Opera SKU: HL.50499148 Dialogo Drammatico - Musicale In Un Atto. C...(+)
Opera
SKU:
HL.50499148
Dialogo Drammatico -
Musicale In Un Atto.
Composed by Corghi A.
MGB. Contemporary Music.
Score Only. Composed
2006. Ricordi #NR139224.
Published by Ricordi
(HL.50499148).
Voices and Orchestra SKU: HL.50498836 Cantata Drammatica Per Voce Femm...(+)
Voices and Orchestra
SKU: HL.50498836
Cantata Drammatica Per
Voce Femminile, Viola
Solista. Composed by
Corghi A. MGB.
Contemporary Music. Score
Only. Composed 2006.
Ricordi #NR139448.
Published by Ricordi
(HL.50498836).
Woodwind Quintet,
Percussion. Composed
by Luigi Zaninelli.
Woodwind
quintet/percussion.
Shawnee Press. Print on
demand - publisher prints
this title after order is
received. Concert,
Contest, Quintet. Score
and Parts. Shawnee Press
#LD0069. Published by
Shawnee Press
(HL.35014732).
Intrada Dramatica Ensemble de Trompettes - Intermédiaire Triplo Press
Composed by Joseph Price. Trumpet Ensemble. For 8 trumpets. Small Ensemble. ...(+)
Composed by Joseph Price.
Trumpet Ensemble. For 8
trumpets. Small Ensemble.
Key:
B-flat Major. Modern.
Grade 5.
Score and parts. Standard
notation. Composed 2006.
26
pages. Duration 3
minutes, 11
seconds. Published by
Triplo
Press
Intrada Dramatica Ensemble de Trompettes - Intermédiaire Triplo Press
Composed by Joseph Price. Trumpet Ensemble. For 5 trumpets. Small Ensemble. ...(+)
Composed by Joseph Price.
Trumpet Ensemble. For 5
trumpets. Small Ensemble.
Key:
B-flat Major. Modern.
Grade 5.
Score and parts. Standard
notation. Composed 2006.
22
pages. Duration 3
minutes, 11
seconds. Published by
Triplo
Press
Carmen Suite Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1012709-140 Composed by Georg...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-1012709-140
Composed by Georges
Bizet. The Great
Classics. Score Only.
Composed 2001. De Haske
Publications #DHP
1012709-140. Published by
De Haske Publications
(BT.DHP-1012709-140).
Ook buiten de
theatrale context heeft
de operamuziek van Bizet
een beeldende kracht.
Tohru Takahahsi’s
bewerking van de
Carmen Suite doet
recht aan de dramatiek en
grandeur van het
origineel.
Carm
en ist wohl das
berühmteste und
meistgespielte Werk des
Musiktheaters. Auch
außerhalb des
Theaterkontexts mangelt
es der Musik von Georges
Bizet nicht an
Ausdruckskraft und
Dramatik. Nach dem Tode
des Komponisten wurden
einige Passagen der Oper
für die Carmen
Suite exzerpiert, die
mit dieser Bearbeitung
von Tohru Takahashi, die
der Dramatik und
Größe des Originals
vollkommen gerecht wird,
nun auch für
Blasorchester
zugänglich ist.
Carmen Suite Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1012709-010 Composed by Georg...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-1012709-010
Composed by Georges
Bizet. The Great
Classics. Set (Score &
Parts). Composed 2001. De
Haske Publications #DHP
1012709-010. Published by
De Haske Publications
(BT.DHP-1012709-010).
Carmen is the
best known work by the
French composer Georges
Bizet (1838-1875).
Criticised by the French
public at the time of its
creation because its plot
was deemed indecent, the
opera nevertheless came
to be considered as a
major work due to its
captivating melodies,
Spanish character and
energetic rhythms. In
this brilliant
transcription for concert
band Tohru Takahasi has
remained faithful to the
sparkling, joyful
atmosphere of the scenes
from the
opera.
Ook buiten
de theatrale context
heeft de operamuziek van
Bizet een beeldende
kracht. Tohru
Takahahsi’s
bewerking van de
Carmen Suite doet
recht aan de dramatiek en
grandeur van het
origineel.
Carm
en ist wohl das
berühmteste und
meistgespielte Werk des
Musiktheaters. Auch
außerhalb des
Theaterkontexts mangelt
es der Musik von Georges
Bizet nicht an
Ausdruckskraft und
Dramatik. Nach dem Tode
des Komponisten wurden
einige Passagen der Oper
für die Carmen
Suite exzerpiert, die
mit dieser Bearbeitung
von Tohru Takahashi, die
der Dramatik und
Größe des Originals
vollkommen gerecht wird,
nun auch für
Blasorchester
zugänglich ist.
Violin - Concerto Orchestre, Violon SATB, Orchestre Editorial de Musica Boileau
Violin and orchestra SKU: BO.B.3340 Composed by Jordi Cervello. Instrumen...(+)
Violin and orchestra
SKU: BO.B.3340
Composed by Jordi
Cervello. Instrumental
Sets. Duration 29:00.
Published by Editorial de
Musica Boileau
(BO.B.3340).
ISBN
9788480207591.
Engl
ish comments: My
dedication to the string
instruments has been a
constant throughout my
compositional career and
I knew that sooner or
later the time would come
to compose a concerto for
violin and orchestra.
That moment came in the
autumn of 2002 and after
ten months of
uninterrupted work I
finished it in August of
2003. It is a work
structured similarly to
the traditional
concertos. An important
impetus for the
elaboration of my
concerto was due to the
ill-fated violinist
Ginette Neveu. Her
version of Sibelius'
Concerto has always
stayed with me. For this
reason the first
movement,
Moderato-Allegro, begins
with a contemplative
atmosphere similar to
that of Sibelius'
Concerto in which the
principal thematic ideas
appear tentatively. These
ideas, two rhythmic and
two melodic, are
reaffirmed through a
broad development that
culminates in an
orchestral fullness. A
calm, mysterious passage
recalls the introduction
and after becoming
blurred, three bars burst
in leading to the rapid
section of the movement.
Soloist and orchestra
engage in a dialectic
struggle of a dramatic
nature. The agitation
subsides leaving only a
tranquil and suggestive
clarinet phrase. This
will be taken up by the
soloist who leads up to
the movement's most
dramatic moment playing
an accelerating triplet
figure supported by an
orchestral pedal in
crescendo. From here the
soloist's cadenza emerges
beginning with soft
double notes. It finishes
with an ascending
progression and the
soloist settles into the
high register to elicit
the orchestra's
intervention in a soft
and transfigured
atmosphere. Once
internalised the second
movement, Adagio poco
sostenuto e leggero
begins. It has a solemn
character and opens with
two trumpet calls
answered by the
violoncellos and the
contrabasses. The violin
soloist introduces and
plays two nostalgic
themes, the first in the
low register and the
second, more extensive,
in the middle register.
The soft and delicate
Misterioso e leggero
begins with the violin
singing on high. The
rhythm of the constant
quaver figures gradually
accelerates until the
soloist provokes a
dramatic full orchestra
as in a cadenza. Once
again, the Calmo, in
which the soloist with
less and less orchestral
attire serenely bids
farewell. A rising series
of double stops by the
soloist serves to
initiate the
Finale-Scherzo. In 6/8
rhythm and with the
character of a rondo it
carries us along in a
carefree, virtuosic
ambiance. The principal
motives, brief and
concise, emerge from the
happy, playful theme
presented by the soloist.
With an intricate
progression of rapid
sixths in double stops it
reaches a tense and
somewhat combative
moment. However this
resolves itself in a
diminuendo that the
soloist peacefully takes
up with the notes re-la
to commence the cadenza.
This culminates in a
series of tied notes to
reintroduce the principal
theme. A moment of
melodic suspension serves
as a farewell before the
brief and jovial final
coda. --The
author
Comentari
os del Espanol: A lo
largo de mi carrera
compositiva mi dedicacion
a los instrumentos de
cuerda ha sido constante
y sabia que, tarde o
temprano, llegaria el
momento de componer un
concierto para violin y
orquesta. Este llego en
otono de 2002 y, tras
diez meses de trabajo
ininterrumpido, lo
termine en agosto de
2003. Se trata de una
obra estructurada de
manera similar a los
conciertos tradicionales.
Un importante impulso a
la elaboracion de mi
concierto lo debo al
recuerdo de la malograda
violinista Ginette Neveu.
Su version del concierto
de Sibelius ha
permanecido siempre
dentro de mi. Por ese
motivo, el primer
movimiento
Moderato-Allegro se
inicia con una atmosfera
contemplativa cercana a
la del mencionado
Concierto, en la que
aparecen cautamente las
principales ideas
tematicas. Con un amplio
desarrollo se llega a un
lleno orquestal en el que
estas ideas -dos ritmicas
y dos melodicas- quedan
reafirmadas. Un pasaje
calmo y misterioso
rememora la introduccion.
Tras desdibujarse,
irrumpen tres compases
que nos llevan a la parte
rapida del movimiento.
Solista y orquesta
establecen un combate
dialectico de caracter
dramatico. La inquietud
desaparece hasta una
tranquila e insinuante
frase del clarinete. Esta
sera recogida por el
solista, quien, a base de
una figuracion de
tresillos cada vez mas
rapidos apoyada por un
pedal de la orquesta in
crescendo, conduce hacia
el momento mas dramatico
del movimiento. De aqui
nace la cadenza del
solista, que se incia con
suaves notas dobles.
Finaliza con una
progresion ascendente y
el solista se coloca en
el registro agudo para
llamar la intervencion de
la orquesta dentro de una
atmosfera suave y
transfigurada.
Interiorizado es el
segundo movimiento Adagio
poco sostenuto e leggero.
Con dos llamadas de las
trompas respondidas por
los violonchelos y
contrabajos inicia el
Adagio de caracter grave.
El violin solista
introduce y canta dos
temas nostalgicos. El
primero en el registro
grave y el segundo, mas
amplio, en el medio.
Inicia el Misterioso e
leggero, de caracter
suave y delicado. Con el
violin cantando en agudo.
La constante figuracion
de corcheas acelerara
poco a poco el ritmo
hasta que el solista a
modo de cadenza provocara
un dramatico lleno
orquestal. De nuevo el
Calmo, donde el solista,
cada vez con menos ropaje
orquestal, se despide
serenamente. Una subida
de dobles cuerdas a cargo
del solista sirve para
iniciar el
Finale-Scherzo. Este, en
ritmo de 6/8 y con
caracter de rondo, nos
transporta en un clima
virtuosistico y
despreocupado. Del tema
alegre y jugueton
presentado por el solista
nacen los principales
motivos, breves y
concisos. Con una
intrincada sucesion de
rapidas sextas en doble
cuerda se llega a un
momento crispado y algo
combativo que, sin
embargo, se resolvera en
un diminuendo que el
solista recoge
apaciblemente con las
notas re-la para inciar
la cadenza. Esta culmina
con un suave rosario de
notas en ligado para
introducir de nuevo el
tema principal. Un
momento de suspension
melodica sirve como
despido antes de la breve
y jovial coda final. La
obra fue estrenada el 23
de septiembre de 2005 en
el Teatre Monumental de
Madrid por la Orquesta
Sinfonica de RTVE con
Markus Placci de solista
y Uwe Mund de director.
Gravacion: RNE y Canal
Clasico de TVE. --El
Autor.
Vocalises minute Voix Soprano, Piano [Conducteur] Lemoine, Henry
Soprano voice and piano SKU: LM.29241 Composed by Elena Vassilieva. Class...(+)
Soprano voice and piano
SKU: LM.29241
Composed by Elena
Vassilieva. Classical:
20th Century
(Contemporary). Score. 34
pages. Editions Henry
Lemoine #29241. Published
by Editions Henry Lemoine
(LM.29241).
ISBN
9790230992411.
I.
La Reine noire (soprano
dramatico-coloratura) -
II. Disperata donna
(soprano
dramatico-coloratura) -
III. La Diva (soprano
dramatico) - IV. Ah Madre
del Cielo (soprano
lirico-spinto) - V.
Leonora (soprano
lirico-spinto) - VI. La
Mort des amants (soprano
lirico-leggero) - VII.
Anna Bolena (soprano
lirico-leggero) - VIII.
Je suis belle (soprano
colorature) - IX. Mes
grisgris (soprano
soubrette) - X. La
Pastorella (soprano
soubrette).
Music Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Anglo Music
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-046-010 Composed by John Mile...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.AMP-046-010
Composed by John Miles.
Arranged by Philip
Sparke. Anglo Music
Midway Series. Concert
Piece. Set (Score &
Parts). Composed 2002.
Anglo Music Press #AMP
046-010. Published by
Anglo Music Press
(BT.AMP-046-010).
9x12
inches.
Born in
Jarrow, northeast
England, in 1949, John
Miles was something of a
child prodigy, learning
the piano from the age of
five. In the early '60s
he persuaded his father
to buy him a guitar and
by the end of the decade
he had joined
asemi-professional band,
The Influence. The group
soon disbanded and by
1969 Miles was recording
with his own group, The
John Miles Band,
releasing a dozen singles
in the early '70s. In
1975 Miles decided to
move to London and
secured a dealwith Decca
Records. By October that
year, a newly formed
band, John Miles and Co,
had released their debut
single, Highfly,
but their greatest hit,
which stormed the British
charts in March 1976, was
Music.
In
1976 bestormde het nummer
Music van de band
John Miles and Co de
hitparades. Music,
vaak bekritiseerd als
pompeus en hoogdravend in
een periode die steeds
meer de kant van de punk
opging, was in feite
typisch Britsetechnopop
en daarbij een bepalende
plaat voor die tijd,
samen met nummers als
Queen’s
Bohemian Rhapsody.
Met veel gevoel voor
dynamiek en dramatiek
werkt deze ode aan de
muziek nog altijd
aanstekelijk.
Musi
k war meine erste Liebe-
so beginnt der Text
dieses Pop-Klassikers aus
den Siebzigern von John
Miles, der mit dieser
Zeile damit damals und
heute den Nerv aller
begeisterten Musiker und
Musikfans der Welt traf.
Leise undlaut,
gefühlvoll und
dramatisch, zieht diese
schöne
Liebeserklärung an die
Musik in der
Blasorchester-Bearbeitung
von Philip Sparke noch
immer Musiker und
Zuhörer unweigerlich
in ihren
Bann.
Music Fanfare [Conducteur et Parties séparées] - Facile Anglo Music
Fanfare Band - Grade 3 SKU: BT.AMP-046-020 Composed by John Miles. Arrang...(+)
Fanfare Band - Grade 3
SKU:
BT.AMP-046-020
Composed by John Miles.
Arranged by Philip
Sparke. Anglo Music
Midway Series. Pop &
Rock. Set (Score &
Parts). Composed 2002.
Anglo Music Press #AMP
046-020. Published by
Anglo Music Press
(BT.AMP-046-020).
Born in Jarrow,
northeast England, in
1949, John Miles was
something of a child
prodigy, learning the
piano from the age of
five. In the early
’60s he persuaded
his father to buy him a
guitar and by the end of
the decade he had joined
a semi-professional band,
The Influence. The group
soon disbanded and by
1969 Miles was recording
with his own group, The
John Miles Band,
releasing a dozen singles
in the early ’70s.
In 1975 Miles decided to
move to London and
secured a deal with Decca
Records. By October that
year, a newly formed
band, John Miles and Co,
had released their debut
single, Highfly, but
their greatest hit, which
stormed the British
charts in March 1976, was
Music.
In 1976
bestormde het nummer
Music van de band
John Miles and Co de
hitparades. Music,
vaak bekritiseerd als
pompeus en hoogdravend in
een periode die steeds
meer de kant van de punk
opging, was in feite
typisch Britsetechnopop
en daarbij een bepalende
plaat voor die tijd,
samen met nummers als
Queen’s
Bohemian Rhapsody.
Met veel gevoel voor
dynamiek en dramatiek
werkt deze ode aan de
muziek nog altijd
aanstekelijk.
M
usic, ein Hit aus den
bewegten 70er-Jahren, ist
einer der Titel, die
diese Ära nachhaltig
geprägt haben. Leise
und laut, gefühlvoll
und dramatisch, zieht
diese Hymne an die Musik
in der Bearbeitung von
Philip Sparke auch heute
Orchester und Zuhörer
unweigerlich in ihren
Bann.
E’
con Music, il suo
più grande successo,
che John Miles (1949)
conquista le hit-parade
inglesi nel marzo 1976.
Espressiva, potente e
dinamica, questa canzone
è un magnifico inno
alla musica.
L’arrangiamento di
Philip Sparke è fedele
alla versione
originale.
Odilia Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1135395-140 Pop Overture f...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1135395-140
Pop Overture for
Band. Composed by
Jacob De Haan. Concert
and Contest Collection
CBHA. Original Light
Music. Score Only.
Composed 2013. 18 pages.
De Haske Publications
#DHP 1135395-140.
Published by De Haske
Publications
(BT.DHP-1135395-140).
Odili
a ist eine schnelle
und fröhliche Ode an
das französische Dorf
Baume-les-Dames. Die
Einleitung der
Komposition ist
mittelalterlicher
Tanzmusik inspiriert. Der
nachfolgende langsame
Satz in lyrischem Moll
steigert sich zu einem
dramatischen
Höhepunkt, gefolgt von
einer ruhigen Passage,
die das lyrische Thema
wieder aufnimmt.
Schließlich kehrt das
mittelalterliche Motiv
aus der Einleitung
wieder, diesmal in einer
festlichen Gospelversion.
Odilia<
/I> è una veloce e
gioiosa ode a
Baume-les-Dames, una
cittadina francese che ha
ispirato la musica
medioevale danzante che
il compositore propone
nell’introduzione
del brano. Il movimento
che segue è
caratterizzato da un modo
minore lirico che si
sviluppa in una
drammatica apoteosi,
seguita da un passaggio
calmo che riprende il
tema lirico. Il motivo
medioevale è
nuovamente proposto,
questa volta in una
festosa versione
gospel.
Odilia Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1135395-010 Pop Overture f...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1135395-010
Pop Overture for
Band. Composed by
Jacob De Haan. Concert
and Contest Collection
CBHA. Original Light
Music. Set (Score &
Parts). Composed 2013. De
Haske Publications #DHP
1135395-010. Published by
De Haske Publications
(BT.DHP-1135395-010).
Odili
a ist eine schnelle
und fröhliche Ode an
das französische Dorf
Baume-les-Dames. Die
Einleitung der
Komposition ist
mittelalterlicher
Tanzmusik inspiriert. Der
nachfolgende langsame
Satz in lyrischem Moll
steigert sich zu einem
dramatischen
Höhepunkt, gefolgt von
einer ruhigen Passage,
die das lyrische Thema
wieder aufnimmt.
Schließlich kehrt das
mittelalterliche Motiv
aus der Einleitung
wieder, diesmal in einer
festlichen Gospelversion.
Odilia<
/I> è una veloce e
gioiosa ode a
Baume-les-Dames, una
cittadina francese che ha
ispirato la musica
medioevale danzante che
il compositore propone
nell’introduzione
del brano. Il movimento
che segue è
caratterizzato da un modo
minore lirico che si
sviluppa in una
drammatica apoteosi,
seguita da un passaggio
calmo che riprende il
tema lirico. Il motivo
medioevale è
nuovamente proposto,
questa volta in una
festosa versione
gospel.
Fields of Honour Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1165758-140 Battle of the ...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1165758-140
Battle of the
Somme. Composed by
Thierry Deleruyelle.
Concert and Contest
Collection CBHA. Concert
Piece. Score Only.
Composed 2016. 52 pages.
De Haske Publications
#DHP 1165758-140.
Published by De Haske
Publications
(BT.DHP-1165758-140).
English-German-French-
Dutch.
Fields of
Honour was
commissioned by
‘l’Orchestre
d’Harmonie de
Beauquesne’,
France, and tells the
story of the terrifying
Battle of the Somme
during WW1, with more
than one million of
victims. The music
depicts the events prior
to the battle until the
time after it. This
impressive composition
has the structure of a
symphonic poem and is
highly dramatic and
emotional, offering
challenges to all
instrument groups.
Fields of
Honour is geschreven
in opdracht van
l’Orchestre
d’Harmonie de
Beauquesne, Frankrijk.
Het werk vertelt het
verhaal van de Slag aan
de Somme in de Eerste
Wereldoorlog een strijd
met meer dan een miljoen
slachtoffers. De muziek
beschrijft de
gebeurtenissen voor de
veldslag tot de tijd
erna. De indrukwekkende
compositie heeft de
structuur van een
symfonisch gedicht en is
zeer dramatisch en
emotioneel, waarbij elke
instrumentgroep wel een
uitdaging heeft om zich
aan te wijden.
Das
Stück Fields of
Honour wurde vom
Orchestre
d’Harmonie de
Beauquesne (Frankreich)
in Auftrag gegeben und
erzählt die Geschichte
der entsetzlichen
Schlacht an der Somme im
ersten Weltkrieg mit mehr
als einer Million Opfern.
Die Musik beschreibt die
Ereignisse vor der
Schlacht bis danach.
Diese eindrucksvolle
Komposition ist wie eine
sinfonische Dichtung
aufgebaut und extrem
dramatisch und emotional.
Sie bietet für alle
Instrumentengruppen
große
Herausforderungen.
Vocal and Piano SKU: HL.50493602 Lauda Drammatica Di Jacopone Da Todi ...(+)
Vocal and Piano
SKU:
HL.50493602
Lauda
Drammatica Di Jacopone Da
Todi Per Coro E
Pianoforte. Composed
by Elsa
Olivieri-sangiacomo. MGB.
Classical. Score Only.
Composed 1983. Ricordi
#NR124487. Published by
Ricordi (HL.50493602).
UPC: 884088926090.
8.0x11.5x0.2 inches.
Italian.
LAUDA
DRAMMATICA DI JACOPONE DA
TODI PER CORO E
PIANOFORTE.
Orchestra SKU: HL.50494782 Per Grande Orchestra 'Drammatica' (1976) - ...(+)
Orchestra
SKU:
HL.50494782
Per
Grande Orchestra
'Drammatica' (1976) -
Partitura. Composed
by Bruno Bettinelli. MGB.
Contemporary Music. Score
Only. Composed 1982.
Ricordi #NR132535.
Published by Ricordi
(HL.50494782).
PER GRANDE
ORCHESTRA 'DRAMMATICA'
(1976) - PARTITURA.
Fanfare Band - Grade 3 SKU: BT.AMP-046-120 Composed by John Miles. Arrang...(+)
Fanfare Band - Grade 3
SKU:
BT.AMP-046-120
Composed by John Miles.
Arranged by Philip
Sparke. Anglo Music
Midway Series. Pop &
Rock. Score Only.
Composed 2002. Anglo
Music Press #AMP 046-120.
Published by Anglo Music
Press (BT.AMP-046-120).
Born in Jarrow,
northeast England, in
1949, John Miles was
something of a child
prodigy, learning the
piano from the age of
five. In the early
’60s he persuaded
his father to buy him a
guitar and by the end of
the decade he had joined
a semi-professional band,
The Influence. The group
soon disbanded and by
1969 Miles was recording
with his own group, The
John Miles Band,
releasing a dozen singles
in the early ’70s.
In 1975 Miles decided to
move to London and
secured a deal with Decca
Records. By October that
year, a newly formed
band, John Miles and Co,
had released their debut
single, Highfly, but
their greatest hit, which
stormed the British
charts in March 1976, was
Music.
In 1976
bestormde het nummer
Music van de band
John Miles and Co de
hitparades. Music,
vaak bekritiseerd als
pompeus en hoogdravend in
een periode die steeds
meer de kant van de punk
opging, was in feite
typisch Britsetechnopop
en daarbij een bepalende
plaat voor die tijd,
samen met nummers als
Queen’s
Bohemian Rhapsody.
Met veel gevoel voor
dynamiek en dramatiek
werkt deze ode aan de
muziek nog altijd
aanstekelijk.
Musi
k war meine erste
Liebe“ - so beginnt
der Text dieses
Pop-Klassikers aus den
Siebzigern von John
Miles, der mit dieser
Zeile damit damals und
heute den Nerv aller
begeisterten Musiker und
Musikfans der Welt traf.
Leise und laut,
gefühlvoll und
dramatisch, zieht diese
schöne
Liebeserklärung an die
Musik in der
Blasorchester-Bearbeitung
von Philip Sparke noch
immer Musiker und
Zuhörer unweigerlich
in ihren Bann.
E’ con
Music, il suo
più grande successo,
che John Miles (1949)
conquista le hit-parade
inglesi nel marzo 1976.
Espressiva, potente e
dinamica, questa canzone
è un magnifico inno
alla musica.
L’arrangiamento di
Philip Sparke è fedele
alla versione
originale.
Fields of Honour Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1165758-010 Battle of the ...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1165758-010
Battle of the
Somme. Composed by
Thierry Deleruyelle.
Concert and Contest
Collection CBHA. Concert
Piece. Set (Score &
Parts). Composed 2016. De
Haske Publications #DHP
1165758-010. Published by
De Haske Publications
(BT.DHP-1165758-010).
English-German-French-
Dutch.
Fields of
Honour was
commissioned by
‘l’Orchestre
d’Harmonie de
Beauquesne’,
France, and tells the
story of the terrifying
Battle of the Somme
during WW1, with more
than one million of
victims. The music
depicts the events prior
to the battle until the
time after it. This
impressive composition
has the structure of a
symphonic poem and is
highly dramatic and
emotional, offering
challenges to all
instrument groups.
Fields of
Honour is geschreven
in opdracht van
l’Orchestre
d’Harmonie de
Beauquesne, Frankrijk.
Het werk vertelt het
verhaal van de Slag aan
de Somme in de Eerste
Wereldoorlog een strijd
met meer dan een miljoen
slachtoffers. De muziek
beschrijft de
gebeurtenissen voor de
veldslag tot de tijd
erna. De indrukwekkende
compositie heeft de
structuur van een
symfonisch gedicht en is
zeer dramatisch en
emotioneel, waarbij elke
instrumentgroep wel een
uitdaging heeft om zich
aan te wijden.
Das
Stück Fields of
Honour wurde vom
Orchestre
d’Harmonie de
Beauquesne (Frankreich)
in Auftrag gegeben und
erzählt die Geschichte
der entsetzlichen
Schlacht an der Somme im
ersten Weltkrieg mit mehr
als einer Million Opfern.
Die Musik beschreibt die
Ereignisse vor der
Schlacht bis danach.
Diese eindrucksvolle
Komposition ist wie eine
sinfonische Dichtung
aufgebaut und extrem
dramatisch und emotional.
Sie bietet für alle
Instrumentengruppen
große
Herausforderungen.
Opera SKU: HL.50494866 Strumenti Come Scena Di Danza Drammatica. C...(+)
Opera
SKU:
HL.50494866
Strumenti Come Scena
Di Danza Drammatica.
Composed by Sylvano
Bussotti. MGB.
Contemporary Music. Score
Only. Composed 1979.
Ricordi #NR132845.
Published by Ricordi
(HL.50494866).