Chamber Music Bass Flute, Piano SKU: PR.114423830 Composed by Gary Schock...(+)
Chamber Music Bass Flute,
Piano
SKU:
PR.114423830
Composed
by Gary Schocker. Set of
Score and Parts. 16+8
pages. Duration 12
minutes. Theodore Presser
Company #114-42383.
Published by Theodore
Presser Company
(PR.114423830).
ISBN
9781491136270. UPC:
680160688753.
Schoc
ker has added a major
work to the bass flute
repertory: an 11-minute
piece in three movements
encompassing
neoclassical, jazz, and
Latin dance styles. The
wide range of moods
offers opportunities to
display great versatility
on an instrument often
relegated to the back of
the flute choir.
HOW’S THE WEATHER?
promises to be an
audience favorite.
Volume III: Romance and Fantasie (Grades 5-6). By Jozef Olechowski. Arranged by ...(+)
Volume III: Romance and
Fantasie (Grades 5-6). By
Jozef Olechowski.
Arranged by Elena Duran.
This edition: ED12656.
Schott. Book with CD. 57
pages. Published by
Schott Music
Flute and piano - Level 2 SKU: LM.26610 Composed by Jean Marc Allerme. Po...(+)
Flute and piano - Level 2
SKU: LM.26610
Composed by Jean Marc
Allerme. Pop, jazz. Score
and CD. Editions Henry
Lemoine #26610. Published
by Editions Henry Lemoine
(LM.26610).
ISBN
9790230966108.
For
a Blue Note - In the
Emilie's Eyes - To Sing
for Heaven - Michel Lives
in USA - He Would like
that - The End for Eddy -
I'll be in the Show -
Ballad for Jodie - I
Prefer the Blue - You
Miss Her - Ernie is
Coming Back - Just for
Babe - Modernesk -
Romantic Tune -
Ongobongo's Star.
Duo Flûte traversière et Piano Theodore Presser Co.
Chamber Music flute, piano SKU: PR.114422710 Composed by Charles Gibb. Se...(+)
Chamber Music flute,
piano
SKU:
PR.114422710
Composed
by Charles Gibb. Set of
Score and Parts. 44+8
pages. Duration 24
minutes. Theodore Presser
Company #114-42271.
Published by Theodore
Presser Company
(PR.114422710).
ISBN
9781491136072. UPC:
680160688227.
DUOâ
€™s succinct movement
titles (I. Here, II.
Open, III. Stark, IV.
Ardent) tease at
revealing the grand and
heartfelt inspiration for
exuberant romanticism in
this sonata-like work of
symphonic proportions and
depth. Charles Gibb is
both an accomplished
pianist and an
award-winning flutist,
who has written of this
compelling major addition
to the literature:
“This work is a
journey. What journey and
whose journey does not
matter. It is my journey,
it is your journey. It is
the journey of those who
came before us, and of
those who will come after
us. I wrote this hoping
that we can find each
other along the road, so
we can realize that we
don’t need to go
on the journey
alone.â€
Gibb’s DUO is sure
to become a favorite
major work for flute
recitalists. This work
is a journey. What
journey and whose journey
does not matter. It is my
journey, it is your
journey. It is the
journey of those who came
before us, and of those
who will come after us. I
wrote this hoping that we
can find each other along
the road, so we can
realize that we
don’t need to go
on the journey
alone.“Hereâ€
begins with three notes
that shape the rhythmic
and harmonic content of
the entire work. Melodies
and harmonies including
the tonic, dominant, and
leading tone can be found
in each of the four
movements. The first
moments of this movement
introduce the melody,
offering itself
unencumbered and
uninhibited. It shows
itself as it is. The
melodies soar, the
harmonies become voiced
more intricately, and the
opening theme repeats in
full grandeur. The
momentum slows down, and
the movement ends with a
sense of completion, yet
remains unbalanced.A
striking piano gesture
launches
“Open,†the
idea of instability
reflected with the
flowing flute trills and
unclear meter patterns in
the piano. The sensation
of an unsteady grace in
5/8 time arrives with a
piano ostinato. The
melody is expressive, yet
insecure and unbalanced
due to changing meters.
After a grand pause, the
movement transitions to
4/4 time with the flute
switching between duplet
and triplet flourishes.
After a rapid descent in
the flute, the opening
gesture returns, changed
and abruptly
interrupted.The third
movement,
“Stark,†is
very static, beginning
plainly but markedly. The
falling fifth calls out
continually throughout
the movement, searching,
lost. Melodies appear in
pieces, some smooth and
flowing, others rather
disjunct. The piece
climaxes with a line of
mournfulness, yet
revealing a deeper
strength through intense
projection of tone in the
high register. However,
the static harmonies
return, this time
unsteady all the way to
its foundation. This
destabilization repeats,
and then quietly
recedes.“Ardentâ
is the longest of the
movements and spans a
wide range of musical
emotion. Part of the
movement is fast paced,
energetic, and balances
order and disarray.
However, once the chaos
dies down, a gentle,
expressive theme comes
in. The theme itself is
very resolute; it is
order appearing from the
pandemonium. Conflict
returns, and order and
chaos become less
distinguishable from one
another, and soon fuse
together. However, order
returns with new meaning,
synthesized with previous
musical content, creating
a truer, deeper sense of
awareness or
understanding. A moment
of ambiguity arises, but
the flute persists,
supported by the
sensitive but firm
figuration in the piano,
and resoundingly comes to
a close, unburdened and
at ease.
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Henrik
Wiese. This edition:
cello/double bass.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
When and where did
Mozart write his Flute
Concerto, and for whom?
Was it in 1777 or 1778?
In Salzburg or in
Mannheim? And how much
did Ferdinand Dejean
actually pay for it: 96
gulden or the promised
200 gulden?
Solo
concerto; Classical.
Part. 8 pages. Duration
25'. Breitkopf and
Haertel #OB 5295-26.
Published by Breitkopf
and Haertel
(BR.OB-5295-26).
ISBN
9790004338438. 10 x 12.5
inches.
When and
where did Mozart write
his Flute Concerto, and
for whom? Was it in 1777
or 1778? In Salzburg or
in Mannheim? And how much
did Ferdinand Dejean
actually pay for it: 96
gulden or the promised
200 gulden? Henrik Wiese
sheds new light into the
confusion wrought by
Mozart himself. Wiese,
solo flutist of the
Bavarian State Orchestra,
has made an outstanding
name for himself as
soloist and editor, and
is viewed in professional
circles as one of the
best specialists of
Mozart's wind works. He
has focused on the work's
genesis, but especially
on the music text, having
consulted all known
scribal copies of the
work and all available
copies of the first
edition. The version for
flute and piano also
contains a facsimile of
the solo part from the
first edition as well as
cadenzas which stem from
the earliest hand-written
sources or which were
composed by the editor in
Mozart's
style.
When and
where did Mozart write
his Flute Concerto, and
for whom? Was it in 1777
or 1778? In Salzburg or
in Mannheim? And how much
did Ferdinand Dejean
actually pay for it: 96
gulden or the promised
200 gulden?
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Henrik
Wiese. This edition:
viola. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library).
When and where did
Mozart write his Flute
Concerto, and for whom?
Was it in 1777 or 1778?
In Salzburg or in
Mannheim? And how much
did Ferdinand Dejean
actually pay for it: 96
gulden or the promised
200 gulden?
Solo
concerto; Classical.
Part. 8 pages. Duration
25'. Breitkopf and
Haertel #OB 5295-19.
Published by Breitkopf
and Haertel
(BR.OB-5295-19).
ISBN
9790004338421. 10 x 12.5
inches.
When and
where did Mozart write
his Flute Concerto, and
for whom? Was it in 1777
or 1778? In Salzburg or
in Mannheim? And how much
did Ferdinand Dejean
actually pay for it: 96
gulden or the promised
200 gulden? Henrik Wiese
sheds new light into the
confusion wrought by
Mozart himself. Wiese,
solo flutist of the
Bavarian State Orchestra,
has made an outstanding
name for himself as
soloist and editor, and
is viewed in professional
circles as one of the
best specialists of
Mozart's wind works. He
has focused on the work's
genesis, but especially
on the music text, having
consulted all known
scribal copies of the
work and all available
copies of the first
edition. The version for
flute and piano also
contains a facsimile of
the solo part from the
first edition as well as
cadenzas which stem from
the earliest hand-written
sources or which were
composed by the editor in
Mozart's
style.
When and
where did Mozart write
his Flute Concerto, and
for whom? Was it in 1777
or 1778? In Salzburg or
in Mannheim? And how much
did Ferdinand Dejean
actually pay for it: 96
gulden or the promised
200 gulden?
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Henrik
Wiese. This edition:
violin 1. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library).
When and where did
Mozart write his Flute
Concerto, and for whom?
Was it in 1777 or 1778?
In Salzburg or in
Mannheim? And how much
did Ferdinand Dejean
actually pay for it: 96
gulden or the promised
200 gulden?
Solo
concerto; Classical.
Part. 8 pages. Duration
25'. Breitkopf and
Haertel #OB 5295-15.
Published by Breitkopf
and Haertel
(BR.OB-5295-15).
ISBN
9790004338407. 10 x 12.5
inches.
When and
where did Mozart write
his Flute Concerto, and
for whom? Was it in 1777
or 1778? In Salzburg or
in Mannheim? And how much
did Ferdinand Dejean
actually pay for it: 96
gulden or the promised
200 gulden? Henrik Wiese
sheds new light into the
confusion wrought by
Mozart himself. Wiese,
solo flutist of the
Bavarian State Orchestra,
has made an outstanding
name for himself as
soloist and editor, and
is viewed in professional
circles as one of the
best specialists of
Mozart's wind works. He
has focused on the work's
genesis, but especially
on the music text, having
consulted all known
scribal copies of the
work and all available
copies of the first
edition. The version for
flute and piano also
contains a facsimile of
the solo part from the
first edition as well as
cadenzas which stem from
the earliest hand-written
sources or which were
composed by the editor in
Mozart's
style.
When and
where did Mozart write
his Flute Concerto, and
for whom? Was it in 1777
or 1778? In Salzburg or
in Mannheim? And how much
did Ferdinand Dejean
actually pay for it: 96
gulden or the promised
200 gulden?
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Henrik
Wiese. This edition:
violin 2. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library).
When and where did
Mozart write his Flute
Concerto, and for whom?
Was it in 1777 or 1778?
In Salzburg or in
Mannheim? And how much
did Ferdinand Dejean
actually pay for it: 96
gulden or the promised
200 gulden?
Solo
concerto; Classical.
Part. 8 pages. Duration
25'. Breitkopf and
Haertel #OB 5295-16.
Published by Breitkopf
and Haertel
(BR.OB-5295-16).
ISBN
9790004338414. 10 x 12.5
inches.
When and
where did Mozart write
his Flute Concerto, and
for whom? Was it in 1777
or 1778? In Salzburg or
in Mannheim? And how much
did Ferdinand Dejean
actually pay for it: 96
gulden or the promised
200 gulden? Henrik Wiese
sheds new light into the
confusion wrought by
Mozart himself. Wiese,
solo flutist of the
Bavarian State Orchestra,
has made an outstanding
name for himself as
soloist and editor, and
is viewed in professional
circles as one of the
best specialists of
Mozart's wind works. He
has focused on the work's
genesis, but especially
on the music text, having
consulted all known
scribal copies of the
work and all available
copies of the first
edition. The version for
flute and piano also
contains a facsimile of
the solo part from the
first edition as well as
cadenzas which stem from
the earliest hand-written
sources or which were
composed by the editor in
Mozart's
style.
When and
where did Mozart write
his Flute Concerto, and
for whom? Was it in 1777
or 1778? In Salzburg or
in Mannheim? And how much
did Ferdinand Dejean
actually pay for it: 96
gulden or the promised
200 gulden?
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Henrik
Wiese. This edition: wind
parts. Orchestra; Folder.
Orchester-Bibliothek
(Orchestral Library).
When and where did
Mozart write his Flute
Concerto, and for whom?
Was it in 1777 or 1778?
In Salzburg or in
Mannheim? And how much
did Ferdinand Dejean
actually pay for it: 96
gulden or the promised
200 gulden?
Solo
concerto; Classical. Set
of parts. 20 pages.
Duration 25'. Breitkopf
and Haertel #OB 5295-30.
Published by Breitkopf
and Haertel
(BR.OB-5295-30).
ISBN
9790004338445. 10 x 12.5
inches.
When and
where did Mozart write
his Flute Concerto, and
for whom? Was it in 1777
or 1778? In Salzburg or
in Mannheim? And how much
did Ferdinand Dejean
actually pay for it: 96
gulden or the promised
200 gulden? Henrik Wiese
sheds new light into the
confusion wrought by
Mozart himself. Wiese,
solo flutist of the
Bavarian State Orchestra,
has made an outstanding
name for himself as
soloist and editor, and
is viewed in professional
circles as one of the
best specialists of
Mozart's wind works. He
has focused on the work's
genesis, but especially
on the music text, having
consulted all known
scribal copies of the
work and all available
copies of the first
edition. The version for
flute and piano also
contains a facsimile of
the solo part from the
first edition as well as
cadenzas which stem from
the earliest hand-written
sources or which were
composed by the editor in
Mozart's
style.
When and
where did Mozart write
his Flute Concerto, and
for whom? Was it in 1777
or 1778? In Salzburg or
in Mannheim? And how much
did Ferdinand Dejean
actually pay for it: 96
gulden or the promised
200 gulden?
Flute, Piano - Grade 2 SKU: FL.FX071922 Composed by Alain Lopez. Classica...(+)
Flute, Piano - Grade 2
SKU: FL.FX071922
Composed by Alain Lopez.
Classical, Educational.
Score and Set of Parts.
FLEX Editions #FX071922.
Published by FLEX
Editions (FL.FX071922).
The wind
carries away the yellow
leaves fallen on the
pavement, the cafes put
tables and chairs in... I
evoke here a fall tour
that is difficult to do
quietly in Paris. How to
take your time in this
city with so many streets
to cross (musical phrases
of 3 measures), cars or
buses to avoid (musical
phrases starts on the
second time). While the
chestnut vendors are on
subway entrances, how not
to hurry like others
(theme B) to 'catch' the
subway...
Flute and Piano (Flute/Piano) SKU: HL.14043857 Composed by Howard Blake. ...(+)
Flute and Piano
(Flute/Piano)
SKU:
HL.14043857
Composed
by Howard Blake. Music
Sales America.
TV-Film-Musical-Show.
Softcover. Composed 2010.
Chester Music #CH77066.
Published by Chester
Music (HL.14043857).
ISBN 9781849386005.
9.0x12.0x0.076
inches.
Raymond
Briggs' charming
Christmas story about the
adventures of a boy and
the snowman that comes to
life is a modern
children's classic. The
tales popularity has been
further enhanced by
frequent television
broadcasts of
theaward-winning cartoon
film The
Snowman.
In
this suite for Flute and
Piano, composer Howard
Blake recreated the story
in words and music based
on the scenes from the
film. The music includes
the hit song
WalkingIn The
Air.
Flute and Piano - intermediate SKU: BT.AMP-427-400 Arranged by Philip Spa...(+)
Flute and Piano -
intermediate
SKU:
BT.AMP-427-400
Arranged by Philip
Sparke. Anglo Music
Play-Along Series. Book
with CD. Composed 2015.
40 pages. Anglo Music
Press #AMP 427-400.
Published by Anglo Music
Press (BT.AMP-427-400).
ISBN 9789043148580.
English-German-French-Dut
ch.
Part of the
Anglo Music Play-Along
Series, Philip
Sparke’s 15
Intermediate Christmas
Carols is aimed
at the young
instrumentalist who can
play about an octave and
a half and follows on
from Sparke’s
15 Easy
ChristmasCarols.
Specifically tailored to
suit the individual
instrument, this book
introduces the developing
player to the
world’s most
popular Christmas tunes
by selecting simple yet
attractive melodies that
fit their limited range.
The book willprovide
invaluable additional
material to complement
any teaching method and
includes both piano
accompaniment and a
demo/play-along
CD.
Philip Sparkes
15 Intermediate
Christmas Carols
sind Teil der Reihe Anglo
Music Play-Along und
richten sich an junge
Instrumentalisten, die
einen Tonumfang von
ungefähr eineinhalb
Oktaven beherrschen. Die
Ausgabe schließt sich
anSparkes 15 Easy
Christmas Carols
an. Für diesen Band
wurden einfache und
zugleich ansprechende
Melodien ausgewählt,
die genau auf das
jeweilige Instrument
zugeschnitten sind, sich
für dessen begrenzten
Tonumfang eignen, und den
soSchüler an die
weltweit beliebtesten
Weihnachtslieder
heranführen. 15
Intermediate Christmas
Carols bietet
damit wertvolles
Ergänzungsmaterial,
das zu jeder
Instrumentalschulepasst
und sowohl eine
Klavierbegleitung als
auch einePlay-Along-CD
enthält.
Latin Nights Flûte traversière et Piano [Partition + CD] - Intermédiaire De Haske Publications
12 flute pieces in Latin music styles. Composed by Joachim Johow. Book with CD...(+)
12 flute pieces in Latin
music styles. Composed by
Joachim Johow. Book with
CD.
Composed 2012. 32 pages.
De
Haske Publications #DHP
1125246-400. Published by
De
Haske Publications
Voyages Flûte traversière et Piano - Intermédiaire/avancé FLEX Editions
Chamber Music & Piano Accompaniment 1 Flute 1 Piano - Grade 4 SKU: FL.FX07417...(+)
Chamber Music & Piano
Accompaniment 1 Flute 1
Piano - Grade 4
SKU:
FL.FX074177
Composed
by Jerome Naulais.
Original Composition.
Classical, Educational.
Score and Set of Parts.
FLEX Editions #FX074177.
Published by FLEX
Editions (FL.FX074177).
Here's how a
little theme can travel
in various musical styles
and also around the
world... - Jerome NAULAIS
;
A piece to be
played from 6 years of
practice. ; Instruments:
1 Flute 1 Piano;
Difficuly Level: Grade
4.
(Based on the Etudes of Franz Whilhelm Ferling). By John Walker, Franz Wilhelm F...(+)
(Based on the Etudes of
Franz Whilhelm Ferling).
By John Walker, Franz
Wilhelm Ferling. Edited
by Amy Porter. Arranged
by Cyrille Rose. For
flute and piano. Carl
Fischer Classic Studies.
Book and CD. 44 pages.
Published by Carl Fischer
Flute, piano SKU: BR.EB-8625 Arrangements from The Tale of Tsar Saltan...(+)
Flute, piano
SKU:
BR.EB-8625
Arrangements from The
Tale of Tsar Saltan.
Composed by Nikolaj A
Rimskij-Korsakow. Edited
by Joseph Strimer.
Arranged by Joseph
Strimer. Solo
instruments; stapled.
Edition Breitkopf.
Practically no one
knows that this bravura
piece comes from the
opera The Tale of
Czar Saltan by
Nikolay Rimsky-Korsakov.
It did not take long
before the Flight of
the Bumblebee began
showing up in many
arrangements for solo
instrumen. Romantic
period. Score. 10 pages.
Breitkopf and Haertel #EB
8625. Published by
Breitkopf and Haertel
(BR.EB-8625).
ISBN
9790004179833. 9 x 12
inches.
Nikolay
Rimsky-Korsakovs Flight
of the Bumblebee is one
of those little
orchestral interludes
from operas, excerpts
that have long since
become immortal even
while denying their
origins; in this
particular case,
practically no one knows
that this bravura piece
comes from the opera The
Tale of Czar Saltan. It
did not take long before
the Flight of the
Bumblebee began showing
up in many arrangements
for solo
instruments.
Pract
ically no one knows that
this bravura piece comes
from the opera The Tale
of Czar Saltan by Nikolay
Rimsky-Korsakov. It did
not take long before the
Flight of the Bumblebee
began showing up in many
arrangements for solo
instruments.
(Flute/Piano) SKU: HL.48181380 Composed by Wolfgang Amadeus Mozart. Leduc...(+)
(Flute/Piano)
SKU:
HL.48181380
Composed
by Wolfgang Amadeus
Mozart. Leduc. Classical.
CD. 42 pages. Alphonse
Leduc #AL20857. Published
by Alphonse Leduc
(HL.48181380).
UPC:
888680984427.
9.0x12.0x0.13
inches.
“Wolf
gang Amadeus Mozart's
(1756-1791) Flute
Concerto in D is an
adaptation of the
original Oboe Concerto in
C, which the composer
reworked in 1778. The
Concerto remains widely
studied and performed on
both instruments, making
it one of the more
important Concerti in the
woodwind repertoire.
Concerto in D is in three
movements; 1. Allegro
aperto, 2. Adagio non
troppo, and 3. Rondo:
Allegretto. The first and
last movements are in the
tonic key, whilst the
second movement is in the
subdominant key of G
major. A Dutch flautist
of the time, Ferdinand de
Jean, commissioned Mozart
for four Flute quartets
and three Flute concerti.
However, the composer,
who famously disliked the
Flute, only completed
three quartets and one
concerto. Instead of
composing a second
concerto, Mozart
rearranged his Oboe
Concerto, with
substantial changes for
it to fit with the Flute.
De Jean did not approve,
yet the Concerto in D for
Flute remains as popular
to this day as the
Concerto in C for
Oboe.â€.
Chamber Music Bass Flute, Piano SKU: PR.114418900 Composed by Daniel Dorf...(+)
Chamber Music Bass Flute,
Piano
SKU:
PR.114418900
Composed
by Daniel Dorff. Set of
Score and Parts. 24+8
pages. Duration 14
minutes. Theodore Presser
Company #114-41890.
Published by Theodore
Presser Company
(PR.114418900).
ISBN
9781491129517. UPC:
680160668632.
A
welcome addition to the
bass flute repertoire,
Dorff’s 14-minute
sonata is designed as two
pairs of slow-fast
movements. While composed
as a complete 4-movement
sonata, either half may
be performed alone as a
7-minute recital work.
The movement titles are:
I. Sprawling, burbling;
II. Sparkling,
glistening; III. Under
Winter; and IV. Spring
Spirits. When Peter
Sheridan commissioned me
to write a piece for bass
flute and piano, his only
requests were a
sonata-like
multi-movement work, and
some kind of reference to
New York, where we both
grew up. Just the thought
of a bass flute, with its
broad and mighty
airstream, already
reminded me of the mighty
Hudson River: from the
dense woods of upstate
New York, through the
beautiful landscapes of
New Paltz and
Poughkeepsie, down
through the celebrated
Manhattan waterway.As I
daydreamed how to build a
sonata inspired by the
Hudson, I thought of its
deep primal nature carved
by the Ice Age, and the
life within the river and
on its shores long before
humans arrived. I thought
of how the river’s
magnetism drew Native
Americans who honored and
built their lives around
it. I thought of
beautiful trees and
wildlife, the annual
cycles of ecosystems, and
the natural symbiosis
between the river itself,
the life within, and the
life on land spawned by
the river’s
resources.I wondered what
if Thoreau had sat by the
Hudson rather than by
Walden Pond; I wondered
what if Hesse had set
Siddhartha in the Hudson
Valley with this river as
his metaphor for the flow
of life and time.I
wondered whether the
sonata should flow from
north to south, or have
chronological references.
I wondered if I should
allude to the many poets
and painters who have
drawn inspiration from
the mighty Hudson. Every
thought led to the
river’s essence,
its own spirit and life
— flowing through
raw nature, from skinny
trickles to mightiness
spawning cities;
supporting subtle life,
and becoming a central
commons for human
societies.The subtitle
Spirit of the Hudson
brings it all together.*
* *The sonata is built in
4 movements, with formal
inspiration from the
Baroque: A slow Mvt. 1
“Sprawling,
burbling†leads
directly to the rapid
Mvt. 2 “Sparkling,
glistening,â€
followed by another
slow-fast pair: Mvt. 3
“Under
Winter†which leads
directly into Mvt. 4
“Spring
Spirits.†In
addition to performances
of the complete sonata,
either pair of movements
may be performed on its
own for a shorter concert
segment.SONATA (SPIRIT OF
THE HUDSON) was premiered
at the International Low
Flutes Festival in April
2018 by its commissioner,
bass flutist Peter
Sheridan, with Hyeeun
Hahm as pianist.
Flute & Piano or CD Play Back / Play Along - Grade 1 SKU: MA.EMR-44945 (+)
Flute & Piano or CD Play
Back / Play Along - Grade
1
SKU:
MA.EMR-44945
Melodies pour
Debutants / Melodien fur
Anfanger. Composed by
Bertrand Moren. Flute &
CD Playback (Play Along).
Score and parts. Duration
21'08. Editions Marc
Reift #EMR 44945.
Published by Editions
Marc Reift
(MA.EMR-44945).
The Partridge /
Merrily We Roll Along /
Little Mozart / Le Bon
Roi Dagobert / Jingle
Bells / How To Slur / How
To Play Staccato / J'ai
du Bon Tabac / Serenade /
Slurring Is Fun / Flea
Jumps / Ode To Joy / Ah
vous dirais-je Maman /
Old Mac Donald ...
Concerto in G Major Flûte traversière et Piano - Intermédiaire/avancé Schott
Flute; Piano - intermediate to advanced SKU: HL.49010626 Flute and Pia...(+)
Flute; Piano -
intermediate to advanced
SKU: HL.49010626
Flute and Piano.
Composed by Francesco
Antonio Rosetti. Edited
by Janos Szebenyi.
Arranged by Já, nos
Szebé, and nyi.
This edition: Saddle
stitching. Sheet music.
Il Flauto Traverso (Flute
Library). Classical.
Piano reduction with solo
part. 42 pages. Duration
19'. Schott Music #FTR66.
Published by Schott Music
(HL.49010626).
ISBN
9790001118217. UPC:
073999263930.
9.0x12.0x0.13
inches.
F.A. Rosler
(Antonio Rosetti), a
Bohemian by birth, worked
as court music director
in
Ludwigslust/Mecklenburg.
He wrote 14 flute
concertos altogether the
most important of which
is the concerto G major,
Op. 14. The expanded head
movement combines the
sonata form with the
ritornello technique of
the concerto grosso.
Right at the beginning,
the basses of the
Mannheimer-Walzermotiv
make it clear that Rosler
knows how to use
effectively the
orchestral technique of
his time. Despite all
motivic and thematic as
well as harmonic
abundance, Rosler
achieves in this concerto
an almost natural musical
unity.
By Gabriel Faure. Edited by Howat. For flute, piano. Fantasy,Op.79(Urtext);Mor c...(+)
By Gabriel Faure. Edited
by Howat. For flute,
piano.
Fantasy,Op.79(Urtext);Mor
ceau de
lecture(Sarabande)(Urtext
);Interlude(f Peleas et
Melisande,Op.80);Pavane,O
p.50;Sicilien de
danse(from
Caligula,Op.52);Morceau
de
lecture(Barcarolle);Berce
use,Op.16;Ber
Dolly,Op.56);V. Published
by C.F. Peters.
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