Soprano, baritone, spoken
voice, mixed choir
(SSSSAAAATTTTBBBB, and 9
boys' voices, S/A) and
orchestra (Vocal Score) -
difficult
SKU:
HL.49006579
Oratorio Vocal
Score. Composed by
Hans Werner Henze. This
edition: Paperback/Soft
Cover. Sheet music.
Edition Schott.
Classical. Piano
reduction. Composed
1968/1990. 336 pages.
Duration 70'. Schott
Music #ED6719. Published
by Schott Music
(HL.49006579).
ISBN
9790001071291. 9x12
inches. German - English.
Text: Ernst
Schnabel.
Soprano, baritone, spoken
voice, mixed choir
(SSSSAAAATTTTBBBB, and 9
boys' voices, S/A) and
orchestra (Score) -
difficult
SKU:
HL.49006187
(The
Raft of the Medusa).
Composed by Hans Werner
Henze. This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. Classical. Study
Score. Composed
1968/1990. 168 pages.
Duration 70'. Schott
Music #ED6326. Published
by Schott Music
(HL.49006187).
ISBN
9790001067270. UPC:
884088099282.
8.25x11.75x0.41 inches.
German - English.
I Will Survive Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie/Fanfare Band/Brass Band - Grade 3 SKU: BT.DHP-0950643-2...(+)
Concert
Band/Harmonie/Fanfare
Band/Brass Band - Grade 3
SKU:
BT.DHP-0950643-216
Composed by D. Fekaris,
F. Perren. Arranged by
Ron Sebregts. De Haske
Pop Collection. Pop &
Rock. Score Only.
Composed 1995. De Haske
Publications #DHP
0950643-216. Published by
De Haske Publications
(BT.DHP-0950643-216).
This classic
disco hit was released by
Gloria Gaynor in 1978.
Following massive airplay
it reached number one in
pop charts around the
world and in 1980
received a Grammy for
Best Disco Recording.
Since then it has
appeared in many films
and television programs
and has been adopted by
many causes such as
HIV/AIDS awareness and
the campaign for
women’s rights. It
is also the
‘stadium
anthem’ for the
Dutch football team
Feyenoord. Ensure your
audience leaves any
concert in an upbeat mood
with this disco
masterpiece.
I
Will Survive was in
de jaren zeventig een
megahit voor Gloria
Gaynor. In discotheken
werd het nummer
grijsgedraaid. Men begaf
zich destijds maar al te
graag op de dansvloer om
op de energieke klanken
van deze song te
swingen.In de jaren
negentig was I Will
Survive opnieuw een
enorm succes. Breng
tijdens uw concert met
deze bewerking van Ron
Sebregts leven in de
brouwerij!
Das
Remake eines der
größten Hits von
Gloria Gaynor erreichte
zur Fußball-WM 1998 in
der Version der Hermes
House Band Kultstatus. In
zwischen gehört der
Song zum
Standardrepertoire der
Fanclubs großer und
kleiner Vereine und wird
besonders im Jahr der
Fußballweltmeisterscha
ft in Deutschland wieder
in aller Ohren und Munde
sein!
Concert Band/Harmonie/Fanfare/Bra ss Band - Grade 3 SKU: HL.44002405 Comp...(+)
Concert
Band/Harmonie/Fanfare/Bra
ss Band - Grade 3
SKU:
HL.44002405
Composed
by D. Fekaris and F.
Perren. Arranged by Ron
Sebregts. De Haske
Concert Band. Pop & Rock.
Score Only. Composed
1995. De Haske
Publications #950643.
Published by De Haske
Publications
(HL.44002405).
UPC:
073999024050. 6.75x10.5
inches.
This
classic disco hit was
released by Gloria Gaynor
in 1978. Following
massive airplay it
reached number one in pop
charts around the world
and in 1980 received a
Grammy for Best Disco
Recording. Since then it
has appeared in many
films and television
programs and has been
adopted by many causes
such as HIV/AIDS
awareness and the
campaign for women's
rights. It is also the
'stadium anthem' for the
Dutch football team
Feyenoord. Ensure your
audience leaves any
concert in an upbeat mood
with this disco
masterpiece.
I
Will Survive was in
de jaren zeventig een
megahit voor Gloria
Gaynor. In discotheken
werd het nummer
grijsgedraaid. Men begaf
zich destijds maar al te
graag op de dansvloer om
op de energieke klanken
van deze song te
swingen.In de jaren
negentig was I Will
Survive opnieuw een
enorm succes. Breng
tijdens uw concert met
deze bewerking van Ron
Sebregts leven in de
brouwerij!
Das
Remake eines der grossten
Hits von Gloria Gaynor
erreichte zur Fussball-WM
1998 in der Version der
Hermes House Band
Kultstatus. In zwischen
gehort der Song zum
Standardrepertoire der
Fanclubs grosser und
kleiner Vereine und wird
besonders im Jahr der
Fussballweltmeisterschaft
in Deutschland wieder in
aller Ohren und Munde
sein!
Gloria
Gaynor (de son vrai nom
Gloria Fowles) est
consideree comme une des
plus grandes divas de
l'epoque disco. En 1978,
elle interprete la
chanson I Will
Survive qui devient
un hymne de
l'emancipation feminine.
En 1997, reprise par le
groupe Hermes House Band,
elle devient l'hymne des
rugbymen du Stade
Francais, puis celui de
l'Equipe de France de
Football lors de la Coupe
du Monde 1998.
Cantata for the 7th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Violin 1. Sacred vocal
music, Cantatas, Advent.
Single Part, Violin 1.
Composed 1723. BWV 186.
12 pages. Duration 40
minutes. Carus Verlag #CV
31.186/61. Published by
Carus Verlag
(CA.3118661).
ISBN
9790007209902. Key: G
minor / c dorian. Text
language:
German/English.
The
cantata Argre dich, o
Seele, nicht BWV 186 is
in a sense the companion
work to the much
better-known cantata Herz
und Mund und Tat und
Leben BWV 147. Both were
composed in Advent 1716
as Bach's last two
cantatas for the Weimar
court, and both were
arranged for another
Sunday in Bach's first
Leipzig cantata cycle by
the addition of
recitatives and a
large-scale chorale
movement, heard at the
end of both parts. The
sound of the Cantata BWV
186 is characterized by
the four-part woodwind
ensemble writing. The
final chorale, heard
twice, anticipates the
opening choruses of the
chorale cantatas from
Bach's second cycle.
Cantata BWV 186 for the
7th Sunday after Trinity
is a considerably
expanded reworking of a
Weimar Advent cantata of
1716. Only the text
survives of the Advent
cantata, but Diethard
Hellmann has been able to
reconstruct the work from
the later version (Carus
31.186). Score and part
available separately -
see item CA.3118600.
Cantata for the 7th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Basso continuo. Sacred
vocal music, Cantatas,
Advent. Single Part,
basso continuo. Composed
1723. BWV 186. 20 pages.
Duration 40 minutes.
Carus Verlag #CV
31.186/64. Published by
Carus Verlag
(CA.3118664).
ISBN
9790007209933. Key: G
minor / c dorian. Text
language:
German/English.
The
cantata Argre dich, o
Seele, nicht BWV 186 is
in a sense the companion
work to the much
better-known cantata Herz
und Mund und Tat und
Leben BWV 147. Both were
composed in Advent 1716
as Bach's last two
cantatas for the Weimar
court, and both were
arranged for another
Sunday in Bach's first
Leipzig cantata cycle by
the addition of
recitatives and a
large-scale chorale
movement, heard at the
end of both parts. The
sound of the Cantata BWV
186 is characterized by
the four-part woodwind
ensemble writing. The
final chorale, heard
twice, anticipates the
opening choruses of the
chorale cantatas from
Bach's second cycle.
Cantata BWV 186 for the
7th Sunday after Trinity
is a considerably
expanded reworking of a
Weimar Advent cantata of
1716. Only the text
survives of the Advent
cantata, but Diethard
Hellmann has been able to
reconstruct the work from
the later version (Carus
31.186). Score and part
available separately -
see item CA.3118600.
Cantata for the 7th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Violin 2. Sacred vocal
music, Cantatas, Advent.
Single Part, Violin 2.
Composed 1723. BWV 186.
12 pages. Duration 40
minutes. Carus Verlag #CV
31.186/62. Published by
Carus Verlag
(CA.3118662).
ISBN
9790007209919. Key: G
minor / c dorian. Text
language:
German/English.
The
cantata Argre dich, o
Seele, nicht BWV 186 is
in a sense the companion
work to the much
better-known cantata Herz
und Mund und Tat und
Leben BWV 147. Both were
composed in Advent 1716
as Bach's last two
cantatas for the Weimar
court, and both were
arranged for another
Sunday in Bach's first
Leipzig cantata cycle by
the addition of
recitatives and a
large-scale chorale
movement, heard at the
end of both parts. The
sound of the Cantata BWV
186 is characterized by
the four-part woodwind
ensemble writing. The
final chorale, heard
twice, anticipates the
opening choruses of the
chorale cantatas from
Bach's second cycle.
Cantata BWV 186 for the
7th Sunday after Trinity
is a considerably
expanded reworking of a
Weimar Advent cantata of
1716. Only the text
survives of the Advent
cantata, but Diethard
Hellmann has been able to
reconstruct the work from
the later version (Carus
31.186). Score and part
available separately -
see item CA.3118600.
Cantata for the 7th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Viola. Sacred vocal
music, Cantatas, Advent.
Single Part, Viola.
Composed 1723. BWV 186. 8
pages. Duration 40
minutes. Carus Verlag #CV
31.186/63. Published by
Carus Verlag
(CA.3118663).
ISBN
9790007209926. Key: G
minor / c dorian. Text
language:
German/English.
The
cantata Argre dich, o
Seele, nicht BWV 186 is
in a sense the companion
work to the much
better-known cantata Herz
und Mund und Tat und
Leben BWV 147. Both were
composed in Advent 1716
as Bach's last two
cantatas for the Weimar
court, and both were
arranged for another
Sunday in Bach's first
Leipzig cantata cycle by
the addition of
recitatives and a
large-scale chorale
movement, heard at the
end of both parts. The
sound of the Cantata BWV
186 is characterized by
the four-part woodwind
ensemble writing. The
final chorale, heard
twice, anticipates the
opening choruses of the
chorale cantatas from
Bach's second cycle.
Cantata BWV 186 for the
7th Sunday after Trinity
is a considerably
expanded reworking of a
Weimar Advent cantata of
1716. Only the text
survives of the Advent
cantata, but Diethard
Hellmann has been able to
reconstruct the work from
the later version (Carus
31.186). Score and part
available separately -
see item CA.3118600.
Scent of Spring Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3.5 SKU: BT.DHP-1175712-010 Composed by Sat...(+)
Concert Band/Harmonie -
Grade 3.5
SKU:
BT.DHP-1175712-010
Composed by Satoshi
Yagisawa. Brilliant
Marches. Concert March.
Set (Score & Parts).
Composed 2017. De Haske
Publications #DHP
1175712-010. Published by
De Haske Publications
(BT.DHP-1175712-010).
English-German-French-
Dutch.
This work
was composed as a
commission by the Keika
Gakuen Symphonic Band, to
commemorate their 40th
annual concert. The
composition is a
march-style work that
begins with a chorale
based on a theme from the
school song—a
distinctive motif that
reappears in the middle
section. Tetsuya Kashino,
a graduate of the high
school, is a band coach
and has a deep friendship
with the composer.
Kashino named the work
Scent of Spring,
which reflects two
distinct
meanings—firstly,
in Japanese, a part of
the band’s own
name, and also “a
premiere in
Springâ€. Scent
of Spring is a bright
and optimistic piece of
music, suitable to
perform on various
occasions.
Dit
werk is geschreven in
opdracht van de Keika
Gakuen Symphonic Band,
een schoolorkest uit
Tokio, ter gelegenheid
van hun veertigste
jaarconcert. Deze in
marsstijl geschreven
compositie begint met een
op een thema uit het
schoollied gebaseerd
koraal: een motief dat
nog eens opduikt in het
middengedeelte. Tetsuya
Kashino, een orkestleider
die zelf ook op de
betreffende school heeft
gezeten, is nauw bevriend
met de componist: hij
heeft het werk Scent
of Spring gedoopt,
met in zijn achterhoofd
twee betekenissen: ten
eerste komt deze titel in
het Japans deels overeen
met de orkestnaam, ook
verwijst de titel naar
‘een première in
de lente’.
Scent of Spring
iseen opgewekt,
optimistisch werk dat
geschikt is voor diverse
gelegenheden.
Dieses Werk wurde
von der Keika Gakuen
Symphonic Band
anlässlich des
40-jährigen
Konzertjubiläums in
Auftrag gegeben. Das Werk
wurde im Marschstil
komponiert und beginnt
mit einem Choral, der auf
einem Thema des
Schulliedes basiert ein
charakteristisches Motiv,
das im Mittelteil wieder
aufgenommen wird. Tetsuya
Kashino, ein Absolvent
der Highschool, ist
Orchesterleiter und eng
mit dem Komponisten
befreundet. Kashino gab
dem Werk den Titel Scent
of Spring“, was
zwei verschiedene
Bedeutungen zum Ausdruck
bringt: einerseits ist es
ein Teil des
Orchesternamens auf
Japanisch, andererseits
bedeutet es eine Premiere
im Frühling“.
Scent of Spring
ist ein fröhliches
undoptimistisches
Musikstück, das sich
für alle möglichen
Gelegenheiten eignet.
Questo
lavoro è stato
commissionato dalla Keika
Gakuen Symphonic Band,
per commemorare con un
concerto il loro 40esimo
anniversario. La
composizione ha lo stile
di una marcia che
comincia con una corale
basata su un tema della
canzone della scuola - un
tema distintivo che
riappare anche nella
sezione di mezzo. Tetsuya
Kashino, insegnante della
Banda e legato da
profonda amicizia col
compositore, ha voluto
intitolare la
composizione Scent of
Spring, nome che
riflette due significati
distinti - in primo
luogo, in giapponese, una
parte del nome proprio
della banda, ma anche col
significato di una prima
in primavera. Scent of
Spring è un brano
musicale brillante
eottimista, adatto per
essere eseguito in
diverse occasioni.
Scent of Spring Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3.5 SKU: BT.DHP-1175712-140 Composed by Sat...(+)
Concert Band/Harmonie -
Grade 3.5
SKU:
BT.DHP-1175712-140
Composed by Satoshi
Yagisawa. Brilliant
Marches. Concert March.
Score Only. Composed
2017. 19 pages. De Haske
Publications #DHP
1175712-140. Published by
De Haske Publications
(BT.DHP-1175712-140).
English-German-French-
Dutch.
This work
was composed as a
commission by the Keika
Gakuen Symphonic Band, to
commemorate their 40th
annual concert. The
composition is a
march-style work that
begins with a chorale
based on a theme from the
school song—a
distinctive motif that
reappears in the middle
section. Tetsuya Kashino,
a graduate of the high
school, is a band coach
and has a deep friendship
with the composer.
Kashino named the work
Scent of Spring,
which reflects two
distinct
meanings—firstly,
in Japanese, a part of
the band’s own
name, and also “a
premiere in
Springâ€. Scent
of Spring is a bright
and optimistic piece of
music, suitable to
perform on various
occasions.
Dit
werk is geschreven in
opdracht van de Keika
Gakuen Symphonic Band,
een schoolorkest uit
Tokio, ter gelegenheid
van hun veertigste
jaarconcert. Deze in
marsstijl geschreven
compositie begint met een
op een thema uit het
schoollied gebaseerd
koraal: een motief dat
nog eens opduikt in het
middengedeelte. Tetsuya
Kashino, een orkestleider
die zelf ook op de
betreffende school heeft
gezeten, is nauw bevriend
met de componist: hij
heeft het werk Scent
of Spring gedoopt,
met in zijn achterhoofd
twee betekenissen: ten
eerste komt deze titel in
het Japans deels overeen
met de orkestnaam, ook
verwijst de titel naar
‘een première in
de lente’.
Scent of Spring
iseen opgewekt,
optimistisch werk dat
geschikt is voor diverse
gelegenheden.
Dieses Werk wurde
von der Keika Gakuen
Symphonic Band
anlässlich des
40-jährigen
Konzertjubiläums in
Auftrag gegeben. Das Werk
wurde im Marschstil
komponiert und beginnt
mit einem Choral, der auf
einem Thema des
Schulliedes basiert ein
charakteristisches Motiv,
das im Mittelteil wieder
aufgenommen wird. Tetsuya
Kashino, ein Absolvent
der Highschool, ist
Orchesterleiter und eng
mit dem Komponisten
befreundet. Kashino gab
dem Werk den Titel Scent
of Spring“, was
zwei verschiedene
Bedeutungen zum Ausdruck
bringt: einerseits ist es
ein Teil des
Orchesternamens auf
Japanisch, andererseits
bedeutet es eine Premiere
im Frühling“.
Scent of Spring
ist ein fröhliches
undoptimistisches
Musikstück, das sich
für alle möglichen
Gelegenheiten eignet.
Questo
lavoro è stato
commissionato dalla Keika
Gakuen Symphonic Band,
per commemorare con un
concerto il loro 40esimo
anniversario. La
composizione ha lo stile
di una marcia che
comincia con una corale
basata su un tema della
canzone della scuola - un
tema distintivo che
riappare anche nella
sezione di mezzo. Tetsuya
Kashino, insegnante della
Banda e legato da
profonda amicizia col
compositore, ha voluto
intitolare la
composizione Scent of
Spring, nome che
riflette due significati
distinti - in primo
luogo, in giapponese, una
parte del nome proprio
della banda, ma anche col
significato di una prima
in primavera. Scent of
Spring è un brano
musicale brillante
eottimista, adatto per
essere eseguito in
diverse occasioni.
Concert Band (Full Score) - Grade 4 SKU: HL.44012729 Composed by James Ho...(+)
Concert Band (Full Score)
- Grade 4
SKU:
HL.44012729
Composed
by James Horner. Arranged
by Takashi Hoshide. De
Haske Concert Band.
TV-Film-Musical-Show.
Softcover. Composed 2000.
De Haske Publications
#1001988140. Published by
De Haske Publications
(HL.44012729).
Takashi
Hoshide's arrangement of
the highlights from the
soundtrack to the
blockbuster film
Titanic brings all
the atmosphere and
emotion of the grandiose
musical score to life
once again.
Op 15
april 2012 was het
precies 100 jaar geleden
dat de Titanic zonk.
Takashi Hoshide maakte
een prachtige medley van
de hoogtepunten uit de
Titanic.
Ta
kahashi Hoshides
Arrangement aus den
Hohepunkten des
Soundtracks zum
Jahrhundertfilm
Titanic lasst die
Stimmungen und Emotionen
der grandiosen Filmmusik
wieder aufleben.
L'arrangement de
Takashi Hoshide evoque
les points culminants de
la bande originale du
film culte
Titanic. Les
differentes ambiances et
les emotions de ce film
grandiose se retrouvent
dans ce medley.
L'arrangiamento
di Takashi Hoshide degli
highlight della colonna
sonora del film
Titanic fa
rivivere le emozioni di
questo straordinario film
accompagnato da una
superlativa colonna
sonora.
Concert Band (Score & Parts) - Grade 4 SKU: HL.44012728 Composed by James...(+)
Concert Band (Score &
Parts) - Grade 4
SKU:
HL.44012728
Composed
by James Horner. Arranged
by Takashi Hoshide. De
Haske Concert Band.
TV-Film-Musical-Show.
Softcover. Composed 2000.
De Haske Publications
#1001988010. Published by
De Haske Publications
(HL.44012728).
Takashi
Hoshide's arrangement of
the highlights from the
soundtrack to the
blockbuster film
Titanic brings all
the atmosphere and
emotion of the grandiose
musical score to life
once again.
Op 15
april 2012 was het
precies 100 jaar geleden
dat de Titanic zonk.
Takashi Hoshide maakte
een prachtige medley van
de hoogtepunten uit de
Titanic.
Ta
kahashi Hoshides
Arrangement aus den
Hohepunkten des
Soundtracks zum
Jahrhundertfilm
Titanic lasst die
Stimmungen und Emotionen
der grandiosen Filmmusik
wieder aufleben.
L'arrangement de
Takashi Hoshide evoque
les points culminants de
la bande originale du
film culte
Titanic. Les
differentes ambiances et
les emotions de ce film
grandiose se retrouvent
dans ce medley.
L'arrangiamento
di Takashi Hoshide degli
highlight della colonna
sonora del film
Titanic fa
rivivere le emozioni di
questo straordinario film
accompagnato da una
superlativa colonna
sonora.
Titanic-Medley Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1001988-140 Composed by James...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1001988-140
Composed by James Horner.
Arranged by Takashi
Hoshide. New Sounds for
Concert Band.
TV-Film-Musical-Show.
Score Only. Composed
2000. De Haske
Publications #DHP
1001988-140. Published by
De Haske Publications
(BT.DHP-1001988-140).
Takashi
Hoshide’s
arrangement of the
highlights from the
soundtrack to the
blockbuster film
Titanic brings all
the atmosphere and
emotion of the grandiose
musical score to life
once again.
Op 15
april 2012 was het
precies 100 jaar geleden
dat de Titanic zonk.
Takashi Hoshide maakte
een prachtige medley van
de hoogtepunten uit de
Titanic.
Ta
kahashi Hoshides
Arrangement aus den
Höhepunkten des
Soundtracks zum
Jahrhundertfilm
Titanic lässt
die Stimmungen und
Emotionen der grandiosen
Filmmusik wieder
aufleben.
L’arrangia
mento di Takashi Hoshide
degli highlight della
colonna sonora del film
Titanic fa
rivivere le emozioni di
questo straordinario film
accompagnato da una
superlativa colonna
sonora.
Cantata for the 3rd
Sunday in Advent.
Composed by Johann
Sebastian Bach. Edited by
Diethard Hellmann.
Arranged by Diethard
Hellmann. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Argre Dich, O Seele,
Nicht Bwv 186A. Sacred
vocal music, Cantatas,
Advent, Whitsun. Single
Part, Cello/Double Bass.
Composed 1716. BWV 186a.
8 pages. Duration 20
minutes. Carus Verlag #CV
31.186/14. Published by
Carus Verlag
(CA.3118614).
ISBN
9790007050719. Key: G
minor / c dorian.
Language: German. Text:
Franck, Salomo. Text:
Salomo Franck.
Bach
was not able to use the
Weimar Advent cantata
Argre dich, o Seele,
nicht BWV 186a in
Leipzig, as there was no
performance of church
music there between the
1st Sunday of Advent and
Christmas. Bach expanded
and revised the cantata
during his first year in
Leipzig and performed it
for the first time in its
new form on the 7th
Sunday after Trinity
1723. Only a wordbook
survives from the
original Weimar form of
the work. Starting from
the Weimar wordbook and
Bach's Leipzig score,
Diethard Hellmann has
created a reconstruction
of Bach's sole known
cantata for the 3rd
Sunday of Advent. Bach's
Leipzig version of the
cantata is available
separately (Carus
31.186/50). Score and
part available separately
- see item
CA.3118600.
Cantata for the 3rd
Sunday in Advent.
Composed by Johann
Sebastian Bach. Edited by
Diethard Hellmann.
Arranged by Diethard
Hellmann. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
German title: Argre Dich,
O Seele, Nicht Bwv 186A.
Sacred vocal music,
Cantatas, Advent,
Whitsun. Full score.
Composed 1716. BWV 186a.
Duration 20 minutes.
Carus Verlag #CV
31.186/00. Published by
Carus Verlag
(CA.3118600).
ISBN
9790007050641. Key: G
minor / c dorian.
Language: German. Text:
Franck, Salomo. Text:
Salomo Franck.
Bach
was not able to use the
Weimar Advent cantata
Argre dich, o Seele,
nicht BWV 186a in
Leipzig, as there was no
performance of church
music there between the
1st Sunday of Advent and
Christmas. Bach expanded
and revised the cantata
during his first year in
Leipzig and performed it
for the first time in its
new form on the 7th
Sunday after Trinity
1723. Only a wordbook
survives from the
original Weimar form of
the work. Starting from
the Weimar wordbook and
Bach's Leipzig score,
Diethard Hellmann has
created a reconstruction
of Bach's sole known
cantata for the 3rd
Sunday of Advent. Bach's
Leipzig version of the
cantata is available
separately (Carus
31.186/50).
Cantata for the 3rd
Sunday in Advent.
Composed by Johann
Sebastian Bach. Edited by
Diethard Hellmann.
Arranged by Diethard
Hellmann. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
German title: Argre Dich,
O Seele, Nicht Bwv 186A.
Sacred vocal music,
Cantatas, Advent,
Whitsun. Set of Orchestra
Parts. Composed 1716. BWV
186a. Duration 20
minutes. Carus Verlag #CV
31.186/19. Published by
Carus Verlag
(CA.3118619).
ISBN
9790007136970. Key: G
minor / c dorian.
Language: German. Text:
Franck, Salomo. Text:
Salomo Franck.
Bach
was not able to use the
Weimar Advent cantata
Argre dich, o Seele,
nicht BWV 186a in
Leipzig, as there was no
performance of church
music there between the
1st Sunday of Advent and
Christmas. Bach expanded
and revised the cantata
during his first year in
Leipzig and performed it
for the first time in its
new form on the 7th
Sunday after Trinity
1723. Only a wordbook
survives from the
original Weimar form of
the work. Starting from
the Weimar wordbook and
Bach's Leipzig score,
Diethard Hellmann has
created a reconstruction
of Bach's sole known
cantata for the 3rd
Sunday of Advent. Bach's
Leipzig version of the
cantata is available
separately (Carus
31.186/50). Score and
parts available
separately - see item
CA.3118600.
Cantata for the 3rd
Sunday in Advent.
Composed by Johann
Sebastian Bach. Edited by
Diethard Hellmann.
Arranged by Diethard
Hellmann. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Argre Dich, O Seele,
Nicht Bwv 186A. Sacred
vocal music, Cantatas,
Advent, Whitsun. Single
Part, Viola. Composed
1716. BWV 186a. 4 pages.
Duration 20 minutes.
Carus Verlag #CV
31.186/13. Published by
Carus Verlag
(CA.3118613).
ISBN
9790007050702. Key: G
minor / c dorian.
Language: German. Text:
Franck, Salomo. Text:
Salomo Franck.
Bach
was not able to use the
Weimar Advent cantata
Argre dich, o Seele,
nicht BWV 186a in
Leipzig, as there was no
performance of church
music there between the
1st Sunday of Advent and
Christmas. Bach expanded
and revised the cantata
during his first year in
Leipzig and performed it
for the first time in its
new form on the 7th
Sunday after Trinity
1723. Only a wordbook
survives from the
original Weimar form of
the work. Starting from
the Weimar wordbook and
Bach's Leipzig score,
Diethard Hellmann has
created a reconstruction
of Bach's sole known
cantata for the 3rd
Sunday of Advent. Bach's
Leipzig version of the
cantata is available
separately (Carus
31.186/50). Score and
part available separately
- see item
CA.3118600.
Cantata for the 3rd
Sunday in Advent.
Composed by Johann
Sebastian Bach. Edited by
Diethard Hellmann.
Arranged by Diethard
Hellmann. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Argre Dich, O Seele,
Nicht Bwv 186A. Sacred
vocal music, Cantatas,
Advent, Whitsun. Single
Part, Organ. Composed
1716. BWV 186a. 24 pages.
Duration 20 minutes.
Carus Verlag #CV
31.186/49. Published by
Carus Verlag
(CA.3118649).
ISBN
9790007050726. Key: G
minor / c dorian.
Language: German. Text:
Franck, Salomo. Text:
Salomo Franck.
Bach
was not able to use the
Weimar Advent cantata
Argre dich, o Seele,
nicht BWV 186a in
Leipzig, as there was no
performance of church
music there between the
1st Sunday of Advent and
Christmas. Bach expanded
and revised the cantata
during his first year in
Leipzig and performed it
for the first time in its
new form on the 7th
Sunday after Trinity
1723. Only a wordbook
survives from the
original Weimar form of
the work. Starting from
the Weimar wordbook and
Bach's Leipzig score,
Diethard Hellmann has
created a reconstruction
of Bach's sole known
cantata for the 3rd
Sunday of Advent. Bach's
Leipzig version of the
cantata is available
separately (Carus
31.186/50). Score and
part available separately
- see item
CA.3118600.
(Creative accompaniments for the church pianist). By Mark Hayes. For piano and C...(+)
(Creative accompaniments
for the church pianist).
By Mark Hayes. For piano
and CD-Rom. Advent,
Christmas, Eastertide,
General, Lent, Pentecost,
Sacred. Level 1. Sacred
piano
For Trumpet in Bb and Piano, S. 49. Composed by Johann Nepomuk Hummel (17...(+)
For Trumpet in Bb and
Piano, S. 49.
Composed by Johann
Nepomuk Hummel
(1778-1837). Edited by
Elisa Koehler. Arranged
by Elisa Koehler.
Romantic. Score and
part(s). With Standard
notation. 36 8 pages.
Carl Fischer #W002681.
Published by Carl Fischer
(CF.W2681).
Cantata for the 3rd
Sunday in Advent.
Composed by Johann
Sebastian Bach. Edited by
Diethard Hellmann.
Arranged by Diethard
Hellmann. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Argre Dich, O Seele,
Nicht Bwv 186A. Sacred
vocal music, Cantatas,
Advent, Whitsun. Choral
Score. Composed 1716. BWV
186a. 8 pages. Duration
20 minutes. Carus Verlag
#CV 31.186/05. Published
by Carus Verlag
(CA.3118605).
ISBN
9790007050665. Key: G
minor / c dorian.
Language: German. Text:
Franck, Salomo. Text:
Salomo Franck.
Bach
was not able to use the
Weimar Advent cantata
Argre dich, o Seele,
nicht BWV 186a in
Leipzig, as there was no
performance of church
music there between the
1st Sunday of Advent and
Christmas. Bach expanded
and revised the cantata
during his first year in
Leipzig and performed it
for the first time in its
new form on the 7th
Sunday after Trinity
1723. Only a wordbook
survives from the
original Weimar form of
the work. Starting from
the Weimar wordbook and
Bach's Leipzig score,
Diethard Hellmann has
created a reconstruction
of Bach's sole known
cantata for the 3rd
Sunday of Advent. Bach's
Leipzig version of the
cantata is available
separately (Carus
31.186/50). Score
available separately -
see item CA.3118600.
Cantata for the 3rd
Sunday in Advent.
Composed by Johann
Sebastian Bach. Edited by
Diethard Hellmann.
Arranged by Diethard
Hellmann. This edition:
urtext. 1x 31.186/21 oboe
1, 1x 31.186/22 oboe 2,
1x 31.186/23 bassoon.
Stuttgart Urtext Edition:
Bach vocal. Argre Dich, O
Seele, Nicht Bwv 186A.
Sacred vocal music,
Cantatas, Advent,
Whitsun. Set of Orchestra
Parts. Composed 1716. BWV
186a. 12 pages. Duration
20 minutes. Carus Verlag
#CV 31.186/09. Published
by Carus Verlag
(CA.3118609).
ISBN
9790007050672. Key: G
minor / c dorian.
Language: German. Text:
Franck, Salomo. Text:
Salomo Franck.
Bach
was not able to use the
Weimar Advent cantata
Argre dich, o Seele,
nicht BWV 186a in
Leipzig, as there was no
performance of church
music there between the
1st Sunday of Advent and
Christmas. Bach expanded
and revised the cantata
during his first year in
Leipzig and performed it
for the first time in its
new form on the 7th
Sunday after Trinity
1723. Only a wordbook
survives from the
original Weimar form of
the work. Starting from
the Weimar wordbook and
Bach's Leipzig score,
Diethard Hellmann has
created a reconstruction
of Bach's sole known
cantata for the 3rd
Sunday of Advent. Bach's
Leipzig version of the
cantata is available
separately (Carus
31.186/50). Score and
parts available
separately - see item
CA.3118600.
Avalon Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire/avancé De Haske Publications
Concert Band - Grade 6 SKU: BT.DHP-1002127-040 Composed by Jan Van der Ro...(+)
Concert Band - Grade 6
SKU:
BT.DHP-1002127-040
Composed by Jan Van der
Roost. Sovereign Series.
Concert Piece. Set (Score
& Parts). Composed 2000.
De Haske Publications
#DHP 1002127-040.
Published by De Haske
Publications
(BT.DHP-1002127-040).
Valon is a
one-part composition. The
surprising opening
measures describe the
sudden entrance into
another world. After
these initial measures,
we hear a choral-like
melody, which is repeated
three times in different
instrumentations with
increasing intensity.
This represents the
procession of the ghosts
dwelling in the
underworld of Avalon,
headed by the mighty
magician Merlin.The
exalted sound is then
suddenly interrupted by a
fast movement, in which
ostinato figures
alternate with bi-tonal
motives. This represents
the attempt of some evil
characters to invade
Avalon. Mordred is the
leader of this horde and
together they disturb the
peace and quiet in the
otherwisecalm Avalon. The
flourish of trumpets
heralds the entrance of
the Knights of the Round
Table who drive away the
intruders and return to
their castle, Tintagel,
in a triumphal
procession. Upon their
return, the next problem
presents itself. An
inexplicable disease
plagues the resting
ghosts.The Knights and
the Council of the Wise
are convened to find out
the cause of this
problem. Musically this
can be heard in the
repetition of the initial
themes. The Knights and
the Council of the Wise
determine that the
presence of mortals is
the reason that the
resting ghosts are
suffering. There is
simply no room for mortal
souls in Avalon. After a
powerful statement by
King Arthur, we hear a
glissando referring to
the very first measures,
and… we are back in
the normal world. The
journey through the
underworld has come to an
end and a dream is over.
Avalon Fanfare [Conducteur et Parties séparées] - Intermédiaire/avancé De Haske Publications
Fanfare Band - Grade 6 SKU: BT.DHP-0920388-020 Composed by Jan Van der Ro...(+)
Fanfare Band - Grade 6
SKU:
BT.DHP-0920388-020
Composed by Jan Van der
Roost. Sovereign Series.
Concert Piece. Set (Score
& Parts). Composed 1992.
De Haske Publications
#DHP 0920388-020.
Published by De Haske
Publications
(BT.DHP-0920388-020).
Avalon is a
one-part composition. The
surprising opening
measures describe the
sudden entrance into
another world. After
these initial measures,
we hear a choral-like
melody, which is repeated
three times in different
instrumentations with
increasing intensity.
This represents the
procession of the ghosts
dwelling in the
underworld of Avalon,
headed by the mighty
magician Merlin.The
exalted sound is then
suddenly interrupted by a
fast movement, in which
ostinato figures
alternate with bi-tonal
motives. This represents
the attempt of some evil
characters to invade
Avalon. Mordred is the
leader of this horde and
together they disturb the
peace and quiet in the
otherwisecalm Avalon. The
flourish of trumpets
heralds the entrance of
the Knights of the Round
Table who drive away the
intruders and return to
their castle, Tintagel,
in a triumphal
procession. Upon their
return, the next problem
presents itself. An
inexplicable disease
plagues the resting
ghosts.The Knights and
the Council of the Wise
are convened to find out
the cause of this
problem. Musically this
can be heard in the
repetition of the initial
themes. The Knights and
the Council of the Wise
determine that the
presence of mortals is
the reason that the
resting ghosts are
suffering. There is
simply no room for mortal
souls in Avalon. After a
powerful statement by
King Arthur, we hear a
glissando referring to
the very first measures,
and… we are back in
the normal world. The
journey through the
underworld has come to an
end and a dream is over.