by Bret Willmott. For all guitars. Complete. All styles. Level: Intermediate-Adv...(+)
by Bret Willmott. For all
guitars. Complete. All
styles. Level:
Intermediate-Advanced.
Book. Theory and harmony.
Size 8.75x11.75. 248
pages. Published by Mel
Bay Pub., Inc.
Tension Orchestre d'harmonie [Conducteur] - Facile Alfred Publishing
Concert Band - Grade 2.5 SKU: AP.49109S Composed by Jorge L. Vargas. Conc...(+)
Concert Band - Grade 2.5
SKU: AP.49109S
Composed by Jorge L.
Vargas. Concert Band;
MakeMusic Cloud;
Performance Music
Ensemble. Young
Symphonic. Score. 24
pages. Duration 3:05.
Alfred Music #00-49109S.
Published by Alfred Music
(AP.49109S).
ISBN
9781470646295. UPC:
038081564654.
English.
A musical
roller coaster, this
enthusiastic Jorge Vargas
original composition will
keep your students and
audiences on the edge of
their seats. With an
energetic pace,
syncopated rhythms, and
exciting chords, Tension
will take you on an
emotional journey that
will keep your students
engaged until the very
end! (3:05) This title
available in MakeMusic
Cloud.
Piano - Level 2 SKU: LM.VV169 Composed by Sylvie Decrept. Method, studies...(+)
Piano - Level 2
SKU:
LM.VV169
Composed by
Sylvie Decrept. Method,
studies. Score. Editions
Van de Velde #VV169.
Published by Editions Van
de Velde (LM.VV169).
ISBN
9790560051697.
Mode
s - Pour la main gauche -
Deux en deux - Les cinq
doigts - Passage du pouce
- Six pour quatre - Ex
tension - Intervalles
chantants - Les gammes -
Les silences -
Preparation au mordant -
Gammes chromatiques -
Contrepoint - Pemieres
octaves - La main gauche
- Doubles notes - Accord
brises - Legato par la
pedale - Notes tenues -
Trille - Touches noires -
Croisements - Atonalite -
Les quartes - Agilite et
legato - Ornements -
Passage ou pouce -
Variations - Arpeges -
Arpeges a deux mains.
Tension Orchestre d'harmonie - Facile Alfred Publishing
Concert Band - Grade 2.5 SKU: AP.49109 Composed by Jorge L. Vargas. Conce...(+)
Concert Band - Grade 2.5
SKU: AP.49109
Composed by Jorge L.
Vargas. Concert Band;
MakeMusic Cloud;
Performance Music
Ensemble. Young
Symphonic. Score and
Part(s). 153 pages.
Duration 3:05. Alfred
Music #00-49109.
Published by Alfred Music
(AP.49109).
ISBN
9781470646288. UPC:
038081564647.
English.
A musical
roller coaster, this
enthusiastic Jorge Vargas
original composition will
keep your students and
audiences on the edge of
their seats. With an
energetic pace,
syncopated rhythms, and
exciting chords, Tension
will take you on an
emotional journey that
will keep your students
engaged until the very
end! (3:05) This title is
available in MakeMusic
Cloud.
By Donald Martino. For Clarinet in Bb with Extensions. This edition: Part. Conte...(+)
By Donald Martino. For
Clarinet in Bb with
Extensions. This edition:
Part. Contemporary
Classical. Contemporary
Classical. Level:
Conservatory. Sheet
Music. Published by
Dantalian, Inc.
Extensions Big band [Conducteur et Parties séparées] - Intermédiaire Sierra Music
Composed by Patty Darling. Arranged by Patty Darling. For jazz band (5-4-4-5). C...(+)
Composed by Patty
Darling. Arranged by
Patty Darling. For jazz
band (5-4-4-5).
Contemporary Big Band
Series. Fusion. Grade 4.
Score and set of parts.
Published by Sierra Music
Intervals and Chord Construction. By Bruce Arnold. For Guitar (All). Theory and ...(+)
Intervals and Chord
Construction. By Bruce
Arnold. For Guitar (All).
Theory and harmony. All
Styles. Level:
Beginning-Intermediate.
Book. Size 9x11.75. 208
pages. Published by Mel
Bay Publications, Inc.
Concert March.
Composed by Hayato
Hirose. Brilliant
Marches. Score Only.
Composed 2013. 20 pages.
De Haske Publications
#DHP 1135406-140.
Published by De Haske
Publications
(BT.DHP-1135406-140).
9x12 inches.
English-German-French-Dut
ch.
In Greek
mythology Hermes was the
messenger of the gods,
and the god of merchants.
The piece starts with a
powerful four-measure
introduction, followed by
the solemn 1st theme and
the heroic 2nd theme.
After the gentle trio
section, the music
increases in tension with
several key changes, and
a dynamic grand finale
concludes the piece. This
is a spirited concert
march with positive
musical energy throughout
the piece.
Hermes
is de Griekse god van de
handel en de boodschapper
van de goden. Dit
gelijknamige werk van
Hirose begint met een
krachtige inleiding in
vierkwartsmaat. Na dit
begin volgen een plechtig
eerste thema en een hero
sch tweede thema. Even is
daareen zacht triodeel.
Maar niet voor
lang… Verschillende
wisselingen in de
toonsoort laten de
spanning alsmaar
toenemen, totdat een
grote finale het stuk
besluit. Een levendige
concertmars vol positieve
energie!
Hermes
, benannt nach dem
griechischen Gott der
Kaufleute und
Götterboten Hermes,
setzt mit einer
kraftvollen viertaktigen
Einleitung ein, der ein
feierliches erstes Thema
und ein heroisches
zweites Thema folgen.
Nach einem sanften
Trio-Teil nimmt die Musik
mittels mehrerer
Tonartwechsel an Spannung
zu, bevor ein großes
Finale das Stück
beendet. Ein lebhafter
Konzertmarsch, der
durchweg positive Energie
ausstrahlt!
Hermes,
dal nome della divinit
della mitologia greca che
svolgeva il ruolo di
messaggero degli dei,
apre con una potente
introduzione di quattro
misure, seguita da un
primo tema solenne e da
un secondo in stile
eroico. Dopo un delicato
trio, la tensione aumenta
attraverso numerosi cambi
di tonalit , prima del
dinamico finale. Una
vivace marcia da concerto
che emana energie
positive!
Concert March.
Composed by Hayato
Hirose. Brilliant
Marches. Set (Score &
Parts). Composed 2013. De
Haske Publications #DHP
1135406-010. Published by
De Haske Publications
(BT.DHP-1135406-010).
9x12 inches.
English-German-French-Dut
ch.
In Greek
mythology Hermes was the
messenger of the gods,
and the god of merchants.
The piece starts with a
powerful four-measure
introduction, followed by
the solemn 1st theme and
the heroic 2nd theme.
After the gentle trio
section, the music
increases in tension with
several key changes, and
a dynamic grand finale
concludes the piece. This
is a spirited concert
march with positive
musical energy throughout
the piece.
Hermes
is de Griekse god van de
handel en de boodschapper
van de goden. Dit
gelijknamige werk van
Hirose begint met een
krachtige inleiding in
vierkwartsmaat. Na dit
begin volgen een plechtig
eerste thema en een hero
sch tweede thema. Even is
daareen zacht triodeel.
Maar niet voor
lang… Verschillende
wisselingen in de
toonsoort laten de
spanning alsmaar
toenemen, totdat een
grote finale het stuk
besluit. Een levendige
concertmars vol positieve
energie!
Hermes
, benannt nach dem
griechischen Gott der
Kaufleute und
Götterboten Hermes,
setzt mit einer
kraftvollen viertaktigen
Einleitung ein, der ein
feierliches erstes Thema
und ein heroisches
zweites Thema folgen.
Nach einem sanften
Trio-Teil nimmt die Musik
mittels mehrerer
Tonartwechsel an Spannung
zu, bevor ein großes
Finale das Stück
beendet. Ein lebhafter
Konzertmarsch, der
durchweg positive Energie
ausstrahlt!
Hermes,
dal nome della divinit
della mitologia greca che
svolgeva il ruolo di
messaggero degli dei,
apre con una potente
introduzione di quattro
misure, seguita da un
primo tema solenne e da
un secondo in stile
eroico. Dopo un delicato
trio, la tensione aumenta
attraverso numerosi cambi
di tonalit , prima del
dinamico finale. Una
vivace marcia da concerto
che emana energie
positive!
Complete Jazz Keyboard Method: Intermediate Jazz Keyboard. (Intermediate Jazz Ke...(+)
Complete Jazz Keyboard
Method: Intermediate Jazz
Keyboard. (Intermediate
Jazz Keyboard). For
keyboard. Keyboard/Piano;
Method/Instruction.
National Keyboard
Workshop Book - Approved
Curriculum.
Instructional, Method,
Jazz and Play Along.
Intermediate.
Instructional book and
examples/accompaniment
CD. Leadsheet notation,
instructional text and
standard notation. 96
pages. Published by
Alfred Music Publishing
Orchestra SKU: PR.41641530L For Suona And Orchestra. Composed by N...(+)
Orchestra
SKU:
PR.41641530L
For
Suona And Orchestra.
Composed by Narong
Prangcharoen. Large
Score. 58 pages. Duration
15 minutes. Theodore
Presser Company
#416-41530L. Published by
Theodore Presser Company
(PR.41641530L).
UPC:
680160625925.
The
Respiration of the Earth
is inspired by the
breathing motion. The
music focuses on the
tension of the air of
breathing. There are many
different types of
breathing such as slow
breath, long breath,
short breath, holding
breath, uneven breath,
etc. The shape of the
music is created by the
inhale and exhale motion.
The piece starts with a
long holding breath,
gradually create a
tension until one can't
hold that breath and
release the air out. The
Suona is acting as the
motion of the air so the
orchestra has to follow.
This piece ends with the
chaotic motion so the
audiences can feel the
tension as if they are
running out of breath.
It's a main concern about
the environment of the
Earth so this piece is a
message to people to keep
the environment clean so
the Earth can breath for
a longer time.
Respiration of the Earth
is commissioned and
dedicated to Mr. Shi
Haibin with the gracious
support from John Simon
Guggenheim
Foundation. The
Respiration of the Earth
is inspired by the
breathing motion. The
music focuses on the
tension of the air of
breathing. There are many
different types of
breathing such as slow
breath, long breath,
short breath, holding
breath, uneven breath,
etc. The shape of the
music is created by the
inhale and exhale motion.
The piece starts with a
long holding breath,
gradually create a
tension until one
can’t hold that
breath and release the
air out. The Suona is
acting as the motion of
the air so the orchestra
has to follow. This piece
ends with the chaotic
motion so the audiences
can feel the tension as
if they are running out
of breath. It’s a
main concern about the
environment of the Earth
so this piece is a
message to people to keep
the environment clean so
the Earth can breath for
a longer time.Respiration
of the Earth is
commissioned and
dedicated to Mr. Shi
Haibin with the gracious
support from John
SimonGuggenheim
Foundation.
Composed by
William Grant Still.
Arranged by Todd Parrish.
Set of Score and Parts.
10+2+24+16+10+10+16
pages. Carl Fischer Music
#AS144. Published by Carl
Fischer Music (CF.AS144).
ISBN 9781491160602.
UPC:
680160919192.
Often
referred to as the Dean
of African American
Composers, William Grant
Still's illustrious
career contained many
ground-breaking
achievements. Following
the massive success of
his critically acclaimed
Symphony No. 1, the
Afro-American Symphony
(1930), Still's Symphony
No. 2 was premiered in
1937 by the Philadelphia
Orchestra under the
direction of conductor
Leopold Stokowski. The
work, subtitled Song of a
New Race, infuses
elements of blues and
jazz into the classical
form, creating a uniquely
blended sound to reflect
Still's vision of an
increasingly diverse
American culture. Slow,
dreamy themes are
expressed through lush
harmonies utilizing thick
textures along with solo
and divisi playing. The
tension between
traditional and jazz
idioms is felt in the
push and pull of shifting
tempo and tonality.
Originally composed for
Full Orchestra, this
slightly abridged version
for String Orchestra
includes the original
harp part, honoring the
legacy of one of
America's greatest
composers. Often
referred to as the Dean
of African American
Composers, William Grant
Still's illustrious
career contained many
ground-breaking
achievements. Following
the massive success of
his critically acclaimed
Symphony No. 1, the
Afro-American Symphony
(1930), Still's Symphony
No. 2 was premiered in
1937 by the Philadelphia
Orchestra under the
direction of conductor
Leopold Stokowski. The
work, subtitled Song of a
New Race, infuses
elements of blues and
jazz into the classical
form, creating a uniquely
blended sound to reflect
Still's vision of an
increasingly diverse
American culture. Slow,
dreamy themes are
expressed through lush
harmonies utilizing thick
textures along with solo
and divisi playing. The
tension between
traditional and jazz
idioms is felt in the
push and pull of shifting
tempo and tonality.
Originally composed for
Full Orchestra, this
slightly abridged version
for String Orchestra
includes the original
harp part, honoring the
legacy of one of
America's greatest
composers. Often
referred to as the Dean
of African American
Composers, William Grant
Still's illustrious
career contained many
ground-breaking
achievements. Following
the massive success of
his critically acclaimed
Symphony No. 1, the
Afro-American Symphony
(1930), Still's Symphony
No. 2 was premiered in
1937 by the Philadelphia
Orchestra under the
direction of conductor
Leopold Stokowski. The
work, subtitled Song of a
New Race, infuses
elements of blues and
jazz into the classical
form, creating a uniquely
blended sound to reflect
Still's vision of an
increasingly diverse
American culture. Slow,
dreamy themes are
expressed through lush
harmonies utilizing thick
textures along with solo
and divisi playing. The
tension between
traditional and jazz
idioms is felt in the
push and pull of shifting
tempo and tonality.
Originally composed for
full orchestra, this
slightly abridged version
for string orchestra
includes the original
harp part, honoring the
legacy of one of
America's greatest
composers. Often
referred to as the
“Dean of African
American
Composersâ€, William
Grant Still’s
illustrious career
contained many
ground-breaking
achievements. Following
the massive success of
his critically
acclaimedSymphony No. 1,
the Afro-American
Symphony (1930),
Still’s Symphony
No. 2 was premiered in
1937 by the Philadelphia
Orchestra under the
direction of conductor
Leopold Stokowski. The
work, subtitled
“Song of a New
Raceâ€, infuses
elements of blues and
jazz into the classical
form, creating a uniquely
blended sound to reflect
Still’s vision of
an increasingly diverse
American culture. Slow,
dreamy themes are
expressed through lush
harmonies utilizing thick
textures along with solo
and divisi playing. The
tension between
traditional and jazz
idioms is felt in the
push and pull of shifting
tempo and tonality.
Originally composed for
full orchestra, this
slightly abridged version
for string orchestra
includes the original
harppart, honoring the
legacy of one of
America’s greatest
composers.
Composed by Kirt Mosier.
Carl Fischer First Plus
String Orchestra Series.
Full score. 8 pages. Carl
Fischer Music #FAS121F.
Published by Carl Fischer
Music (CF.FAS121F).
ISBN 9781491159330.
UPC:
680160917914.
Searc
hing for Destiny's
Diamond is a mysterious
work that centers around
the idea of young people
searching out their
destiny during dark
times. It involves
intrigue and tension, as
they journey towards
their purpose and the
diamond that is their
bright future. Every
instrument in the
orchestra begins with the
melody and plays it
throughout the piece,
making this work an
excellent teaching piece
since all parts can be
learned at the same time.
The second half of the
work is a musical stretto
with the melodic figure
offset by one measure in
Violin II, Viola and
Bass. This makes for some
intriguing harmonies that
will increase the
student's hearing ability
and bring tension to the
piece. While this piece
can be performed without
piano, it is desired that
the piano be played in
performance, as it adds
intrigue to the sound.
The piano part has been
written so that it can be
performed by developing
pianists. To facilitate
performances when no
player is available, a
recorded piano part is
available at
www.carlfischer.com/FAS12
1. Searching for
Destiny’s Diamond
is a mysterious work that
centers around the idea
of young people searching
out their destiny during
dark times. It involves
intrigue and tension, as
they journey towards
their purpose and the
diamond that is their
bright future.Every
instrument in the
orchestra begins with the
melody and plays it
throughout the piece,
making this work an
excellent teaching piece
since all parts can be
learned at the same time.
The second half of the
work is a musical stretto
with the melodic figure
offset by one measure in
Violin II, Viola and
Bass. This makes for some
intriguing harmonies that
will increase the
student’s hearing
ability and bring tension
to the piece.While this
piece can be performed
without piano, it is
desired that the piano be
played in performance, as
it adds intrigue to the
sound. The piano part has
been written so that it
can be performed by
developing pianists. To
facilitate performances
when no player is
available, a recorded
piano part is available
at
www.carlfischer.com/FAS12
1.
Angels and Demons Orchestre d'harmonie [Conducteur] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 2 SKU: BT.GOB-001206-140 A Fantasy. ...(+)
Concert Band/Harmonie -
Grade 2
SKU:
BT.GOB-001206-140
A Fantasy.
Composed by Marc
Cunningham.
MasterBlasters Series.
Concert Piece. Score
Only. Composed 2013. 33
pages. Gobelin Music
Publications #GOB
001206-140. Published by
Gobelin Music
Publications
(BT.GOB-001206-140).
9x12 inches.
English-German-French-Dut
ch.
Angels and
demons are just two of
the mythical creatures
that appear in Marc
Cunningham’s
imaginative three-part
composition for concert
band. The ‘good’ are
always shown in
opposition to the
‘evil’ in this work.
Musically, this
con_x001D_flict is
expressed as diatonic
versus chromatic,
consonance versus
dissonance, and darker
sounds opposed to
lighter-sounding
sections. Which is
victorious at the end of
the piece? You might be
in for a surprise…
Engeltjes en
demonen zijn maar enkele
van de
fantasie_x001F_-figuren
die aan bod komen in dit
driedelige werk van Marc
Cunningham. De componist
zet de tegenstellingen
van de _x001F_figuren ook
muzikaal in de verf door
diatoniek tegen
chromatiek, consonanten
tegen dissonanten en
donkere klanken tegen
hoge klanken te plaatsen.
Wie wint aan het einde?
Daarvoor moet u het eerst
spelen!
Engel und
Dämonen“ sind nur
einige der mythischen
Gestalten, die in Marc
Cunninghams
fantasievoller
dreiteiliger Komposition
für Blasorchester Revue
passieren. Dabei stellt
er immer die Guten“ in
Kontrast zu den bösen
Kräften. Musikalisch
drückt sich dieses
Spannungsverhältnis in
Diatonik versus
Chromatik, Konsonanz
versus Dissonanz und
dunkle gegenüber heller
klingenden Abschnitten
aus. Welche Kräfte am
Ende siegen? Lassen Sie
sich
überraschen...
Anges et Démons ne
contient que quelques
unes des _x001C_figures
légendaires nées dans
le monde fantastique
imaginé par Marc
Cunningham. Dans cette
oeuvre en trois parties
composée pour orchestre
d’harmonie, les forces
du mal et celles du bien
s’affrontent de
manière incessante.
Musicalement, cette
tension s’exprime en
diatoniques contre
chromatiques, en
consonances contre
dissonances et motifs
ténébreux contre
passages lumineux. Qui
remportera la
bataille_x001E_? Vous
serez
surpris..._x001E_!
Angels and Demons
(angeli e demoni) sono
solo alcuni dei tanti
personaggi mitici che
_x001E_figurano in questa
composizione in tre
movimenti nella quale le
forze del bene e del male
si affrontano
incessantemente.
Musicalmente questa
tensione si esprime in
diatonismo contro
cromatismo, in consonanze
contro dissonanze e
motivi tenebrosi in
contrasto con motivi
luminosi.
Angels and Demons Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 2 SKU: BT.GOB-001206-010 A Fantasy. ...(+)
Concert Band/Harmonie -
Grade 2
SKU:
BT.GOB-001206-010
A Fantasy.
Composed by Marc
Cunningham.
MasterBlasters Series.
Concert Piece. Set (Score
& Parts). Composed 2013.
33 pages. Gobelin Music
Publications #GOB
001206-010. Published by
Gobelin Music
Publications
(BT.GOB-001206-010).
9x12 inches.
English-German-French-Dut
ch.
Angels and
demons are just two of
the mythical creatures
that appear in Marc
Cunningham’s
imaginative three-part
composition for concert
band. The ‘good’ are
always shown in
opposition to the
‘evil’ in this work.
Musically, this
con_x001D_flict is
expressed as diatonic
versus chromatic,
consonance versus
dissonance, and darker
sounds opposed to
lighter-sounding
sections. Which is
victorious at the end of
the piece? You might be
in for a surprise…
Engeltjes en
demonen zijn maar enkele
van de
fantasie_x001F_-figuren
die aan bod komen in dit
driedelige werk van Marc
Cunningham. De componist
zet de tegenstellingen
van de _x001F_figuren ook
muzikaal in de verf door
diatoniek tegen
chromatiek, consonanten
tegen dissonanten en
donkere klanken tegen
hoge klanken te plaatsen.
Wie wint aan het einde?
Daarvoor moet u het eerst
spelen!
Engel und
Dämonen“ sind nur
einige der mythischen
Gestalten, die in Marc
Cunninghams
fantasievoller
dreiteiliger Komposition
für Blasorchester Revue
passieren. Dabei stellt
er immer die Guten“ in
Kontrast zu den bösen
Kräften. Musikalisch
drückt sich dieses
Spannungsverhältnis in
Diatonik versus
Chromatik, Konsonanz
versus Dissonanz und
dunkle gegenüber heller
klingenden Abschnitten
aus. Welche Kräfte am
Ende siegen? Lassen Sie
sich
überraschen...
Anges et Démons ne
contient que quelques
unes des _x001C_figures
légendaires nées dans
le monde fantastique
imaginé par Marc
Cunningham. Dans cette
oeuvre en trois parties
composée pour orchestre
d’harmonie, les forces
du mal et celles du bien
s’affrontent de
manière incessante.
Musicalement, cette
tension s’exprime en
diatoniques contre
chromatiques, en
consonances contre
dissonances et motifs
ténébreux contre
passages lumineux. Qui
remportera la
bataille_x001E_? Vous
serez
surpris..._x001E_!
Angels and Demons
(angeli e demoni) sono
solo alcuni dei tanti
personaggi mitici che
_x001E_figurano in questa
composizione in tre
movimenti nella quale le
forze del bene e del male
si affrontano
incessantemente.
Musicalmente questa
tensione si esprime in
diatonismo contro
cromatismo, in consonanze
contro dissonanze e
motivi tenebrosi in
contrasto con motivi
luminosi.