Solo SATB choir; orchestra

SKU: HP.C5636O

Composed by Natalie Sleeth. Arranged by Thomas Fettke. Piano Accompaniment with Optional Orchestra. Vocal Solo Sheet Music Series. General Worship, Sacred. Set of Instrumental Parts. 53 pages. Hope Publishing Company #C5636O. Published by Hope Publishing Company (HP.C5636O).

UPC: 763628256364. Natalie Sleeth. 1 Corinthians 15:35-58, Eccesliastes 3:1-8, Genesis 1:14, John 12:24, Psalms 1:3, Psalms 30:5.

Popular choral anthem Natalie Sleeth's popular choral anthem and hymn, also known as In the Bulb There Is a Flower, has been given a lovely new treatment by Tom Fettke for SATB choirs. The provocative text relates both to our present life and our hope of eternal life, as expressed in I Corinthians 15:35-58. This fresh setting emphasizes the resurrected life as it builds to the final victory stanza with driving rhythm and a change to common meter (4/4). This arrangement is also available in a medium-voice vocal solo in the key of F.

The orchestration by Camp Kirkland contains a Conductor's Score and parts for: Flute 1 & 2, Oboe, Clarinet 1 & 2, Horn 1 & 2, Alto Sax 1 & 2 (substitute for Horn 1 & 2), Trombone 1 & 2, Tenor Sax/Baritone TC (substitute for Trombone 1 & 2), Trombone 3/Tuba, Percussion 1 & 2, Harp, Violin 1 & 2, Viola, Clarinet 3 (substitute for Viola), Cello/Bassoon and String Bass, Keyboard String Reduction.

SSATB choir, 2 horn/cornet, 2 trumpets, bassoon, 2 violins, violone (violoncello), basso continuo

SKU: CA.3601609

Composed by Dietrich Buxtehude. 1x 36.016/21 bassoon, 1x 36.016/31 trumpet 1, 1x 36.016/32 trumpet 2, 1x 36.016/33 cornett 1, 1x 36.016/34 cornett 2. Nun Danket Alle Gott 79. Sacred vocal music, Cantatas. Set of Orchestra Parts. BuxWV 79. 16 pages. Duration 12 minutes. Carus Verlag #CV 36.016/09. Published by Carus Verlag (CA.3601609).

ISBN 9790007213749. Language: German.

This work has survived in an autograph, unfortunately undated, preserved in the Duben Collection. The cantata is a setting of Ecclesiasticus 50, verses 24-26. This composition is one of the most richly scored vocal compositions of Buxtehude. A ritornello, which includes a fanfare of trumpets, and a longer vocal section based on Nun danket alle Gott create the work's structure. In Nun danket alle Gott Buxtehude indicated in detail, in at least one instance, the use of an a cappella entrance of the choir. If the sections without instrumental accompaniment are sung by soloists, the choir is added in the tutti passages. Score and parts available separately - see item CA.3601600.

Chorus (with soloists) and orchestra (solos: SATB - 2.2.0.1 - 0.0.0.0 - str - bc)

SKU: BR.PB-32117

Cantata for Pentecost - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Partitur-Bibliothek (Score Library). Cantata; Baroque. Sheet Music. Duration 25'. Breitkopf and Haertel #PB 32117. Published by Breitkopf and Haertel (BR.PB-32117).

ISBN 9790004215845. 10 x 12.5 inches.

The cantata Schmucket das Fest mit Maien has survived without any information about the time of its composition, its purpose, or its scoring. The librettist is also unknown, although there is a comparatively similar text in the work of the Silesian poet Hans Assmann Freiherr von Abschatz (1646-1699), printed in Leipzig in 1704. Since the copy of the score that serves as the source for this edition was probably written after 1708, and the work is closely related to the cantata Daran erkennen wir (PB 32090), it could have been written during Kuhnau's first years as Thomaskantor from 1701 on.The text set to music provides information about the purpose of the cantata. In the course of the work, the image of the bridegroom and his bride from the Song of Songs is reinterpreted as the sending of the Holy Spirit upon the congregation of Christians. In the first part, passages from the Song of Songs predominate while the second part quotes their symbolic interpretations or treats them in free poetry. In the concluding chorale, a stanza from Philipp Nicolai's Wie schon leuchtet der Morgenstern (How beautifully the morning star shines), the outpouring and the flames are also mentioned, so the purpose to the feast of Pentecost is clear.Another special feature of the cantata is the varied and colorful instrumentation with the scoring of two flutes, two oboes and bassoon in individual movements, in addition to the usual, sometimes divided strings.

Chorus (with soloists) and orchestra (solos: SATB - 2.2.0.1 - 0.0.0.0 - str - bc)

SKU: BR.EB-32117

Cantata for Pentecost - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Edition Breitkopf. Cantata; Baroque. Piano/Vocal Score. Duration 25'. Breitkopf and Haertel #EB 32117. Published by Breitkopf and Haertel (BR.EB-32117).

ISBN 9790004187258. 7.5 x 10.5 inches.

The cantata Schmucket das Fest mit Maien has survived without any information about the time of its composition, its purpose, or its scoring. The librettist is also unknown, although there is a comparatively similar text in the work of the Silesian poet Hans Assmann Freiherr von Abschatz (1646-1699), printed in Leipzig in 1704. Since the copy of the score that serves as the source for this edition was probably written after 1708, and the work is closely related to the cantata Daran erkennen wir (PB 32090), it could have been written during Kuhnau's first years as Thomaskantor from 1701 on.The text set to music provides information about the purpose of the cantata. In the course of the work, the image of the bridegroom and his bride from the Song of Songs is reinterpreted as the sending of the Holy Spirit upon the congregation of Christians. In the first part, passages from the Song of Songs predominate while the second part quotes their symbolic interpretations or treats them in free poetry. In the concluding chorale, a stanza from Philipp Nicolai's Wie schon leuchtet der Morgenstern (How beautifully the morning star shines), the outpouring and the flames are also mentioned, so the purpose to the feast of Pentecost is clear.Another special feature of the cantata is the varied and colorful instrumentation with the scoring of two flutes, two oboes and bassoon in individual movements, in addition to the usual, sometimes divided strings.

SATB choir - Moderate

SKU: LP.765762174207

Composed by Chris Tomlin & Ed Cash. Arranged by Gary Rhodes & Tim Cates. Anthems. Praise & Worship and Sacred. CD-ROM orchestration. Published by Lillenas Publishing Company (LP.765762174207).

UPC: 765762174207.

Easy- to-learn melody and accessible choral writing make this new offering from popular solo artist Chris Tomlin and arranger Gary Rhodes a perfect addition to the Christmas choral repertoire of any church. Gentle and reverent with a sensitive artistic touch this new classic is sure to carry listeners to a place of worship at that hallowed manger ground. Instrumentation: Flute 1 & 2 Oboe Clarinet Horn 1 & 2 Trumpet 1 Trumpet 2 & 3 Trombone 1 & 2 Trombone 3/Tuba Percussion Rhythm Harp Violin 1 & 2 Viola Cello String Bass Substitute Instrumentation: Keyboard String Reduction; Soprano Sax (sub for Oboe); Alto Sax 1 & 2 (sub for Horn 1 & 2); Baritone T.C./Tenor Sax (sub for Trombone 1 & 2); Baritone Sax (sub for Trombone 3/Tuba); Bassoon/Bass Clarinet (sub for Cello).

Divertimento is an outstanding composition by Roger Boutry for Alto Saxophone and Harmony Orchestra. This great work is really nice to play and will enlighten the audience. The Orchestra composition required is: 2 Flutes, 2 Oboes, 2 Bassoons, 2 small Clarinets, Clarinet I, Clarinet II, 1 Bass Clarinet, 2 Alto Saxophones, 2 Tenor Saxophones, 1 Baritone Saxophone, 4 Horns, 4 Bb or C Trumpets, 4 Trombone or 3 Trombone and an Euphonium, 1 Bb or C Bass, 1 Double Bass, 1 Harp, Timpani, Drum and a Celesta. It is divided into three parts: I. ?Allegro ma non troppo?, is strongly rhythmic and syncopated. It includes a Cadenza by the Solo Saxophone and is written as a tribute to Jazz music. II. ?Andante?, also includes a Cadenza by the Solo Saxophone but at the end of the section. It is reminiscent of slower blues ballads. III. This part features few sections by the Solo Saxophone but is specially highlighted its ending, in a bright and fast finale. This volume features the score and parts for all the instruments. Born in France in 1932, Roger Boutry received numerous prizes, including those for Piano, Composition and Conducting. He received the Grand Prix de Rome in 1954. His career was quite successful, alternating between Harmony professor, composer and conductor. He also received numerous prizes for his incredible compositions.

SATB choir, 2 violins, viola, cello/double bass, [oboe, bassoon] (arr: organ) - Level 4

SKU: CA.4018811

Chorale cantata. Composed by Felix Bartholdy Mendelssohn and Johann Cruger. Edited by Gunter Graulich. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Mendelssohn. German title: Jesu, meine Freude. Sacred vocal music, Cantatas, Praise and thanks. Single Part, Violin 1. Composed 1828. MWV. 4 pages. Duration 9 minutes. Carus Verlag #CV 40.188/11. Published by Carus Verlag (CA.4018811).

ISBN 9790007064532. Language: German/English. Text: Franck, Johann. Text: Johann Franck.

Also contains an arrangemet for organ During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach's works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. Score and part available separately - see item CA.4018800.

Orchestra baritone voice solo, SATB choir, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 violins, viola, cello/contrabass - Grade 3

SKU: CA.4018511

Chorale cantata. Composed by Felix Bartholdy Mendelssohn. Edited by Gunter Graulich. This edition: urtext. Hymns by Martin Luther: Ach Gott, vom Himmel sieh darein; Stuttgart Urtext Edition: Mendelssohn. German title: Ach Gott, vom Himmel sieh darein. Sacred vocal music, Cantatas. Single Part, Violin 1. Composed 1832. MWV A 13. 8 pages. Duration 14 minutes. Carus Verlag #CV 40.185/11. Published by Carus Verlag (CA.4018511).

ISBN 9790007064303. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach's works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. Score and part available separately - see item CA.4018500.

Wind parts (solos: SSATB - 0.0.0.1 - 2(corn).0.3.0 - str - bc)

SKU: BR.OB-32091-30

Cantata based on Psalm 103 - Urtext. Composed by Johann Kuhnau. Edited by Vorname Nachname. Choir. Orchester-Bibliothek (Orchestral Library). Cantata; Baroque. Sheet Music. Duration 15'. Breitkopf and Haertel #OB 32091-30. Published by Breitkopf and Haertel (BR.OB-32091-30).

ISBN 9790004351277. 0 x 0 inches.

The date of composition of the cantata Lobe den Herren, meine Seele can only be conjectured. However, several indications suggest an early composition, possibly during Kuhnau's stay in Zittau. The work is one of only two known cantatas by Kuhnau in which cornetti are scored - the second work is the cantata Christ lag in Todes-Banden (PB 32034) -, even so in combination with three trombones as an early baroque wind section. In addition, the musical texture of the introductory Sonata can certainly be understood as a reminiscence of the polychorality known from the Renaissance and early Baroque as well as their connection with the basso continuo era, since four strings and bassoon on the one side and five wind instruments on the other side face each other over a continuous continuo part. The text of the cantata is a selection of a few verses from Psalm 103. This is the larger scored cantata with this textual basis; parallel to it exists a smaller scored one for alto, bass, violin, oboe d'amore and continuo.

Chorus and piano (solos: SSATB - 0.0.0.1 - 2(corn).0.3.0 - str - bc)

SKU: BR.EB-32091

Cantata based on Psalm 103 - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Edition Breitkopf. Cantata; Baroque. Piano/Vocal Score. 20 pages. Duration 15'. Breitkopf and Haertel #EB 32091. Published by Breitkopf and Haertel (BR.EB-32091).

ISBN 9790004186695. 7.5 x 10.5 inches.

The date of composition of the cantata Lobe den Herren, meine Seele can only be conjectured. However, several indications suggest an early composition, possibly during Kuhnau's stay in Zittau. The work is one of only two known cantatas by Kuhnau in which cornetti are scored - the second work is the cantata Christ lag in Todes-Banden (PB 32034) -, even so in combination with three trombones as an early baroque wind section. In addition, the musical texture of the introductory Sonata can certainly be understood as a reminiscence of the polychorality known from the Renaissance and early Baroque as well as their connection with the basso continuo era, since four strings and bassoon on the one side and five wind instruments on the other side face each other over a continuous continuo part. The text of the cantata is a selection of a few verses from Psalm 103. This is the larger scored cantata with this textual basis; parallel to it exists a smaller scored one for alto, bass, violin, oboe d'amore and continuo.

Solo Solo instrument (Cello, Flute, French Horn, Oboe, Rhythm)

SKU: HP.C5351O

Composed by Michael W. Smith and Wayne Kirkpatrick. Arranged by Lloyd Larson. Piano Accompaniment with Optional Orchestra or Rhythm. Contemporary, Christmas, Assurance, Sacred. Set of Instrumental Parts. Hope Publishing Company #C5351O. Published by Hope Publishing Company (HP.C5351O).

UPC: 763628353513. By Michael W. Smith & Wayne Kirkpatrick. Luke 2:14, Matthew 1:22, Matthew 1:23.

Contemporary classic by Michael W. Smith & Wayne Kirkpatrick This Lloyd Larson setting of Michael W. Smith's contemporary classic captures the tender and simple melodic interpretation found in the artist's own rendition, while at the same time creating a lush choral version to enhance the Christmas worship experience. It spans the spectrum dynamically while underscoring the overall theme that Emmanuel has been born and now, All is well. The addition of the optional instrument parts for flute, oboe, horn and cello can heighten the impact of the performance. Orchestrations: Conductor's Score, Flute, Oboe (or Soprano Sax or Clarinet), Clarinet in B-flat, Bassoon (or Bass Clarinet), Horn in F (or Clarinet), 2 Trumpets in B-flat, 2 Trombones (or Baritone T. C. ), Percussion 1 & 2, Piano, Harp, 2 Violins, Viola, Cello, String Reduction.

SATB vocal soli, SATB choir, 2 oboes, 2 horn da caccia, 2 trumpets, 2 violins, viola, basso continuo (timpani)

SKU: CA.2704409

Weihnachtsmesse. Composed by Giovanni Alberto Ristori. Edited by Christoph Koop. 1x 27.044/21 flute 1, 1x 27.044/22 flute 2, 1x 27.044/23 oboe 1, 1x 27.044/24 oboe 2, 2x 27.044/25 Bassoon 1 and 2, 1x 27.044/31 horn 1, 1x 27.044/32 horn 2, 1x 27.044/33 trumpet 1, 1x 27.044/34 trumpet 2, 1x 27.044/41 timpani. Messa Per Il Sanctissimo Natale. Sacred vocal music, Masses, Latin, Christmas. Set of Orchestra Parts. 86 pages. Duration 36 minutes. Carus Verlag #CV 27.044/09. Published by Carus Verlag (CA.2704409).

ISBN 9790007199326. Language: Latin.

Following the Carus recording (Carus 83.169) of Ristori's Mass for the most holy birth of our Lord, this important discovery among the music of the Dresden Court is now presented in a critical edition. Its festive character is marked by a polished instrumentation, powerful choruses and highly expressive solo parts. Score and parts available separately - see item CA.2704400.

Orchestra SATB vocal soli, SSATB choir, 2 flute, 2 oboe, 2 bassoon, 2 trumpet, 3 trombone, timpani, 2 violin, viola, harp, carillons, organ, basso continuo

SKU: CA.5505309

Oratorio. Composed by George Frideric Handel. Edited by Felix Loy. This edition: urtext. 2x 55.053/21 flutes 1 and 2, 1x 55.053/22 oboe 1, 1x 55.053/23 oboe 2, 2x 55.053/24 flutes 1 and 2, 2x 55.053/31 trumpet, 3x 55.053/32 trombone, 1x 55.053/41 timpani, 1x 55.053/42 harp, 2x 55.053/43 carillion. Stuttgart Urtext Edition: Handel. Saul Hwv 53 Kartoniert. Sacred vocal music, Oratorios. Set of Orchestra Parts. Composed 1739. HWV 53. Duration 165 minutes. Carus Verlag #CV 55.053/09. Published by Carus Verlag (CA.5505309).

ISBN 9790007226565. Text language: English/German.

Sau l, published for the first time in the version conducted by Handel himself. Saul is one of the most dramatic of Handel's oratorios. To a greater extent than almost any other oratorio it reveals with its gripping dramatic power its proximity to opera of its time. The score demands what was at the time Handel's most varied orchestra. The normal opera orchestra of the day was augmented by trombones, harp, solo organ, carillon (Glockenspiel) and large kettledrums. The choir functions for the first time as a central participant in dramatic action, while also undertaking commentating functions as in a Greek tragedy. This new edition makes use for the first time of musical material revealed by the latest Handel research, based as its most important source on the conducting score from which Handel himself directed his performances. Only this research has shown which arias, choruses, recitatives and instrumental pieces, after he had made numerous corrections in his autograph, Handel chose for his performances, and in what order they were given. The result has produced, apart from many changes of details (e.g. autograph instructions concerning the use of the organ), uncommon ordering of individual pieces, and passages with altered notes. Score and parts available separately - see item CA.5505300.

Soprano voice solo, SST/ATTB choir, 4 bassoon (4 trombones or 4 strings), organ - Level 2

SKU: CA.4045209

Composed by Johann Rudolf Ahle. Edited by Volker Kalisch. Arranged by Paul Horn. 1x 40.452/21 instrumental part 1, 1x 40.452/22 instrumental part 2, 1x 40.452/23 instrumental part 3, 1x 40.452/24 instrumental part 4. German title: Furchtet euch nicht 4. Sacred vocal music, Christmas. Set of Orchestra Parts. 14 pages. Duration 7 minutes. Carus Verlag #CV 40.452/09. Published by Carus Verlag (CA.4045209).

ISBN 9790007068608. Key: G major. Language: German/English.

Sco re available separately - see item CA.4045200.

Soprano and Symphonic Winds. Composed by Michael Daugherty (1954-). Michael Daugherty Music. Contemporary. Softcover. 100 pages. Published by Hal Leonard

SSATB choir, 2 horn/cornet, 2 trumpets, bassoon, 2 violins, violone (violoncello), basso continuo

SKU: CA.3601611

Composed by Dietrich Buxtehude. Nun Danket Alle Gott 79. Sacred vocal music, Cantatas. Single Part, Violin 1. BuxWV 79. 4 pages. Duration 12 minutes. Carus Verlag #CV 36.016/11. Published by Carus Verlag (CA.3601611).

ISBN 9790007213756. Language: German.

This work has survived in an autograph, unfortunately undated, preserved in the Duben Collection. The cantata is a setting of Ecclesiasticus 50, verses 24-26. This composition is one of the most richly scored vocal compositions of Buxtehude. A ritornello, which includes a fanfare of trumpets, and a longer vocal section based on Nun danket alle Gott create the work's structure. In Nun danket alle Gott Buxtehude indicated in detail, in at least one instance, the use of an a cappella entrance of the choir. If the sections without instrumental accompaniment are sung by soloists, the choir is added in the tutti passages. Score and part available separately - see item CA.3601600.

Orchestra SATB choir, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, 2 cellos, double bass, [organ] - Grade 3

SKU: CA.4018711

Chorale cantata. Composed by Felix Bartholdy Mendelssohn and Martin Luther. Edited by Gunter Graulich. This edition: urtext. Stuttgart Urtext Edition: Mendelssohn. German title: Wir glauben all. Sacred vocal music, Cantatas. Single Part, Violin 1. Composed 1831. MWV A 12. 4 pages. Duration 8 minutes. Carus Verlag #CV 40.187/11. Published by Carus Verlag (CA.4018711).

ISBN 9790007064471. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach's works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. Score and part available separately - see item CA.4018700.