(nach Worten der Heiligen Schrift). By Johannes Brahms (1833-1897). Arranged by ...(+)
(nach Worten der Heiligen
Schrift). By Johannes
Brahms (1833-1897).
Arranged by Johannes
Brahms. For Soli SB, SATB
Choir, Piccolo, 2 Flute,
2 Oboe, 2 Clarinet, 2
Bassoon, 4 Horn, 2
Trumpet, 3 Trombone,
Tuba, 3 Timpani, Harp, 2
Violin, Viola, Cello,
Contrabass, [Organ]. This
edition: paperbound. Full
score available
separately - see item
CA.2705500. Requiem;
Occasions: Mourning,
Death; Use during church
year: End of the church
year. Piano/Vocal score.
Language: German. 45. 96
pages. Duration 70 min
(nach Worten der Heiligen Schrift). By Johannes Brahms (1833-1897). Arranged by ...(+)
(nach Worten der Heiligen
Schrift). By Johannes
Brahms (1833-1897).
Arranged by Johannes
Brahms. For Soli SB, SATB
Choir, Piccolo, 2 Flute,
2 Oboe, 2 Clarinet, 2
Bassoon, 4 Horn, 2
Trumpet, 3 Trombone,
Tuba, 3 Timpani, Harp, 2
Violin, Viola, Cello,
Contrabass, [Organ]. This
edition: paperbound.
Requiem; Occasions:
Mourning, Death; Use
during church year: End
of the church year.
Score. Language: German.
45. 256 pages. Duration
70 min
For Violin. Classical (duets). Contains printed music score and a compact disc f...(+)
For Violin. Classical
(duets). Contains printed
music score and a compact
disc featuring all the
works in split-channel
stereo, with the first
violin on the right
channel, the second
violin on the left. By
adjusting the balance,
the soloist can remove
either violin and play
the other. Published by
Music Minus One.
Mixed choir:SSATBB, children choir:SSA or JuCh:SSA or Chor (gleichigh voices), o...(+)
Mixed choir:SSATBB,
children choir:SSA or
JuCh:SSA or Chor
(gleichigh voices), organ
ad libitum (Mixed
choir:SSATBB, Children's
choir:SSA or Youth
choir:SSA or Choir
(gleichstimmig), Organ ad
libitum) - Level 3
SKU: BA.BA08957
Sechs Motetten zur
Weihnachtszeit.
Edited by Gerd-Peter
Munden. Stapled.
Christmas. Choral score,
anthology. Baerenreiter
Verlag #BA08957_00.
Published by Baerenreiter
Verlag (BA.BA08957).
ISBN 9790006525515. 29
x 21 cm inches. Text
Language: German,
English, Latin. Preface:
Münden,
Gerd-Peter.
Year
after year, during Advent
and the Christmas season,
compositions are sought
which present well-known
carols in a new light,
whether it be
compositions set for
small or larger groups,
for children or adults,
with or without
accompanying keyboard
instruments. This
collection by Gerd-Peter
Münden presents carols
in new settings as a
welcome addition to the
Christmas literature and
will enrich the
repertoire of an
adultsâ?? or
childrenâ??s
choir.
The
Editor Gerd-Peter
Münden is one of the
most creative German
church-musicians today.
From 1992 to 1999 he
worked as the cantor in
Minden, where he also
directed the music school
for choristers. From 1999
he has been the
Cathedral-Cantor at the
Braunschweig Cathedral
and the director of the
cathedral school for
choristers. He is the
initiator and artistic
director of a successful
school project throughout
Germany encouraging
youngsters to sing.
SAM Choral (SA MEN (SAMKLANG)) SKU: HL.373764 SAM-Klang Choral Series<...(+)
SAM Choral (SA MEN
(SAMKLANG))
SKU:
HL.373764
SAM-Klang Choral
Series. Arranged by
Morten Schuldt-jensen.
Choral. Softcover. 44
pages. Published by Hal
Leonard (HL.373764).
ISBN 9781705149836.
UPC: 196288016489.
6.75x9.25x0.162
inches.
These five
anthems, covering 130
years, are all mainstays
of the British church and
cathedral choir canon.
The name SAM-Klang takes
the three voice parts
from the arrangements --
Soprano, Alto and Men --
and combines it with the
Scandinavian and German
words for
“sound†to
create the portmanteau
word “sound
together†or
“harmony.â€
The series offers basic
and advanced choral
repertoire. In addition
to new repertoire and new
arrangements, you will
also find essential parts
of the classical German,
Scandinavian, French and
English SATB repertoire,
carefully and
considerately reworked
for SAM. The arrangements
retain the characteristic
features of the original
movements and have almost
the same richness of
timbre, resulting in
works which sound nearly
unchanged to an audience.
Piano reductions of all
choral movements
facilitate rehearsal
preparation. The
arrangements offer
development opportunities
for all voice sections,
bringing new life and new
quality to SAM choir
work. SAM-Klang enables
youth choirs to gain
access to classical
choral literature and
ensures that mixed choirs
who face challenges in
finding singers for all
male voice parts continue
to have access to
well-loved
repertoire.
By Matthew Martin. Choir Sacred. SATB choir. Choral (Sacred); Choral Octavo;...(+)
By Matthew Martin. Choir
Sacred. SATB choir.
Choral
(Sacred); Choral Octavo;
Worship Resources. Faber
Edition: Choral Signature
Series. Sacred. Published
by
Faber Music
Concert Band (Score) - Grade 3 SKU: HL.4003170 Composed by Robert Buckley...(+)
Concert Band (Score) -
Grade 3
SKU:
HL.4003170
Composed
by Robert Buckley.
MusicWorks Grade 3. 12
pages. Duration 840
seconds. Published by Hal
Leonard (HL.4003170).
UPC: 884088651466.
9.0x12.0x0.044
inches.
“Cath
edral Grove†is a
magnificent park on
Vancouver Island in
British Columbia, Canada,
containing some of the
oldest and largest trees
in the world. It is the
towering, majestic
pillars of these ancient
giants and the quiet
serenity of this place
that inspired this music.
Evocative and
impressionistic in
nature, Robert Buckley's
writing depicts the
richness of the colors
and textures, and the
diffused light shining
through the canopy of
leaves above. At times
hauntingly lyrical, and
other times prayer-like
and reverent, but always
filled with awe and
beauty. (Includes
optional part for
acoustic guitar or harp).
Dur: 3:05.
Lift the Latch Piano seul - Débutant Forsyth Publications
Piano Solo - Easy SKU: FP.FBH01 Composed by Horace A. Bate. Sheet Music a...(+)
Piano Solo - Easy
SKU:
FP.FBH01
Composed by
Horace A. Bate. Sheet
Music and Books. 13
pieces for piano inspired
by rural life by Horace
Bate, a much respected
20th Century organist.
Suitable for early to
intermediate players of
grade 1-3 standard.
Classical. Collection.
Forsyths Publications
#FBH01. Published by
Forsyths Publications
(FP.FBH01).
ISBN
9790570504220.
Hora
ce Bate (1899-1995)
studied organ with
Charles Hylton Stewart at
Rochester Cathedral, and
then with Henry George
Ley and Charles Herbert
Kitson at the Royal
College of Music in
London. In 1921 he became
organist of St Margaret's
in Rochester, before
becoming organist of St
James in Muswell Hill
(1923-1950), and was
conductor of the Madrigal
Society in Muswell Hill
(1934-1995).
Choral SATB choir SKU: CF.CM9606 Composed by Paul Salerni. Fold. Performa...(+)
Choral SATB choir
SKU:
CF.CM9606
Composed by
Paul Salerni. Fold.
Performance. 8 pages.
Duration 3 minutes, 17
seconds. Carl Fischer
Music #CM9606. Published
by Carl Fischer Music
(CF.CM9606).
ISBN
9781491154281. UPC:
680160912780. 6.875 x
10.5 inches. Key: C
major. English. Charles
A. Coffin
(1844-1926).
Be
thlehem Carol was
the result of a
commission in 2000 from
the Cathedral Church of
the Nativity in
Bethlehem, Pennsylvania.
The request came from the
Cathedrals music
director, Russell
Jackson; he had very much
liked the Italian
Fable cum Violin
Concerto (The Big
Sword and the Little
Broom) I had written in
1997 for the Lehigh
Valley Chamber Orchestra.
Russell chose the text by
Charles Coffin, a French
poet and educator whose
hymn verses were often
translated into English.
My approach toward
setting the poem was my
usual one; that is, to
translate literally the
words into music (note
the dips into the minor
mode for the cave of
Bethlehem and the child
of poverty.) But most of
all, I wanted to capture
the sense of joy and
peace brought by the
arrival of the Christ
Child. Bethlehem
Carol was the result
of a commission in 2000
from the Cathedral Church
of the Nativity in
Bethlehem, Pennsylvania.
The request came from the
Cathedralas music
director, Russell
Jackson; he had very much
liked the Italian
Fable cum Violin
Concerto (The Big
Sword and the Little
Broom) I had written in
1997 for the Lehigh
Valley Chamber Orchestra.
Russell chose the text by
Charles Coffin, a French
poet and educator whose
hymn verses were often
translated into English.
My approach toward
setting the poem was my
usual one; that is, to
translate literally the
words into music (note
the dips into the minor
mode for athe cave of
Bethlehema and athe child
of poverty.a)A But most
of all, I wanted to
capture the sense of joy
and peace brought by the
arrival of the Christ
Child. Bethlehem
Carol was the result
of a commission in 2000
from the Cathedral Church
of the Nativity in
Bethlehem, Pennsylvania.
The request came from the
Cathedral's music
director, Russell
Jackson; he had very much
liked the Italian
Fable cum Violin
Concerto (The Big
Sword and the Little
Broom) I had written in
1997 for the Lehigh
Valley Chamber Orchestra.
Russell chose the text by
Charles Coffin, a French
poet and educator whose
hymn verses were often
translated into English.
My approach toward
setting the poem was my
usual one; that is, to
translate literally the
words into music (note
the dips into the minor
mode for the cave of
Bethlehem and the child
of poverty.) But most of
all, I wanted to capture
the sense of joy and
peace brought by the
arrival of the Christ
Child. Bethlehem Carol
was the result of a
commission in 2000 from
the Cathedral Church of
the Nativity in
Bethlehem, Pennsylvania.
The request came from the
Cathedral's music
director, Russell
Jackson; he had very much
liked the Italian Fable
cum Violin Concerto (The
Big Sword and the Little
Broom) I had written in
1997 for the Lehigh
Valley Chamber Orchestra.
Russell chose the text by
Charles Coffin, a French
poet and educator whose
hymn verses were often
translated into English.
My approach toward
setting the poem was my
usual one; that is, to
translate literally the
words into music (note
the dips into the minor
mode for the cave of
Bethlehem and the child
of poverty.) But most of
all, I wanted to capture
the sense of joy and
peace brought by the
arrival of the Christ
Child. Bethlehem Carol
was the result of a
commission in 2000 from
the Cathedral Church of
the Nativity in
Bethlehem, Pennsylvania.
The request came from the
Cathedral’s music
director, Russell
Jackson; he had very much
liked the Italian Fable
cum Violin Concerto (The
Big Sword and the Little
Broom) I had written in
1997 for the Lehigh
Valley Chamber Orchestra.
Russell chose the text by
Charles Coffin, a French
poet and educator whose
hymn verses were often
translated into English.
My approach toward
setting the poem was my
usual one; that is, to
translate literally the
words into music (note
the dips into the minor
mode for “the cave
of Bethlehem†and
“the child of
poverty.â€) But
most of all, I wanted to
capture the sense of joy
and peace brought by the
arrival of the Christ
Child.
Composed by Normand Gouin. Cathedral Series. Catholic Year C Christ the King. Ca...(+)
Composed by Normand
Gouin. Cathedral Series.
Catholic Year C Christ
the King. Catholic
Liturgical Setting,
Chrism Mass,
Entrance/Communion
Antiphon Setting,
Ordination, Responsorial
Psalm/Canticle Setting,
Christ the King,
Ordination/Installation.
Octavo. Published by
MorningStar Music
Publishers (MN.80-430).
SATB choir with some divisi, organ - Medium SKU: PL.9628 Composed by Dr. ...(+)
SATB choir with some
divisi, organ - Medium
SKU: PL.9628
Composed by Dr. George
Guest. Cathedral/Parish.
Choral, General, Lent.
Octavo. Paraclete Press
#9628. Published by
Paraclete Press
(PL.9628).
These
penitential anthems were
transcribed by Dr. George
Guest from the Gostling
Manuscript. John Gostling
was renowned for his
extraordinary bass voice
an held positions in the
Church of England,
eventually becoming
Sub-Dean of St. Paul's
Cathedral. Gostling was
also a prolific copyist
and his manuscript
contains over 60 anthems
of Blow, Purcell, Locke
and others.Save me, O God
of John Blow is a
splendid example of the
use of simple means to
convey the meaning of a
text. Mostly homophonic
in texture, the subtle
shifts of voicing and
harmony all support the
penitential nature of the
text. The organ doubles
the voice parts,
discreetly supporting
them in a continuo
fashion. Dr. Guest has
placed suggested tempi
and dynamics throughout,
further enhancing the
practical nature of this
edition. The voice parts
are moderate in range,
placing this piece within
the scope of most
choirs.
Chorus; Horn Choir; Organ (Unison) SKU: HL.14048079 For Unison Voices,...(+)
Chorus; Horn Choir; Organ
(Unison)
SKU:
HL.14048079
For
Unison Voices, 4 Horns,
and Organ Accomp (Vocal
Score). Composed by
Judith Weir. Music Sales
America. Classical.
Octavo. Composed 2016.
Chester Music #CH83776.
Published by Chester
Music (HL.14048079).
7.0x10.0x0.064
inches.
Judith
Weir's National Anthem
With Leicester Fanfare is
a work commissioned by
Leicester Cathedral and
first performed there at
the Service of
Reinterment of the
Remains of King Richard
III on 26th March 2015.
Scored for 4 Horns in F,
Unison Chorus and Organ
Accompaniment, a full
performance lasts around
2 minutes. This is the
Full Score.
Composed by Leo Nestor. For Soprano or Tenor solo, SATB choir, 2 obbligato Instr...(+)
Composed by Leo Nestor.
For Soprano or Tenor
solo, SATB choir, 2
obbligato Instruments
(Mixed Voices). Year C:
Epiphany of the Lord.
Epiphany, Christmas,
Services, Concerts, 20th
Century. Medium. Octavo.
Text Language: English.
Published by E.C.
Schirmer Publishing
Fanfare Band - Grade 3 SKU: BT.GOB-000652-020 Composed by Rieks van der V...(+)
Fanfare Band - Grade 3
SKU:
BT.GOB-000652-020
Composed by Rieks van der
Velde. Set (Score &
Parts). 144 pages.
Gobelin Music
Publications #GOB
000652-020. Published by
Gobelin Music
Publications
(BT.GOB-000652-020).
In a four-part
composition Rieks van der
Velde takes us to the
richly varied area
surrounding the
university city of
Cambridge. The Dutch
composer was especially
inspired by the
atmosphere of
Cambridgeshire, the
county which lies north
of London.
1.
The Journey. Although
on arrival the area looks
peaceful and friendly,
the ruggedness of its
inhabitants and landscape
have an unmistakable
influence on the
music. In the course
of the tour, which starts
with an Allegro movement,
we are shown the
vitality, energy and
freshness of the
Cambridgeshire
countryside. Short
themes, swift and sudden
motifs and rhythmical
patterns supported by the
drive ofpercussion
instruments give
expression to this
image. The first part
is concluded by two
'Calmo' movements in
which the music expresses
how the cathedral in the
city of Ely comes into
sight and is gradually
approached.
2.
Visit to Ely
Cathedral. The famous
Norman cathedral church
of Ely, which was built
in 1109, has attracted
tourists from all over
the world apart from
being a place of worship
and heritage site. A
cornet solo introduces
the contemplative mood of
the composition at this
point. The mystical
atmosphere of the
cathedral runs through
this lyrical part like a
continuous thread.
3. The Pub.
The thirst caused by this
intensive journey makes a
visit to the local pub a
definite must. These
“public houses”,
which may be open until
the early hours of the
morning, offer all kinds
of entertainment.
Drinks are served
liberally and the
atmosphere is
lively.
4. The
Journey Back. Time
has flown: In other
words, the moment of
departure has come sooner
than one would have
wished. In a
flashback which
recaptures elements of
the first part of the
composition we say
goodbye to Cambridgeshire
in a fitting manner.
Two scintillating final
measures bring us
abruptly back to the
present.
In een
viertal delen neemt Rieks
van der Velde ons mee
door de zeer gevarieerde
streek rond de
universiteitsstad
Cambridge. De
Nederlandse componist
liet zich inspireren door
vooral de sfeer in het
graafschap Cambridgeshire
tennoorden van
Londen.
1. The
Journey. De aankomst
in de streek is
vriendelijk te noemen
doch de grilligheid van
de mensen en het
landschap heeft een
onmiskenbare invloed op
de muziek. De
rondreis welke start op
hetAllegro laat
Cambridgeshire zien als
een streek van
vitaliteit, energie en
frisheid. Korte
thema's, flitsende
motiefjes en ritmische
patroontjes gesteund door
stuwend slagwerk
bevestigen dit beeld.
Het eerste gedeelte
besluitmet twee 'Calmo'
gedeelten waarbij het
zicht op de kathedraal
van de stad Ely en het
naderen ervan wordt
aangegeven.
2.
Visit to Ely
Cathedral. In 1109
werd de beroemde
kathedraal van Ely
gebouwd die tot op de
dagvan vandaag een grote
aantrekkingskracht geniet
van niet alleen
toeristen. Het
rustpunt van de
compositie wordt ingeleid
door een cornetsolo.
De mystieke sfeer van de
kathedraal is de rode
draad in dit lyrische
gedeelte.
3. The
Pub. Een intensieve
rondreis maakt dorstig en
een bezoek aan de pub is
uiteraard een must.
Tot 11 uur 's avonds
kan men er terecht voor
alle vormen van vertier.
De drank vloeit rijkelijk
en de sfeer is
feestelijk.
4. The
Journey Back. Er is
een tijd van komen en
gaan, en dat moment komt
eerder dan je zou willen
met andere woorden de
tijd is omgevlogen.
Met een flash back naar
het eerste deel wordt op
passende wijze
afscheidgenomen van
Cambridgeshire. Twee
flitsende slotmaten
zetten ons in één klap
weer in het hier en
nu.
Fanfare Band - Grade 3 SKU: BT.GOB-000652-120 Composed by Rieks van der V...(+)
Fanfare Band - Grade 3
SKU:
BT.GOB-000652-120
Composed by Rieks van der
Velde. Score Only. 22
pages. Gobelin Music
Publications #GOB
000652-120. Published by
Gobelin Music
Publications
(BT.GOB-000652-120).
In a four-part
composition Rieks van der
Velde takes us to the
richly varied area
surrounding the
university city of
Cambridge. The Dutch
composer was especially
inspired by the
atmosphere of
Cambridgeshire, the
county which lies north
of London.
1.
The Journey. Although
on arrival the area looks
peaceful and friendly,
the ruggedness of its
inhabitants and landscape
have an unmistakable
influence on the
music. In the course
of the tour, which starts
with an Allegro movement,
we are shown the
vitality, energy and
freshness of the
Cambridgeshire
countryside. Short
themes, swift and sudden
motifs and rhythmical
patterns supported by the
drive ofpercussion
instruments give
expression to this
image. The first part
is concluded by two
'Calmo' movements in
which the music expresses
how the cathedral in the
city of Ely comes into
sight and is gradually
approached.
2.
Visit to Ely
Cathedral. The famous
Norman cathedral church
of Ely, which was built
in 1109, has attracted
tourists from all over
the world apart from
being a place of worship
and heritage site. A
cornet solo introduces
the contemplative mood of
the composition at this
point. The mystical
atmosphere of the
cathedral runs through
this lyrical part like a
continuous thread.
3. The Pub.
The thirst caused by this
intensive journey makes a
visit to the local pub a
definite must. These
“public houses”,
which may be open until
the early hours of the
morning, offer all kinds
of entertainment.
Drinks are served
liberally and the
atmosphere is
lively.
4. The
Journey Back. Time
has flown: In other
words, the moment of
departure has come sooner
than one would have
wished. In a
flashback which
recaptures elements of
the first part of the
composition we say
goodbye to Cambridgeshire
in a fitting manner.
Two scintillating final
measures bring us
abruptly back to the
present.
In een
viertal delen neemt Rieks
van der Velde ons mee
door de zeer gevarieerde
streek rond de
universiteitsstad
Cambridge. De
Nederlandse componist
liet zich inspireren door
vooral de sfeer in het
graafschap Cambridgeshire
tennoorden van
Londen.
1. The
Journey. De aankomst
in de streek is
vriendelijk te noemen
doch de grilligheid van
de mensen en het
landschap heeft een
onmiskenbare invloed op
de muziek. De
rondreis welke start op
hetAllegro laat
Cambridgeshire zien als
een streek van
vitaliteit, energie en
frisheid. Korte
thema's, flitsende
motiefjes en ritmische
patroontjes gesteund door
stuwend slagwerk
bevestigen dit beeld.
Het eerste gedeelte
besluitmet twee 'Calmo'
gedeelten waarbij het
zicht op de kathedraal
van de stad Ely en het
naderen ervan wordt
aangegeven.
2.
Visit to Ely
Cathedral. In 1109
werd de beroemde
kathedraal van Ely
gebouwd die tot op de
dagvan vandaag een grote
aantrekkingskracht geniet
van niet alleen
toeristen. Het
rustpunt van de
compositie wordt ingeleid
door een cornetsolo.
De mystieke sfeer van de
kathedraal is de rode
draad in dit lyrische
gedeelte.
3. The
Pub. Een intensieve
rondreis maakt dorstig en
een bezoek aan de pub is
uiteraard een must.
Tot 11 uur 's avonds
kan men er terecht voor
alle vormen van vertier.
De drank vloeit rijkelijk
en de sfeer is
feestelijk.
4. The
Journey Back. Er is
een tijd van komen en
gaan, en dat moment komt
eerder dan je zou willen
met andere woorden de
tijd is omgevlogen.
Met een flash back naar
het eerste deel wordt op
passende wijze
afscheidgenomen van
Cambridgeshire. Twee
flitsende slotmaten
zetten ons in één klap
weer in het hier en
nu.
By Dale Adelmann. For AATTBB choir, a cappella. Cathedral/Parish. Choral, Concer...(+)
By Dale Adelmann. For
AATTBB choir, a cappella.
Cathedral/Parish. Choral,
Concert, General,
Spirituals. Medium.
Choral octavo. Published
by Paraclete Press
Cathedral Series. Arranged by Carol Barnett. BH Brunelle Cathedral Series. Con...(+)
Cathedral Series.
Arranged by
Carol Barnett. BH
Brunelle
Cathedral Series.
Concert,
Festival, Sacred. Octavo.
12
pages. Boosey and Hawkes
#M051481682. Published by
Boosey and Hawkes