure full understanding and progression. For all musicians, Succari provides a helpful aid to music theory.&rdquo.

Books and Journals; Harp

SKU: UT.LB-4

Composed by Mirella Vita. Paperback (Soft Cover). Classical. Books and Journals. Ut Orpheus #LB 4. Published by Ut Orpheus (UT.LB-4).

ISBN 9788881094479. 6.5 x 9.5 inches.

â??During my career spanning half a century, like all my fellow harpists I constantly had to grapple with the commonly held view that the harp has neither music nor history of its own.
Fortunately, over the years I have been able to give the lie to this myth and have tried to bring to light some of the vast repertoire, both early and modern, expressly composed for this instrument which has been treated somewhat as an outsider in the musical world.
The research work for my books on Italian and Swiss harp music was plain sailing because source materials were specific titles and title pages. Were I to write books on French, German, Austrian, British, Bohemian, Spanish, Portuguese or Scandinavian harp music, the work involved would be equally smooth and straightforward.
Howev er, where Dutch music is concerned, the approach is rather different, because here it is the painters, treatise-writers and historians who provide the evidence and guidance necessary to discover the musical customs and traditions where the harp played a significant part.
Performers looking for pieces of music may use this book as follows: chapter II deals with treatises, chapter III with paintings, chapter IV with history and research accounts. Chapters V and VI are concerned with confusions in terminology. Chapter VII describes recent developments and chapters VIII and IX cover composers and pieces of music. Libraries and publishers are listed with their addresses in chapters X and XI, and finally chapter XII consists of the index based on the various groups of performers.
In this last chapter harpists will find the composers most suited to their programme, and can then turn to chapters VIII and IX for details. The actual pieces can be obtained by consulting chapters X and XI. I wish you every success in your search, in your rehearsals and in your concerts !
In order to define what is Dutch or non-Dutch in early music, I have followed the current approach, i.e. all art and history prior to the separation of the â??Seven Provin­ces in the 16th century is the common heritage of the Low Countries, whereas everything pertaining to those courageous lands from then onwards is specifically Dutch..

Orchestra 2.2.0.1: 2.2.0.0: Str (4-4-3-3-3 in set): Solo Violin in set

SKU: AP.36-A183248

Composed by Wolfgang Amadeus Mozart. Full Orchestra. Kalmus Orchestra Library. Part(s). LudwigMasters Publications #36-A183248. Published by LudwigMasters Publications (AP.36-A183248).

ISBN 9798892704335. UPC: 659359535086. English.

Wolfgang Amadeus Mozart (1756-1791) wrote the SERENADE No. 5 in D Major, K. 204/213a on August 5, 1775 for ceremonies at the University of Salzburg. Concurrently writing his five violin concertos, the composer chose to feature a solo violin in three of the movements. While it retains a seven-part structure, an impromptu violin concerto is cleverly couched within the work. As he did with most of his serenades for orchestra, Mozart crafted a symphony using the other four movements. Instrumentation: 2.2.0.1: 2.2.0.0: Str (4-4-3-3-3 in set): Solo Violin in set. Reprint edition.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

String Duo & Ensemble, Quartet

SKU: AP.36-M199201

1. Composed by William Ryden. This edition: Master String Series. Duet or Duo; Method/Instruction; Quartet. LudwigMasters - Master String Series. Book. LudwigMasters Publications #36-M199201. Published by LudwigMasters Publications (AP.36-M199201).

ISBN 9781638873228. UPC: 735816135492. English.

A wonderful and practical collection of wedding music arranged for string quartet. Contains the standard wedding favorites such as Wagner's "Bridal Chorus" and Purcell's "Trumpet Tune."  Titles included: 1. Bridal Chorus (Wagner)  2. Trumpet Tune (Purcell)  3. Allelujah (Mozart)  4. Where'er You Walk (Handel)  5. Adagio (Mendelssohn)  6. Meditation (Massenet)  7. The Ring on my Finger (Schumann)  8. Ave Maria (Bach/Gounod).

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Chamber Music harp

SKU: PR.114417670

For Harp. Composed by Carter Pann. Sws. Contemporary. Solo part. With Standard notation. Composed 2010. 8 pages. Duration 4:30. Theodore Presser Company #114-41767. Published by Theodore Presser Company (PR.114417670).

ISBN 9781491107973. UPC: 680160636228. 9x12 inches.

The inscription above Carter Pann's Emerald's on Artemis reads: A music box for Emerald Weber (born 18 June, 2010) on Morgan Black's harp Artemis. The title of this 2010 composition is a bit cryptic, but Artemis is the given name of harpist Morgan Black's instrument. The music is both out-and-out tender and exuberant, clearly celebrating the birth of Emerald, the first daughter of one of Pann's dear childhood friends. For advanced harpists.________________ _______________________Te xt on the scanned back cover:Composer/pianist Carter Pann (2016 Pulitzer Prize Finalist in Music) has written for and worked with musicians around the world, garnering performances by ensembles such as the London Symphony and City of Birmingham Symphony, the Tchaikovsky Symphony in Moscow, many radio symphonies around Europe, the Seattle Symphony, National Repertory Orchestra, the youth orchestras of New York and Chicago, and countless wind ensembles.He has written for Richard Stoltzman, the Antares Ensemble, the Capitol Saxophone Quartet, the West Coast Wind Quintet, the River Oaks Chamber Ensemble, and many concert pianists. His String Quartet No. 2 “Operas” was commissioned by the Takács Quartet. Pann has been awarded a Charles Ives Fellowship, a Masterprize seat in London, and many ASCAP awards over the years. His numerous CDs encompass solo, vocal, chamber, orchestral, and wind music, and have received two Grammy nominations. He currently teaches at the University of Colorado in Boulder.

Orchestra String Orchestra, solo string quartet

SKU: AP.36-A103001

Composed by Edward Elgar. String Orchestra. Edwin F. Kalmus. Score. LudwigMasters Publications #36-A103001. Published by LudwigMasters Publications (AP.36-A103001).

ISBN 9781581068764. UPC: 654690664686. English.

Sir Edward Elgar's Introduction and Allegro for Strings, Op. 47, was composed in 1905 for performance in an all-Elgar concert by the newly formed London Symphony Orchestra. Scored for string quartet and string orchestra, Elgar composed it to show off the players' virtuosity.

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Band Concert band - Grade 1.5

SKU: CF.FPS112

Composed by Richard Summers. First Plus Performance Band. Set of Score and Parts. With Standard notation. 8+2+4+4+2+5+2+2+4+4+4+6+2 +3+1+1+4+2+16 pages. Duration 2 minutes. Carl Fischer Music #FPS112. Published by Carl Fischer Music (CF.FPS112).

ISBN 9780825895562. UPC: 798408095567. 9 x 12 inches.

New to Carl Fischer Music, composer Richard Summers gives us a stunning concert overture based on Renaissance and early music styles. Students will find that Epoch Fantasy is pleasantly reminiscent of music from current video games. The modal first theme is contrasted nicely with a sweet lyrical middle section that will highlight the budding musicianship of your developing band.

Violin and Piano

SKU: AP.36-60710009

From Preludes, Book 2. Arranged by Claude Debussy and ed./arr. Lucien Garban. Violin. Master String Series. Book. LudwigMasters Publications #36-60710009. Published by LudwigMasters Publications (AP.36-60710009).

ISBN 9798888521786. UPC: 676737764432. English.

Unlike Bach and Chopin, Claude Debussy (1862-1918) wrote his twenty-four Préludes for solo piano without a clearly organized pattern of key relationships. They were written from December 1909 to April 1913, in two sets, with twelve preludes to each volume. Jane Mortier delivered the premiere of the first volume on May 3, 1911, at the Salle Pleyel in Paris. Walter Morse Rummel gave the first complete performance of the second volume on June 12, 1913, at the Aeolian Hall in London. Prelude No. 5 from Book 2, subtitled Bruyéres, bears similarity to another of his works for piano, La Fille aux cheveux de lin (The Girl with the Flaxen Hair). The pianist Marguerite Long, a friend of the composer, suggested that it sounded reminiscent of the mingling scent of sea mist and pines. French composer and arranger Lucien Garban completed this transcription of No. 5 from Book 2 (Bruyères) for violin and piano in 1926. Reprint edition.

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Composed by Various. For Piano/Vocal/Guitar. Transcontinental Music Folios. Softcover with CD. 136 pages. Transcontinental Music #993516. Published by Transcontinental Music

Concert Band; Orchestra 2.2.2.2: 2.0.0.0: Str (4-4-3-3-3 in set): Solo Cello

SKU: AP.36-A516548

Arranged by Franz Joseph Haydn and ed./arr. by David Popper. Full Orchestra, Solo Strings with Ensemble, Solo Violoncello. Kalmus Orchestra Library. Part(s). LudwigMasters Publications #36-A516548. Published by LudwigMasters Publications (AP.36-A516548).

ISBN 9798892704236. UPC: 659359531361. English.

Cellist and composer David Popper published the CELLO CONCERTO No. 5 in C major, Hob. VIIb:5, in 1899 as a completion of stetches supposedly made by Franz Joseph Haydn (1732-1809). Due to more recent scholarship, the work is now believed to have been written by Popper himself. A blend of technical exploration and melodic charm, the concerto has become a familiar staple of the cello repertoire. It consists of three movements: 1. Allegro moderato, 2. Andante, and 3. Allegretto vivace. Instrumentation: 2.2.2.2: 2.0.0.0: Str (4-4-3-3-3 in set): Solo Cello.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.