Arranged by Sandra Dackow. Orchestra. For string w/ pno for rehearsal. Part(s); Score; SmartMusic; String Orchestra. Orchestra Expressions Book 1. Form: Dance. Folk; Light Concert; World. Grade 1.5. 76 pages. Published by Alfred Music Publishing

Orchestra

SKU: HL.14024964

Composed by Andy Pape. Music Sales America. Book Only. Edition Wilhelm Hansen #KP01396. Published by Edition Wilhelm Hansen (HL.14024964).

Danish.

SATB choir, assembly, Bb instrument, trumpet, timpani

SKU: GI.G-007968

Composed by Richard Proulx. Sacred. Octavo. GIA Publications #007968. Published by GIA Publications (GI.G-007968).

UPC: 641151079684.

Few settings have been in the American repertory longer than the Holy‚ from Jan Vermulst‚ People‚ Mass and the Danish melody for Memorial Acclamation A and the Great Amen. Richard Proulx has deftly arranged these familiar settings and given them renewed life. The choral writing is accessible to most parish choirs, the Soprano part of the Holy‚ may serve as a descant to unison voices. Well-known music to encourage assembly participation‚Ä îand a simple, elegant arrangement for smaller choirs.

Piano

SKU: HL.14007246

Composed by Kenneth Baker. Music Sales America. Pop & Rock. Book [Softcover]. Edition Wilhelm Hansen #WH30076. Published by Edition Wilhelm Hansen (HL.14007246).

ISBN 9788759804049.

< strong>Den Rigtige Pianist - Bind 1. This is Kenneth Baker's famous Piano tutor 'The Complete Piano Player' in Danish.

Opera

SKU: HL.14024963

Composed by Andy Pape. Music Sales America. Classical. Piano Reduction. Music Sales #KP01393. Published by Music Sales (HL.14024963).

ISBN 9788759859476. Danish.

Chorus (with soloists) and piano (solos: SMezMez(A)ATTBarBBB - choir: SSAATTBB - picc.2.2.2.2. - 4.2.3.0. - timp - hp - str)

SKU: BR.DV-6081

Lyrical Opera in 3 Acts. Composed by Pjotr Iljitsch Tschaikowsky. Edited by Manfred Koerth / Wo Ebermann. Arranged by M. Koerth and W. Ebermann. Choir; Softbound. Deutscher Verlag. Opera; Music theatre; Romantic. Piano/Vocal Score. 300 pages. Deutscher Verlag fur Musik #DV 6081. Published by Deutscher Verlag fur Musik (BR.DV-6081).

ISBN 9790200460032. 9.5 x 12 inches.

Duration: full evening

Translation : German (W. Ebermann/M. Koerth), Engl. (D. Llyod-Jones), French (M. Delines)
Place and time: Partly on the estate, partly in Petersburg, in 20ies of the 19th Century

Characters : Larina, Owner of the Estate (mezzo-soprano) - Tatiana (soprano) and Olga (alto), her Daughters - Filipjewna, Wet Nurse (mezzo-soprano/alto) - Eugen Onegin (baritone) - Lenskij (tenor) - Prince Gremin (bass) - A Commander (bass) - Saretzkij (bass) - Triquet, a French Man (tenor) - Guillot, a Valet (silent part) - Country Folk, Ball Guests, Squire, Officers (chorus) - Waltz, mazurka, polonaise and Russian dance (Ballet )

There is an interesting parallel between the subject of the opera and Tchaikovsky's life during the year he wrote the work (1877): in each case, a letter provokes fateful developments in the lives of the protagonists. In the opera, Tatyana's love letter to Eugene sets off the tragedy, whereas in real life, the love letter of a pupil led the composer into a marriage, which lasted all of ... three months. Tchaikovsky took this doomed decision without love, solely because the circumstances want it and because I cannot act differently. Certain allusions made, for example, in a letter of January 1878 to Taneyev suggest that the composer's personal situation also flowed into the work: I did not want anything to do with the so-called 'grand opera.' I am looking for an intimate but powerful drama which is built on the conflict of circumstances which I myself have seen and experienced, a conflict which truly moves me. Partly for this reason the composer decided to call the work not an opera but lyrical scenes.Eugene Onegin, conceived by Tchaikovsky for limited resources and a small stage, is the most frequently performed Russian opera today along with Mussorgsky's Boris Godunov, which represents a completely contrary aesthetic stance.

Tschaikowskys letzte Oper - auf ein Libretto seines Bruders Modest nach der Dramenvorlage des danischen Schriftstellers Henrik Hertz - lebt von den poetischen Momenten und den symbolbeladenen Charakterportrats der Hauptfiguren: Die junge blinde Jolanthe wird von ihrem Vater aus Sorge um ihren Makel und zum Schutz ihrer Jungfraulichkeit und vor den Widrigkeiten der Welt in einen paradiesischen Garten gesperrt. Er befielt zu ihrem Schutz sie um ihre Blindheit unwissend zu lassen. Ein Arzt warnt sehen werde sie nur konnen wenn sie es selbst wolle gleich welche Angste aus der vollstandigen Erkenntnis der Welt erwachsen. Als der junge Vaudemont in ihre Abgeschiedenheit einbricht und sich beide ineinander verlieben befreit er sie von ihrer Unwissenheit erklart was Farbe und Licht bedeuten. Erst die Liebe zu ihm macht sie sehend.

Die dunkle Welt der Jolanthe zeichnet Tschaikowsky zu Beginn musikalisch durch eine Introduktion ausschliesslich fur Blaser. Erst mit dem Eintritt in die unbekannte Welt der Liebe und des Sehens verwendet Tschaikowsky einen warmen Streicherklang. Gerade dadurch stiess die Oper wohl bei Zeitgenossen auf Verstorung. Tschaikowskys ,,Jolanthe nimmt in seinem Opernschaffen eine Sonderstellung ein: neben dem glucklichen Ende einer Apotheose des Lichts und der Liebe mit einem religios gepragten Schlusschoral ist es eines der wenigen Buhnenwerke Tschaikowskys ohne Bezug zur russischen Geschichte. Der ausgepragte Lyrismus des Werks verweist stattdessen auf Tschaikowskys Nahe zur franzosischen Kultur die im 19. Jahrhundert einen starken Einfluss auf Russland hatte. Die Oper wurde 1892 am Mariinsky-Theater in Sankt Petersburg als Auftragswerk zusammen mit seinem Ballett ,,Der Nussknacker uraufgefuhrt.

Nebe n der Produktion des Munchner Rundfunkorchesters wurde ,,Jolanthe szenisch erfolgreich bei den Festspielen Baden-Baden mit Anna Netrebko und Piotr Beczala als Liebespaar rehabilitiert. Ausserhalb Deutschlands lief die Opernraritat in Toulouse Tokyo San Sebastian und Monte Carlo. Zuletzt erneut die ,,Suddeutsche Zeitung: ,,Jolanthe ist eine Opernausgrabung die ,,wirklich zu Unrecht vergessen ist. Tchaikovsky's last opera - on a libretto by the composer's brother Modest based on the drama by the Danish author Henrik Hertz - derives its life-blood from its poetic moments and the symbol-laden portraits of the leading characters: the blind young Yolanta is kept prisoner in a paradisiacal garden by her father who fears for her purity and her virginity and seeks to protect her from the adversities of the world. To do so he orders everyone to keep her ignorant of the fact that she is blind. A doctor warns that she will only be able to see when she is ready to do so herself no matter what fears might result from a complete experience of the world. When the young Vaudemont breaks into her secluded world and the two fall in love he frees her from her ignorance and explains the significance of color and light. It is through her love for him that she is finally able to see. At the beginning of the work Tchaikovsky depicts Yolanta's dark world with an introduction scored exclusively for winds. It is not until her discovery of the unknown world of love and sight that Tchaikovsky uses a warm string sound. This is what many of the composer's contemporaries found disturbing about the opera.

Tchaikovsky 's Yolanta occupies a special place in the composer's operatic oeuvre: for one it has a happy ending an apotheosis of light and love with a religiously stamped closing chorale; for another it is one of Tchaikovsky's few stage works without any reference to Russian history. Instead the work's pronounced lyricism points to the composer's closeness to French culture. which exerted a strong influence on Russia in the 19th century.

The opera was given its world premiere at the Mariinsky Theater in St. Petersburg in 1892. It had been commissioned along with the ballet The Nutcracker. Next to the production by the Munchner Rundfunkorchester Yolanta was also successfully rehabilitated in a recent staged production at the Baden-Baden Festival with Anna Netrebko and Piotr Beczala as the lovers. Outside of Germany the operatic rarity was performed in Toulouse Tokyo San Sebastian and Monte Carlo.

In closing another quote from the Suddeutsche Zeitung: 'Yolanta' is an operatic rediscovery of a work that was truly 'wrongly forgotten'.

Percussion solo

SKU: BR.DV-8173

Composed by Karl Ottomar Treibmann. Solo instruments; Softcover. Deutscher Verlag. World premiere Leipzig, 1980. Music post-1945. Score. Composed 1979. 30 pages. Duration 10'. Deutscher Verlag fur Musik #DV 8173. Published by Deutscher Verlag fur Musik (BR.DV-8173).

ISBN 9790200480832. 9 x 12 inches.

World premiere Leipzig, 1980

Tschaikowskys letzte Oper - auf ein Libretto seines Bruders Modest nach der Dramenvorlage des danischen Schriftstellers Henrik Hertz - lebt von den poetischen Momenten und den symbolbeladenen Charakterportrats der Hauptfiguren: Die junge blinde Jolanthe wird von ihrem Vater aus Sorge um ihren Makel und zum Schutz ihrer Jungfraulichkeit und vor den Widrigkeiten der Welt in einen paradiesischen Garten gesperrt. Er befielt zu ihrem Schutz sie um ihre Blindheit unwissend zu lassen. Ein Arzt warnt sehen werde sie nur konnen wenn sie es selbst wolle gleich welche Angste aus der vollstandigen Erkenntnis der Welt erwachsen. Als der junge Vaudemont in ihre Abgeschiedenheit einbricht und sich beide ineinander verlieben befreit er sie von ihrer Unwissenheit erklart was Farbe und Licht bedeuten. Erst die Liebe zu ihm macht sie sehend.

Die dunkle Welt der Jolanthe zeichnet Tschaikowsky zu Beginn musikalisch durch eine Introduktion ausschliesslich fur Blaser. Erst mit dem Eintritt in die unbekannte Welt der Liebe und des Sehens verwendet Tschaikowsky einen warmen Streicherklang. Gerade dadurch stiess die Oper wohl bei Zeitgenossen auf Verstorung. Tschaikowskys ,,Jolanthe nimmt in seinem Opernschaffen eine Sonderstellung ein: neben dem glucklichen Ende einer Apotheose des Lichts und der Liebe mit einem religios gepragten Schlusschoral ist es eines der wenigen Buhnenwerke Tschaikowskys ohne Bezug zur russischen Geschichte. Der ausgepragte Lyrismus des Werks verweist stattdessen auf Tschaikowskys Nahe zur franzosischen Kultur die im 19. Jahrhundert einen starken Einfluss auf Russland hatte. Die Oper wurde 1892 am Mariinsky-Theater in Sankt Petersburg als Auftragswerk zusammen mit seinem Ballett ,,Der Nussknacker uraufgefuhrt.

Nebe n der Produktion des Munchner Rundfunkorchesters wurde ,,Jolanthe szenisch erfolgreich bei den Festspielen Baden-Baden mit Anna Netrebko und Piotr Beczala als Liebespaar rehabilitiert. Ausserhalb Deutschlands lief die Opernraritat in Toulouse Tokyo San Sebastian und Monte Carlo. Zuletzt erneut die ,,Suddeutsche Zeitung: ,,Jolanthe ist eine Opernausgrabung die ,,wirklich zu Unrecht vergessen ist. Tchaikovsky's last opera - on a libretto by the composer's brother Modest based on the drama by the Danish author Henrik Hertz - derives its life-blood from its poetic moments and the symbol-laden portraits of the leading characters: the blind young Yolanta is kept prisoner in a paradisiacal garden by her father who fears for her purity and her virginity and seeks to protect her from the adversities of the world. To do so he orders everyone to keep her ignorant of the fact that she is blind. A doctor warns that she will only be able to see when she is ready to do so herself no matter what fears might result from a complete experience of the world. When the young Vaudemont breaks into her secluded world and the two fall in love he frees her from her ignorance and explains the significance of color and light. It is through her love for him that she is finally able to see. At the beginning of the work Tchaikovsky depicts Yolanta's dark world with an introduction scored exclusively for winds. It is not until her discovery of the unknown world of love and sight that Tchaikovsky uses a warm string sound. This is what many of the composer's contemporaries found disturbing about the opera.

Tchaikovsky 's Yolanta occupies a special place in the composer's operatic oeuvre: for one it has a happy ending an apotheosis of light and love with a religiously stamped closing chorale; for another it is one of Tchaikovsky's few stage works without any reference to Russian history. Instead the work's pronounced lyricism points to the composer's closeness to French culture. which exerted a strong influence on Russia in the 19th century.

The opera was given its world premiere at the Mariinsky Theater in St. Petersburg in 1892. It had been commissioned along with the ballet The Nutcracker. Next to the production by the Munchner Rundfunkorchester Yolanta was also successfully rehabilitated in a recent staged production at the Baden-Baden Festival with Anna Netrebko and Piotr Beczala as the lovers. Outside of Germany the operatic rarity was performed in Toulouse Tokyo San Sebastian and Monte Carlo.

In closing another quote from the Suddeutsche Zeitung: 'Yolanta' is an operatic rediscovery of a work that was truly 'wrongly forgotten'.

Composed by Rob Mackillop. Saddle-stitched. Book and online audio. 72 pages. Mel Bay Publications, Inc #30764M. Published by Mel Bay Publications, Inc

(zu Liedern des Danischen Gessbuches). By Anton Heiller (1923-1979). Organ. For organ. Composed (1977 / 1978). 16 pages. Published by Doblinger Music Publishers

Guitar

SKU: GI.G-9912G

Arranged by Tony Alonso S.J. This edition: Guitar edition. Tune Name: Winchester New. Sacred. Guitar part. With guitar chord names. 4 pages. GIA Publications #9912G. Published by GIA Publications (GI.G-9912G).

UPC: 785147991274. English. Text Source: Jordanis oras praevia, Charles Coffin, 1676–1749, tr. John Chandler, 1806–1876, alt.; Translation: John Chandler. Text by Charles Coffin.

Mixed Chorus

SKU: HG.GH-6575B

Danisches Volkslied. Edited by Walter Dost. Octavo. Hug Musikverlage #GH 6575B. Published by Hug Musikverlage (HG.GH-6575B).

Nur in Chorstarke, ab 20 Stuck.

Double Bass

SKU: BT.YE0030

Composed by F. Keyper. Exam Material. Book Only. Yorke Edition #YE0030. Published by Yorke Edition (BT.YE0030).

An easy virtuoso work published here for the first time and now much performed. Recorded Slatford/Academy of St Martin-in-the-Fields (EMI). AMEB (Australian Syllabus) 2004. Orchestral material on hire from Yorke Edition (notSpartan).

Pr ogramme Note:

As a young professional player in the 1960s, my work as a double bassist with chamber ensembles and small orchestras took me all over the world. This presented an unparalleledopportunity to scour libraries and archives wherever I went. Long before the advent of the photocopier and e-mail, research was far more challenging than it is today. Eastern Europe was particularly difficult to access, withmanycollections kept under lock and key for all but a few hours a week. One quickly found colleagues who were keen to share information gleaned in passing, even though they had no specific interest in one's own particularspecialism (it is so often the peripheral topics that fascinate as much as the main subject under investigation, and one can quickly be side-tracked into political and social issues that have only slender bearing on the job inhand!).

In the early 1970s James Brown, the then sub-principal oboist of the English Chamber Orchestra with whom I was working at the time, stumbled across a small collection of double bass manuscripts at the RoyalDanish State Library in Copenhagen. They were by Franz Anton Leopold Keÿper (b. c.1756, d. Copenhagen 7 June 1815), a double bassist of Dutch origin who worked as principal of the Royal Chapel Orchestra in Copenhagen.Keÿper's son was the bassoonist Franz Jacob August Keÿper (1792-1859). The collection included a number of concertos, some chamber music, and various naïve fragments. Although hardly the work of a Mozart or Haydn,the style is characteristic of the period. For an instrument such as the double bass, whose 18th century solo repertoire is largely written for tunings that are no longer in everyday use, Keÿper's music is easily approachablein its.

SAB choir, assembly, piano accompaniment, C instrument, cello, guitar - Early intermediate

SKU: GI.G-9912

Arranged by Tony Alonso S.J. Advent, Advent 3 B. Celebration Series. Tune Name: Winchester New. Sacred. Octavo. With guitar chord names. 8 pages. GIA Publications #9912. Published by GIA Publications (GI.G-9912).

UPC: 785147991205. English. Text Source:
Jordanis oras praevia, Charles Coffin, 1676&ndash,1749, tr. John Chandler, 1806&ndash,1876, alt.; Translation: John Chandler. Text by Charles Coffin.

Listen to the recording and see the score in the video below:.

Mixed Chorus

SKU: HG.GH-6662A

Alt-Danisches Volkslied. Edited by Walter Dost. Octavo. Hug Musikverlage #GH 6662A. Published by Hug Musikverlage (HG.GH-6662A).

Nur in Chorstarke, ab 20 Stuck.

(Eleven Concise Lessons for Individual or Choral Ensemble Use). By James Jordan. Sacred. Book. 86 pages. Published by GIA Publications

Voice (Piano/Voice/Guitar)

SKU: HL.14008275

Music Sales America. Sacred. Book [Softcover]. 216 pages. Edition Wilhelm Hansen #WH30505. Published by Edition Wilhelm Hansen (HL.14008275).

ISBN 9788759810712. Danish.

Danish songs - Danske Sange gathers the core repertoire in the Danish song tradition. It covers the Danish song from ballads to the traditional Danish songs till Danish pop and rock. It's all the well known songs and song we'll never get tired of singing. Not just because the songs are Danish, but because of the wonderful melodies and lyrics have a special quality and speaks to the heart . The songs are annotated to include origin, historical and cultural background. In this way there is also the opportunity to learn more about the context in which the songs were originally written. Edited by Inge Marstal and Kaj Norholm.

SATB Choir

SKU: HL.14042564

Landsknaegtserenade. Composed by Orlande De Lassus. Choral. Octavo. Edition Wilhelm Hansen #MS06B14. Published by Edition Wilhelm Hansen (HL.14042564).

Danish-Italian.

Matona Mia Cara (Landsknaegtserenade) by Orlando Di Lasso with danish text by Ida Hoeg Jacobsen. Danish and Italian text. For SATB choir. Matona Mia Cara (Landsknaegtserenade) by Orlando Di Lasso with danish text by Ida Hoeg Jacobsen. Danish and Italian text. For SATB choir.

Organ, Soprano, Organ Accompaniment, Ensemble, SATB

SKU: HL.14035061

Composed by Per Norgard. Music Sales America. Classical. Score. 74 pages. Music Sales #KP00036. Published by Music Sales (HL.14035061).

ISBN 9788759862353. English-Danish.

Win ter Cantata / Vinterkantate (1976) by Per Norgard for a variable ensemble of soloist, mixed choir and instruments (minimum: vocalist and organ). Programme Note: When in 1975 I had finished composing my 3rd Symphony (begun in 1973), I wrote three simple melodies for two psalm texts by Ole Sarvig: The Year and Choral Hymn. These three tunes were derived from the same material as the second movement of the 3rd Symphony and could be harmonized together in several different tempo relationships at the same time - like fractals - which inspired me to write several choral and instrumental works in the following decade based on these melodies: Frost Psalm, Winter Cantata, Winter Hymn, Cantica and others. One of these 'Sarvig melodies' is now included in the new Danish Hymnbook, under the title Aret(The Year). Ole Sarvig's poem Aret (The Year) is Danish, perhaps Scandinavian in character, but its symbolic atmosphere is global (now snow is covering the whole earth). The basic composition of this cantata - based on Sarvig's many verses - was done by letting soloist, choir and instruments change in feelings and moods: from the almost silent, inward-looking beginning (I: Chorale dolorosa) to a dancelike and happy optimism (II: A heaven germ on winged foot thrust deep into the earth its root), followed by nightmarish tone rows as the year-wheel of fortune is turning (III: Sacrifice - The Year) and the temptations of the snake (IV: In Paradiso) - to the allegorical fights between egoism and altruism (V:The Cycle - Autumn. Purgatory) before the waiting for a disaster- atmosphere at the end of this choral Odysse. Winter Cantata was from the beginning (1976) designed as an open work, to be arranged by different combinations of soloists, choir and (different) instruments. The printed version by Per Norgard and Ivan hansen for soloist, mixed choir and instruments (obo, violin, trombone, vibraphone/percussion and organ) is from 1990. The work is available in both the (original) Danish version (Vinterkantate) and an English version (Winter Cantata), translated by Helen and Ole Sarvig. (Per Norgard).

Choral (SSATBB choir)

SKU: HL.14011728

Composed by Pelle Gudmundsen-holmgreen. Music Sales America. Classical, Danish, Madrigal. Vocal Score. 56 pages. Edition Wilhelm Hansen #KP01218. Published by Edition Wilhelm Hansen (HL.14011728).

ISBN 9788759851890. UPC: 888680705817. 10.5x14.5 inches. Danish.

These Four Madrigals by Pelle Gudmundsen-Holmgreen are settings of texts by the Australian author, Les Murray. Two songs were originally written for the Song Company, Australia and two more from his larger work, Sound/Sight for Danish Radio Chamber Choir. All have been arranged here for six voices (SSATBarB) with texts in English and Danish. Duration 16:30.

(SSAATTBB choir)

SKU: HL.48024961

SATB divisi a cappella. Composed by Arnesen and Kim André. Boosey & Hawkes Sacred Choral. Octavo. Boosey & Hawkes #M060137129. Published by Boosey & Hawkes (HL.48024961).

UPC: 840126950366.

Compo ser's note: My approach to arranging this carol, as well as the other carols in Nordic Christmas, was to look at the text (originally in Danish by Nikolai Grundtvig, 1783-1872) and its background to see if there are new meanings hidden in the material. Perhaps there are circumstances around its creation or messages the original authors were trying to say that somehow get lost in the way they are interpreted today. Lovely is the dark blue sky is usually performed as a lustrous up-tempo carol, but thinking of Grundtvig's story and life, writing this text between episodes of severe mental illness, and his vision of a child looking at the dark blue sky at night, I made the atmosphere of this arrangement more dreamy, still and full of wonder. I still wanted to keep it childlike, with the choir singing tenderly and the soprano solo is ideally sung by a child. The melody was written 'by an old man who had never before composed any music', as stated in the 1853 hymnbook in which this melody first appeared. It is the only known composition of its writer, the Norwegian-Danish Jacob Gerhard Meidell (1778-1857), who was a captain in the Danish Army and later a customs inspector in Copenhagen. The text was written by one of the great Danish hymn writers, N F S Grundtvig in 1810. It was written between a manic and a depressive episode. During a time of being well, he wanted to write about Christmas through the eyes of a child. The message is simple, as a children's song with storybook elements.