By Giuseppe Verdi. Arranged by Denis Arnold. (SATB). Schott. 84 pages. Published by Eulenburg.

SATB choir

SKU: C4.9790902261043

Composed by Brooke Shelley. Classical. Score. Crescendo Music Publications #9790902261043. Published by Crescendo Music Publications (C4.9790902261043).

ISBN 9790902261043. 8.27 x 11.7 inches.

This fresh setting of the ancient Marian hymn is approachable and as rewarding to sing as it is to listen to!

By Giovanni Maria Nanino. Arranged by W. Williams. For SATB Choir (Mixed Voices). Christmas. Choral. 8 pages

By Mariah Carey. By Mariah Carey, Mark Shaiman. Arranged by Mark A. Brymer. Pop Choral Series. Movies, Holiday, Pop, Christmas, Ballad. Octavo. 16 pages. Published by Hal Leonard

SATB choir, soli, string quartet, electric bass

SKU: GH.GE-11503

Composed by Anna Cederberg-Orreteg. Piano reduction. With Language: Swedish. 56 pages. Gehrmans Musikforlag #GE 11503. Published by Gehrmans Musikforlag (GH.GE-11503).

ISBN 979-0-070-11503-2. A4 inches. Text: Maria Cederberg-Ryden / Anna Hogberg.

An opera for a new generation. Swedish lyrics only.

Composed by Derek Healey. For SATB choir, a cappella. Marian Festival, Easter. Medium. Octavo. Composed 2011. 7 pages. Duration c. 3 minutes, 10 seconds. Published by E.C. Schirmer Publishing

Orchestra ATB vocal soli, SATB choir, 2 oboes, 2 oboe d'caccia, 2 violins, viola, basso continuo - Grade 3

SKU: CA.3108703

Cantata for the 5th Sunday after Easter. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. This edition: Paperbound. German title: Bisher habt ihr nichts gebeten. Sacred vocal music, Cantatas, Special days, Easter and Eastertide. Vocal score. Composed 1725. BWV 87. 28 pages. Duration 22 minutes. Carus Verlag #CV 31.087/03. Published by Carus Verlag (CA.3108703).

ISBN 9790007045999. Key: D minor. Language: German/English. Text: von Ziegler, Christiane Mariane. Text: Christiane Mariane von Ziegler.

Score available separately - see item CA.3108700.

Orchestra ATB vocal soli, SATB choir, 2 oboes, 2 oboe d'caccia, 2 violins, viola, basso continuo - Grade 3

SKU: CA.3108714

Cantata for the 5th Sunday after Easter. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Bisher habt ihr nichts gebeten. Sacred vocal music, Cantatas, Special days, Easter and Eastertide. Single Part, Cello/Double Bass. Composed 1725. BWV 87. 8 pages. Duration 22 minutes. Carus Verlag #CV 31.087/14. Published by Carus Verlag (CA.3108714).

ISBN 9790007046064. Key: D minor. Language: German/English. Text: von Ziegler, Christiane Mariane. Text: Christiane Mariane von Ziegler.

Score available separately - see item CA.3108700.

Orchestra ATB vocal soli, SATB choir, 2 oboes, 2 oboe d'caccia, 2 violins, viola, basso continuo - Grade 3

SKU: CA.3108719

Cantata for the 5th Sunday after Easter. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Bisher habt ihr nichts gebeten. Sacred vocal music, Cantatas, Special days, Easter and Eastertide. Set of Orchestra Parts. Composed 1725. BWV 87. Duration 22 minutes. Carus Verlag #CV 31.087/19. Published by Carus Verlag (CA.3108719).

ISBN 9790007136406. Key: D minor. Language: German/English. Text: von Ziegler, Christiane Mariane. Text: Christiane Mariane von Ziegler.

Score and parts available separately - see item CA.3108700.

Orchestra ATB vocal soli, SATB choir, 2 oboes, 2 oboe d'caccia, 2 violins, viola, basso continuo - Grade 3

SKU: CA.3108713

Cantata for the 5th Sunday after Easter. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Bisher habt ihr nichts gebeten. Sacred vocal music, Cantatas, Special days, Easter and Eastertide. Single Part, Viola. Composed 1725. BWV 87. 4 pages. Duration 22 minutes. Carus Verlag #CV 31.087/13. Published by Carus Verlag (CA.3108713).

ISBN 9790007046057. Key: D minor. Language: German/English. Text: von Ziegler, Christiane Mariane. Text: Christiane Mariane von Ziegler.

Score available separately - see item CA.3108700.

Orchestra ATB vocal soli, SATB choir, 2 oboes, 2 oboe d'caccia, 2 violins, viola, basso continuo - Grade 3

SKU: CA.3108711

Cantata for the 5th Sunday after Easter. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Bisher habt ihr nichts gebeten. Sacred vocal music, Cantatas, Special days, Easter and Eastertide. Single Part, Violin 1. Composed 1725. BWV 87. 4 pages. Duration 22 minutes. Carus Verlag #CV 31.087/11. Published by Carus Verlag (CA.3108711).

ISBN 9790007046033. Key: D minor. Language: German/English. Text: von Ziegler, Christiane Mariane. Text: Christiane Mariane von Ziegler.

Score available separately - see item CA.3108700.

Orchestra ATB vocal soli, SATB choir, 2 oboes, 2 oboe d'caccia, 2 violins, viola, basso continuo - Grade 3

SKU: CA.3108705

Cantata for the 5th Sunday after Easter. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Bisher habt ihr nichts gebeten. Sacred vocal music, Cantatas, Special days, Easter and Eastertide. Choral Score. Composed 1725. BWV 87. 2 pages. Duration 22 minutes. Carus Verlag #CV 31.087/05. Published by Carus Verlag (CA.3108705).

ISBN 9790007046002. Key: D minor. Language: German/English. Text: von Ziegler, Christiane Mariane. Text: Christiane Mariane von Ziegler.

Score available separately - see item CA.3108700.

Orchestra ATB vocal soli, SATB choir, 2 oboes, 2 oboe d'caccia, 2 violins, viola, basso continuo - Grade 3

SKU: CA.3108709

Cantata for the 5th Sunday after Easter. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. 1x 31.087/21 oboe 1, 1x 31.087/22 oboe 2, 1x 31.087/23 oboe da caccia 1, 1x 31.087/24 oboe da caccia 2. German title: Bisher habt ihr nichts gebeten 4. Sacred vocal music, Cantatas, Special days, Easter and Eastertide. Set of Orchestra Parts. Composed 1725. BWV 87. 12 pages. Duration 22 minutes. Carus Verlag #CV 31.087/09. Published by Carus Verlag (CA.3108709).

ISBN 9790007046026. Key: D minor. Language: German/English. Text: von Ziegler, Christiane Mariane. Text: Christiane Mariane von Ziegler.

Score available separately - see item CA.3108700.

Orchestra ATB vocal soli, SATB choir, 2 oboes, 2 oboe d'caccia, 2 violins, viola, basso continuo - Grade 3

SKU: CA.3108707

Cantata for the 5th Sunday after Easter. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. This edition: Paperbound. German title: Bisher habt ihr nichts gebeten. Sacred vocal music, Cantatas, Special days, Easter and Eastertide. Study score. Composed 1725. BWV 87. 40 pages. Duration 22 minutes. Carus Verlag #CV 31.087/07. Published by Carus Verlag (CA.3108707).

ISBN 9790007046019. Key: D minor. Language: German/English. Text: von Ziegler, Christiane Mariane. Text: Christiane Mariane von Ziegler.

Score available separately - see item CA.3108700.

Orchestra ATB vocal soli, SATB choir, 2 oboes, 2 oboe d'caccia, 2 violins, viola, basso continuo - Grade 3

SKU: CA.3108712

Cantata for the 5th Sunday after Easter. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Bisher habt ihr nichts gebeten. Sacred vocal music, Cantatas, Special days, Easter and Eastertide. Single Part, Violin 2. Composed 1725. BWV 87. 4 pages. Duration 22 minutes. Carus Verlag #CV 31.087/12. Published by Carus Verlag (CA.3108712).

ISBN 9790007046040. Key: D minor. Language: German/English. Text: von Ziegler, Christiane Mariane. Text: Christiane Mariane von Ziegler.

Score available separately - see item CA.3108700.

(Kantate zum Sonntag Palmarum oder zum Fest Mariae Verkundigung). By Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul Horn. For Soli ATB, SATB Choir, Recorder, Violin solo, Violin, 2 Viola, Cello, Basso Continuo. This edition: paperbound. BWV 182. Cantatas; Stuttgart Urtext editions; Occasions: Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary; Use during chuch year: Lent and Passiontide, Holy Week. Level 3. Score. Language: German/English. Composed 1714. 104 pages. Duration 30 min

Orchestra ATB vocal soli, SATB choir, 2 oboes, 2 oboe d'caccia, 2 violins, viola, basso continuo - Grade 3

SKU: CA.3108749

Cantata for the 5th Sunday after Easter. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. Organ. Sacred vocal music, Cantatas, Special days, Easter and Eastertide. Single Part, Organ. Composed 1725. BWV 87. 20 pages. Duration 22 minutes. Carus Verlag #CV 31.087/49. Published by Carus Verlag (CA.3108749).

ISBN 9790007206918. Key: D minor. Text language: German/English. Text: von Ziegler, Christiane Mariane.

Score and part available separately - see item CA.3108700.

By Various. Edited by Mailander, Richard / Bonig, Winfried / Schuhenn, Reiner / Kohlhaas, Emmanuela. This edition: paperbound. Sacred, Hymns, Magnificat, Motets, Psalms, German; Occasions: Peace and Justice, Praise and thanks, Our Father; Use during church year: Advent, Easter and Eastertide, Pentecost, Christmas. Choral collection. 216 pages

By Anthony Petti. For SATB Choir. Christmas, Sacred, Renaissance, Choral. Sheet Music. 48 pages. Published by Chester Music.

SATB Choir and Piano

SKU: BT.PMC3297

From Les Chansons des Roses. Composed by Rainer Maria Rilke. Arranged by Morten Lauridsen. Choral Score. 8 pages. Peermusic Classical #PMC3297. Published by Peermusic Classical (BT.PMC3297).

In addition to his vast output of German poetry, Rainer Maria Rilke (1875-1926) composed nearly 400 poems in French. His poems on roses struck me as especially charming, filled with gorgeous lyricism, deftly crafted and elegant in their imagery. These exquisite poems are primarily light, joyous and playful, and the musical settings are designed to enhance these characteristics and capture the delicate beauty and sensuousness of the poetry. Distinct melodic and harmonic materials recur throughout the cycle, especially between Rilke''s poignant 'Contre qui, rose' (set as a wistful nocturne) and his moving 'La rose complète.' The final piece, 'Dirait-on,' is composed as a tuneful chanson populaire, or folksong, that weaves together two melodic ideas first heard in fragmentary form in preceding movements. 'Les Chansons des Roses' was premiered and recorded in 1993 by Portland, Oregon ''s celebrated chamber choir, Choral Cross-Ties, conducted by Bruce Browne. The complete cycle has been widely performed since then and also recorded by the Los Angeles Master Chorale, Los Angeles Chamber Singers, Nordic Chamber Choir and tonight's performers, the Donald Brinegar Singers. (Morten Lauridsen).

Lyrics by Stephen Sondheim, music by Leonard Bernstein (1918-1990). For SATB voices and piano accompaniment. From the Broadway musical and motion picture "West Side Story". Format: vocal score. With vocal melody, lyrics, piano reduction and introductory text. Broadway, movies and 20th century. 222 pages. 9x12 inches. Published by Leonard Bernstein Music Publishing Co.

(Christmas Carols For Mixed Voices) Edited by Graham Buckland. For SATB choir (unaccompanied). Format: a capella songbook. With choral notation, lyrics, performance notes, introductory text and index of first lines. Christmas and holiday. 224 pages. 9x12 inches. Published by Baerenreiter-Ausgaben.

Composed by Vytautas Miskinis. Collection. Choir part. 44 pages. Published by Editions a Coeur Joie (CJ.A135300102).

By Jean Mouton. Edited by Thomas G. MacCracken. SATB A Cappella. This edition: M042084953. Boosey and Hawkes Large Choral. Book only. 10 pages

Mixed choir (SATB), 2 flutes, 2 oboes, 2 clarinets, 2 bassoons - 2 horns, 2 trumpets, 3 trombones, timpani and strings (P+KRB)

SKU: HL.49042434

Composed by Carl Maria von Weber. Edited by Frank Ziegler and Johannes Kepper. This edition: Full-cloth binding. Sheet music. Edition Schott. Score and critical commentary, complete edition. 306 pages. Schott Music #WGA1021. Published by Schott Music (HL.49042434).

ISBN 9783795794491. 10.25x13.5x1.141 inches. German.

Carl Maria von Weber's fame rests mainly on 'Der Freischutz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as 'Preciosa', 'Oberon', and 'Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music; cantatas, odes and other occasional works; stage works; lieder and vocal works; orchestral works; chamber music; music for piano; piano reductions; miscellanea, arrangements and orchestrations; works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references.