(from the Opera Die Zauberflote). By Wolfgang Amadeus Mozart (1756-1791). Arrang...(+)
(from the Opera Die
Zauberflote). By Wolfgang
Amadeus Mozart
(1756-1791). Arranged by
Jos van de Braak. For
Soprano, Baritone and
Concert Band. Grade 3.
Full score and set of
parts. Duration 3:30
Es siegte die Starke Orchestre d'harmonie, Chorale-Voix [Conducteur] - Intermédiaire Baton Music
(from the Opera Die Zauberflote). By Wolfgang Amadeus Mozart (1756-1791). Arrang...(+)
(from the Opera Die
Zauberflote). By Wolfgang
Amadeus Mozart
(1756-1791). Arranged by
Roger Niese. For Choir
and Concert Band. Grade
3. Score. Duration 1:30
Piano SKU: HL.254190 [Pchli Targ: Utwory na fortepian solo - Zeszyt 2]...(+)
Piano
SKU:
HL.254190
[Pchli
Targ: Utwory na fortepian
solo - Zeszyt 2].
Composed by Zbigniew
Bargielski. PWM. Recital.
Softcover. 52 pages.
Polskie Wydawnictwo
Muzyczne #12042010.
Published by Polskie
Wydawnictwo Muzyczne
(HL.254190).
9.25x12
inches.
Composer
Note: I treat the piano
as an instrument in no
way different from others
in the rich music
collection. On the one
hand, I feel
excitedabout, for
instance, the possibility
to write something in a
style of a piano
concerto, on the other -
I have some doubts about
shedding new light or
sparking significant
impulses from that great
three-legged animal
without hitting the
obvious. But there does
exist something lighter -
a play, a game, a
distorting mirror,
reflecting a noble
appearance of a fatso.
Not refined games, but
volatile and smooth
treatment of the matter.
Not a game on wedges, but
in trainers. A wink of an
eye at an obese
instrument arousing
emotions in the listeners
and sufferings in young
music lovers practising
scales and passages. A
remedy for continuing to
compose for the piano may
be a conscious
“anti-activity&rdqu
o;, presenting current
artistic achievements for
this instrument as if in
a distorting mirror.
Piano SKU: HL.254189 [Pchli Targ: Utwory na fortepian solo - Zeszyt 1]...(+)
Piano
SKU:
HL.254189
[Pchli
Targ: Utwory na fortepian
solo - Zeszyt 1].
Composed by Zbigniew
Bargielski. PWM. Recital.
Softcover. 32 pages.
Polskie Wydawnictwo
Muzyczne #12028010.
Published by Polskie
Wydawnictwo Muzyczne
(HL.254189).
9.25x12
inches.
Composer
Note: I treat the piano
as an instrument in no
way different from others
in the rich music
collection. On the one
hand, I feel
excitedabout, for
instance, the possibility
to write something in a
style of a piano
concerto, on the other -
I have some doubts about
shedding new light or
sparking significant
impulses from that great
three-legged animal
without hitting the
obvious. But there does
exist something lighter -
a play, a game, a
distorting mirror,
reflecting a noble
appearance of a fatso.
Not refined games, but
volatile and smooth
treatment of the matter.
Not a game on wedges, but
in trainers. A wink of an
eye at an obese
instrument arousing
emotions in the listeners
and sufferings in young
music lovers practising
scales and passages. A
remedy for continuing to
compose for the piano may
be a conscious
“anti-activity&rdqu
o;, presenting current
artistic achievements for
this instrument as if in
a distorting mirror.
VOCES8
Singles. By Voces8.
By Paul Smith. Choral
Works (inc. Oratorios).
Edition Peters. Choral
Octavo. 28 pages.
Duration 00:06:00.
Edition Peters
#98-EP73187. Published by
Edition Peters
(PE.EP73187).
ISBN
9790577015484. 190 x
272mm inches.
English.
A
New World is a
musical story across five
movements with texts by
authors from Cicero and
Ovid to George William
Russel; from nursery
rhymes to war
poets.
The music
and texts link to form a
narrative that questions
what sort of ‘New
Worlds’ have come
into existence, or could
be created in our future,
and considers how we
balance human traits of
fear, displacement,
isolation and conflict
with equally human traits
of love, hope,
forgiveness and
unity.
5. Love
A beautiful
and flowing work for SATB
choir, SATB solo quartet
and piano, with textures
that celebrate love,
cherishing our place
among the
stars.
Seri
es
information
<
p>The
internationally-renowned
British vocal ensemble
VOCES8 is proud to
inspire people through
music and share the joy
of singing. The
celebration of diverse
musical expression is
central to the
ensemble’s ethos,
and this is shown in
their versatile concert
programmes and innovative
educational work. The
‘VOCES8
singles’ series
includes songs for which
the group is particularly
well known and which have
been composed or arranged
specifically for
VOCES8.
Choir Secular Double Choir and Violoncello SKU: PE.EP73479 Composed by Fr...(+)
Choir Secular Double
Choir and Violoncello
SKU: PE.EP73479
Composed by Francis Pott.
Choral Works (inc.
Oratorios). Edition
Peters. Living Composer.
Vocal Score. 164 pages.
Edition Peters
#98-EP73479. Published by
Edition Peters
(PE.EP73479).
ISBN
9790577019888. 297 x
210mm inches.
English.
At
First Light was
commissioned by Eric
Bruskin, a resident of
Philadelphia, USA, in
memory of his mother.
Eric had a longstanding
enthusiasm for my work,
and I was touched to be
the person he approached
for a task which is both
a privilege and a
daunting responsibility.
In a sense, no music can
ever measure up to the
weight of love or the
hope of consolation
vested in it under such
circumstances - but in
memory I carry the deaths
of both my own parents,
and I was able to draw
upon that. Eric's
fondness for my Cello
Sonata (itself written in
memoriam) led him to ask
that I include a solo
'cello part in the new
work - but his attachment
also to my polyphonic
sacred choral writing
meant that he wanted a
centrepiece which would
be both a showcase of
that approach and the
celebration of a life
well lived. Therefore,
the seven movements of At
First Light arrange
themselves as a series of
slow meditations
surrounding an exuberant
9-minute motet in which
the lamenting cello falls
temporarily
silent.
Eric's
Jewish faith meant that
approaching an agnostic
humanist brought up
within the Anglican
tradition was hardly free
of problems! Gradually,
though, I was able to win
his approval for a
collated mosaic of texts.
This embraces some
liturgical Latin
(necessary for the motet)
as the shared preserve of
broad western culture in
general, but balances it
with a secular approach
to loss, celebration,
remembrance and the many
shades of our mourning
those whom we see no
longer. Eric was adamant
that he did not want the
title Requiem; but what
has emerged is still a
form of semi-secular
Requiem in all but name,
taking its title instead
from a phrase in the poem
by Thomas Blackburn set
as the third movement.
This seemed to suggest
succinctly how the loss
of one very close to us
is an awakening into an
unfamiliar world where
everything is changed.
Following the exuberant
central movement, the
texts by the
Lebanese-born Kahlil
Gibran and the US,
Kentuckian poet Wendell
Berry first address the
departed loved one
directly, then place us
within an imaginary
funeral cortege, where
the perennial and
universal in human
experience become
personal without
subscribing explicitly to
any particular faith (or
lack of it). The final
text of all is a
translation of a Hebraic
prayer, requested and
provided by Eric Bruskin,
which serves to mirror
its Latin counterpart
heard at the
outset.
Throughout
, the lamenting cello
represents a commentary
on the experience
articulated in the text.
It evokes and, in a
sense, tries to embrace
and sanctify the
individual existential
journeys of the bereft,
as they in turn seek to
make their own sense of
what the short-lived
Second World War poet
Alun Lewis called 'the
unbearable beauty of the
dead' (movement
5).
In a modern
world hostage to ever
greater menace,
displacement, bloodshed
and anguish, I hope
fervently that this music
not only brings a measure
of solace to the person
who commissioned it, but
also makes its own small
contribution to bailing
out the sinking ship of
humanity.
One Holy Lamb (A Musical for Easter). By David Guthrie. Arranged by Lari Goss. F...(+)
One Holy Lamb (A Musical
for Easter). By David
Guthrie. Arranged by Lari
Goss. For SATB choir.
Musical. Modern
Christian, Easter. Easy.
Choral Book. Duration
38'00". Published by Word
Music (
Choir Sacred (Women's Choir) SKU: AP.46563 From Missa brevis, K...(+)
Choir Sacred (Women's
Choir)
SKU:
AP.46563
From
Missa brevis, K.
49. Composed by
Wolfgang Amadeus Mozart.
Edited by Patrick M.
Liebergen. Arranged by
Patrick M. Liebergen.
Performance Music
Ensemble; Single Titles.
Alfred Choral Designs.
Classical; Masterwork
Arrangement;
Peace/Brotherhood;
Sacred. Choral Octavo. 8
pages. Alfred Music
#00-46563. Published by
Alfred Music (AP.46563).
UPC: 038081531380.
English.
This
lovely arrangement of a
brief, but artfully
crafted movement from one
of Mozart's masterworks
is highly recommended for
intermediate singers.
With only a short phrase
in Latin to learn, plenty
of opportunities exist
for exploring melodic
stress and dynamic
contrast in the rehearsal
setting. Lilting and
lyrical.
About Alfred
Choral
Designs
Th
e Alfred Choral Designs
Series provides student
and adult choirs with a
variety of secular choral
music that is useful,
practical, educationally
appropriate, and a
pleasure to sing. To that
end, the Choral Designs
series features original
works, folk song
settings, spiritual
arrangements, choral
masterworks, and holiday
selections suitable for
use in concerts,
festivals, and
contests.
Choir Sacred (SAB choir/3-Part choir Mixed) SKU: AP.46562 From Miss...(+)
Choir Sacred (SAB
choir/3-Part choir Mixed)
SKU: AP.46562
From Missa
brevis, K. 49.
Composed by Wolfgang
Amadeus Mozart. Edited by
Patrick M. Liebergen.
Arranged by Patrick M.
Liebergen. Performance
Music Ensemble; Single
Titles. Alfred Choral
Designs. Classical;
Masterwork Arrangement;
Peace/Brotherhood;
Sacred. Choral Octavo. 8
pages. Alfred Music
#00-46562. Published by
Alfred Music (AP.46562).
UPC: 038081531373.
English.
This
lovely arrangement of a
brief, but artfully
crafted movement from one
of Mozart's masterworks
is highly recommended for
intermediate singers.
With only a short phrase
in Latin to learn, plenty
of opportunities exist
for exploring melodic
stress and dynamic
contrast in the rehearsal
setting. Lilting and
lyrical.
About Alfred
Choral
Designs
Th
e Alfred Choral Designs
Series provides student
and adult choirs with a
variety of secular choral
music that is useful,
practical, educationally
appropriate, and a
pleasure to sing. To that
end, the Choral Designs
series features original
works, folk song
settings, spiritual
arrangements, choral
masterworks, and holiday
selections suitable for
use in concerts,
festivals, and
contests.
By Tom Shelton. For SATB/SAB Choir, Piano, descant, steel Drums, percussion (wit...(+)
By Tom Shelton. For
SATB/SAB Choir, Piano,
descant, steel Drums,
percussion (with optional
bass). Concert,
Multicultural. Octavo.
Published by Heritage
Music Press
Band concert band - Grade 4.5 SKU: CF.SPS75 Composed by Brant Karrick. SW...(+)
Band concert band - Grade
4.5
SKU: CF.SPS75
Composed by Brant
Karrick. SWS FS. Carl
Fischer Symphonic
Performance Series. Set
of Score and Parts. With
Standard notation.
3+12+12+6+12+12+12+6+6+6+
6+6+6+9+9+9+6+6+9+9+9+9+6
+12+6+9+3+9+9+40 pages.
Duration 6 minutes, 44
seconds. Carl Fischer
Music #SPS75. Published
by Carl Fischer Music
(CF.SPS75).
ISBN
9781491147702. UPC:
680160905201. 9 x 12
inches. Key: F
major.
When Hearts
Tremble is an emotion
packed piece dedicated to
musician friends lost all
to soon. This beautiful
composition by Brant
Karrick reflects on the
fragility of human
existence, joyous
memories of loved ones
and their effect on
everyone around them, and
maintaining hope for what
the future will hold when
all feels lost. This tour
de force piece perfectly
displays Karrick's
polished compositional
craft with impeccable
scoring, beautiful
melodic writing, and
exceptional
orchestrational
color. While the
day-to-day grind of our
lives can be filled with
overwhelming obligations,
goals and commitments, it
is sometimes very easy to
forget just how precious
and fragile life is . It
is so easy to get caught
up in our own personal
feelings and worries that
we sometimes don’t
realize and appreciate
the many blessings we
have, especially
friendships . On
Wednesday, November 18,
2015 the Jefferson High
School Band in Jefferson,
Georgia lost two of its
members to a fatal car
accident . The victims
were brothers . Music was
a constant part of their
lives, and the boys were
talented percussionists
in the marching band . To
help with the grieving
process the school and
community commissioned
this piece to celebrate
the lives of William and
Alex Trimble .As a
father, I cannot imagine
losing a child, let alone
two, and beginning this
piece was very difficult
as I felt extreme
anguish, especially for
the parents . But it was
decided the piece should
primarily reflect the
enthusiasm, youthful
spirits and positive
influence these two young
men demonstrated as they
were deeply loved by
their band mates,
community and family .
There are four main
themes, each representing
the feelings and emotions
that are certain to occur
after a loss of loved
ones . The first theme is
a short, introductory
fanfare, strong and bold,
to stand for courage . A
second dance-like melody
features a liltingly
mixed meter to portray a
youthful and carefree
innocence . This soon
changes into a third more
song-like, and stately
theme intended to provide
encouragement as we move
forward through life .The
middle of the piece
includes a soft
transition as two snare
drummers give voice to
the boys, allowing them
to thank their friends
and assuring them that it
will be okay . This moves
directly into a slow
melody introduced by the
saxophones (Alex, the
younger brother was also
a saxophonist) and is a
time for reflection and
allows for feelings of
sadness at losing beloved
friends . However, a
second statement of the
same theme, now at full
volume with a strong
percussion cadence,
intends to lift the
spirits and allows all
friends to unite in
joyous celebration of
life . Both the
enthusiastic dance theme
and stately lyrical theme
return, now in different
keys, and work their way
toward the highly
energetic burst of
glorious sound in the
short and wild coda .
When Hearts Tremble was
written to celebrate the
joys of youth and life,
and should remind us that
our friends and loved
ones are precious, and we
should live each day to
bring more joy into the
world and into the lives
of others .
Baritone, piano SKU: FG.55011-745-7 Composed by Herman Rechberger. Contem...(+)
Baritone, piano
SKU:
FG.55011-745-7
Composed by Herman
Rechberger. Contemporary.
Book. Fennica Gehrman
#55011-745-7. Published
by Fennica Gehrman
(FG.55011-745-7).
ISBN
9790550117457.
Herm
an Rechberger
(1947–2022)
composed the song cycle
Seven Cat Songs between
Christmas eve 2007 and
the 4th of January 2008.
They were inspired by his
“lovely hairy
companions Tosca and
Carmen. The songs exist
in two versions, one for
soprano (...a SHE cat)
and one for baritone
(...a He Cat). Have a
look inside by clicking
“sample.
Duration: c. 20
minutes
Contents:
I A cat's self
portrait (Herman
Rechberger) II Cats
can sleep anywhere
(Eleanor Farjeon) III
A cat's memory (Jane
Webb) IV A cat's
evening prayer (anon.)
V A song about two
cats (anon.) VI A
black-cat luck (anon.)
VII All kinds of cats
(BJ Boskitt).
Choral Hand Clap, Voice 1, Voice 2, Voice 3 SKU: CF.CM9600 Composed by Am...(+)
Choral Hand Clap, Voice
1, Voice 2, Voice 3
SKU: CF.CM9600
Composed by American Folk
Song. Arranged by Michael
John Trotta. Sws. Mjts.
Performance Score. 20
pages. Duration 3
minutes, 19 seconds. Carl
Fischer Music #CM9600.
Published by Carl Fischer
Music (CF.CM9600).
ISBN 9781491154229.
UPC: 680160912728. 6.875
x 10.5 inches. Key: G
major. English.
Traditional.
About the song .
. .
This
beloved American folk
song is set atop a
rhythmic vocal ostinato
that casts this familiar
tune in a new light. The
energetic ostinato
provides the backdrop for
the soaring vocal line.
Cued notes provide
additional options for
performance, based on the
needs of the ensemble and
the discretion of the
director.
About the text .
. .
The
text for this song dates
back to the 19th century
when one of its many
variants appeared in
Harpers New Monthly
Magazine in 1882. While
there is some debate
about the exact origin of
the song, it is likely
linked to the fur trade
that existed along the
Missouri river. The song
quickly spread along
these trade routes and
exists to this day as one
of the most familiar and
beloved American folk
songs.
This popular
song has been recorded by
many artists including
Judy Garland, Bruce
Springsteen, Bob Dylan,
Renee Flemming, the King
Singers, Chanticleer and
many more.
.
About the song .
. .
This
beloved American folk
song is set atop a
rhythmic vocal ostinato
that casts this familiar
tune in a new light. The
energetic ostinato
provides the backdrop for
the soaring vocal line.
Cued notes provide
additional options for
performance, based on the
needs of the ensemble and
the discretion of the
director.
About the text .
. .
The
text for this song dates
back to the 19th century
when one of its many
variants appeared in
Harpers New Monthly
Magazine in 1882. While
there is some debate
about the exact origin of
the song, it is likely
linked to the fur trade
that existed along the
Missouri river. The song
quickly spread along
these trade routes and
exists to this day as one
of the most familiar and
beloved American folk
songs.
This popular
song has been recorded by
many artists including
Judy Garland, Bruce
Springsteen, Bob Dylan,
Renee Flemming, the King
Singers, Chanticleer and
many more.
. About
the song . . . This
beloved American folk
song is set atop a
rhythmic vocal ostinato
that casts this familiar
tune in a new light. The
energetic ostinato
provides the backdrop for
the soaring vocal line.
Cued notes provide
additional options for
performance, based on the
needs of the ensemble and
the discretion of the
director. About the text
. . . The text for this
song dates back to the
19th century when one of
its many variants
appeared in Harpers New
Monthly Magazine in 1882.
While there is some
debate about the exact
origin of the song, it is
likely linked to the fur
trade that existed along
the Missouri river. The
song quickly spread along
these trade routes and
exists to this day as one
of the most familiar and
beloved American folk
songs. This popular song
has been recorded by many
artists including Judy
Garland, Bruce
Springsteen, Bob Dylan,
Renee Flemming, the King
Singers, Chanticleer and
many more. About the
song . . .This beloved
American folk song is set
atop a rhythmic vocal
ostinato that casts this
familiar tune in a new
light. The energetic
ostinato provides the
backdrop for the soaring
vocal line. Cued notes
provide additional
options for performance,
based on the needs of the
ensemble and the
discretion of the
director.About the text .
. .The text for this song
dates back to the 19th
century when one of its
many variants appeared in
Harpers New Monthly
Magazine in 1882. While
there is some debate
about the exact origin of
the song, it is likely
linked to the fur trade
that existed along the
Missouri river. The song
quickly spread along
these trade routes and
exists to this day as one
of the most familiar and
beloved American folk
songs.This popular song
has been recorded by many
artists including Judy
Garland, Bruce
Springsteen, Bob Dylan,
Renee Flemming, the King
Singers, Chanticleer and
many more.
Mozart : Adagio and Rondo Euphonium, Piano (duo) [Conducteur et Parties séparées] - Avancé Winwood Music
By Wolfgang Amadeus Mozart. Arranged by Wilby/Childs. Solo. For Euphonium & Pian...(+)
By Wolfgang Amadeus
Mozart. Arranged by
Wilby/Childs. Solo. For
Euphonium & Piano. Two
varied movements
illustrate the
flexibility of the
instrument. Classical.
Level: Advanced. Piano
score and parts. Standard
Notation. Duration 8:00.
Published by Winwood
Music (U.K. Import).
Chamber Music flute, piano SKU: PR.144407310 Composed by Johann Sebastian...(+)
Chamber Music flute,
piano
SKU:
PR.144407310
Composed
by Johann Sebastian Bach.
Arranged by Ali Ryerson.
Sws. Set of Score and
Parts. 4+2 pages.
Duration 1:30. Theodore
Presser Company
#144-40731. Published by
Theodore Presser Company
(PR.144407310).
ISBN
9781491132319. UPC:
680160681662. 9 x 12
inches.
Inspired by
one of the flute
repertoire’s
loveliest melodies,
SICILIANO (REIMAGINED) is
a gently adapted
“jazz-flavoredâ€
setting of the slow
movement from
Bach’s Sonata in
Eb Major. Solo parts are
provided both for C Flute
and for Alto Flute. With
a fairly close rendering
of the authentic flute
line and more
contemporary chords in
the piano part, SICILIANO
(REIMAGINED) is an
inviting way to play
music with a modernized
jazz sound, while reading
traditional classical
notation. Inspired by
one of the flute
repertoire’s
loveliest melodies,
Siciliano (Reimagined)
never strays far from the
source, except for its
reharmonization.
Occasional jazz-infused
touches give the melody a
fresh perspective,
without diluting its
purity. I am always moved
by how beautifully the
music of the 18th century
and contemporary music
coexist.Performers may
play this arrangement in
the Baroque style.
Piano - beginner, intermediate, advanced SKU: KJ.TW520 TCW Resources. Met...(+)
Piano - beginner,
intermediate, advanced
SKU: KJ.TW520
TCW
Resources. Method Book.
TCW Resources #TW520.
Published by TCW
Resources (KJ.TW520).
UPC:
8402702088.
About TCW
Resources
TCW Resources exists
to create music teaching
materials designed to
inspire teachers and
students to reach beyond
the ordinary. We are
committed to producing
quality products that
utilize sound educational
principles. With the
knowledge that music can
enhance every child's
life, we offer students
and teachers fresh new
tools that will promote
their love of music and
make music a valued gift
for the rest of their
lives.
TCW
Resources was founded in
1993 by Laura G. Zisette,
Charlene Zundel, and
Kathleen Lloyd to create
teaching materials that
are thorough, easy to
use, and fun and
stimulating for students.
The materials are age-
and level-appropriate,
well-paced, and employ
multiple approaches to
accommodate varied
learning
styles.
TCW
materials are piloted
through the Utah State
University Youth
Conservatory, a music
preparatory program for
community children. This
conservatory serves over
250 students, ages 5-18,
through group theory
classes and individual
piano lessons. Its
curriculum offers weekly
group theory classes and
individual piano lessons
as well as many other
extra-curricular
programs. The National
Association of Schools of
Music (NASM) stated that
the USUYC should be a
national model for music
preparatory
programs.
TCW
materials are used in
many other preparatory
programs and
conservatories around the
United States and
Canada.