Tropical Trombones Orchestre d'harmonie [Conducteur] - Facile C.L. Barnhouse
Concert band - Grade 2 SKU: CL.011-4420-01 Composed by Orcino. Young Conc...(+)
Concert band - Grade 2
SKU:
CL.011-4420-01
Composed by Orcino. Young
Concert Band. Command
Series. Audio recording
available separately
(item CL.WFR386). Extra
full score. Composed
2015. Duration 2 minutes,
26 seconds. C.L.
Barnhouse #011-4420-01.
Published by C.L.
Barnhouse
(CL.011-4420-01).
Grab your
sunglasses and get ready
to groove as the
trombones take the
spotlight in this musical
island adventure. From
the opening drive of
percussion to the ending
cha-cha, your students
and audience will be
fully engaged and
entertained. A great
recruiting tool or just
for fun on your next
concert. Don’t
miss this refreshing
musical escapade. A
surf-fire hit!
About C.L.
Barnhouse Command
Series
The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content.
Violin SKU: PE.EP7834 A Progressive Sight-reading Course. Composed...(+)
Violin
SKU:
PE.EP7834
A
Progressive Sight-reading
Course. Composed by
Caroline Lumsden. Violin
Studies & Tutors. Edition
Peters. Book. 40 pages.
Duration 00:00:00.
Edition Peters
#98-EP7834. Published by
Edition Peters
(PE.EP7834).
ISBN
9790577010311. 232 x 303
inches.
English.
Sight-r
eading is one of the most
important yet neglected
skills for any musician,
and an important
component of Associated
Board and other music
exams.
Right@Sight
contains pieces designed
to help students master
the art of
sight-reading:
a carefully graded
sequence of pieces eases
the student's progression
from one grade to the
next
guidance
notes using the mnemonic
TRaK (Time-signature,
Rhythm and Key) help
students develop a
disciplined
approach
duet
parts for teachers to
play along with their
students during lessons
encourage confident
playing
R
ight@Sight contains
everything a violinist
needs to develop
sight-reading skills both
during and between
lessons.
Composed
by Dan Welcher. Spiral.
Large Score. With
Standard notation.
Duration 10 minutes.
Theodore Presser Company
#466-00047. Published by
Theodore Presser Company
(PR.466000470).
UPC:
680160099405. 11 x 17
inches.
This is the
second incarnation of a
work I first composed in
1994 for symphonic wind
ensemble. The earlier
version was intended to
be the summation of
three-part suite, each
part being named for a
different national park
in the Western United
States. This orchestral
version, commissioned in
1999 by the Utah Symphony
and dedicated to the
memory of Aaron Copland,
is more than a re-scoring
of the earlier piece; it
is a re-thinking of all
its elements. Zion is a
place with unrivaled
natural grandeur, being a
sort of huge box canyon
in which the traveler is
constantly overwhelmed by
towering rock walls on
every side of him -- but
it is also a place with a
human history, having
been inhabited by several
tribes of native
Americans before the
arrival of the Mormon
settlers in the mid-19th
century. By the time the
Mormons reached Utah,
they had been driven all
the way from New York
State through Ohio and,
with tragic losses,
through Missouri. They
saw Utah in general as a
place nobody wanted, but
they were nonetheless
determined to keep it to
themselves. Although Zion
Canyon was never a Mormon
Stronghold, the people
who reached it and
claimed it (and gave it
its present name) had
been through extreme
trials. It is the
religious fervor of these
persecuted people that I
was able to draw upon in
creating Zion as a piece
of music. There are two
quoted hymns in the work:
Zion's Walls (which Aaron
Copland adapted to his
own purposes in both his
Old American Songs and
the opera The Tender
Land) and Zion's
Security, which I found
in the same volume in
which Copland found
Zion's Walls -- that
inexhaustible storehouse
of 19th-century hymnody
called The Sacred Harp.
My work opens with a
three-verse setting of
Zion's Security, a stern
tune in F-sharp minor
which is full of resolve.
(The words of this hymn
are resolute and strong,
rallying the faithful to
be firm, and describing
the city of our God they
hope to establish). This
melody alternates with a
fanfare tune, whose
origins will be revealed
in later music, until the
second half of the piece
begins: a driving
rhythmic ostinato based
on a 3/4-4/4 alternating
meter scheme. This pauses
at its height to restate
Zion's Security one more
time, in a rather obscure
setting surrounded by
freely shifting patterns
in the flutes, clarinets,
and percussion -- until
the sun warms the ground
sufficiently for the
second hymn to appear.
Zion's Walls is set in
7/8, unlike Copland's
9/8-6/8 meters (the
original is quite
strange, and doesn't
really fit any constant
meter), and is introduced
by a warm horn solo. The
two hymns vie for
attention from here to
the end of the piece,
with the glowingly
optimistic Zion's Walls
finally achieving
prominence. The work ends
with a sense of
triumph.
Composed
by Lloyd Larson. Choral
collection. Sacred
Choral, Christmas. Score
and parts. Lorenz
Publishing Company
#30/3276L. Published by
Lorenz Publishing Company
(LO.30-3276L).
UPC:
000308142259.
Unite
your congregation in song
with this easily prepared
anthem collection and
creative congregation
resource! Each title is
comprised of an
introduction, standard
four-part hymn stanzas,
and a unison final stanza
for both choir and
congregation that is
crowned by a soaring
descant. Engage
additional congregants
with Lloyd's fully
supportive keyboard
accompaniment and options
for handbells, brass, and
percussion in any
combination.
Elegy I Fanfare [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Fanfare Band - Grade 5 SKU: BT.DHP-1094675-020 Jealousy. Composed ...(+)
Fanfare Band - Grade 5
SKU:
BT.DHP-1094675-020
Jealousy. Composed
by Jacob De Haan. Concert
and Contest Collection
CBHA. Concert Piece. Set
(Score & Parts). Composed
2009. De Haske
Publications #DHP
1094675-020. Published by
De Haske Publications
(BT.DHP-1094675-020).
9x12 inches.
English-German-French-Dut
ch.
Elegy I
‘Jealousy’
has been named after John
Donne’s poem of
the same name. This
English poet (1572-1631)
wrote an entire series of
elegies, each with its
own theme. Jealousy can
trigger various emotions,
ranging from
disappointment, grief, or
regret, to madness and
anger. All these emotions
have been incorporated
into this composition.
Jacob de Haan was
inspired by three
different works of art: a
poem (the aforementioned
poem by John Donne), a
painting by the Norwegian
painter Edvard Munch
(Jealousy in the Garden)
and an old French chanson
about jealousy (Je ne
l’ose dire) by the
sixteenth-century French
composer Pierre Certon.
The music refers
repeatedly to thischanson
- sometimes through key
notes from the melody
that serve as the
starting point for new,
isolated themes and
sometimes through
quotations of the
original version.
Elegy I
‘Jealousy’
I> werd genoemd naar het
gelijknamige gedicht van
John Donne. Jaloezie
(Jealousy) roept een hele
rij emoties op. Van
teleurstelling, treurnis
en verdriet tot boosheid
en woede. Het gedicht
Jealousy van Donneen ook
het gelijknamige
schilderij van Edvard
Munch inspireerden Jacob
de Haan om dit werk te
componeren. En het is hem
goed gelukt om alle
emoties die bij jaloerse
gevoelens horen muzikaal
te verklanken! Een
treffend concertwerkdat u
niet mag
missen…
E
legy I
‘Jealousy’
I> wurde nach dem
gleichnamigen Gedicht von
John Donne benannt.
Eifersucht (Jealousy)
vermag eine ganze Reihe
von Emotionen
auszulösen - von
Enttäuschung, Trauer,
Bedauern bis hin zu
Ärger und Wut. Jacob
de Haan ist es gelungen,
all diese Gefühle in
Musik umzusetzen. Ein
bewegendes Konzertwerk,
das Sie sich nicht
entgehen lassen sollten.
(Solo Version (Printed Edition)). By Sergei Rachmaninoff (1873-1943). Arranged b...(+)
(Solo Version (Printed
Edition)). By Sergei
Rachmaninoff (1873-1943).
Arranged by Peng-Peng
Gong. LKM Music. Hal
Leonard #X410103.
Published by Hal Leonard
SKU: GI.G-10605 An Advanced Orchestral Conducting Workshop. Compos...(+)
SKU: GI.G-10605
An Advanced Orchestral
Conducting Workshop.
Composed by David Itkin.
Music Education. 62
pages. GIA Publications
#10605. Published by GIA
Publications
(GI.G-10605).
ISBN
9781622776160.
This
advanced orchestral
conducting resource
features concise
discussions of advanced
technical and
interpretive issues for
44 major orchestral works
that all conductors will
perform during their
careers. The brief
discussions that precede
each score cover the full
range of issues
encountered in real
conducting situations,
and the accompanying
online videos show
Maestro Itkin
demonstrating the
techniques for each
excerpt. All music
examples have been
faithfully reproduced
from original scores, and
Maestro Itkin has also
arranged each excerpt for
string quintet, ideal for
the conducting class
setting. With nearly a
thousand performances to
his credit, acclaimed
conductor David Itkin
shares the knowledge he
has acquired over his
decades in the
profession. The
Conductorââ¬â¢
s Craft is for both
up-and-coming conductors
and seasoned
professionals alike,
equally beneficial for
personal study or for use
in a classroom or
ensemble setting.
ÃÂ This volume is a
real breakthrough aid for
anyone studying or
teaching conducting at
any level. Written by
David Itkin, a most
distinguished and
experienced conductor and
teacher, it concentrates
on all the vital
techniques in the
teaching of the craft.
The accompanying video
recordings also make this
volume unique. This
addition to the material
for teaching conducting
is truly revolutionary,
and the selection of
examples gets
successfully to the point
of each subject
discussed.
ââ¬âSamuel
Adler ÃÂ ÃÂ
Composer, conductor,
author ÃÂ ÃÂ
Professor Emeritus, The
Juilliard School, Eastman
School of Music The
Conductorââ¬â¢
s Craft outlines a
detailed plan and method
for executing conductor
training in advanced
conducting studios.
Itkinââ¬â¢s
book is also an excellent
reference for any teacher
who instructs advanced
students in a collegiate
orchestral conducting
program, as well as for
up-and-coming
professionals who are
studying for a career in
the field. Perhaps most
important, an individual
conductor can manage
their own self-study with
Maestro
Itkinââ¬â¢s
clear statements and
explanations of the
technical issues
presented with each
excerpt. This book gives
individual
conductorââ¬â¢
s freedom to explore
choices and alternatives
to fix tricky passages in
the provided musical
examples. I love the book
and will be using it in
my studio.
ââ¬âJulius P.
Williams ÃÂ
ÃÂ Artistic
director and conductor,
Berklee Contemporary
Symphony Orchestra
ÃÂ ÃÂ
President of the
International Conductors
Guild How refreshing to
review a conducting book
that deals with
specificity of gesture as
it relates to the music
rather than mere
concepts. Bravo to
Maestro David Itkin for
holding the aspiring
conductor to task on
issues of score study,
execution, and style!
ââ¬âMark
Gibson ÃÂ ÃÂ
Director of Orchestral
Studies,
College-Conservatory of
Music, University of
Cincinnati ÃÂ
ÃÂ Author of The
Beat Stops Here.
Chorus for St.
Michael's Day.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Reinhold Kubik. German
title: Nun Ist Das Heil
Und Die Kraft (Kubik).
Sacred vocal music,
Cantatas, Special days.
Single Part, Violin 1.
Composed circa 1740. BWV
50. 4 pages. Duration 5
minutes. Carus Verlag #CV
31.050/61. Published by
Carus Verlag
(CA.3105061).
ISBN
9790007206260. Key: D
major. Language:
German/English.
Com
posed in the late period,
around 1740 A lively
discussion about the
choral movement Nun ist
das Heil und die Kraft
has been carried on, in
which not only all
previous assumptions have
been called into
question-including Bach's
authorship-but also show
how little we know about
the history of this
magnificent movement.
Even though there is
little to refute the 1982
presumption that the work
was handed down in the
form of an arrangement,
the question remains open
concerning the identity
of the arranger, as well
as the alleged form of
the original design.
Therefore it seemed
appropriate to forego any
attempts at
reconstruction. Rather,
for the present new
edition the music has
been critically examined
and commented upon based
on the surviving copy
from Bach's
circle.
Guitar and voice - Intermediate SKU: DY.DO-1538 Composed by David Leisner...(+)
Guitar and voice -
Intermediate
SKU:
DY.DO-1538
Composed
by David Leisner. Score.
Les Editions
Doberman-Yppan #DO 1538.
Published by Les Editions
Doberman-Yppan
(DY.DO-1538).
ISBN
9782897963187.
When
guitarist John Olson and
soprano Gioia De Cari
commissioned me to write
a piece for them, I envi-
sioned writing something
theatrical that might
especially suit Gioia,
who is both a singer and
an actress. Eventually, I
thought of Mark Twain.
The great American writer
and humorist of substance
wrote a short,
little-known book called
The Diary of Adam and
Eve, which is, of course,
about the first days of
human life on this earth,
in Twainâs witty,
but touching take on the
Bible story. Adam and Eve
each write diary entries.
I chose several passages
from Eveâs diary
that convey the sense of
constant wonder that she
felt because absolutely
everything in her world
was new.
Setting
prose, rather than
poetry, is a challenge
for a composer because it
has neither the innate
rhythm nor the lyricism
of poetry. On some
intuitive level, this
challenge led me to a
process that allowed the
music to evolve mostly
from the guitar part.
Whereas normally the
vocal melody might emerge
first, motivated by the
text and with the
accompaniment then added
for support, here the
guitar part was the prime
mover. An example of this
is the last song, which
is a passacaglia played
by the guitar, providing
the ground over which the
vocal line can soar.
Eveâs Diary was
composed in
2015.
Trio SKU: BR.EB-9474 Composed by Christian Mason. Chamber music; stapled....(+)
Trio
SKU:
BR.EB-9474
Composed
by Christian Mason.
Chamber music; stapled.
Edition Breitkopf. New
music (post-2000). Sheet
Music. Composed 2008/12.
28 pages. Duration 8'.
Breitkopf and Haertel #EB
9474. Published by
Breitkopf and Haertel
(BR.EB-9474).
ISBN
9790004189542. 9 x 12
inches.
The present
piece is a wind trio
reduction of my ensemble
piece In Time Entwined,
In Space Enlaced (2008),
which was in turn an
expansion of an original
trio for bass flute, cor
anglais and viola.
Throughout the piece, the
three instruments find
themselves entangled in
various contrapuntal and
heterophonic webs. Though
their individual
identities are generally
distinct -- by virtue of
their timbral differences
-- they seek to blur
their boundaries, forging
relationships through
shared material as they
attempt to merge with one
another. I was inspired
by the surreal expression
of love in David
Gascoyne's poem
Antennae:The timeless
sleepers tangled in the
bedIn the midst of the
sonorous island, aloneThe
tongue between the
teethThe river between
the sandsLove in my hand
like laceYour hand
enlaced with
mine.(Christian Mason,
2012)
World
premiere: Olive Grove,
Delikipos/Cyprus (4th
International
Contemporary Music
Festival), September 9,
2012.
Solo Violin and Orchestra (V-solo,2Fl,2Ob,2Clar-iA, 2bassoon,2Hn,2Trp,Timp,2V ,V...(+)
Solo Violin and Orchestra
(V-solo,2Fl,2Ob,2Clar-iA,
2bassoon,2Hn,2Trp,Timp,2V
,Va,Vc,Db)
SKU:
BA.TP00394
Composed
by Felix Bartholdy
Mendelssohn. Edited by
Clive Brown and R. Larry
Todd. This edition:
urtext edition.
Paperback. Barenreiter
Urtext. Late version
1845. Study score. Opus
64. Duration 00:26:00.
Baerenreiter Verlag
#TP00394_00. Published by
Baerenreiter Verlag
(BA.TP00394).
ISBN
9790006203086. 22.5 x
16.5 cm inches. Key: E
minor. Preface: Todd, R.
Larry / Brown, Clive /
Sutcliffe,
Richard.
This
standard work of the
cello literature has been
extracted from volume II
of the Complete Works for
Violoncello and
Pianoforte (BA 9096 and
BA 9097) which was
published in 2016.
Mendelssohn scholar R.
Larry Todd edited the
scholarly-critical
edition ofSong without
Words.
This work
is not based on the
surviving autograph
manuscript, which could
not have been the basis
for the posthumous first
edition, but rather on
the only plausible
source: the German first
edition itself. This was
published in 1868 as op.
109 and is unquestionably
based on an untraceable
complete final
manuscript, perhaps once
previously owned by the
dedicatee, French cellist
Lisa Barbier
Cristiani.
The
publication is free from
editorial amendments and
modern performance
instructions and provides
an excellent basis for
musical
interpretation.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Book/Online Audio Guitar SKU: HL.137903 How to Choose and Play the Rig...(+)
Book/Online Audio Guitar
SKU: HL.137903
How to Choose and Play
the Right Guitar Chords
Updated Edition.
Book. Chords, Music /
General. Softcover Audio
Online. 256 pages.
Published by Backbeat
Books (HL.137903).
ISBN 9781495001512.
UPC: 888680029395.
8.5x11.0x0.651 inches.
Rikki
Rooksby.
Chord
Master is a chord
dictionary with a
difference. Rather than
just show chord shapes -
which are all there in
the Chord Matrix - a
large portion of the book
explains how to use
chords, with information
about the theory behind
them, and attempts to
answer the questions
guitarists often have
about chord shapes. Also,
it presents usable groups
of chords for beginners
in relation to a variety
of song styles. This new,
revised edition
emphasises the practical
and is even more useful
to beginners, with
expanded exercises and
more audio. The
multimedia component has
roughly doubled the
number of tracks and is
30 minutes longer. Some
audio examples have a
backing track arranged to
stress melodic and
rhythmic elements so that
when the reader puts the
chords alongside, the
effect is marked,
sometimes allowing for
re-harmonizing the same
music with a different
chord progression, or a
chord progression played
in more than one area of
the guitar. The notation
of the chord progressions
is partly redesigned,
making it easier to read.
This will also make this
part of the book more
attractive to the casual
browser. More chord types
have been added to Chord
Master's Matrix
(dictionary) section,
with new material about
balanced chords (which
remove ineffective or
unnecessary doublings of
notes) and about
effective chord voicing.
The section about chords
from famous songs is
expanded with more
examples of unusual
chords, including ones
that players are often
curious about - one of
the most famous examples
is the first chord of A
Hard Day's Night..
Bass Guitar SKU: BT.MUSMS0297 Composed by Alex Pineda. Tuition. Book, CD ...(+)
Bass Guitar
SKU:
BT.MUSMS0297
Composed
by Alex Pineda. Tuition.
Book, CD and DVD.
Composed 2015. 26 pages.
Play Music Spain
#MUSMS0297. Published by
Play Music Spain
(BT.MUSMS0297).
Old Hundred Orchestre [Conducteur et Parties séparées] C.L. Barnhouse
SKU: CL.016-0179-00 Arranged by Allen. Orchestra. Score and set of parts....(+)
SKU:
CL.016-0179-00
Arranged by Allen.
Orchestra. Score and set
of parts. Composed 1912.
C.L. Barnhouse
#016-0179-00. Published
by C.L. Barnhouse
(CL.016-0179-00).
This product
contains five short
arrangements: Holy, Holy,
Holy Abide With Me Joy To
The World Stand Up, Stand
Up For Jesus Old Hundred
NOTE: This is a vintage
orchestra publication,
designed for the small
theater orchestras of the
very late 1800s and early
1900s – whose
instrumentation varies
considerably from a
modern full orchestra
work. Parts for standard
string instruments are
included, along with wind
and percussion parts as
scored by the musical
judgment of the composer
or arranger. Be cautioned
that published parts
might include less
familiar transpositions,
such as Clarinet or
Cornet in A, Horn in Eb,
etc. Please contact us
with any specific
instrumentation
questions.
Piano SKU: BT.EMBZ13591 By Jozsef Sarmai. By Isaac Albeniz. Book Only. Co...(+)
Piano
SKU:
BT.EMBZ13591
By
Jozsef Sarmai. By Isaac
Albeniz. Book Only.
Composed 1990. 48 pages.
Editio Musica Budapest
#EMBZ13591. Published by
Editio Musica Budapest
(BT.EMBZ13591).
A Fantasy
for Band. Composed by
Joseph Compello. Primer
Band (PPS). Set of Score
and Parts. With Standard
notation.
8+2+8+2+5+2+2+8+2+3+2+6+3
+1+1+4+4+16+2 pages.
Duration 2 minutes, 46
seconds. Carl Fischer
Music #PPS52. Published
by Carl Fischer Music
(CF.PPS52).
ISBN
9781491151969. UPC:
680160909469.
Balle
t of the Dinosaur
Hatchlings is an
imaginative and
fun selection for a
beginning band with less
than one year of
instruction. Wind parts
use only five pitches and
only the percussion
parts use eighth
notes. Two sound effects
are required in the
piece. First, the
hatching eggs are
portrayed by a ratchet,
and second, the snapping
dinosaurs jaws are
represented by a
slapstick. Ballet of the
Dinosaur Hatchlings
is an intriguing piece
that beginning students
are sure to
love. Ballet of the
Dinosaur Hatchlings is a
descriptive novelty
selection for a beginning
band with less than one
year of instruction. Wind
parts use only five
pitches. Only percussion
parts use eighth notes.
Two sound effects are
required. First, the
hatching eggs are
portrayed by the ratchet
beginning at m. 2, and
second, the snapping
dinosaurs jaws, which are
first heard at m. 14, are
represented by an
accented note augmented
by a slapstick. Directors
are encouraged to use
more elaborate sound
effects if they are
inclined to do so. The
story described by the
music is as
follows:• Dinosaur
eggs begin to hatch (the
ratchet, mm. 1-8).•
The parent dinosaurs
guard the nest (Low Brass
and Woodwinds mm.
9-12).• The
hatchlings begin walking
(m. 13).• The
hatchlings snap their
jaws as they learn to eat
(m. 14, Xylophone and
Slapstick).•
Thunder (Timpani, m.
29).• The parent
dinosaurs seek shelter
for all (m. 33, Low Brass
and Woodwinds).•
The hatchlings follow
while they continue
snapping their jaws (m.
41).• More thunder
(mm. 53-54).• All
the dinosaurs roar loudly
at the clouds (m. 55) as
the thunder becomes
louder.
For Alto Sax, Circus Band and Wind Orchestra. Composed by Johan De Meij. ...(+)
For Alto Sax, Circus
Band and Wind
Orchestra. Composed
by Johan De Meij. Amstel
Music. Concert.
Softcover. Amstel Music
#AM144-010. Published by
Amstel Music
(HL.4004915).
Euphonium SKU: BT.OKP117-131 Euphonium. Samen Leren Samenspelen Vl...(+)
Euphonium
SKU:
BT.OKP117-131
Euphonium. Samen
Leren Samenspelen Vlaams
2. Method. Book with
Online Audio. 72 pages.
Oldenkamp-Kastelein
Publications #OKP117-131.
Published by
Oldenkamp-Kastelein
Publications
(BT.OKP117-131).
Na het grote
succes van de methode
Horen, lezen &
spelen hebben Michiel
Oldenkamp en Jaap
Kastelein hun aandacht
gericht op lesmateriaal
dat gebruikt kan worden
in zowel de
euphonium/baritonles als
in de orkestklas
(blazersklas). Zij
bedachten een compleet
nieuwe methode voor jonge
blazers en slagwerkers
vanaf ongeveer 8 jaar
oud. De methode is
ontwikkeld in nauwe
samenwerking met
professionals uit de
wereld van
blazersklassen,
muziekscholen en
conservatoria in
Nederland en
Duitsland.
De methode
bestaat uit twee delen.
In het eerste deel wordt
er vanaf de eerste noten
toegewerkt naar het
spelen van duetten. In
het tweede deel ligt de
nadruk op het driestemmig
samenspelen. Naast het
lesboek biedt de
uitgebreide website
allerlei aanvullend
materiaal zoals demo- en
begeleidingstracks van
alle stukken, aanvullend
speelmateriaal en
instructie-video’s
. De logische opbouw en
kindvriendelijke layout
met mooie illustraties
zorgen ervoor dat deze
methode voor kinderen
heel motiverend
is.
Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Marc Koninkx. For B...(+)
Composed by Wolfgang
Amadeus Mozart
(1756-1791). Arranged by
Marc Koninkx. For Bassoon
and Wind Ensemble. Grade
4. Full score and set of
parts. Duration 18:00.
Published by Baton Music
Kantate
zum 1.
Weihnachtsfesttag.
Composed by Gottfried
August Homilius. Edited
by Uwe Wolf. German
title: Ein Hoher Tag
Kommt (Kantate). Sacred
vocal music, Christmas.
Choral Score. HoWV II.9.
Duration 18 minutes.
Carus Verlag #CV
37.208/05. Published by
Carus Verlag
(CA.3720805).
ISBN
9790007131784. Language:
German.
The cantata
Ein hoher Tag kommt,
composed for Christmas
Day, cannot be precisely
dated (as is the case
with most of Homilius's
cantatas), but most
certainely it can be
assigned to his tenure as
Kreuzkantor in Dresden
(1755-1785). The author
of the cantata text is
unknown. Score available
separately - see item
CA.3720800.
Guitar - easy SKU: BT.DHP-1053935-400 Book with CD. Composed 2005. 20 pag...(+)
Guitar - easy
SKU:
BT.DHP-1053935-400
Book with CD. Composed
2005. 20 pages. De Haske
Publications #DHP
1053935-400. Published by
De Haske Publications
(BT.DHP-1053935-400).
ISBN 9789043123228.
9x12 inches.
Dutch.
Dit is een
verzameling van bekende
Nederlandstalige
kinderliedjes, ze zijn
eenvoudig om te spelen en
er is een vrolijke
begeleidings-cd
bijgevoegd. Het eerste
liedje is het
gemakkelijkst en verderop
in het boek worden de
liedjes steeds een beetje
moeilijker. De teksten
staan in het boek, dus
iedereen kan lekker
meezingen. Boven de
muziek staan
akkoordsymbolen die jouw
leraar (of een andere
gevorderde gitarist of
keyboardspeler) kan
gebruiken om jou live te
begeleiden.