The Long And Winding Road is one of the most popular ballads of The Beatles' late-period. A melancholic song written by Paul McCartney and inspired by the growing tensions within the group, it's a dramatic track that creates a sense of emotional drama by modulating between minor and major keys. This new choral arrangement for SATB choir with piano accompaniment by Simon Foxley is an intriguing proposition for ensembles with its non-traditional chorus and ambiguous yet emotive melodies and lyrics. / Choeur Mixte (SATB) Et Piano

John Rutter Blow, blow, thou winter wind Vocal score Forces or Category: SATB (with divisions) & piano/small orchestra Orchestration: 2fl, hp, harpsichord, strings John Rutter Anniversary Edition for SATB (with divisions) and piano or small orchestra This setting of a song from Act II of Shakespeare's As You Like It was originally published as part of John Rutter's cycle of six choral settings with small orchestra When Icicles Hang.

Music played an enormous role in the works of William Shakespeare, while his own sonnets, poems and soliloquies have provided continuing inspiration for many composers through the years. The Novello Shakespeare Choral Collection, inspired by the 400th anniversary of the Bard's death in 2016, is an exciting anthology of choral works that are settings of Shakespeare's words. For choirs of all types and abilities, this collection has been edited by David Wordsworth so that all the pieces are fantastic both to sing and hear.The collection features some beautiful settings that have well and truly stood the test of time, such as Thomas Arne's Blow, Blow, Thou Winter Wind and Henry Leslie's How Sweet The Moonlight Sleeps. More recent settings from 20th century and contemporary composers include Ernest Moeran's Sigh No More, Ladies, Gary Carpenter's Lo, Here, The Gentle Lark and John Tavener's Fear No More and Look In Thy Glass.Not only this, the Shakespeare Choral Collection boasts several works that were specially commissioned, including John Joubert's Be Not Afeard, Richard Sisson's Light Thickens and Pawel Lukaszewki's Weary With Toil, I Haste Me To My Bed. Some pieces have never appeared before in print, such as those by Kevin Olsen, Bernard Hughes and John Gardner. These songs truly are a joy to perform, with some relatively simple arrangements that are purely fun to sing, while some more complex settings that will be thoroughly rewarding for choirs and audiences alike.A total of 26 fantastic works comprise The Novello Shakespeare Choral Collection, which would work as a wonderful concert programme on its own, or could provide a wealth of options for choirs looking to expand their repertoire with a range of unique settings. Also included is a fascinating introduction by editor David Wordsworth, and notes describing each piece.Words written by indisputably the greatest writer in the English language can only be matched with music by composers of talent and renown such as these. The Novello Shakespeare Choral Collection is an essential anthology of stunning settings of beautiful words which will be performed and enjoyed for many years to come. / Choeur Mixte (SATB)

Par WEBERN ANTON. Composer and choir master Clytus Gottwald comments on his transcription of Anton Webern’s Im Sommerwind (1904) as follows: “First of all I had to eliminate all those parts of the source material that had strictly instrumental designs, reducing the work – to quote Wolfgang Rihm – to its singable remnant. What was so surprising, however, was that such a reduction did not lead to a meaningless sequence of fragments, but that the fragments turned out to be – with regard to harmony and motifs – so closely related to each other that the result proved an impressive ‘work within a work’. The reduction uncovered something that could be called the ‘essence’ of the work. In order to make the singable remnant singable, I used fragments from Bruno Wille’s poem Im Sommerwind, which Webern had used as a basis for his composition.”/ Répertoire / Choeur Mixte SATB

Par WINDESHAUSEN Claude . / Niveau : 3 / Partition / Choeur à quatre voix mixtes et Orgue

For mixed choir (SATB) and 8 wind instruments / mixed choir and 8 wind instruments

La ballade magique de Walt Disney Pocahontas dans un arrangement mémorable chorale, calqué sur l'enregistrement de Vanessa Williams a frappé pop! Disponible: SATB, SAB, 2-Partie et CD ShowTrax. Temps de Performance: Env. 04:00. / Rép International / Feuillet / Chant et Piano

Viento Norte (Northern Wind) is No. 4 of the Indianas suite by Carlos Guastavino, which may be performed individually or as a suite. 1. Gala del Dia (Finery of the Day) KJS8911 2. Quien Fuera Como El Jazmin' (Who Could Be Like the Jasmine') KJS8912 3. Chanarcito, Chanarcito (A Thorny Bush) KJS8913 4. Viento Norte (Northern Wind) KJS8914 5. Al Tribunal de Tu Pecho (For the Court of Your Heart) KJS8915 6. Una de Dos (One Or the Other) KJS8916 Carlos Guastavino writes in a romantic-nationalistic style, and even though he does not incorporate folk music, his music is permeated by the Argentine influence.

Partitions pour choeur SATB avec accompagnement piano. / Chant Et Piano / Partition

Music played an enormous role in the works of William Shakespeare, while his own sonnets, poems and soliloquies have provided continuing inspiration for many composers through the years. The Novello Shakespeare Choral Collection, inspired by the 400th anniversary of the Bard's death in 2016, is an exciting anthology of choral works that are settings of Shakespeare's words. For choirs of all types and abilities, this collection has been edited by David Wordsworth so that all the pieces are fantastic both to sing and hear. The collection features some beautiful settings that have well and truly stood the test of time, such as Thomas Arne's Blow, Blow, Thou Winter Wind and Henry Leslie's How Sweet The Moonlight Sleeps. More recent settings from 20th century and contemporary composers include Ernest Moeran's Sigh No More, Ladies, Gary Carpenter's Lo, Here, The Gentle Lark and John Tavener's Fear No More and Look In Thy Glass. Not only this, the Shakespeare Choral Collection boasts several works that were specially commissioned, including John Joubert's Be Not Afeard, Richard Sisson's Light Thickens and Pawel Lukaszewki's Weary With Toil, I Haste Me To My Bed. Some pieces have never appeared before in print, such as those by Kevin Olsen, Bernard Hughes and John Gardner. These songs truly are a joy to perform, with some relatively simple arrangements that are purely fun to sing, while some more complex settings that will be thoroughly rewarding for choirs and audiences alike. A total of 26 fantastic works comprise The Novello Shakespeare Choral Collection, which would work as a wonderful concert programme on its own, or could provide a wealth of options for choirs looking to expand their repertoire with a range of unique settings. Also included is a fascinating introduction by editor David Wordsworth, and notes describing each piece. Words written by indisputably the greatest writer in the English language can only be matched with music by composers of talent and renown such as these. The Novello Shakespeare Choral Collection is an essential anthology of stunning settings of beautiful words which will be performed and enjoyed for many years to come. A Summer Sonnet [Olson, Kevin] Be Not Afeard [Joubert, John] Blow, Blow, Thou Winter Wind [Arne, Thomas] Daffodils [Wertsch, Nancy] Fear No More [Sondheim, Stephen] Fear No More [Tavener, John] Four Rounds To Shakespeare Texts [Gardner, John] Full Fathom Five [Wood, Charles] How Sweet The Moonlight Sleeps [Leslie, Henry] Hymn For Shakespeare's Birthday [Berkeley, Lennox] If We Shadows Have Offended [Hughed, Bernard] It Was A Lover And His Lass [Harris, Matthew] Light Thickens [Sisson, Richard] Lo, Here, The Gentle Lark [Carpenter, Gary] Look In Thy Glass [Tavener, John] O Mistress Mine [Wertsch, Nancy] O, How Much More [Crabtree, Paul] Ophelia's Lament [Mealor, Paul] Orpheus [Weir, Judith] Orpheus With His Lute [Schuman, William] Rosemary [Helldén, Daniel] Shall I Compare Thee To A Summer's Day? [Larsen, Libby] Sigh No More, Ladies [Moeran, Ernest] Tell Me Where Is Fancy Bred [Harris, Matthew] Weary With Toil, I Haste Me To My Bed [Lukaszewski, Pawel] Who Is Silvia? [Harris, Matthew]

Quien Fuera Como El Jazmin' (Who Could Be Like the Jasmine') is No. 2 of the Indianas suite by Carlos Guastavino, which may be performed individually or as a suite. 1. Gala del Dia (Finery of the Day) KJS8911 2. Quien Fuera Como El Jazmin' (Who Could Be Like the Jasmine') KJS8912 3. Chanarcito, Chanarcito (A Thorny Bush) KJS8913 4. Viento Norte (Northern Wind) KJS8914 5. Al Tribunal de Tu Pecho (For the Court of Your Heart) KJS8915 6. Una de Dos (One Or the Other) KJS8916 Carlos Guastavino writes in a romantic-nationalistic style, and even though he does not incorporate folk music, his music is permeated by the Argentine influence.

Al Tribunal de Tu Pecho (For the Court of Your Heart) is No. 5 of the Indianas suite by Carlos Guastavino, which may be performed individually or as a suite. 1. Gala del Dia (Finery of the Day) KJS8911 2. Quien Fuera Como El Jazmin' (Who Could Be Like the Jasmine') KJS8912 3. Chanarcito, Chanarcito (A Thorny Bush) KJS8913 4. Viento Norte (Northern Wind) KJS8914 5. Al Tribunal de Tu Pecho (For the Court of Your Heart) KJS8915 6. Una de Dos (One Or the Other) KJS8916 Carlos Guastavino writes in a romantic-nationalistic style, and even though he does not incorporate folk music, his music is permeated by the Argentine influence.

Par PEIRSON RICHARD. The sense of rare and beautiful magic encountered in the early verse of Yeats is perfectly captured in this setting of He Wishes For The Cloths Of Heaven which, like the no less evocative texts selected by Warlock for 'The Curlew', is among the outstanding items from the early collection 'The Wind Among The Reeds'. To the rich symbolism of the poet's work, smoothly euphonious and finely balanced choral harmonies add their own 'golden and silver light', making in words and music a sonorous image of the profound vision, part romance, part mystery, at the heart of this unique poem./ Feuillet / SATB a Cappella

Margery Agrell's poem recalls 'faint light? and 'soft winds? and provides a reflective and soothing view of nature in this SATB piece for a cappella mixed voices. The close harmonies produce a lush yet evanescent veil of shimmering sonorities in keeping with the hushed and dream-like 'spells of sweet silence.? / Choeur Mixte (SATB) A Cappella

Par REGER MAX. Separate edition from Volume 11, 'Lieder und Chorwerke' of the Max Reger Hybrid Edition of Works.Among other things, this volume from the Reger Hybrid Edition contains the piano reductions of Reger's choral symphonic works which were prepared between 1903 and 1914: Gesang der Verklärten (Song of the Transfigured) op. 71, Psalm 100 op. 106, Die Nonnen (The Nuns) op. 112, Der Einsiedler (The Hermit) op. 144a, Requiem op. 144b, and Weihegesang WoO V/6 for alto, mixed choir, and winds. / Date parution : 2023-06-01/ Répertoire / Baryton, SATB et Piano