Composed by Thomas Keesecker. 9/11 Service, Funeral. MorningStar Music Publishers #15-857. Published by MorningStar Music Publishers

(37 Original Piano Pieces Schott Piano Classics Series). Composed by Various. Edited by Monika Twelsiek. For Piano. Piano Collection. 84 pages. Schott Music #ED9044. Published by Schott Music

Concert Band - Grade 2

SKU: AP.49094

Based on Jingle Bells. Composed by James Lord Pierpont. Arranged by Brian Beck. Concert Band; MakeMusic Cloud; Performance Music Ensemble. Sound Innovations for Concert Band. Christmas; Winter. Score and Part(s). 93 pages. Duration 2:20. Alfred Music #00-49094. Published by Alfred Music (AP.49094).

ISBN 9781470645984. UPC: 038081564388. English.

Haunted Sleigh Ride is based on Jingle Bells but shifted to a minor key, transforming a winter favorite into an eerie adventure into the snowy unknown. We may not be laughing all the way. Brian Beck's setting is jam-packed with various style and dynamic markings as well as accidentals in every part, challenging musicians, and engaging audiences. Shifting a piece from major to minor (or vice versa) will instantly illuminate a melody and breathe new life into a piece. What was happy is now sad, what was dark is now vibrant, and, in this case, what was cheerful is now spooky. Correlated to Sound Innovations for Concert Band, Book 2, Level 4. (2:20) This title is available in MakeMusic Cloud.

Concert Band - Grade 2

SKU: AP.49094S

Based on Jingle Bells. Composed by James Lord Pierpont. Arranged by Brian Beck. Concert Band; MakeMusic Cloud; Performance Music Ensemble. Sound Innovations for Concert Band. Christmas; Winter. Score. 16 pages. Duration 2:20. Alfred Music #00-49094S. Published by Alfred Music (AP.49094S).

ISBN 9781470645991. UPC: 038081564395. English.

Haunted Sleigh Ride is based on Jingle Bells but shifted to a minor key, transforming a winter favorite into an eerie adventure into the snowy unknown. We may not be laughing all the way. Brian Beck's setting is jam-packed with various style and dynamic markings as well as accidentals in every part, challenging musicians, and engaging audiences. Shifting a piece from major to minor (or vice versa) will instantly illuminate a melody and breathe new life into a piece. What was happy is now sad, what was dark is now vibrant, and, in this case, what was cheerful is now spooky. Correlated to Sound Innovations for Concert Band, Book 2, Level 4. (2:20) This title available in MakeMusic Cloud.

For Trumpet. Composed by Johann Nepomuk Hummel (1778-1837). Arranged by Douglas McLain. Full score and set of parts. Duration 17:30. Published by Baton Music (BF.BM524-SET).

(Vocal Score). By Richard Wagner (1813-1883). Schott. Softcover. 312 pages. Schott Music #ED20531. Published by Schott Music

Concert Band (Score)

SKU: HL.50602096

Concert Band Score. Composed by Ferenc Farkas. EMB. 20Th Century, Classical. Softcover. 32 pages. Duration 540 seconds. Editio Musica Budapest #Z14992. Published by Editio Musica Budapest (HL.50602096).

ISBN 9781540062307. UPC: 888680961305.

The composer wrote of his work as follows: In the music of Hungary, folk songs are manifestly of great importance, on the other hand our ancient airs and dances play a modest role. For this work I have been influenced by dances of the 17th century, written by unknown amateurs in a relatively simple style. Most of these dances were recorded between the 14th and 18th centuries under the usual form of tablature notation. My interest in this music was first captured in the 1940s. I was so fascinated that I decided to give these melodies new life. I fitted the little eight-bar dances together into ternary and rondo forms, and leaning on early Baroque harmony and counterpoint, I attempted a reminiscence of that atmosphere of the provincial Hungarian Baroque.

(A Festival of Passion Readings and Hymns). By Michael Burkhardt. For SATB choir, organ, handbells, optional brass quartet, cello/bass instrument, Orff instruments, violin. Holy Week/Three Days, Lent. Moderately easy. Choral score. 72 pages. Duration 50 minutes. Published by MorningStar Music Publishers

Brass Band - Grade 6

SKU: BT.DHP-1155640-130

Unknown Land. Composed by Jan de Haan. Concert and Contest Collection Brass Band en Fanfare. Score Only. Composed 2015. De Haske Publications #DHP 1155640-130. Published by De Haske Publications (BT.DHP-1155640-130).

English-German-French- Dutch.

Download the Digeridoo sound file here.In five musically and thematically continuous parts, this composition transports us to foreign, fascinating places - stepping into the shoes of the explorers who set off to discover unknown lands centuries ago. The test piece for the Dutch Brass BandChampionships 2015 (Challenge Section) holds interesting solo parts for flugelhorn and trombone. An exciting musical journey!

Brass Band - Grade 6

SKU: BT.DHP-1155640-030

Unknown Land. Composed by Jan de Haan. Concert and Contest Collection Brass Band en Fanfare. Concert Piece. Set (Score & Parts). Composed 2015. De Haske Publications #DHP 1155640-030. Published by De Haske Publications (BT.DHP-1155640-030).

English-German-French- Dutch.

Download the Digeridoo sound file here.In five musically and thematically continuous parts, this composition transports us to foreign, fascinating places - stepping into the shoes of the explorers who set off to discover unknown lands centuries ago. The test piece for the Dutch Brass BandChampionships 2015 (Challenge Section) holds interesting solo parts for flugelhorn and trombone. An exciting musical journey!

Chorus a cappella

SKU: BR.CHB-32104-02

Urtext. Composed by Friedrich Schneider. Choir; stapled. Chor-Bibliothek (Choral Library). Mass; Romantic; Classical. Choral score. 80 pages. Duration 30'. Breitkopf and Haertel #ChB 32104-02. Published by Breitkopf and Haertel (BR.CHB-32104-02).

ISBN 9790004413517. 7.5 x 10.5 inches.

Friedrich Schneider's dedication to sacred vocal music dates back into his early years as a schoolboy in Zittau. As of today Schneider is - if at all - only known as the composer of the ground-breaking oratorio The Last Judgement, but his extensive compositional output, which serves nearly all musical genres, is unknown to a great extent. Breitkopf & Hartel will fill this gap in the coming years.The mass in A minor presented here (No. 8) is his second completed a-cappella mass. It was composed during September 9 to 28, 1815 and thus still falls into the almost overproductive Leipzig years of the composer. It would be no exaggeration to say, that Schneider gained his overwhelming treatment and the finishing touches of the choruses in his oratorios by his year long preoccupation with the genre of the mass. Although the majority of his masses remained unpublished, they enjoyed great popularity, which is evidently by the numerous copies that are preserved in several libraries.

Composed by Jack Teagarden. For Trombone. Method Book. Intermediate to advanced. Booklet. Published by Cherry Classics

(Complete Piano Sonatas, Volume 1). By Alexandr Skrjabin. Edited by Christoph Flamm. For piano. This edition: Urtext edition. Performance score, Anthology (paperbound). Text language: German, English. 123 pages. Published by Baerenreiter Verlag

(35 Original Pieces for Piano Schott Piano Classics Series). By Various. Edited by Monika Twelsiek. Piano Collection. Softcover. 80 pages. Schott Music #ED9045. Published by Schott Music

SATB choir, organ, cello - Easy

SKU: AU.9781506492469

Composed by Benjamin M. Culli. Augsburg Choral Library. Christian. Octavo. Augsburg Fortress #9781506492469. Published by Augsburg Fortress (AU.9781506492469).

ISBN 9781506492469. 7x10.25 inches.

A cello obligato adds warmth and depth to a new setting by Benjamin Culli of this familiar text using the John Ireland tune, LOVE UNKOWN. The choir sings in unison with optional assembly for much of the anthem, breaking into SATB on stanza five. The setting ends with a descant that beautifully floats above the melody. Perfect for Sunday of the Passion/Palm Sunday or Good Friday.

SATB vocal soli, SATB choir, flute, 2 oboes/2 oboe d'amore, taille (english horn), 2 violins, viola, basso continuo, organ obligato

SKU: CA.3114605

Cantata for the Sunday Jubilate. Composed by Johann Sebastian Bach. Edited by Anja Morgenstern. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Wir mussen durch viel Trubsal. Sacred vocal music, Cantatas, Easter and Eastertide. Choral Score. Composed circa 1728? BWV 146. 8 pages. Duration 40 minutes. Carus Verlag #CV 31.146/05. Published by Carus Verlag (CA.3114605).

ISBN 9790007112479. Key: D minor. Language: German/English.

It is evident from the sources that the cantata was written for the 3rd Sunday after Easter. The text, the identity of whose author is unknown, is based on the comparison between sadness and joy prescribed in the Gospel for that Sunday. This cantata has survived only in copies made after 1750, but undoubtedly the cantata dates from Bachs's years in Leipzig. Score available separately - see item CA.3114600.

Orchestra SATB vocal soli, SATB choir, flute, 2 oboes/2 oboe d'amore, taille (english horn), 2 violins, viola, basso continuo, organ obligato

SKU: CA.3114607

Cantata for the Sunday Jubilate. Composed by Johann Sebastian Bach. Edited by Anja Morgenstern. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Wir mussen durch viel Trubsal. Sacred vocal music, Cantatas, Easter and Eastertide. Study score. Composed circa 1728? BWV 146. 80 pages. Duration 40 minutes. Carus Verlag #CV 31.146/07. Published by Carus Verlag (CA.3114607).

ISBN 9790007092467. Key: D minor. Language: German/English.

It is evident from the sources that the cantata was written for the 3rd Sunday after Easter. The text, the identity of whose author is unknown, is based on the comparison between sadness and joy prescribed in the Gospel for that Sunday. This cantata has survived only in copies made after 1750, but undoubtedly the cantata dates from Bachs's years in Leipzig. Score available separately - see item CA.3114600.

SATB choir, piano accompaniment, percussion - Beginning

SKU: GI.G-8952

Composed by Hal H. Hopson. Choral. Choral. Sacred. Octavo. 12 pages. GIA Publications #8952. Published by GIA Publications (GI.G-8952).

UPC: 785147895206. English, Swahili. Text Source: Ref.: trad. Swahili, English tr.: unknown, vv.: Jeremiah E. Rankin, 1828–1904, alt. Text by Jeremiah Eames Rankin.

Vigorous rhythms drive this gleeful benediction that alternates the standard text by Jeremiah Rankin with a traditional Swahili refrain. This is an excellent way to send your congregation into the world to minister. Optional part for two drums. The percussion part for two drums is optional.

(Instr-Str-solo,Orch)

SKU: BA.BA10578-01

Composed by Bohuslav Martinu. Edited by Aleš Brezina, Jitka Zichová, Paul Silverthorne, Pavel Žurek, and Sandra Bergmannová. This edition: complete edition, urtext edition. Linen. The Bohuslav Martinu Complete Edition III/1/8. Replaces H 277. Complete edition, Score, anthology. Baerenreiter Verlag #BA10578_01. Published by Baerenreiter Verlag (BA.BA10578-01).

ISBN 9790260109056. 33 x 26.2 cm inches. Preface: Brezina, Aleš.

The two concertos contained in this volume represent two different stylistic periods within Martinu's work. TheConcerto da Camera(1941) is the last of his works inspired by the Baroque concerto grosso. TheRhapsody-Concerto, composed eleven years later (1952), was the first work of his so-calledfantasia period, marked by a more open sense of form and an expansion of tonality. The edition of theConcerto da Camerashows, for the first time, the extent of Martinu's modifications to the work since its composition and publication, particularly to the solo violin part. The edition of theRhapsody-Concertotakes into account previously unknown contemporary performance materials which have recently been discovered.

This volume of the Bohuslav Martinu Complete Edition (BMCE) is based on a wealth of text and music sources, in particular autographs and contemporary copies that were recognized by the composer and early performers of the works, as well as some first editions produced under the supervision of Martinu.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

By Charles E. Callahan, Jr. For Organ and flute. Chamber Music. Level: Medium-Easy/Medium. Published by MorningStar Music Publishers.

Concert Band - Grade 3

SKU: BT.EMBZ14992

Composed by Ferenc Farkas. EMB Concert Band Series. Concert Piece. Score Only. Composed 2016. 32 pages. Editio Musica Budapest #EMBZ14992. Published by Editio Musica Budapest (BT.EMBZ14992).

The composer wrote of his work as follows: In the music of Hungary, folk songs are manifestly of great importance, on the other hand our ancient airs and dances play a modest role. For this work I have been influenced by dances of the 17th century, written by unknown amateurs in a relatively simple style. Most of these dances were recorded between the 14th and 18th centuries under the usual form of tablature notation. My interest in this music was first captured in the 1940s. I was so fascinated that I decided to give these melodies new life. I fitted the little eight-bar dances together into ternary and rondo forms, and leaning on early Baroque harmony and counterpoint, Iattempted a reminiscence of that atmosphere of the provincial Hungarian Baroque.

So schrieb der Komponist über sein Werk:

In der ungarischen Musik sind natürlich die Volkslieder sehr wichtig, doch die alten Melodien und Tänze spielen in unserer Musik eine geringere Rolle. Für dieses Werk habe ich mich von Tänzen des 17. Jahrhunderts anregen lassen, die von unbekannten Dilettanten, also ziemlich einfach, geschrieben worden waren. Die meisten waren in der zwischen dem 14. und 18. Jahrhundert geläufigen Tabulaturschrift notiert. In den vierziger Jahren begann ich mich erstmals für diese Musik zu interessieren. Ich war davon so fasziniert, dass ich mich entschloss, sie wieder zum Leben zu erwecken. Ich fügte die kleinen achttaktigen Tänze zu dreiteiligen undRondoformen zusammen. Ausgehend von der frühbarocken Harmonik und Kontrapunktik habe ich mich in einer Art ungarischen provinziellen Barocks versucht.“.

Concert Band - Grade 3

SKU: BT.EMBZ14992SET

Composed by Ferenc Farkas. EMB Concert Band Series. Concert Piece. Set (Score & Parts). Composed 2016. 274 pages. Editio Musica Budapest #EMBZ14992SET. Published by Editio Musica Budapest (BT.EMBZ14992SET).

English-Hungarian.

The composer wrote of his work as follows: In the music of Hungary, folk songs are manifestly of great importance, on the other hand our ancient airs and dances play a modest role. For this work I have been influenced by dances of the 17th century, written by unknown amateurs in a relatively simple style. Most of these dances were recorded between the 14th and 18th centuries under the usual form of tablature notation. My interest in this music was first captured in the 1940s. I was so fascinated that I decided to give these melodies new life. I fitted the little eight-bar dances together into ternary and rondo forms, and leaning on early Baroque harmony and counterpoint, Iattempted a reminiscence of that atmosphere of the provincial Hungarian Baroque.

So schrieb der Komponist über sein Werk:

In der ungarischen Musik sind natürlich die Volkslieder sehr wichtig, doch die alten Melodien und Tänze spielen in unserer Musik eine geringere Rolle. Für dieses Werk habe ich mich von Tänzen des 17. Jahrhunderts anregen lassen, die von unbekannten Dilettanten, also ziemlich einfach, geschrieben worden waren. Die meisten waren in der zwischen dem 14. und 18. Jahrhundert geläufigen Tabulaturschrift notiert. In den vierziger Jahren begann ich mich erstmals für diese Musik zu interessieren. Ich war davon so fasziniert, dass ich mich entschloss, sie wieder zum Leben zu erwecken. Ich fügte die kleinen achttaktigen Tänze zu dreiteiligen undRondoformen zusammen. Ausgehend von der frühbarocken Harmonik und Kontrapunktik habe ich mich in einer Art ungarischen provinziellen Barocks versucht.“.

(1923) Piano: Left Hand. By Paul Hindemith. (Score). Schott. Book only. Size 8.25x11.75 inches. 74 pages. Published by Schott.

Tenor Voice and Piano

SKU: HL.14019832

Composed by Gian Francesco Malipiero. Music Sales America. Classical. Book [Softcover]. Composed 2002. Chester Music #CH03935. Published by Chester Music (HL.14019832).

In 1918-19, Gian Francesco Malipiero wrote a collection of seven songs, commonly known as Sette Canzoni. They were initially intended as a stand-alone work, but became incredibly popular when they wereincluded as the second act of the composer's opera L'Orfiede. However, in recent years the collection has come to be recognised in its own right as one of the composer's masterpieces.

Like all of the seven songs,the fifth, Serenata , is designed as an individual mini-opera. Scored for a solo Tenor with Piano accompaniment, it tells the story of a young lover serenading his beloved. At the same time, unknown to him, shesits inside lamenting the death of a relative.

S erenata has been translated from the original Italian into French by Henry Prunieres, and into English by Edwin Evans.