Voice (music for voice) SKU: HL.48187342 Composed by Jacques-Francois Ibe...(+)
Voice (music for voice)
SKU: HL.48187342
Composed by
Jacques-Francois Ibert.
Leduc. Classical.
Softcover. 6 pages.
Heugel & Cie #HE29276.
Published by Heugel & Cie
(HL.48187342).
ISBN
9781785586873. UPC:
888680845575. 9x12
inches.
“Jacq
ues Ibert (1890-1962)
studied at the Paris
Conservatoire before
embarking upon a
successful composing
career. The composer
wrote for a variety of
instrumentations and his
works remain popular to
this day, Two Oriented
Steles for Voice and
Flute being no exception.
Composed in 1926, Two
Oriented Steles for Voice
and Flute is based on the
poem of the same name by
Victor Segalen. Ibert was
a unique composer who did
not associate himself
with any particular
style. His music is
generally lighthearted,
often reflecting the
composer's wit and
humour. The two movements
are 'My lover has the
virtues of Water' and 'I
am told'. Containing a
variety of musical
aspects and techniques,
Ibert's Two Oriented
Steles is an exciting
addition to the advanced,
unusual ensemble of Flute
and Voice.&rdquo.
Composed by Kevin Joest. Percussion Ensemble. For Marimba (4-mallet) and 6 Spoke...(+)
Composed by Kevin Joest.
Percussion Ensemble. For
Marimba (4-mallet) and 6
Spoken Voices (marimba
(5-octave), Speaking
chorus (minimum of 6
performers)). Medium
difficult. Score and
parts. Duration 7:00.
Published by C. Alan
Publications
Chamber Music flute, piano SKU: CF.WF228 Philippe Gaubert. Compose...(+)
Chamber Music flute,
piano
SKU:
CF.WF228
Philippe
Gaubert. Composed by
Philippe Gaubert. Edited
by Amy Porter. Arranged
by Amy Porter. Set of
Score and Parts. With
Standard notation.
104+1+32 pages. Carl
Fischer Music #WF228.
Published by Carl Fischer
Music (CF.WF228).
Transcription from Partita No. 1 in D Minor BWV1004 Piano Solo. Composed by ...(+)
Transcription from
Partita
No. 1 in D Minor BWV1004
Piano Solo. Composed by
Martin Stadtfeld. Piano
Solo.
Classical. Softcover. 24
pages. Schott Music
#ED23299.
Published by Schott Music
Chamber Music High voice, Piano SKU: PR.111402890 Composed by Ricky Ian G...(+)
Chamber Music High voice,
Piano
SKU:
PR.111402890
Composed
by Ricky Ian Gordon. Full
score. 44 pages. Duration
20 minutes. Theodore
Presser Company
#111-40289. Published by
Theodore Presser Company
(PR.111402890).
ISBN
9781491134672. UPC:
680160685264.
What
??s in a name? While the
title is French for
â??Eight Flower
Songs,â? the texts are
all in English. The
poemsâ?? flowers
metaphorically evoke
fragrance, love and loss,
life and death, rebirth
and regrowth. Perhaps the
texture and beauty of
Gordonâ??s music are
themselves French. The
20-minute song cycle
draws on poems from
Wordsworth to Dorothy
Parker, as well as from
contemporary poets
including the composer
himself. When So-Chung
Shinn came to me with the
idea of commissioning a
song cycle with her
spectacular husband Tony
Lee, she had in mind
something having to do
with flowers. Tony had
asked her what she wanted
for her birthday, and she
said she wanted to be
behind the creating of a
new work. Lucky me, I was
the recipient of the
commission. So-Chung sent
me a little description
of all the flowers she
loves, but I had to take
the idea and create a
narrative in my head.It
is always a matter of
pleasing the
commissioner, yet coming
up with something you can
get behind and hear music
for as well. I already
knew I wanted to use my
â??Tulipsâ? poem
which is really about the
arc of a relationship as
represented through the
life span of the Tulips,
and, in many ways,
disappointment; and
Dorothy Parkerâ??s
â??One Perfect
Rose,â? which is wry,
bitter, cynical, and
funny, in a way only
Dorothy Parker can so
pithily express.I thought
of Jane Kenyonâ??s
exquisite â??Peonies at
Dusk,â? because
knowing she died so young
(46) of leukemia, the
poem has such a
particular resonance,
almost humanizing the
Peonies, casting the moon
as a sentient being,
illustrating so
beautifully how connected
everything is, alive
here, and revolving
around these exquisite
blossoms. Then, I
remembered her husband
Donald Hallâ??s poem
â??Her Garden,â?
which he wrote after Jane
died, his grief
intermingled with his
inability to care for
what she had created, to
keep alive what so
represented her
aliveness, broken as he
was, and I felt I already
had a story.I found the
Wordsworth, because it
felt like pure joy to me,
but also, if each of the
songs has a color in my
head, â??The
Daffodilsâ? is pure
yellow and a good place
to start. My partner
Kevin and I live on a
lake, and every year, the
first Daffodils, the
shock of yellows, the
oranges, the blinding
whites, after the long
snowy winters, sing of
the newness that is about
to enfold us in its green
miraculousness.At first,
the cycle ended with the
Langston Hughes poem
â??Cycle,â? or
â??New Flowers,â?
because it was lovely,
and about rebirth, which
is obviously optimistic,
and apt, but then, my
friend Telmo Dos Santos,
a wonderful Canadian poet
whom I met at Banff, sent
me his poem â??Afterlife
With Lilacs,â? having
no idea what I was
working on. I felt I had
to add it because it is
so dazzling, and it
immediately felt like the
missing link. Finally,
there were unfortunately
rights issues, namely, we
could not, no how, get in
touch with the Langston
Hughes Estate, after so
many happy
collaborations.After
almost a yearâ??s
frustration, I wrote my
own text, â??Play,
Orpheus,â? which ended
up being fortuitous,
because the first time I
met So-Chung, she entered
the room and the most
exquisite scent of
Lillies of the Valley,
Muguet de Bois, filled
the room. I went right
over to her and rudely
put my nose to her neck,
for the intoxication of
the scent. So â??Play,
Orpheusâ? is for
So-Chung, to remind us of
the precious treasures of
this world flowers remind
us of. Everything and
everyone lives and dies,
lives and dies. Death and
resurrection.And of
course, this is music,
this is song, so the
inclusion of the God of
music, Orpheus, seems
apt. Huit Chansons de
Fleurs is really about
what flowers represent,
their radiance, their
flickering impermanence,
the way they are used to
celebrate, as well as to
mourn...... and of
course, their fragrance.
Their fragrance.Ricky Ian
GordonJuly 28, 2021.
Ash
Wednesday through Holy
Week, SATB. Lent, Ash
Wednesday, Holy Week.
Sacred. Collection. GIA
Publications #7795.
Published by GIA
Publications (GI.G-7795).
Guitarra Liturgia Guitare [Conducteur] - Intermédiaire OR-TAV Music Publications
Guitar - Intermediate SKU: OT.26114 Composed by Ariel Lazarus. A short su...(+)
Guitar - Intermediate
SKU: OT.26114
Composed by Ariel
Lazarus. A short suite
for classical guitar
based on themes from the
Spanish and Portuguese
tradition. Classical.
Score. OR-TAV Music
Publications #26114.
Published by OR-TAV Music
Publications (OT.26114).
ISBN 9789655051049.
8.27 x 11.69
inches.
Ariel
Lazarus Guitarra
Liturgia Two pieces
based on music from the
Spanish and Portuguese
tradition.
Contents: Jerusalem
de Sefarad - Suite for
Guitar Contrapunto
Sefardi The composer
writes: For many
years I wanted to compose
a piece for guitar which
would inspire interested
students to expand their
repertoire in the
direction of Jewish
music. The most natural
thing for me was to write
a suite based on themes
from the synagogue in
which I grew up –
the Spanish and
Portuguese synagogue of
Gibraltar. My beloved
grandfather served all
his life as hazzan
(cantor) of this
synagogue, and I always
felt as a composer and
educator that I had a
special obligation to
continue his tradition
and pass it on to a new
generation. In this
composition, I let the
guitar echo the piyyutim
(semi-liturgical poems)
that were part of my
childhood: Adon Olam,
Sh'charchoret, Achot
K'tana, Yigdal, Borei ad
Ana, all of which are
sung in the Spanish and
Portuguese tradition from
Gibraltar to London, and
from New York to
Jerusalem. I let myself
dream the piyyutim, take
them apart and
reconstruct them as a
short suite for guitar,
the results of which you
are invited to hear here.
As a conceptual idea for
the suite, I choose to
suggest about the
cultural continuation
between the Diaspora and
the land of Israel by way
of referencing the
well-known melody of
Naomi Shemer, which is
also popular among the
hazzanim. Dr. Ariel
Lazarus is a unique voice
among Israeli
composer-performers
today. Brought up in a
family with Jewish
musical roots both in
Gibraltar and Westphalia,
he began composing and
playing the guitar in his
teens, and has been
committed to developing
his own compositional
language ever since,
always maintaining an
open dialogue with his
traditions. Lazarus
received his BMus and
MMus degrees from
Oklahoma City University
in classical guitar
performance and
composition where he
studied with American
composer Dr. Edward
Knight. He earned his PhD
from Bar Ilan University,
studying composition with
Prof. Betty Olivero and
Prof. Gideon Lewensohn
and conducting research
under the supervision of
Prof. Edwin Seroussi from
the Hebrew University.
His symphonic works have
been premiered by the
Raanana Symphonette
Orchestra, and his
chamber works have been
performed by various
ensembles in the United
States, Central Europe,
Portugal, Gibraltar,
Scandinavia and Israel.
Lazarus performs
regularly as Art
Ambassador on behalf of
the Israeli Ministry of
Diaspora affairs Amiel
BaKehila program. His
solo album A Hebrew
Capriccio was released by
the German boutique label
SmoothFactor and was
awarded critical acclaim,
among others, in Haaretz,
and Neue Westfalishe.
Dr. Lazarus is the
musical director and
co-founder of the Israeli
Ladino Orchestra. His
work with the orchestra
has been recognized by
the official Carta de
España. He teaches at
the Academic College for
Education Givat
Washington, and the Rimon
School of Music.
Lazarus’s work has
been awarded by the
Israeli Pais Art council
and ACUM.
Men's
Chorus (10 Copies).
Composed by Chen Yi.
Choral part(s). With
Standard notation. 480
pages. Duration 17
minutes. Theodore Presser
Company #312-41682.
Published by Theodore
Presser Company
(PR.312416820).
UPC:
680160050376. 8.5 x 11
inches.
Chen
Yi’s most
performed and most
beloved choral music is a
series of 10 Chinese folk
songs adapted for
S.A.T.B. Chorus
(published in 3 volumes:
312-41731, 312-41732,
312-41733). This special
version is a setting of
the familiar collection,
adapted for
children’s chorus
and
strings. Remembering
when I studied
composition in the
Central Conservatory of
Music in Beijing, I
learned to sing hundreds
of Chinese folk songs
collected from more than
twenty provinces and
fifty ethnic groups, and
went to countryside to
collect original folk
music every year. I
got to know that the folk
songs are a mirror of
people’s daily
lives, their thoughts and
sentiments, local customs
and manners. They are
sung in regional dialects
and use the idioms of
everyday speech with
their particular
intonations, accents and
cadences. This
correlation between
speech and music
distinguishes folk songs
of one region from
another. I learned
all songs by heart and
sang them back in the
exams every week.Â
They melted in my blood
and became my natural
music language. The
more I walk into the
music life,the more I
treasure the rich culture
I have learned from my
homeland. When I
became the
Composer-in-Residence of
Chanticleer and was
invited to write the
first work for its
concert program, as well
as another version for
its
Singing-In-The-Schools
program, I decided to
introduce A Set of
Chinese Folk Songs to my
American audiences, and
add a new flavor to
Chanticleer’srich
repertoire. The work
includes ten folk songs,
taken from eight
provinces (Anhui,
Shaanxi, Yunnan, Shanxi,
Taiwan, Sinkiang, Jiangsu
and Guizhou) and five
ethnic groups (Han,
Hasake, Uighur, Miao and
Yi). I arranged them
for choirs (men’s
or children’s
chorus) with various
combinations in voices,
to be sung mostly in
Chinese, some in
English.  From the
mysterious mountain songs
originally sung in the
open air with high and
long notes that can carry
over great distances, the
sweet and delicate
melodies of young love
compared with nature, the
humorous antiphony by
little children, and the
lively dancing tune by
villagers, you may get an
idea of various music
styles in Chinese folk
songs according to
geographic, ethnic and
linguistic differences,
and appreciate the beauty
of the Chinese folk
music. The pure choir
sound and the
sophisticated singing by
Chanticleer, in terms of
pitches, language and
musical expressions,
really attract and
inspire me to create some
more new works in the
years to come. In
thisedition of A Set of
Chinese Folk Songs for
standard SATB mixed choir
(with piano rehearsal
score), I divided these
ten songs into three
volumes. They are
Fengyang Song, The
Flowing Stream, Guessing,
Thinking of My Darling,
Mayila, Jasmine Flower,
Riding on a Mule,
Awariguli, Diu Diu Deng,
andMountain Song and
Dancing Tune.—Chen
Yi.
Concert Band/Harmonie - Grade 3 SKU: BT.1267-05-140-MS Arranged by Peter ...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.1267-05-140-MS
Arranged by Peter Kleine
Schaars. Peter's Popular
Collection. Pop & Rock.
Score Only. Composed
2005. 36 pages. Music
Sales #1267-05-140 MS.
Published by Music Sales
(BT.1267-05-140-MS).
9x12 inches.
English-German-French-Dut
ch.
Ray Charles
(1930-2004) was a
multitalented and
pioneering American
pianist and soul singer
who became very popular
in the late fifties, and
remained respected for
his music in the decades
that followed. By
incorporating gospel,
jazz, blues, and big band
elements, he helped shape
the sound of rhythm and
blues, and brought a
soulful sound to
everything from country
music to pop standards.
Ray Charles embodied the
American dream, starting
out a poor, blind boy
from the southern United
States and becoming an
international music
phenomenon; his nickname
was “the
Genius†for a good
reasonIn this arrangement
for concert band, Peter
Kleine Schaars presents
five of the songs
thatcontributed to Ray
Charles’ fame: I
Can’t Stop Loving
You, Hit the Road Jack,
Georgia on My Mind,
Hallelujah I Love Her So,
and Unchain My Heart.
Ray Charles
(1930-2004) was een
vernieuwend Amerikaans
pianist en soulzanger die
populair werd in de jaren
vijftig en geliefd bleef
in de decennia die
volgden. Hij gaf mede
vorm aan de sound van de
rhythm & blues en hij gaf
een soulachtigeklank aan
alle muziek van country
tot aan popstandards -
waarin hij gospel, jazz,
blues en
bigband-elementen
verwerkte. Dit
arrangement bevat vijf
van de songs die
bijdroegen aan de roem
van Ray Charles: I
Can’t StopLoving
You, Hit the Road Jack,
Georgia on My Mind,
Hallelujah I Love Her
So en Unchain My
Heart.
Ray
Charles, dem Hollywood
jüngst mit einer Oscar
preisgekrönten
Filmproduktion huldigte,
ist die Verkörperung
des amerikanischen
Traums: Vom armen,
blinden Jungen aus den
Südstaaten wurde er
zum internationalen
musikalischen
Phänomen; seinen
Spitznamen Genie trug er
völlig zu Recht. In
dieser Bearbeitung für
Blasorchester
präsentiert Peter
Kleine Schaars fünf
der Lieder, die zu Ray
Charles' Ruhm beitrugen.
Ray
Charles è un vero
mito: cinque decenni di
successi, una carriera
eccezionale ricca di
decine di successi che
hanno fatto il giro del
mondo diventando fonte di
ispirazione per intere
generazioni di giovani
artisti. Soprannominato
“The Geniusâ€,
questo pioniere del R&B e
della soul music, cieco
dall’et di sette
anni, ha composto alcune
delle canzoni memorabili
della musica nera
americana tra cui I
Can’t Stop Loving
You, Hit the Road Jack,
Georgia on My Mind,
Hallelujah I Love Her
so e Unchain My
Heart.
A Tribute to Ray Charles Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Music Sales
Concert Band/Harmonie - Grade 3 SKU: BT.1267-05-010-MS Arranged by Peter ...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.1267-05-010-MS
Arranged by Peter Kleine
Schaars. Peter's Popular
Collection. Pop & Rock.
Set (Score & Parts).
Composed 2005. Music
Sales #1267-05-010 MS.
Published by Music Sales
(BT.1267-05-010-MS).
9x12 inches.
English-German-French-Dut
ch.
Ray Charles
(1930-2004) was a
multitalented and
pioneering American
pianist and soul singer
who became very popular
in the late fifties, and
remained respected for
his music in the decades
that followed. By
incorporating gospel,
jazz, blues, and big band
elements, he helped shape
the sound of rhythm and
blues, and brought a
soulful sound to
everything from country
music to pop standards.
Ray Charles embodied the
American dream, starting
out a poor, blind boy
from the southern United
States and becoming an
international music
phenomenon; his nickname
was “the
Genius†for a good
reasonIn this arrangement
for concert band, Peter
Kleine Schaars presents
five of the songs
thatcontributed to Ray
Charles’ fame: I
Can’t Stop Loving
You, Hit the Road Jack,
Georgia on My Mind,
Hallelujah I Love Her So,
and Unchain My Heart.
Ray Charles
(1930-2004) was een
vernieuwend Amerikaans
pianist en soulzanger die
populair werd in de jaren
vijftig en geliefd bleef
in de decennia die
volgden. Hij gaf mede
vorm aan de sound van de
rhythm & blues en hij gaf
een soulachtigeklank aan
alle muziek van country
tot aan popstandards -
waarin hij gospel, jazz,
blues en
bigband-elementen
verwerkte. Dit
arrangement bevat vijf
van de songs die
bijdroegen aan de roem
van Ray Charles: I
Can’t StopLoving
You, Hit the Road Jack,
Georgia on My Mind,
Hallelujah I Love Her
So en Unchain My
Heart.
In den
fünfziger Jahren
erlangte der Pianist und
Soulsänger Ray Charles
große, bis heute
ungebrochene
Popularität. In dieser
Bearbeitung für
Blasorchester
präsentiert Peter
Kleine Schaars fünf
der Lieder, die
wesentlich zu Ray
Charles’ Ruhm
beitrugen und auch heute
noch ein hoch
ansteckendes Soul-Fieber
unter Musikern und
Zuhörern auslösen
können.
Ray
Charles è un vero
mito: cinque decenni di
successi, una carriera
eccezionale ricca di
decine di successi che
hanno fatto il giro del
mondo diventando fonte di
ispirazione per intere
generazioni di giovani
artisti. Soprannominato
“The Geniusâ€,
questo pioniere del R&B e
della soul music, cieco
dall’et di sette
anni, ha composto alcune
delle canzoni memorabili
della musica nera
americana tra cui I
Can’t Stop Loving
You, Hit the Road Jack,
Georgia on My Mind,
Hallelujah I Love Her
so e Unchain My
Heart.
10 Inventive Settings of Timeless Hymns. Composed by William Phemister. Arrang...(+)
10 Inventive Settings of
Timeless Hymns. Composed
by
William Phemister.
Arranged
by William Phemister.
Piano
Collection; Piano
Supplemental; Worship
Resources. Sacred
Performer
Collections. Hymn;
Sacred.
Book. 40 pages. Alfred
Music
#00-48597. Published by
Alfred Music
Guitar SKU: FG.55011-522-4 Composed by Harri Vuori. Fennica Gehrman #5501...(+)
Guitar
SKU:
FG.55011-522-4
Composed by Harri Vuori.
Fennica Gehrman
#55011-522-4. Published
by Fennica Gehrman
(FG.55011-522-4).
ISBN
9790550115224.
Harr
i Vuori's Chiroptera
(2017) for guitar
embraces the instrument
with several
compositional solutions
born from the attributes
of the guitar. Dedicated
to Patrik Kleemola this
12 minutes work is
devided in three
movements. The textures
of Chiroptera are complex
but their build-up,
fade-out, measuring and
timing of these changes
is clearly defined and
understandable. According
to the composer the name
Chiroptera has the same
beautiful sound as the
composition in whole. In
addition he currently
lives in an area
populated with lots of
bats both in the woods
and in the atticks. Harri
Vuori (b. 1957) studied
composition with Paavo
Heininen, Eero
Hameenniemi and
Einojuhani Rautavaara at
the Sibelius Academy. He
has been composer in
residence of the Hyvinkaa
Orchestra since 1997 and
has taught in the
Department of Musicology
at the University of
Helsinki since 1993. HIs
guitar concerto Ctulhu's
Dreams (2016) based on
the Ctulhu mythology by
H.P. Lovecraft was
commissioned by the
Lappeenranta City
Orchestra and premiered
in 2016.
Flute (Flute) SKU: HL.48186450 Composed by Guy-Claude Luypaerts. Leduc. P...(+)
Flute (Flute)
SKU:
HL.48186450
Composed
by Guy-Claude Luypaerts.
Leduc. Post-1900.
Softcover. 5 pages.
Alphonse Leduc #AL30686.
Published by Alphonse
Leduc (HL.48186450).
UPC: 888680827922.
9.0x12.25x0.074
inches.
Having
studied under Jean Pierre
Rampal and Tony Aubin at
the Conservatoire
National de Paris,
flautist Guy-Claude
Luypaerts now divides his
time between his work as
a soloist, teacher and
orchestral conductor,
without neglecting his
compositional activity.
Luypaerts has remained
true to his childhood
land: for this resident
of the seaside village of
Panne in western
Flanders, the North Sea
coastline is a continual
source of inspiration.
This beloved landscape,
where sea, sky and dune
embrace, was the setting
for the composition of
the Partita for Flute in
August 2014. The title
can be seen as a tribute
to two essential works in
the solo Flute
repertoire: Bach?s
Partita in A Minor, BWV
1013 and the Sonata in A
Minor Wq 179 by his son
Carl Philipp Emanuel.
Dedicated to flautist
Maxence Larrieu, who
included it in the
programme of his
International Competition
(2015), the Partita
contains three movements.
The energetic
determination of Patience
contrasts with the dreamy
exhalations of Volutes,
before the Chimeres are
unleashed upon an angry
sea..
Ave Maria Chorale SATB SATB A Cappella [Octavo] CanticaNOVA Publications
Composed by Tomas Luis de Victoria (1548-1611). Edited by Andrea Angelini. Text:...(+)
Composed by Tomas Luis de
Victoria (1548-1611).
Edited by Andrea
Angelini. Text: Hail
Mary. Renaissance
treasure. Marian. Octavo.
Published by CanticaNOVA
Publications (C5.7019).