By Edward Elgar (1857-1934). Arranged by David Marlatt. For Alto, Tenor and Bari...(+)
By Edward Elgar
(1857-1934). Arranged by
David Marlatt. For Alto,
Tenor and Baritone
Saxophones (AATB).
Masterworks; Quartet;
Woodwind - Saxophone
Quartet. Eighth Note
Publications. Classical;
Masterwork Arrangement. 8
pages. Published by
Eighth Note Publications
String Quartet or String Orchestra - easy SKU: BT.DHP-1135315-070 Arrange...(+)
String Quartet or String
Orchestra - easy
SKU:
BT.DHP-1135315-070
Arranged by Nico Dezaire.
De Haske String Orchestra
Series. Set (Score and
Parts). De Haske
Publications #DHP
1135315-070. Published by
De Haske Publications
(BT.DHP-1135315-070).
ISBN 9789043146814.
9x12 inches.
English-German-French-Dut
ch.
(Baroque, Classical and Romantic Favorites, Wedding Music). Composed by Various....(+)
(Baroque, Classical and
Romantic Favorites,
Wedding Music). Composed
by Various. Arranged by
Daniel Kelley. Piano
quartet. For Violin,
Flute, Oboe, Cello,
Bassoon, Piano. Music for
Three series. Classical /
Baroque.
Intermediate/Advanced.
Set of 4 parts. Published
by Last Resort Music
Publishing
For Violin, Viola, Violoncello and Piano. By Ludwig van Beethoven. Edited by Sie...(+)
For Violin, Viola,
Violoncello and Piano. By
Ludwig van Beethoven.
Edited by Siegfried
Kross. Piano Quartets.
Pages: Score = 110 * Vl
Part = 24 * Va Part = 22
* Vc Part = 20. Urtext
edition-paper bound.
Published by G. Henle.
Piano Quartet in D Major op. 127 Piano Quatuor: piano, violon, alto, violoncelle [Conducteur et Parties séparées] - Intermédiaire Furore Verlag
By Melanie (Mel) Bonis. Edited by Eberhard Mayer. For piano quartet. Strings wit...(+)
By Melanie (Mel) Bonis.
Edited by Eberhard Mayer.
For piano quartet.
Strings with Piano (Basso
Continuo) - Quartet.
Sound Research of Women
Composers: Music of the
Romantic (R2). Chamber
Music, Baroque. Level:
intermediate. Score and
parts. Composed 1927.
Duration 25'. Published
by Furore-Verlag (German
import). (fue 10009)
Composer's notes: This piece came about in a rather unusual way. I had a dream i...(+)
Composer's notes: This
piece came about in a
rather unusual way. I had
a dream in which a string
quartet were playing some
very beautiful music. I
was exhorting them to
'play it like late
Beethoven' When I woke
up, I could not remember
any themes or details of
what they had been
playing, but had an
intense memory of the
'feeling' of the music,
which was soft, sensual
and muted, and I
immediately sat down to
write a string quartet.
What began to emerge was
nothing like Beethoven at
all, and very early into
the writing I had a
strong vision of some
people dancing a formal
and intense series of
dances in a village in a
very dry and hot
landscape - the
Australian outback or
Africa maybe. The dances
were very moving, with an
inward, ritualistic
quality and they
obviously had great
meaning for the people
performing them. Geoffrey
Burgon
String Quartet SKU: HL.50600643 Score and Parts. Composed by Natha...(+)
String Quartet
SKU:
HL.50600643
Score
and Parts. Composed
by Nathaniel Stookey.
String Ensemble.
Classical. Softcover,
Score and Parts. 72
pages. Associated Music
Publishers, Inc #AMP8308.
Published by Associated
Music Publishers, Inc
(HL.50600643).
ISBN
9781495071034. UPC:
888680633202. 9x12
inches.
String
Quartet No. 1 was
inspired by The Lindsays,
who gave its first
British performances and
helped in the preparation
of this edition. The work
was commissioned by
WUNC-FM, with funds from
the North Carolina State
Department of Cultural
Resources, for the
inaugural concert and
broadcast of the WUNC
Composers-in-Context
Series. The premiere was
given by The Ciompi
Quartet at Hill Hall on
the campus of the
University of North
Carolina at Chapel Hill
on November 21, 1998. The
work is dedicated, with
gratitude and affection,
to Ronnie and Susanne
Birks, in celebration of
their 20th anniversary of
marriage.
String Quartet SKU: HL.49047454 Score and Parts. Composed by Julia...(+)
String Quartet
SKU:
HL.49047454
Score
and Parts. Composed
by Julian Anderson.
String Ensemble. Chamber,
Classical. Softcover. 148
pages. Duration 1380
seconds. Schott Music
#ED13989. Published by
Schott Music
(HL.49047454).
UPC:
842819101086.
9.0x12.0x0.358
inches.
My 3rd
String Quartet is in six
contrasted movements.
Certain musical figures
recur across the work,
but there are few themes
as such. The main
emphasis is on contrast
of mood, texture,
harmony, pacing and
timing. Unlike many of my
works this quartet had no
extra-musical
inspiration, and in
principle should have no
subtitle. Certain
features already present
in my music became more
prominent in this new
work: modes (limited
collections of pitches)
have always helped me to
focus musical character,
but here a sense of key
note for each mode became
much more pronounced, as
did the difference
between modes for each
section of the work. A
sort of hybrid key-system
emerged (even with
equivalents of major and
minor) which is not
normal tonality, nor does
it aim to imitate it.
Unlike tonality this
key-system includes
noises, extended
performance techniques
and intervals outside
Western tuning as
available resources. What
I hope it does is to
focus the listening
experience onto different
musical areas, to
encourage a sense of both
modulation from one area
to another and to give
the music a sense of
goal. No conscious
knowledge of this is
needed when listening:
the music should
communicate directly on
its own. Here, then, is
this collection of six
musical colours, related
and unrelated, different
yet belonging together,
variable yet in a set
order. Hence the
subtitle, chosen both for
both its sound and its
sense: 'hana no hanataba'
meaning, in Japanese,
'bouquet of flowers'. A
brief description: 1)
Moderately fast. Short
droplets of sounds gather
increasing momentum. 2)
Very fast. Canons and
bells at different
speeds. 3) Very slow -
fast - very slow - very
fast - very slow. The
main slow movement and
its main scherzo. An
emphasis on non-tempered
tunings and on inhaling
and exhaling waves of
sound. The slow sections
feature florid melodic
writing. In the exuberant
scherzo competing duos
and trios create
imaginary folk music. 4)
Extremely fast/extremely
slow. Open strings and
harmonics fuse into a
single string instrument
- like a sort of large
resonating Medieval
tromba marina. 5) Very
fast. A variation on
movement 2). Variation,
Schoenberg told Cage, is
just a sort of repetition
'with some things changed
and others not.' 6) Slow
- Very Fast - Fast -
Slow. The opening calm
harmonies and florid
melodies evoke movement
3) in different music.
The fast part features
one overt theme: a
fanfare-like call to
attention which is
subject to extensive
development. There is
much use of non-Western
tuning. At its climax the
music freezes into a
frieze - a wall of sound
standing in front of the
audience with increasing
obstinacy and certainty
as the work grinds
towards its cadence.