Without Fingering. Composed by Franz Joseph Haydn (1732- 1809). Edited by Geo...(+)
Without Fingering.
Composed
by Franz Joseph Haydn
(1732-
1809). Edited by Georg
Feder.
Henle Music Folios.
Classical. Softcover. G.
Henle #HN1536. Published
by
G. Henle
SKU: HL.51482040 Haydn Studies: Retrospection & Innovation in Late Jos...(+)
SKU: HL.51482040
Haydn Studies:
Retrospection &
Innovation in Late Joseph
Haydn - Vol. X, Book 3/4
(July 2013). Composed
by Franz Joseph Haydn.
Edited by Armin Raab,
Arnold Jacobshagen, Solke
Schloen, and Wolfram
Steinbeck. Periodicals.
Paperbound. Henle
Complete Edition. German
Edition. Periodical
(paperbound). 244 pages.
G. Henle #HN2040.
Published by G. Henle
(HL.51482040).
ISBN
9790201820408. UPC:
884088959357. 6.5x9.5
inches.
Published
in conjunction with the
Joseph Haydn Institute in
Cologne. Text in
German.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Revised Edition with Fingering by 26 Pianists. Composed by Franz Joseph Ha...(+)
Revised Edition with
Fingering by 26 Pianists.
Composed by Franz Joseph
Haydn (1732-1809). Edited
by
Georg Feder. Henle Music
Folios. Classical.
Softcover.
G. Henle #HN1336.
Published
by G. Henle
Revised Edition for Piano Solo with Fingering by 18 Pianists. Composed by Fr...(+)
Revised Edition for Piano
Solo with Fingering by 18
Pianists. Composed by
Franz
Joseph Haydn (1732-1809).
Edited by Georg Feder.
Henle
Music Folios. Classical.
Softcover. G. Henle
#HN1338.
Published by G. Henle
(12 Fun Songs about Characters with Character). By Ruth Elaine Schram. For uniso...(+)
(12 Fun Songs about
Characters with
Character). By Ruth
Elaine Schram. For
unison/2-part choir,
piano, Reproducible.
Choral collection.
Created for Praise
Series. Sacred, Choral.
Songbook and
performance/accompaniment
CD. Published by Lorenz
Publishing Company
Unison/2-part choir, piano SKU: LO.30-2867L 12 Fun Songs about Charact...(+)
Unison/2-part choir,
piano
SKU:
LO.30-2867L
12 Fun
Songs about Characters
with Character.
Composed by Ruth Elaine
Schram. Choral
collection. Created for
Praise Series. Sacred,
Choral. Choral score and
book. Lorenz Publishing
Company #30/2867L.
Published by Lorenz
Publishing Company
(LO.30-2867L).
ISBN
9781429129671.
From
Abednego to the Wise Men,
the Bible's many
appealing--and
instructive--characters
are the centerpiece of
this collection of
delightful songs by
Ruthie Schram. All of the
songs, a mix of familiar
favorites and originals,
are very easy to sing.
Accompanying body motions
are suggested too, adding
another layer to the fun.
Great for Sunday school,
Christian school,
children's worship,
children's choir,
vacation Bible school,
and church camp, this
collection also features
reproducible
lyric/activity pages. The
CD includes accompaniment
tracks that facilitate
rehearsal or performance
in a choral setting along
with performance
recordings that are
perfect for modeling and
create an irresistible
invitation for children
to join along in
song.
SATB Choir (Mixed choir) SKU: BA.BA03408 Messen der Drucke Paris 1607 ...(+)
SATB Choir (Mixed choir)
SKU: BA.BA03408
Messen der Drucke
Paris 1607 und München
1610. Composed by
Orlande De Lassus. Edited
by Siegfried Hermelink.
This edition: complete
edition, urtext edition.
Linen. Orlando di Lasso,
Complete Works (Samtliche
Werke - Neue Reihe),
Volume 8. Messen
(Masses). Complete
edition, Singing Score,
anthology. No. 36-41.
Baerenreiter Verlag
#BA03408_00. Published by
Baerenreiter Verlag
(BA.BA03408).
ISBN
9790006434046. 27.5 x
19.5 cm
inches.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Chamber Music English Horn, Oboe SKU: CF.WF229 15 Pieces for Oboe and ...(+)
Chamber Music English
Horn, Oboe
SKU:
CF.WF229
15 Pieces
for Oboe and English
Horn. Composed by
Gustave Vogt. Edited by
Kristin Jean Leitterman.
Collection - Performance.
32+8 pages. Carl Fischer
Music #WF229. Published
by Carl Fischer Music
(CF.WF229).
SATB Chorus, & Piano SKU: SU.96010060 For SATB Chorus, & Piano. Co...(+)
SATB Chorus, & Piano
SKU: SU.96010060
For SATB Chorus, &
Piano. Composed by
Joseph Gianono.
Vocal/Choral, Secular
Choral. Accompanied by
piano. Choral Octavo.
Subito Music Corporation
#96010060. Published by
Subito Music Corporation
(SU.96010060).
Instrumentation
: SATB Chorus, &
Piano Duration:
3:30' Composed: 2012
Published by: Subito
Music Publishing Minimum
order quantity: 8 copies.
Perusal copies are
available by contacting
(include the organization
name with your request).
To order quantities fewer
than 8, please call
customer service at (973)
857-3440. About
T.N.TAs a matter of
practicality, when I was
first asked to write a
piece for the New York
Theatrical Community
Choir in 2005 by its
music director, David
Wolfson, I immediately
decided to write a Kyrie.
After all, I thought...,
the text is only about
four words and eliminated
the need for a lyricist.
Most appealing, however,
was the fact that it
would bring me one step
closer to finishing the
Mass that I was in the
process of writing. If
ever there was a case to
be made for divine
inspiration this appeared
to be it. David Wolfson
liked the idea and
casually mentioned that
there was another Kyrie
and a religious hymn on
the program. He also
mentioned that the choir
consisted predominantly
of actors that sing.Like
a bolt of lightning,
divine intervention
interceded whereupon I
instantly realized that
he needed a piece to wake
up the audience, not
another Kyrie. I took a
breath and spontaneously
began to talk through and
improvise the concept of
a piece that became the
basis for Taxi.At that
moment I was clueless as
to what kind of piece I
would write but it
appeared to be a good
idea at the time. David's
reaction to my
presentation was
something like Okay,...I
have no idea what you are
talking about but let's
try it. After a very
successful public
performance, he was
delighted that I decided
not to write a Kyrie and
remarked that writ-ing a
piece like Taxi for this
group was like feeding
raw meat to a pack of
hungry lions. At that
moment, the idea of doing
a trilogy of similar
pieces was born. For the
last two seasons of the
choir's existence I was
asked to write a new
piece and... as a matter
of practicality, I
happily agreed.-- Joe
GianonoNote: Taxi, Noise,
and Time may be performed
separately.
SATB Chorus, & Piano SKU: SU.96010061 For SATB Chorus, & Piano. Co...(+)
SATB Chorus, & Piano
SKU: SU.96010061
For SATB Chorus, &
Piano. Composed by
Joseph Gianono.
Vocal/Choral, Secular
Choral. Accompanied by
piano. Choral Octavo.
Subito Music Corporation
#96010061. Published by
Subito Music Corporation
(SU.96010061).
Instrumentation
: SATB Chorus, &
Piano Duration:
5' Composed: 2012
Published by: Subito
Music Publishing Minimum
order quantity: 8 copies.
Perusal copies are
available by contacting
(include the organization
name with your request).
To order quantities fewer
than 8, please call
customer service at (973)
857-3440. About
T.N.T
As a
matter of practicality,
when I was first asked to
write a piece for the New
York Theatrical Community
Choir in 2005 by its
music director, David
Wolfson, I immediately
decided to write a Kyrie.
After all, I thought...,
the text is only about
four words and eliminated
the need for a lyricist.
Most appealing, however,
was the fact that it
would bring me one step
closer to finishing the
Massthat I was in the
process of writing. If
ever there was a case to
be made for divine
inspiration this appeared
to be it. David Wolfson
liked the idea and
casually mentioned that
there was another Kyrie
and a religious hymn on
the program. He also
mentioned that the choir
consisted predominantly
of actors that sing.
Like a bolt of
lightning, divine
intervention interceded
whereupon I instantly
realized that he needed a
piece to wake up the
audience, not another
Kyrie. I took a breath
and spontaneously began
to talk through and
improvise the concept of
a piece that became the
basis for Taxi.
At that moment I was
clueless as to what kind
of piece I would write
but it appeared to be a
good idea at the time.
David's reaction to my
presentation was
something like Okay,...I
have no idea what you are
talking about but let's
try it. After a very
successful public
performance, he was
delighted that I decided
not to write a Kyrie and
remarked that writ-ing a
piece like Taxi for this
group was like feeding
raw meat to a pack of
hungry lions. At that
moment, the idea of doing
a trilogy of similar
pieces was born. For the
last two seasons of the
choir's existence I was
asked to write a new
piece and ... as a matter
of practicality, I
happily agreed.
-- Joe Gianono
Note: Taxi, Noise, and
Time may be performed
separately.
SATB Chorus, & Piano SKU: SU.96010062 For SATB Chorus, & Piano. Co...(+)
SATB Chorus, & Piano
SKU: SU.96010062
For SATB Chorus, &
Piano. Composed by
Joseph Gianono.
Vocal/Choral, Secular
Choral. Accompanied by
piano. Choral Octavo.
Subito Music Corporation
#96010062. Published by
Subito Music Corporation
(SU.96010062).
Instrumentation
: SATB Chorus, &
Piano Duration:
4' Composed: 2012
Published by: Subito
Music Publishing Minimum
order quantity: 8 copies.
Perusal copies are
available by contacting
(include the organization
name with your request).
To order quantities fewer
than 8, please call
customer service at (973)
857-3440. About
T.N.TAs a matter of
practicality, when I was
first asked to write a
piece for the New York
Theatrical Community
Choir in 2005 by its
music director, David
Wolfson, I immediately
decided to write a Kyrie.
After all, I thought...,
the text is only about
four words and eliminated
the need for a lyricist.
Most appealing, however,
was the fact that it
would bring me one step
closer to finishing the
Mass that I was in the
process of writing. If
ever there was a case to
be made for divine
inspiration this appeared
to be it. David Wolfson
liked the idea and
casually mentioned that
there was another Kyrie
and a religious hymn on
the program. He also
mentioned that the choir
consisted predominantly
of actors that sing.Like
a bolt of lightning,
divine intervention
interceded whereupon I
instantly realized that
he needed a piece to wake
up the audience, not
another Kyrie. I took a
breath and spontaneously
began to talk through and
improvise the concept of
a piece that became the
basis for Taxi.At that
moment I was clueless as
to what kind of piece I
would write but it
appeared to be a good
idea at the time. David's
reaction to my
presentation was
something like Okay,...I
have no idea what you are
talking about but let's
try it. After a very
successful public
performance, he was
delighted that I decided
not to write a Kyrie and
remarked that writ-ing a
piece like Taxi for this
group was like feeding
raw meat to a pack of
hungry lions. At that
moment, the idea of doing
a trilogy of similar
pieces was born. For the
last two seasons of the
choir's existence I was
asked to write a new
piece and... as a matter
of practicality, I
happily agreed.-- Joe
GianonoNote: Taxi, Noise,
and Time may be performed
separately.
Oratorio. Composed
by Franz Joseph Haydn.
Edited by Armin Raab.
This edition: urtext
edition. Paperback.
Urtext from: Joseph Haydn
Werke, G. Henle Verlag
Munchen. Choral score.
Composed 1799-1801. Hob.
XXI:3. 135 pages.
Baerenreiter Verlag
#BA04647_91. Published by
Baerenreiter Verlag
(BA.BA04647-91).
ISBN
9790006566518. 27 x 19 cm
inches. Text Language:
German, English,
French.
Urtext
aus/from: Joseph Haydn
Werke, G. Henle Verlag
Munchen.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Composed
by Johann Joseph
Rösler. Edited by
Alena Hönigová.
This edition: urtext
edition. Paperback.
Barenreiter Urtext. First
edition. Score. No. 2.
Baerenreiter Verlag
#BA11550_00. Published by
Baerenreiter Verlag
(BA.BA11550).
ISBN
9790260108608. 31 x 24.3
cm inches. Key: E-flat
major. Preface: Honigova,
Alena.
Johann
Joseph Rösler
(1771–1812) was a
composer, conductor and
pianist who was active in
Prague and Vienna. Later
he was in the service of
Prince Franz Joseph von
Lobkowitz. His Piano
Concerto No. 2 in E-flat
major of 1803 is a
fitting companion to the
piano concertos of
Beethoven; indeed, his
first Piano Concerto in D
major was mistakenly
attributed to Beethoven
until 1925. Now
Rösler’s second
Piano Concerto is
appearing in print for
the first time. This is
due to editor Alena
Hönigová
discovering and
identifying an autograph
score which is the only
preserved source in the
Prague Conservatory
archive. In this Urtext
edition Hönigová
takes into account the
distinctive features of
Rösler’s
handwriting and the
division of parts in the
score, as befits the
performance practice of
his day.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
SATB Choir (Mixed choir (SATB)) SKU: BA.BA04648-91 Composed by Franz Jose...(+)
SATB Choir (Mixed choir
(SATB))
SKU:
BA.BA04648-91
Composed by Franz Joseph
Haydn. Edited by Annette
Oppermann. This edition:
urtext edition. Stapled.
Urtext from: Joseph Haydn
Werke, G. Henle Verlag
Munchen. Choral score.
Hob. XXI:2. 55 pages.
Baerenreiter Verlag
#BA04648_91. Published by
Baerenreiter Verlag
(BA.BA04648-91).
ISBN
9790006566525. 27 x 19 cm
inches. Text Language:
German,
English.
Urtext
aus/from: Joseph Haydn
Werke, G. Henle Verlag
Munchen.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Composed by Franz Joseph
Haydn. Edited by Gunter
Thomas. This edition:
urtext edition.
Paperback. Urtext from:
Joseph Haydn Werke, G.
Henle Verlag Munchen.
Score. Hob. XXII:12.
Duration 00:42:00.
Baerenreiter Verlag
#BA04661_02. Published by
Baerenreiter Verlag
(BA.BA04661-02).
ISBN
9790006565382. 31 x 24.3
cm inches. Key: B-flat
major. Text Language:
Latin. Preface: Thomas,
Gunter / Raab,
Armin.
Urtext
aus/from: Joseph Haydn
Werke, G. Henle Verlag
Munchen.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Orchestra (Fl,2Ob,2bassoon,2Hn,2V,V a,Bassi) SKU: BA.BA10982 Composed by ...(+)
Orchestra
(Fl,2Ob,2bassoon,2Hn,2V,V
a,Bassi)
SKU:
BA.BA10982
Composed
by Franz Joseph Haydn.
Edited by Sonja Gerlach
and Sterling E. Murray.
This edition: urtext
edition. Stapled. Urtext
from: Joseph Haydn Werke,
G. Henle Verlag Munchen.
Score. Hob. I:80.
Duration 00:21:00.
Baerenreiter Verlag
#BA10982_00. Published by
Baerenreiter Verlag
(BA.BA10982).
ISBN
9790006565504. 31 x 24.3
cm inches. Key: D minor.
Preface: Armin
Raab.
Along with
Symphonies Nos. 79 and
81, Haydn’s
D-minor Symphony Hob.
I:80 belongs to a set of
symphonies that he
completed in late 1784.
He wrote them for his
employer Prince Nikolaus
Esterházy, his task
being to entertain the
prince with new music.
The symphonies had to be
suitable for the
twenty-five to thirty
musicians who were in the
prince’s
orchestra.
Continuing the
cooperation between
Bärenreiter and the G.
Henle publishing company
regarding Haydn’s
large choral works,
operas and symphonies,
this edition is based on
the G. Henle Complete
Edition of the
“Works of Joseph
Haydnâ€.
BÃ
renreiter has already
published the complete
performance material for
several “Sturm und
Drang†symphonies
and all the London and
Paris
symphonies.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Singing voice,mixedchoir,orchestr a (Vocal, Mixed choir, Orchestra) SKU: BA.B...(+)
Singing
voice,mixedchoir,orchestr
a (Vocal, Mixed choir,
Orchestra)
SKU:
BA.BA04656-02
Composed by Franz Joseph
Haydn. Edited by Irmgard
Becker-Glauch. This
edition: urtext edition.
Paperback. Barenreiter
Urtext. Urtext from:
Joseph Haydn Werke, G.
Henle Verlag Munchen.
Score. Hob. XXII:13.
Baerenreiter Verlag
#BA04656_02. Published by
Baerenreiter Verlag
(BA.BA04656-02).
ISBN
9790006565351. 31 x 24.3
cm inches. Key: B-flat
major. Text Language:
Latin. Preface: Andreas
Friesenhagen.
Urtex
t aus/from: Joseph Haydn
Werke, G. Henle Verlag
Munchen.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding