(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. ...(+)
(Over 850 Classical
Themes and Melodies in
the Original Keys) For C
instrument. Format:
fakebook (spiral bound).
With vocal melody
(excerpts) and chord
names. Lassical. Series:
Hal Leonard Fake Books.
646 pages. 9x12 inches.
Published by Hal Leonard.
(for Violin and Piano Critical Urtext Edition Heifetz Collection). Composed by C...(+)
(for Violin and Piano
Critical Urtext Edition
Heifetz Collection).
Composed by Camille
Saint-Saens (1835-1921).
For Violin, Piano
Accompaniment. LKM Music.
Softcover. 20 pages.
Lauren Keiser Music
Publishing #S511021.
Published by Lauren
Keiser Music Publishing
Urtext. Composed
by Camille Saint-Saens.
Edited by Peter Jost.
Orchestra; Folder.
Orchester-Bibliothek
(Orchestral Library).
In Cooperation with G.
Henle Verlag
Solo
concerto; Romantic;
Late-romantic. Set of
parts. 50 pages. Duration
9'. Breitkopf and Haertel
#OB 15155-30. Published
by Breitkopf and Haertel
(BR.OB-15155-30).
ISBN
9790004344989. 10 x 12.5
inches.
Many
well-known violinists
such as the dedicatee
Pablo de Sarasate,
together later with
Eugene Ysaye and Jacques
Thibaud, included in
their repertoires Camille
Saint-Saens' concert
piece composed in 1863.
Even today, concert life
is hard to imagine
without the Introduction
et Rondo capriccioso. The
highly virtuosic work
already inspired critics
and audiences during the
composer's lifetime;
reported about the
premiere in 1867 was: The
Introduction and the
Rondo capriccioso for the
same instrument are both
original and charming,
and Maestro Sarasate, who
was in his element here,
admirably made the most
of it. And a few years
later, a music critic
described the work as a
kind of fantasy waltz in
the Spanish style and
with a most bewitching
effect. After the first
performances in 1867,
despite success, the
work's score and
orchestral parts had
little chance of
publication due to
concert companies'
reluctance. In 1869 the
Paris publishing house G.
Hartmann merely published
an arrangement for violin
and piano produced by the
composer's friend Georges
Bizet. The orchestral
score and parts were
first published after the
Paris publishing house
Durand had acquired
publication rights in
1875. The present edition
published in
collaboration with the G.
Henle Verlag is the first
critical edition of the
work.
Violin and 1 other inst. (solo: vl - 2.2.2.2 - 2.2(or 2corn).0.0 - timp - str) <...(+)
Violin and 1 other inst.
(solo: vl - 2.2.2.2 -
2.2(or 2corn).0.0 - timp
- str)
SKU:
BR.EB-11238
Urtext. Composed
by Camille Saint-Saens.
Edited by Peter Jost.
Solo instruments;
stapled. Edition
Breitkopf.
In
Cooperation with G. Henle
Verlag
Solo concerto;
Romantic; Late-romantic.
Piano reduction. 44
pages. Duration 9'.
Breitkopf and Haertel #EB
11238. Published by
Breitkopf and Haertel
(BR.EB-11238).
ISBN
9790201812380. 9.5 x 12
inches.
Many
well-known violinists
such as the dedicatee
Pablo de Sarasate,
together later with
Eugene Ysaye and Jacques
Thibaud, included in
their repertoires Camille
Saint-Saens' concert
piece composed in 1863.
Even today, concert life
is hard to imagine
without the Introduction
et Rondo capriccioso. The
highly virtuosic work
already inspired critics
and audiences during the
composer's lifetime;
reported about the
premiere in 1867 was: The
Introduction and the
Rondo capriccioso for the
same instrument are both
original and charming,
and Maestro Sarasate, who
was in his element here,
admirably made the most
of it. And a few years
later, a music critic
described the work as a
kind of fantasy waltz in
the Spanish style and
with a most bewitching
effect. After the first
performances in 1867,
despite success, the
work's score and
orchestral parts had
little chance of
publication due to
concert companies'
reluctance. In 1869 the
Paris publishing house G.
Hartmann merely published
an arrangement for violin
and piano produced by the
composer's friend Georges
Bizet. The orchestral
score and parts were
first published after the
Paris publishing house
Durand had acquired
publication rights in
1875. The present edition
published in
collaboration with the G.
Henle Verlag is the first
critical edition of the
work.
Urtext. Composed
by Camille Saint-Saens.
Edited by Peter Jost.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
In Cooperation with G.
Henle Verlag
Solo
concerto; Romantic;
Late-romantic. Part. 4
pages. Duration 9'.
Breitkopf and Haertel #OB
15155-27. Published by
Breitkopf and Haertel
(BR.OB-15155-27).
ISBN
9790004344972. 10 x 12.5
inches.
Many
well-known violinists
such as the dedicatee
Pablo de Sarasate,
together later with
Eugene Ysaye and Jacques
Thibaud, included in
their repertoires Camille
Saint-Saens' concert
piece composed in 1863.
Even today, concert life
is hard to imagine
without the Introduction
et Rondo capriccioso. The
highly virtuosic work
already inspired critics
and audiences during the
composer's lifetime;
reported about the
premiere in 1867 was: The
Introduction and the
Rondo capriccioso for the
same instrument are both
original and charming,
and Maestro Sarasate, who
was in his element here,
admirably made the most
of it. And a few years
later, a music critic
described the work as a
kind of fantasy waltz in
the Spanish style and
with a most bewitching
effect. After the first
performances in 1867,
despite success, the
work's score and
orchestral parts had
little chance of
publication due to
concert companies'
reluctance. In 1869 the
Paris publishing house G.
Hartmann merely published
an arrangement for violin
and piano produced by the
composer's friend Georges
Bizet. The orchestral
score and parts were
first published after the
Paris publishing house
Durand had acquired
publication rights in
1875. The present edition
published in
collaboration with the G.
Henle Verlag is the first
critical edition of the
work.
Urtext. Composed
by Camille Saint-Saens.
Edited by Peter Jost.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
In Cooperation with G.
Henle Verlag
Solo
concerto; Romantic;
Late-romantic. Part. 8
pages. Duration 9'.
Breitkopf and Haertel #OB
15155-23. Published by
Breitkopf and Haertel
(BR.OB-15155-23).
ISBN
9790004344965. 10 x 12.5
inches.
Many
well-known violinists
such as the dedicatee
Pablo de Sarasate,
together later with
Eugene Ysaye and Jacques
Thibaud, included in
their repertoires Camille
Saint-Saens' concert
piece composed in 1863.
Even today, concert life
is hard to imagine
without the Introduction
et Rondo capriccioso. The
highly virtuosic work
already inspired critics
and audiences during the
composer's lifetime;
reported about the
premiere in 1867 was: The
Introduction and the
Rondo capriccioso for the
same instrument are both
original and charming,
and Maestro Sarasate, who
was in his element here,
admirably made the most
of it. And a few years
later, a music critic
described the work as a
kind of fantasy waltz in
the Spanish style and
with a most bewitching
effect. After the first
performances in 1867,
despite success, the
work's score and
orchestral parts had
little chance of
publication due to
concert companies'
reluctance. In 1869 the
Paris publishing house G.
Hartmann merely published
an arrangement for violin
and piano produced by the
composer's friend Georges
Bizet. The orchestral
score and parts were
first published after the
Paris publishing house
Durand had acquired
publication rights in
1875. The present edition
published in
collaboration with the G.
Henle Verlag is the first
critical edition of the
work.
Urtext. Composed
by Camille Saint-Saens.
Edited by Peter Jost.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
In Cooperation with G.
Henle Verlag
Solo
concerto; Romantic;
Late-romantic. Part. 8
pages. Duration 9'.
Breitkopf and Haertel #OB
15155-15. Published by
Breitkopf and Haertel
(BR.OB-15155-15).
ISBN
9790004344934. 10 x 12.5
inches.
Many
well-known violinists
such as the dedicatee
Pablo de Sarasate,
together later with
Eugene Ysaye and Jacques
Thibaud, included in
their repertoires Camille
Saint-Saens' concert
piece composed in 1863.
Even today, concert life
is hard to imagine
without the Introduction
et Rondo capriccioso. The
highly virtuosic work
already inspired critics
and audiences during the
composer's lifetime;
reported about the
premiere in 1867 was: The
Introduction and the
Rondo capriccioso for the
same instrument are both
original and charming,
and Maestro Sarasate, who
was in his element here,
admirably made the most
of it. And a few years
later, a music critic
described the work as a
kind of fantasy waltz in
the Spanish style and
with a most bewitching
effect. After the first
performances in 1867,
despite success, the
work's score and
orchestral parts had
little chance of
publication due to
concert companies'
reluctance. In 1869 the
Paris publishing house G.
Hartmann merely published
an arrangement for violin
and piano produced by the
composer's friend Georges
Bizet. The orchestral
score and parts were
first published after the
Paris publishing house
Durand had acquired
publication rights in
1875. The present edition
published in
collaboration with the G.
Henle Verlag is the first
critical edition of the
work.
Urtext. Composed
by Camille Saint-Saens.
Edited by Peter Jost.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
In Cooperation with G.
Henle Verlag
Solo
concerto; Romantic;
Late-romantic. Part. 8
pages. Duration 9'.
Breitkopf and Haertel #OB
15155-19. Published by
Breitkopf and Haertel
(BR.OB-15155-19).
ISBN
9790004344958. 10 x 12.5
inches.
Many
well-known violinists
such as the dedicatee
Pablo de Sarasate,
together later with
Eugene Ysaye and Jacques
Thibaud, included in
their repertoires Camille
Saint-Saens' concert
piece composed in 1863.
Even today, concert life
is hard to imagine
without the Introduction
et Rondo capriccioso. The
highly virtuosic work
already inspired critics
and audiences during the
composer's lifetime;
reported about the
premiere in 1867 was: The
Introduction and the
Rondo capriccioso for the
same instrument are both
original and charming,
and Maestro Sarasate, who
was in his element here,
admirably made the most
of it. And a few years
later, a music critic
described the work as a
kind of fantasy waltz in
the Spanish style and
with a most bewitching
effect. After the first
performances in 1867,
despite success, the
work's score and
orchestral parts had
little chance of
publication due to
concert companies'
reluctance. In 1869 the
Paris publishing house G.
Hartmann merely published
an arrangement for violin
and piano produced by the
composer's friend Georges
Bizet. The orchestral
score and parts were
first published after the
Paris publishing house
Durand had acquired
publication rights in
1875. The present edition
published in
collaboration with the G.
Henle Verlag is the first
critical edition of the
work.
Violin and orchestra (solo: vl - 2.2.2.2 - 2.2(or 2corn).0.0 - timp - str) SK...(+)
Violin and orchestra
(solo: vl - 2.2.2.2 -
2.2(or 2corn).0.0 - timp
- str)
SKU:
BR.PB-15155
Urtext. Composed
by Camille Saint-Saens.
Edited by Peter Jost.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library).
In
Cooperation with G. Henle
Verlag
Solo concerto;
Romantic; Late-romantic.
Full score. 40 pages.
Duration 9'. Breitkopf
and Haertel #PB 15155.
Published by Breitkopf
and Haertel
(BR.PB-15155).
ISBN
9790004215609. 10 x 12.5
inches.
Many
well-known violinists
such as the dedicatee
Pablo de Sarasate,
together later with
Eugene Ysaye and Jacques
Thibaud, included in
their repertoires Camille
Saint-Saens' concert
piece composed in 1863.
Even today, concert life
is hard to imagine
without the Introduction
et Rondo capriccioso. The
highly virtuosic work
already inspired critics
and audiences during the
composer's lifetime;
reported about the
premiere in 1867 was: The
Introduction and the
Rondo capriccioso for the
same instrument are both
original and charming,
and Maestro Sarasate, who
was in his element here,
admirably made the most
of it. And a few years
later, a music critic
described the work as a
kind of fantasy waltz in
the Spanish style and
with a most bewitching
effect. After the first
performances in 1867,
despite success, the
work's score and
orchestral parts had
little chance of
publication due to
concert companies'
reluctance. In 1869 the
Paris publishing house G.
Hartmann merely published
an arrangement for violin
and piano produced by the
composer's friend Georges
Bizet. The orchestral
score and parts were
first published after the
Paris publishing house
Durand had acquired
publication rights in
1875. The present edition
published in
collaboration with the G.
Henle Verlag is the first
critical edition of the
work.
Urtext. Composed
by Camille Saint-Saens.
Edited by Peter Jost.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
In Cooperation with G.
Henle Verlag
Solo
concerto; Romantic;
Late-romantic. Part. 8
pages. Duration 9'.
Breitkopf and Haertel #OB
15155-16. Published by
Breitkopf and Haertel
(BR.OB-15155-16).
ISBN
9790004344941. 10 x 12.5
inches.
Many
well-known violinists
such as the dedicatee
Pablo de Sarasate,
together later with
Eugene Ysaye and Jacques
Thibaud, included in
their repertoires Camille
Saint-Saens' concert
piece composed in 1863.
Even today, concert life
is hard to imagine
without the Introduction
et Rondo capriccioso. The
highly virtuosic work
already inspired critics
and audiences during the
composer's lifetime;
reported about the
premiere in 1867 was: The
Introduction and the
Rondo capriccioso for the
same instrument are both
original and charming,
and Maestro Sarasate, who
was in his element here,
admirably made the most
of it. And a few years
later, a music critic
described the work as a
kind of fantasy waltz in
the Spanish style and
with a most bewitching
effect. After the first
performances in 1867,
despite success, the
work's score and
orchestral parts had
little chance of
publication due to
concert companies'
reluctance. In 1869 the
Paris publishing house G.
Hartmann merely published
an arrangement for violin
and piano produced by the
composer's friend Georges
Bizet. The orchestral
score and parts were
first published after the
Paris publishing house
Durand had acquired
publication rights in
1875. The present edition
published in
collaboration with the G.
Henle Verlag is the first
critical edition of the
work.
For Violin and Piano. By Camille Saint-Saens. Edited by Gustave Saenger. Arrange...(+)
For Violin and Piano. By
Camille Saint-Saens.
Edited by Gustave
Saenger. Arranged by
Gustave Saenger. For
Piano, Violin. Solo part
with piano reduction.
Opus 28. 16 pages.
Published by Carl
Fischer.
Violin and Piano. Composed by Camille Saint-Saens (1835- 1921). Edited by Peter...(+)
Violin and Piano.
Composed by
Camille Saint-Saens
(1835-
1921). Edited by Peter
Jost.
Sheet music. Henle Music
Folios. Classical.
Softcover.
G. Henle #HN1238.
Published
by G. Henle
For violin and orchestra Violin and Piano. By Camille Saint-Saens. Arranged by G...(+)
For violin and orchestra
Violin and Piano. By
Camille Saint-Saens.
Arranged by Georges
Bizet. This edition:
DF1586400. Editions
Durand. Book only. 32
pages. Published by
Editions Durand.
(for Flute and Piano). By Camille Saint SaÌÇns. Arranged by Denis Bouriakov. S...(+)
(for Flute and Piano). By
Camille Saint SaÌÇns.
Arranged by Denis
Bouriakov. Solo
instrument with piano.
For Flute, Piano.
Premiere: British Flute
Society Convention, Denis
Bouriakov and Clifford
Benson. Romantic.
Advanced/Professional.
Solo part with piano
reduction. Standard
notation. Op. 28.
Duration 8 minutes.
Published by Theodore
Presser Company
String
Orchestra Parts.
Composed by Camille
Saint-Saens. Edited by
Maria Egelhof and
Wolfgang Birtel. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Softcover.
Composed 1863. Op. 28.
108 pages. Schott Music
#CON259-50. Published by
Schott Music
(HL.49018925).
ISBN
9790001157889.
9.0x12.0x0.265
inches.
Set of
parts - flute I, flute
II, oboe I, oboe II,
clarinet I, clarinet II,
bassoon I, bassoon II,
horn I, horn II, trumpet
I, trumpet II, timbales,
4 violin I, 4 violin II,
2 viola, 2 cello, 2
double bass - violin and
orchestra.
Violon et Piano [Set de Parties séparées] - Intermédiaire Schirmer
Composed by Camille Saint-Saens (1835-1921), arranged by Henry Schradieck. For v...(+)
Composed by Camille
Saint-Saens (1835-1921),
arranged by Henry
Schradieck. For violin
and piano. Schirmer
Library Vol..224. Format:
set of performance parts
(includes separate pull
out violin part). With
solo part and piano
accompaniment. Romantic
period. 20 pages. 9x12
inches. Published by G.
Schirmer, Inc..
By Camille Saint-SaÌÇns and Camille Saint-Sa. For Orchestra, Violin (Study Sco...(+)
By Camille Saint-SaÌÇns
and Camille Saint-Sa. For
Orchestra, Violin (Study
Score). Study Score.
Softcover. 44 pages. Hal
Leonard #ETP1470.
Published by Hal Leonard
Piano SKU: HL.50565301 Pour Violon Et Orchestre. Composed by Camil...(+)
Piano
SKU:
HL.50565301
Pour
Violon Et Orchestre.
Composed by Camille
Saint-Saë and ns.
MGB. Score Only. Composed
2001. Editions Durand
#DF7405. Published by
Editions Durand
(HL.50565301).
