Performed by Robert Johnson. Piano/Vocal/Chords Songbook (Arrangements for piano and voice with guitar chords). Size 9x12 inches. 216 pages. Published by Hal Leonard.

Double bass and 1 other inst. (db.pno and at least two tables)

SKU: BR.EB-9091

Composed by Nicolaus A. Huber. Solo instruments; stapled. Edition Breitkopf.

World premiere: Saarbrucken (Musik im 20. Jahrhundert), May 20, 1993

Music post-1945; New music (post-2000). Study Score. Composed 1992. 24 pages. Duration 16'. Breitkopf and Haertel #EB 9091. Published by Breitkopf and Haertel (BR.EB-9091).

ISBN 9790004179635. 9 x 12 inches.

Ohne Hoelderlin was written for Saarbrucken's festival Musik im 20. Jahrhundert. The two instruments devote themselves to exploring the multi-faceted possibilities of mixing and blending their sounds until they reach a table-shoving coda, which closes the work with extreme vehemence. CD: ensemble reflexion K, cond. Gerald Eckert CD COV 91509

World premiere: Saarbrucken (Musik im 20. Jahrhundert), May 20, 1993.

By Gioachino Rossini. Edited by De Smet. For 2 high voices, piano. Published by C.F. Peters.

Instrumental Play-Along. By Various. Instrumental Play- Along. Pop. Softcover Audio Online. Published by Hal Leonard

For Baritone and Piano. Composed by Stacy Garrop. Sws. Duration 6 minutes, 40 seconds. Theodore Presser Company #111-40298. Published by Theodore Presser Company

SKU: BR.SON-630

Composed by Jean Sibelius. Edited by Timo Virtanen. Linen. Complete Works. Late-romantic; Early modern. Complete Works. 208 pages. Breitkopf and Haertel #SON 630. Published by Breitkopf and Haertel (BR.SON-630).

ISBN 9790004803578. 10 x 12.5 inches.

The present volume of the Sibelius Complete Edition contains seven orchestral works, five of which Jean Sibelius originally composed as stage music but later separated from the incidental-music connection to be performed as individual compositions in concerts. The tone poem Finlandia Op. 26 originates from the Music for the Press Celebration Days (JS 137, 1899). Valse triste and Scen med tranorna (Scene with the Cranes, Op. 44 Nos. 1 and 2) were composed for the 1903 premiere of Arvid Jarnefelt's play Kuolema (Death, incidental music JS 113); Canzonetta and Valse romantique (Op. 62a and 62b) were additions to a 1911 stage production of Kuolema. The two waltzes under the opus number 96, Valse lyrique (Op. 96a) and Valse chevaleresque (Op. 96c), are orchestral versions of works also known as compositions for piano. Of the works only Scen med tranorna remained unpublished during Sibelius's lifetime. It was also probably intended to be published - the autograph score is preserved under Breitkopf & Hartel tenure in the Sachsisches Staatsarchiv in Leipzig - but the first edition of the score and the parts were not printed until 1973. This print was made from a scribal copy by an unknown copyist, and the edition of Scen med tranorna based on Sibelius's autograph is available for the first time in the present volume.

Piano - Grade 5

SKU: ET.PNO102

Composed by Richard Lane. Contemporary. Editions BIM #PNO102. Published by Editions BIM (ET.PNO102).

ISBN 9790207009760.

The first movement has a dreamy and dramatic impressionistic quality, whereas the second movement is deeply melancholy and religious sounding. The third movement is playful with pulsating rhythms, which demonstrate a symphonic jazz feel.
In 1963, at the age of thirty, Lane quickly formed up a close friendship with Paul Van Ness through their involvement with the Ridgewood Orpheus Glee Club (NJ), an all-male choir for which Lane was appointed accompanist. Lane maintained the accompanist position for this group for forty-one years until his death in 2004. Lane dedicated his Sonata 2 to Van Ness as a high school graduation present in 1965. During this period Lane also composed a piano suite for four hands, and a fantasy for piano and orchestra, along with other solo instrumental, choral and orchestral works. Van Ness performed the world premiere of Piano Sonata 2 at his Senior Recital in 1969, five years after its conception, at the Eastman School of Music, Lane’s alma mater. Karl Tricomi, another student of Lane’s and also graduate of the Eastman School of Music performed this second Sonata in 1976 at Carnegie Hall (NY) as well.

Jazz ensemble - Grade 3

SKU: CL.032-4537-01

Composed by Hammonds. Jazz Ensemble. Extra full score. Composed 2017. Duration 3 minutes, 21 seconds. C.L. Barnhouse #032-4537-01. Published by C.L. Barnhouse (CL.032-4537-01).

Steeped in the Count Basie style, Miles to Go starts with a trio (tenor sax, trumpet and trombone) introducing the melody over the rhythm section. With each successive phrase, sections are added until the whole band is in full swing. The solo section introduces a staple of blues playing and a technique heard in jam sessions everywhere - stop time, giving soloists a chance to create lots of excitement. The chart concludes with descending bell tones in the brass leading to a unison shout chorus. With its up-tempo feel and brash shouts from all instruments, Miles to Go is sure to be a crowd pleaser that is perfect to open or close any concert.

Violine 1

SKU: CA.5506311

Composed by George Frideric Handel. Edited by Felix Loy. Sacred vocal music, Oratorios; Stuttgart Editions (Urtext): Stuttgart Handel Edition. Stuttgart Urtext Edition: Handel. Violin 1. Sacred vocal music, Oratorios. Individual part. 60 pages. Duration 160 minutes. Carus Verlag #CV 55.063/11. Published by Carus Verlag (CA.5506311).

ISBN 9790007242077. Language: English/German. Text: Eschenburg, J. J. / Loy, Felix.

First critical edition. The oratorio Judas Maccabaeus is one of George Frideric Handel's most popular choral works. It was performed over fifty times during the composer's lifetime and was one of his first works to be performed in Germany (1772). The frequent performances given by Handel himself resulted in a particularly large number of reworkings, reflecting local conditions. This new edition therefore offers the work in two performable versions: firstly, the version of the first performance in 1747, and the one from the last oratorio season during Handel's lifetime (1758/59). This makes available all the choruses and arias which Handel ever wrote for Judas Maccabaeus. Reflecting the latest Handel research, the edition is based for the first time throughout on Handel's conductor's score, thereby eradicating not only long-perpetuated mistakes, but also providing clarity about which pieces were actually performed by Handel. By contrast with the Chrysander edition obligatory until now, the aria Father of heav'n which introduces Part III is included here in its original, longer version. Score and part available separately - see item CA.5506300.

A Camaroon Marching Song. Composed by Camaroon Folksong. Arranged by Ken Berg. Fold. Octavo. 12 pages. Duration 2 minutes, 35 seconds. Carl Fischer Music #CM9658. Published by Carl Fischer Music

By Jerry Silverman. For Guitar (Fingerpicking). SongBook. Bill's Music Shelf. Victorian. Beginning. Book. 140 pages. Published by Mel Bay Publications, Inc

By Johann Bach. Arranged by Ralph Sauer. For 14 part large brass ensemble. Baroque. Advanced. Score and parts. Published by Cherry Classics

Horn in E-flat and F Horn; Horn in E-flat; Piano Accompaniment (Horn/Piano)

SKU: HL.51481255

Horn in E-Flat/F and Piano. Composed by Richard Strauss. Edited by Hans Pizka. Henle Music Folios. Classical, Concerto. Softcover. 66 pages. G. Henle #HN1255. Published by G. Henle (HL.51481255).

UPC: 196288308126. 9.25x12.25x0.22 inches.

As if looking back on his youth toward the end of his life, Richard Strauss wrote a second concerto for horn and orchestra, again in Eb major, around sixty years after his first concerto for horn. This sublimely beautiful late work, which gives no indication of the oppressive circumstances of Strauss� poor health and the Second World War, was premiered in 1943 by Gottfried von Freiberg under the direction of Karl Böhm. It was not until after Strauss� death that the concerto appeared in print in London, making a critical new edition on the basis of the autograph sources and performance material more than overdue. The editor, Hans Pizka, former principal horn of the Bavarian State Opera in Munich, learned first-hand about the performance tradition and genesis of the concerto as a pupil of Gottfried von Freiberg. For use in lessons and for performances, the especially playable piano reduction by Johannes Umbreit is a great help.

About Henle Urtext

What I can expect from Henle Urtext editions:

• error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
• preface in 3 languages with information on the genesis and history of the work 
• Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions 
• most beautiful music engraving 
• page-turns, fold-out pages, and cues where you need them 
• excellent print quality and binding 
• largest Urtext catalogue world-wide 
• longest Urtext experience (founded 1948 exclusively for Urtext editions)

By Dave Woodley and Brad McDavid. For marching band. Music education. DVD. Published by GIA Publications

By Jason Robert Brown. Piano/Vocal/Chords Vocal Selections (Arrangements for piano and voice with guitar chords). Size 9x12 inches. 128 pages. Published by Hal Leonard.

Orchestra ATB vocal soli, SATB choir, 2 oboes, 2 oboe d'caccia, 2 violins, viola, basso continuo - Grade 3

SKU: CA.3108712

Cantata for the 5th Sunday after Easter. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Bisher habt ihr nichts gebeten. Sacred vocal music, Cantatas, Special days, Easter and Eastertide. Single Part, Violin 2. Composed 1725. BWV 87. 4 pages. Duration 22 minutes. Carus Verlag #CV 31.087/12. Published by Carus Verlag (CA.3108712).

ISBN 9790007046040. Key: D minor. Language: German/English. Text: von Ziegler, Christiane Mariane. Text: Christiane Mariane von Ziegler.

Score available separately - see item CA.3108700.

Keyboard

SKU: KJ.C150K

Composed by Phil Kadidlo. Contemporary Combo Series. Cassette. Neil A. Kjos Music Company #C150K. Published by Neil A. Kjos Music Company (KJ.C150K).

Keyboard Fundamentals and Keyboard Sessions are part of the Kjos Contemporary Combo Series that provides beginning instruction for ages 10 and up. Correlated with Guitar Sessions, Bass Sessions, and Drum Sessions, students study their own individual instrument until a Session sign appears in their book. Then student on all Combo instruments can play together and jam to their hearts content. Correlated with each book is an Accompaniment CD filled with Mini Jams, that have been recorded so that students can hear the full arrangements as a model, or can play along with the other instruments as an ensemble. Fundamentals (Cassette Only).

Concert Band - Grade 3.5

SKU: XC.RCB2404

Composed by David Samuel. Rhapsody Grade 3-3.5. Contest/Festival. Set of parts. Excelcia Music Publishing #RCB2404. Published by Excelcia Music Publishing (XC.RCB2404).

9 x 12 inches.

This heartfelt tribute in memory of a beloved pet is an open door into composer David Samuel's heart. A work that will inspire musicians and audiences, stretch musicianship, and provide many opportunities for reflection, understanding, and empathy.

ATB vocal soli, SATB choir, oboe, bassoon, trumpet, 2 violins, 2 violas, basso continuo

SKU: CA.3101205

Jubilate. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Weinen, Klagen, Sorgen, Zagen. Sacred vocal music, Cantatas, Special days, Easter and Eastertide, Praise and thanks. Choral Score. Composed 1714. BWV 12. Duration 26 minutes. Carus Verlag #CV 31.012/05. Published by Carus Verlag (CA.3101205).

ISBN 9790007102920. Key: F minor / b flat major. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.

On the 2nd March 1714 Bach, who until then had been employed as a chamber musician and organist at he Court of Duke Wilhelm Ernst in Weimar, was promoted to the position of concert master, and was instructed to relieve the ailing Kapellmeister Johann Samuel Drese by composing and performing new pieces monthly for the church. Following the cantata Himmelskonig, sei willkommen, BWV 182, the present cantate was the second work which Bach composed under the terms of his new contract. The extraordinary musical ambition evident in the first Weimar cantatas may have had its roots in the fact htat Bach aspired to become Drese's successor as Court Kapellmeister. Score available separately - see item CA.3101200.

By Johannes Brahms (1833-1897). For Piano. 40 pages. Published by Wiener Urtext/Vienna Urtext

Brass Band - Grade 2

SKU: BT.GOB-000381-030

Composed by Dagmar Kildevann. Set (Score & Parts). 54 pages. Gobelin Music Publications #GOB 000381-030. Published by Gobelin Music Publications (BT.GOB-000381-030).

‘Circus Delight’ is a five-part suite which is set, how could it be otherwise, in a big circus tent.

The suite starts with a part called ‘Entrance’. The orchestra, positioned above the entrance of the ring asks for the attention of the audience and then the ring announcer enters. The show can begin!
The elephants play a central role in the first act. These colossal grey animals are rather slow and perform their tricks in a moderate tempo. (‘Elephant Blues’)
How different are ‘The Acrobats’. At high speed they run, jump and fly through the ring, until ....... It gets very exciting. Fortunately, all’s well that ends well and they take their leave of the audienceat a trot.
Everyone knows, and yet it is mostly not spoken about, that when a clown has taken off his red nose and rubbed off his make-up, his face off-stage is not always a happy one. (‘Tears of the Clown’)
The piece ends on a cheerful note with ‘The Parade’, in which all the artists make their entrance in the ring once again to gratefully acknowledge the audience’s overwhelming applause.

‘Circus Delight’ is een vijfdelige suite die zich afspeelt in, hoe kan het ook anders, een grote circustent.

De suite begint met ‘Entrance’. Het orkest dat boven de ingang van de piste zit vraagt de aandacht van het publieken de spreekstalmeester komt binnen. De voorstelling kan beginnen.
De olifanten staan centraal in de eerste act. De grote grijze kolossen zijn niet de snelste dieren en vertonen hun kunsten in een rustig tempo. (‘ElephantBlues’)
Bij ‘The Acrobats’ is dat wel even anders. In rap tempo hollen, springen en vliegen ze door de piste totdat ... het heel spannend wordt. Maar het gaat gelukkig goed en in snel tempo nemen ze afscheid van het publiek.
Iedereen weet het en toch, er wordt meestal niet over gesproken dat wanneer de clown na de voorstelling zijn rode neus en schmink afdoet, we zien dat het gezicht van de clown niet altijd lacht. (‘Tears of the Clown’)
We sluiten vrolijk af met ‘The Parade’ waarin alle artiesten nog een keer in de piste voorbijkomen, om het overweldigende applaus dankbaar in ontvangst te nemen.

(duet for drumset and multipercussion). By John Max McFarland. Multipercussion Duet. For Drumset (snare, kick, 4 toms), 4 octabons, timbales, 14 hihats, 13 hihats, low crash cymbal, 2 splash cymbals, high crash cymbal, 2 ride cymbals, sizzle cymbal, China cymbal, high and low jam blocks (w/pedal), cowbell (w/pedal), bongos, 3 roto toms, con (2 players). Percussion Duets. Advanced. Score and CD-ROM (containing printable parts). 16 pages. Duration 7'00 . Published by Tapspace Publications

Performed by Elvis Presley. Piano/Vocal/Chords (Arrangements for piano and voice with guitar chords). Size 9x12 inches. 324 pages. Published by Hal Leonard