Carmen Fantasy Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Baton Music
(for Violin). By Pablo de Sarasate (1844-1908). Arranged by Gerhart Drijvers. Fo...(+)
(for Violin). By Pablo de
Sarasate (1844-1908).
Arranged by Gerhart
Drijvers. For Violin and
Concert Band. Grade 4.
Full score and set of
parts. Duration 12:30.
Published by Baton Music
Carmen Fantasy Orchestre d'harmonie [Conducteur] - Intermédiaire Baton Music
(for Violin). By Pablo de Sarasate (1844-1908). Arranged by Gerhart Drijvers. Fo...(+)
(for Violin). By Pablo de
Sarasate (1844-1908).
Arranged by Gerhart
Drijvers. For Violin and
Concert Band. Grade 4.
Score. Duration 12:30.
Published by Baton Music
Concert Band; Orchestra 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Vio...(+)
Concert Band; Orchestra
2.2.2.2: 4.2.0.0: Timp:
Str (9-8-7-6-5 in set):
Solo Violin in set
SKU: AP.36-A134748
Composed by Johannes
Brahms. Full Orchestra,
Solo Strings with
Ensemble, Solo Violin
Part. Kalmus Orchestra
Library. Part(s).
LudwigMasters
Publications #36-A134748.
Published by
LudwigMasters
Publications
(AP.36-A134748).
ISBN
9798888529850. UPC:
659359935244.
English.
Johannes
Brahms (1833-1897) wrote
his Violin Concerto in D
major, Op. 77, in 1878.
He composed the work for
his longtime friend,
famed violinist Joseph
Joachim, who premiered it
in Leipzig with the
Gewandhaussaal on January
1, 1879, Brahms himself
conducting. The program
also included, at
Joachim's insistence,
Beethoven's Violin
Concerto in D major, Op.
61, on which Brahms
modeled his own concerto.
While the critical
reception of the time was
mixed, the audiences at
the various early
performances received the
work well. Most
complaints directed at
the concerto addressed
the role of the solo
violin, noting that the
soloist does not offer
much of the melodic
material or include much
in the way virtuosic
passages, a consequence
of looking more towards
Beethoven's serious
aesthetic rather than
Paganini's flashy one.
Joachim himself, before a
falling out with the
composer over personal
reasons, included Brahms'
concerto among the best
German offered, saying:
The Germans have four
violin concertos. The
greatest, most
uncompromising is
Beethoven's. The one by
Brahms vies with it in
seriousness. The richest,
the most seductive, was
written by Max Bruch. But
the most inward, the
heart's jewel, is
Mendelssohn's.
Instrumentation: 2.2.2.2:
4.2.0.0: Timp: Str
(9-8-7-6-5 in set): Solo
Violin in set.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Concert Band; Orchestra 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Vio...(+)
Concert Band; Orchestra
2.2.2.2: 4.2.0.0: Timp:
Str (9-8-7-6-5 in set):
Solo Violin in set
SKU: AP.36-A134702
Composed by Johannes
Brahms. Full Orchestra,
Solo Strings with
Ensemble, Conductor Score
& Parts. Kalmus Orchestra
Library. Score and
Part(s). LudwigMasters
Publications #36-A134702.
Published by
LudwigMasters
Publications
(AP.36-A134702).
UPC:
659359985690.
English.
Johannes
Brahms (1833-1897) wrote
his Violin Concerto in D
major, Op. 77, in 1878.
He composed the work for
his longtime friend,
famed violinist Joseph
Joachim, who premiered it
in Leipzig with the
Gewandhaussaal on January
1, 1879, Brahms himself
conducting. The program
also included, at
Joachim's insistence,
Beethoven's Violin
Concerto in D major, Op.
61, on which Brahms
modeled his own concerto.
While the critical
reception of the time was
mixed, the audiences at
the various early
performances received the
work well. Most
complaints directed at
the concerto addressed
the role of the solo
violin, noting that the
soloist does not offer
much of the melodic
material or include much
in the way virtuosic
passages, a consequence
of looking more towards
Beethoven's serious
aesthetic rather than
Paganini's flashy one.
Joachim himself, before a
falling out with the
composer over personal
reasons, included Brahms'
concerto among the best
German offered, saying:
The Germans have four
violin concertos. The
greatest, most
uncompromising is
Beethoven's. The one by
Brahms vies with it in
seriousness. The richest,
the most seductive, was
written by Max Bruch. But
the most inward, the
heart's jewel, is
Mendelssohn's.
Instrumentation: 2.2.2.2:
4.2.0.0: Timp: Str
(9-8-7-6-5 in set): Solo
Violin in set.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Concert Band; Orchestra 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Vio...(+)
Concert Band; Orchestra
2.2.2.2: 4.2.0.0: Timp:
Str (9-8-7-6-5 in set):
Solo Violin in set
SKU: AP.36-A134701
Composed by Johannes
Brahms. Full Orchestra,
Solo Strings with
Ensemble, Conductor
Score. Kalmus Orchestra
Library. Score.
LudwigMasters
Publications #36-A134701.
Published by
LudwigMasters
Publications
(AP.36-A134701).
ISBN
9798888529843. UPC:
659359537080.
English.
Johannes
Brahms (1833-1897) wrote
his Violin Concerto in D
major, Op. 77, in 1878.
He composed the work for
his longtime friend,
famed violinist Joseph
Joachim, who premiered it
in Leipzig with the
Gewandhaussaal on January
1, 1879, Brahms himself
conducting. The program
also included, at
Joachim's insistence,
Beethoven's Violin
Concerto in D major, Op.
61, on which Brahms
modeled his own concerto.
While the critical
reception of the time was
mixed, the audiences at
the various early
performances received the
work well. Most
complaints directed at
the concerto addressed
the role of the solo
violin, noting that the
soloist does not offer
much of the melodic
material or include much
in the way virtuosic
passages, a consequence
of looking more towards
Beethoven's serious
aesthetic rather than
Paganini's flashy one.
Joachim himself, before a
falling out with the
composer over personal
reasons, included Brahms'
concerto among the best
German offered, saying:
The Germans have four
violin concertos. The
greatest, most
uncompromising is
Beethoven's. The one by
Brahms vies with it in
seriousness. The richest,
the most seductive, was
written by Max Bruch. But
the most inward, the
heart's jewel, is
Mendelssohn's.
Instrumentation: 2.2.2.2:
4.2.0.0: Timp: Str
(9-8-7-6-5 in set): Solo
Violin in set.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Orchestra violin solo,
[3.2.2.2-4...], timpani,
percussion, harp, strings
(2.2.2.2 - 4.2.3.1 - Timp
- Perc - Hp - Str)
SKU: PE.EP6668
Composed by Ross Lee
Finney. Full Orchestra;
Single Titles. Edition
Peters. 20th Century.
Score. 124 pages. Edition
Peters #98-EP6668.
Published by Edition
Peters (PE.EP6668).
ISBN
9790300728506.
Conc
erto No.1 for Violin and
Orchestra - Solo Violin,
Orchestra (full score) -
performance material is
available on a rental
basis.
Gavotte en Rondeau Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Belwin
(From Partita No. 3 for Solo Violin). By Johann Sebastian Bach (1685-1750). Arra...(+)
(From Partita No. 3 for
Solo Violin). By Johann
Sebastian Bach
(1685-1750). Arranged by
Jerry Brubaker. Concert
Band. Concert Band;
Masterworks; Part(s);
Score. Belwin Concert
Band. Form:
Transcription. Baroque;
Masterwork Arrangement.
Grade 3. 118 pages.
Published by Belwin
Publishing
Orchestra SKU: AP.12-0571539793 Composed by Anders Hillborg. Full Orchest...(+)
Orchestra
SKU:
AP.12-0571539793
Composed by Anders
Hillborg. Full Orchestra
(Full Score);
Masterworks; Performance
Music Ensemble; Single
Titles. Faber Edition.
Form: Concerto. 20th
Century; Masterwork.
Score. Faber Music
#12-0571539793. Published
by Faber Music
(AP.12-0571539793).
ISBN 9780571539796.
English.
Hillborg's
first violin concerto,
composed in the early
nineties, is a pivotal
work in his oeuvre.
Composed in the wake of
his highly experimental
Clang & Fury and
Celestial
Mechanics---both of which
employ complex and
unconventional tuning
systems---the concerto
displays a more pragmatic
approach, though the
drama it sets up is far
from conventional, with a
very fluid
soloist-orchestra
relationship. Esteemed
conductor and composer
Esa-Pekka Salonen, who
has recorded the concerto
in 2002, has described it
as one Hillborg's best
pieces.
By Roger Huntington Sessions (1896-1985). Concert band. For Piccolo, Flute, Oboe...(+)
By Roger Huntington
Sessions (1896-1985).
Concert band. For
Piccolo, Flute, Oboe,
English Horn, Clarinet,
Bass Clarinet, Bassoon,
Contra Bassoon, Horn,
Trumpet, Tenor, Timpani,
Percussion, Piano,
Violin, Cello, Viola,
Contrabass. Classical.
Full Score - Study.
Standard notation. 71
pages. Published by
Theodore Presser Company
Légende Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie and Clarinet Solo - Grade 3 SKU: BT.DHP-1083970-010 ...(+)
Concert Band/Harmonie and
Clarinet Solo - Grade 3
SKU:
BT.DHP-1083970-010
Composed by Henri
Wieniawski. Arranged by
Wil van der Beek. Solo
Spectrum. Transcription.
Set (Score & Parts).
Composed 2008. De Haske
Publications #DHP
1083970-010. Published by
De Haske Publications
(BT.DHP-1083970-010).
Légende Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie and Clarinet Solo - Grade 3 SKU: BT.DHP-1083970-140 ...(+)
Concert Band/Harmonie and
Clarinet Solo - Grade 3
SKU:
BT.DHP-1083970-140
Composed by Henri
Wieniawski. Arranged by
Wil van der Beek. Solo
Spectrum. Transcription.
Score Only. Composed
2008. 24 pages. De Haske
Publications #DHP
1083970-140. Published by
De Haske Publications
(BT.DHP-1083970-140).
Orchestra Concert Band SKU: PR.416413660 For Violin and Orchestra....(+)
Orchestra Concert Band
SKU: PR.416413660
For Violin and
Orchestra. Composed
by Behzad Ranjbaran.
Perfect. Contemporary.
Full score. With Standard
notation. Composed 1994.
144 pages. Duration 31
minutes. Theodore Presser
Company #416-41366.
Published by Theodore
Presser Company
(PR.416413660).
ISBN
9781598063578. UPC:
680160601899. 9x12
inches.
Trained as
a violinist in his native
Tehran, composer Behzad
Ranjbaran eagerly drew
inspiration from the
traditional Persian
kamancheh and its
delicate, lyrical sound
when creating his
profoundly luscious and
brilliant Concerto for
Violin and Orchestra.
This work was completed
in 1994 and premiered in
England by Joshua Bell,
who also gave the first
American and Canadian
performances. The
Concerto for Violin and
Orchestra is the
recipient of the Rudolf
Nissim Award from ASCAP,
and it was supported in
part by a grant from The
National Endowment for
the Arts. The solo part
with a piano reduction as
well as a large score are
available on custom
print. For advanced
players. Duration:
31'. From my early
years studying violin at
the Tehran Music
Conservatory, I was
captivated by the sound
of the kamancheh, an
ancient Persian bowed
instrument considered one
of the ancestors to the
modern violin. I was
pleased when the National
Endowment for the Arts
awarded me a grant to
write a violin concerto
as it provided me with an
occasion to rekindle my
fascination with the
kamancheh. The notionof
writing a violin concerto
that would incorporate
the power and brilliance
of a modern instrument
with the delicate and
lyrical character of an
ancient one was simply
irresistible. Moreover,
the inspiration from the
kamancheh also informed
my use of Persian modes,
melodic, and rhythmic
figures.The notes of the
violin’s open
strings (G, D, A, E) also
influenced many of the
melodic and harmonic
elements of my violin
concerto. The opening
tutti is mostly based on
intervals of a perfect
4th and 5th. The primary
material for each
movement incorporates
notes of two of the open
strings of the violin,
creating a three-note
melodic motif as the
basis of themes:1 st
movement: A-D-A2nd
movement: D-G-D3rd
movement: E-A-EThe
overall structure of the
concerto is organic and
cyclical, as themes are
shared between the three
movements. For example,
the main musical idea of
the third movement is a
transformation of the
first movement’s
primary theme. While the
movements share similar
musical materials, each
one is definedby
distinguishing
characters. The first
movement is conflicted;
alternating between
sections of unabashed
lyricism and
unforgivingferocity. The
second movement is
haunting, mysterious, and
expressive with long
melodic lines that vary
continuously. It moves
through different moods
and characters including
a reimagining of a
traditional Persian
wedding tune played by
the orchestra (m. 98).
The third movement is
festive in character and
features much brilliant
passagework for the solo
violin. At the climax of
this movement, themes
fromthe previous
movements re-emerge
simultaneously with
greater intensity,
propelling the concerto
to an energetic finale.
The Concerto was composed
in 1994 and is dedicated
to Joshua Bell.
Souvenir Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie and Flute Solo - Grade 3 SKU: BT.DHP-1064190-140 Co...(+)
Concert Band/Harmonie and
Flute Solo - Grade 3
SKU:
BT.DHP-1064190-140
Composed by Frantisek
Drdla. Arranged by Wil
van der Beek. Solo
Spectrum. Transcription.
Score Only. Composed
2006. 20 pages. De Haske
Publications #DHP
1064190-140. Published by
De Haske Publications
(BT.DHP-1064190-140).
9x12 inches.
English-German-French-Dut
ch.
In 1906
Bohemian violinist and
composer Frantisek Drdla
(1868-1944) composed the
delightfully charming
piece entitled Souvenir.
This piece for violin and
piano is one of the most
popular compositions by
Drdla. Wil van der Beek
has produced this
arrangement for Flute and
Concert Band which
remains faithful to the
original version. The
texture of the work
allows the soloist to
show off both their
technical and musical
talents and its charm
makes it an ideal encore
item at any
concert.
Wil van
der Beeks Bearbeitung von
Souvenir für
Flöte und
Blasorchester wird der
Originalkomposition des
böhmischen Geigers und
Komponisten Franz Drdla
vollkommen gerecht.
Sowohl in musikalischer
als auch in technischer
Hinsicht kann der Solist
- über den gesamten
Umfang seines
Instruments- sein ganzes
Herzblut in die Musik
einfließen lassen.
Souvenir Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie and Flute Solo - Grade 3 SKU: BT.DHP-1064190-010 Co...(+)
Concert Band/Harmonie and
Flute Solo - Grade 3
SKU:
BT.DHP-1064190-010
Composed by Frantisek
Drdla. Arranged by Wil
van der Beek. Solo
Spectrum. Transcription.
Set (Score & Parts).
Composed 2006. De Haske
Publications #DHP
1064190-010. Published by
De Haske Publications
(BT.DHP-1064190-010).
9x12 inches.
English-German-French-Dut
ch.
In 1906
Bohemian violinist and
composer Frantisek Drdla
(1868-1944) composed the
delightfully charming
piece entitled Souvenir.
This piece for violin and
piano is one of the most
popular compositions by
Drdla. Wil van der Beek
has produced this
arrangement for Flute and
Concert Band which
remains faithful to the
original version. The
texture of the work
allows the soloist to
show off both their
technical and musical
talents and its charm
makes it an ideal encore
item at any
concert.
De
Boheemse violist en
componist Franz Alois
Drdla (1868-1944) heeft
geen omvangrijke oeuvre
achtergelaten, maar
schreef wel twee
operettes en twee bekende
werken voor viool en
piano: Vision en
het innemende
Souvenir-dit in
1906 gecomponeerde werk
word door violisten
geregeld als toegift
gespeeld. In Wil van der
Beeks arrangement van
Souvenir voor
fluit en harmonieorkest
komt de originele
compositie uitstekend tot
haar recht. De solistkan
zich over het gehele
bereik van het
instrument- ziwel in
muzikaal als in technisch
opzicht - naar hartelust
uitleven.
Wil van
der Beeks Bearbeitung von
Souvenir für
Flöte und
Blasorchester wird der
Originalkomposition des
böhmischen Geigers und
Komponisten Franz Drdla
vollkommen gerecht.
Sowohl in musikalischer
als auch in technischer
Hinsicht kann der Solist
- über den gesamten
Umfang seines
Instruments- sein ganzes
Herzblut in die Musik
einfließen lassen.
Shlof,
Mayn Kind. Composed
by Larry Clark. Young
Band (YPS). Set of Score
and Parts. With Standard
notation.
8+2+4+4+2+2+5+2+2+4+4+4+6
+3+2+3+1+1+2+6+12 pages.
Duration 4 minutes, 31
seconds. Carl Fischer
Music #YPS208. Published
by Carl Fischer Music
(CF.YPS208).
ISBN
9781491152287. UPC:
680160909780. Key: D
minor.
A stunning
and heart-wrenching
composition based on the
Jewish folk son Shlof,
Mayn Kind. You can
hear the emotional
content pour out of this
piece written in memory
of an outstanding
orchestra director. The
piece beginnings with
original material to set
the tone, followed by
a clarinet solo on the
song. It then develops
through a variety of
different harmonic
presentation before
building to a nice key
change and climatic
moment. The piece ends as
it began, but with a more
hopeful tone. An amazing
piece. Sleep, My Child
was commissioned by the
Madison Middle School
Band and Orchestra in
Tampa, Florida, and is
dedicated to the memory
of their Director of
Orchestras Kevin Frye.
Director of Bands Chris
Shultz championed the
commissioning of this
piece to honor Kevin
after he passed away in
December 2016. Mr. Frye
was a beloved member of
the staff at Madison
Middle as well as the
music community of Tampa
and the state of
Florida. I was a
personal friend of
Kevin’s. We were
in several musical groups
together when we were
young that were formative
to both of our musical
careers. I also guest
conducted his Madison
Middle School Orchestra
several times over the
past four years. His
musicianship, teaching
skills and love for his
students were
exemplary.When taking on
the challenge of writing
a piece to honor
Kevin’s legacy,
Mr. Shultz and I decided
to try and include
several important aspects
of Kevin’s life
into the piece. Kevin was
proudly Jewish, a
fantastic trumpet player
and loved Jazz. With that
in mind, and after a lot
of research, a Jewish
folk song Shlof, Mayn
Kind was selected as the
basis for the piece, not
to be religious, but to
honor his faith and
heritage. Plus it is a
beautiful song, and I
felt the title reflected
the sentiment I was
looking to express, which
is of someone taking rest
after a long battle with
illness. Thus, a lullaby
seemed appropriate.I also
wanted to incorporate
Jazz into the piece, but
in a concert setting, so
you will hear as the
piece develops, the
harmonies of the folk
song expand into ones
found more commonly in
Jazz compositions. Not
in a far out way, but in
a subtle way to again
honor this part of his
life. For example the
climactic moment of the
piece at the fermata in
m. 57 is a Dbmaj9#11
chord. It appropriately
give the piece the angst
that I was looking for at
this moment in the piece,
while honoring the
importance of Jazz in
Kevin’s musical
life.The piece was also
conceived to include both
the Madison band and
orchestra in the
performance at the
premiere. I wanted the
pieces to work separately
by the band and
separately by the
orchestra, but I also
wanted them to be able to
play the piece together
to honor Kevin.The piece
begins with original
material designed to set
the mood of the piece
with a tempo/style
marking of pensive, but
also as material that I
used as connective
musical tissue between
statements of the folk
song. After this
introduction, the folk
song is presented by a
solo violin (or clarinet)
with orchestral
accompaniment in a simple
straight forward
presentation of the song.
This is followed by a
woodwind section
statement of the folk
song accompanied by muted
trumpets. During this
presentation the harmony
starts to expand with
more color notes in the
chords. The low brass are
added half way through
this statement to add
depth and lushness.The
introductory material
returns, but with some
angry hits in the lower
voices. This leads to a
full ensemble state of
new material that is used
to transition to the
climax of the piece, and
to build tension. After
the build, the piece
modulates to a shortened
statement of the folk
song with more advanced
harmonies and an active
counter line in the
violas, horns, saxes and
first clarinets to
further build the
tension. This tension
is released at the
fermata in m. 57, as
mentioned above. After a
thoughtful pause, the
piece concludes with a
completion of the folk
song again with a solo
violin (or clarinet)
followed by a return of
the introductory material
to tie the piece
together. The piece ends
hopeful, with a solo
trumpet (Kevin’s
instrument) that is
dissonant at first, but
then resolves as if to
say - everything will be
OK! It has been my
distinct honor to have
been asked to write this
piece in Kevin’s
memory! I hope that in
some small way the piece
helps to bring comfort to
his family, students,
colleagues and to all
those that knew
him!–Larry
ClarkLakeland, FLÂ
2017.
Vilja-Lied Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1053872-010 Lied vom Wal...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.DHP-1053872-010
Lied vom
Waldmägdelein.
Composed by Franz Lehar.
Arranged by John Blanken.
Great Classics. Opera or
Operetta. Set (Score &
Parts). Composed 2005. De
Haske Publications #DHP
1053872-010. Published by
De Haske Publications
(BT.DHP-1053872-010).
9x12 inches.
English-German-French-Dut
ch.
Franz Lehár
was born in Komárom,
Hungary on 30th April
1870. From the age of
fifteen he received
composition and violin
lessons at the Prague
conservatory from Anton n
Dvorák. In 1905 he
composed The Merry Widow
which became an instant
worldwide success. The
libretto of this operetta
provides a succession of
intimate arias and duets
with festive ensembles.
The Vilja-Lied is one of
these arias. In this
edition for concert band
all the poignant beauty
of the original
remains.
In 1905
componeerde Franz
Lehár Die lustige
Witwe, dat een
wereldwijd succes werd.
Het libretto van deze
levendige operette staat
borg voor een
aaneenschakeling van
intieme aria’s en
duetten met feestelijke
ensembles. Het
bekendeVilja-Lied
(Das Lied vom
Waldmägdelein) is
een van deze
aria’s. John
Blanken werd door de
mooie melodie ge
nspireerd tot het
schrijven van een
arrangement dat zowel
muzikanten als publiek
zal
aanspreken.
Das
Vilja-Lied ist
eine der Arien aus der
Operette Die lustige
Witwe von Franz
Lehár: Ein junger
Jägersmann erblickt an
einem Felsen Vilja, das
Waldmägdelein, und
verfällt ihren Reizen.
Das Mädchen holt ihn
zu sich und liebkost ihn
auf bisher ungekannte
Weise, doch dann lässt
sie den liebeskranken
Jüngling zurück.
Der überwältigende
Erfolg der Lustigen
Witwe brachte Franz
Lehár großen
Reichtum ein. Auch seine
nachfolgenden Operetten
wurden vom Publikum mit
großer Begeisterung
aufgenommen. John
Blankens Bearbeitung des
Liedes lässt sie an
diesem Erfolg Teil
haben.
Vilja-Lied Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1053872-140 Lied vom Wal...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.DHP-1053872-140
Lied vom
Waldmägdelein.
Composed by Franz Lehar.
Arranged by John Blanken.
Great Classics. Opera or
Operetta. Score Only.
Composed 2005. 12 pages.
De Haske Publications
#DHP 1053872-140.
Published by De Haske
Publications
(BT.DHP-1053872-140).
9x12 inches.
English-German-French-Dut
ch.
Franz Lehár
was born in Komárom,
Hungary on 30th April
1870. From the age of
fifteen he received
composition and violin
lessons at the Prague
conservatory from Anton n
Dvorák. In 1905 he
composed The Merry Widow
which became an instant
worldwide success. The
libretto of this operetta
provides a succession of
intimate arias and duets
with festive ensembles.
The Vilja-Lied is one of
these arias. In this
edition for concert band
all the poignant beauty
of the original
remains.
In 1905
componeerde Franz
Lehár Die lustige
Witwe, dat een
wereldwijd succes werd.
Het libretto van deze
levendige operette staat
borg voor een
aaneenschakeling van
intieme aria’s en
duetten met feestelijke
ensembles. Het
bekendeVilja-Lied
(Das Lied vom
Waldmägdelein) is
een van deze
aria’s. John
Blanken werd door de
mooie melodie ge
nspireerd tot het
schrijven van een
arrangement dat zowel
muzikanten als publiek
zal
aanspreken.
Das
Vilja-Lied ist
eine der Arien aus der
Operette Die lustige
Witwe von Franz
Lehár: Ein junger
Jägersmann erblickt an
einem Felsen Vilja, das
Waldmägdelein, und
verfällt ihren Reizen.
Das Mädchen holt ihn
zu sich und liebkost ihn
auf bisher ungekannte
Weise, doch dann lässt
sie den liebeskranken
Jüngling zurück.
Der überwältigende
Erfolg der Lustigen
Witwe brachte Franz
Lehár großen
Reichtum ein. Auch seine
nachfolgenden Operetten
wurden vom Publikum mit
großer Begeisterung
aufgenommen. John
Blankens Bearbeitung des
Liedes lässt sie an
diesem Erfolg Teil
haben.
BLUES Orchestre d'harmonie [Conducteur] Subito Music
Clarinet & Wind Ensemble arranged from Violin Concerto in D, Movement 3 SKU: ...(+)
Clarinet & Wind Ensemble
arranged from Violin
Concerto in D, Movement 3
SKU: SU.29110070
For Clarinet & Wind
Ensemble arranged from
Violin Concerto in D,
Movement 3. Composed
by Wynton Marsalis.
Woodwinds, Clarinet,
Concert Band/Wind
Ensemble. Concerto. Full
Score. Subito Music
Corporation #29110070.
Published by Subito Music
Corporation
(SU.29110070).
Full Score only
(11x17). Set of Parts
available (cat.
#29110071)Arranged and
orchestrated by James
Spinazzolapic, 2fl,
3ob(eh), 3cl, bcl, cbcl,
2bn; sax (2A,T,Bar),
3tpt, 4hn, 2tb, btbn,
2euph, tba; timp, 4perc;
cb Duration: 8' Composed:
2015/2020 Published by:
Wynton Marsalis (Skayne's
music).
BLUES Orchestre d'harmonie [Conducteur] Subito Music
Clarinet & Wind Ensemble arranged from Violin Concerto in D, Movement 3 SKU: ...(+)
Clarinet & Wind Ensemble
arranged from Violin
Concerto in D, Movement 3
SKU: SU.29110071
For Clarinet & Wind
Ensemble arranged from
Violin Concerto in D,
Movement 3. Composed
by Wynton Marsalis.
Woodwinds, Clarinet,
Concert Band/Wind
Ensemble. Set of Parts.
Subito Music Corporation
#29110071. Published by
Subito Music Corporation
(SU.29110071).
Set of parts
only. Full Score (11x17)
available (cat.
#29110070)Arranged and
orchestrated by James
Spinazzolapic, 2fl,
3ob(eh), 3cl, bcl, cbcl,
2bn; sax (2A,T,Bar),
3tpt, 4hn, 2tb, btbn,
2euph, tba; timp, 4perc;
cb] Duration: 8'
Composed: 2015/2020
Published by: Wynton
Marsalis.
Concert band (KLAR 1/2B) SKU: HL.49021115 For the first cooperation(+)
Concert band (KLAR 1/2B)
SKU: HL.49021115
For the first
cooperation. Composed
by Georg Abraham
Schneider. Edited by
Willy Schneider. This
edition: Folding. Sheet
music. Blaserkreis.
Individual part. 4 pages.
Schott Music #BLK 101-13.
Published by Schott Music
(HL.49021115).
ISBN
9790001119153.
Flot
e in C (Oboe oder
Klarinette in C),
Klarinette in Es,
Klarinette I und II in B,
Flugelhorn I und II in B,
Horn I und II in Es,
Trompete I und II in B,
Tenorhorn I, II und III
in B, Posaune
(Bassschlussel), Posaune
(Violinschlussel),
Bariton (Bassschlussel),
Bariton
(Violinschlussel), Tuba
(Bassschlussel), Tuba
(Violinschlussel),
Schlagzeug.
Concert band (FL/OB/KLAR) SKU: HL.49021113 For the first cooperation(+)
Concert band (FL/OB/KLAR)
SKU: HL.49021113
For the first
cooperation. Composed
by Georg Abraham
Schneider. Edited by
Willy Schneider. This
edition: Folding. Sheet
music. Blaserkreis.
Individual part. 4 pages.
Schott Music #BLK 101-11.
Published by Schott Music
(HL.49021113).
ISBN
9790001119139.
Flot
e in C (Oboe oder
Klarinette in C),
Klarinette in Es,
Klarinette I und II in B,
Flugelhorn I und II in B,
Horn I und II in Es,
Trompete I und II in B,
Tenorhorn I, II und III
in B, Posaune
(Bassschlussel), Posaune
(Violinschlussel),
Bariton (Bassschlussel),
Bariton
(Violinschlussel), Tuba
(Bassschlussel), Tuba
(Violinschlussel),
Schlagzeug.
Concert band (BL/VSCHL) SKU: HL.49021122 For the first cooperation...(+)
Concert band (BL/VSCHL)
SKU: HL.49021122
For the first
cooperation. Composed
by Georg Abraham
Schneider. Edited by
Willy Schneider. This
edition: Folding. Sheet
music. Blaserkreis.
Individual part. 4 pages.
Schott Music #BLK 101-20.
Published by Schott Music
(HL.49021122).
ISBN
9790001119221.
Flot
e in C (Oboe oder
Klarinette in C),
Klarinette in Es,
Klarinette I und II in B,
Flugelhorn I und II in B,
Horn I und II in Es,
Trompete I und II in B,
Tenorhorn I, II und III
in B, Posaune
(Bassschlussel), Posaune
(Violinschlussel),
Bariton (Bassschlussel),
Bariton
(Violinschlussel), Tuba
(Bassschlussel), Tuba
(Violinschlussel),
Schlagzeug.
Concert band (BL/BSCHL) SKU: HL.49021121 For the first cooperation...(+)
Concert band (BL/BSCHL)
SKU: HL.49021121
For the first
cooperation. Composed
by Georg Abraham
Schneider. Edited by
Willy Schneider. This
edition: Folding. Sheet
music. Blaserkreis.
Individual part. 4 pages.
Schott Music #BLK 101-19.
Published by Schott Music
(HL.49021121).
ISBN
9790001119214.
Flot
e in C (Oboe oder
Klarinette in C),
Klarinette in Es,
Klarinette I und II in B,
Flugelhorn I und II in B,
Horn I und II in Es,
Trompete I und II in B,
Tenorhorn I, II und III
in B, Posaune
(Bassschlussel), Posaune
(Violinschlussel),
Bariton (Bassschlussel),
Bariton
(Violinschlussel), Tuba
(Bassschlussel), Tuba
(Violinschlussel),
Schlagzeug.
Concert band (FLGH1/2 B) SKU: HL.49021116 For the first cooperation(+)
Concert band (FLGH1/2 B)
SKU: HL.49021116
For the first
cooperation. Composed
by Georg Abraham
Schneider. Edited by
Willy Schneider. This
edition: Folding. Sheet
music. Blaserkreis.
Individual part. 4 pages.
Schott Music #BLK 101-14.
Published by Schott Music
(HL.49021116).
ISBN
9790001119160.
Flot
e in C (Oboe oder
Klarinette in C),
Klarinette in Es,
Klarinette I und II in B,
Flugelhorn I und II in B,
Horn I und II in Es,
Trompete I und II in B,
Tenorhorn I, II und III
in B, Posaune
(Bassschlussel), Posaune
(Violinschlussel),
Bariton (Bassschlussel),
Bariton
(Violinschlussel), Tuba
(Bassschlussel), Tuba
(Violinschlussel),
Schlagzeug.
Concert band (TRP 1/2 B) SKU: HL.49021118 Fur das erste Zusammenspiel<...(+)
Concert band (TRP 1/2 B)
SKU: HL.49021118
Fur das erste
Zusammenspiel.
Composed by Georg Abraham
Schneider. Edited by
Willy Schneider. This
edition: Folding. Sheet
music. Blaserkreis.
Individual part. 4 pages.
Schott Music #BLK 101-16.
Published by Schott Music
(HL.49021118).
ISBN
9790001119184.
Flot
e in C (Oboe oder
Klarinette in C),
Klarinette in Es,
Klarinette I und II in B,
Flugelhorn I und II in B,
Horn I und II in Es,
Trompete I und II in B,
Tenorhorn I, II und III
in B, Posaune
(Bassschlussel), Posaune
(Violinschlussel),
Bariton (Bassschlussel),
Bariton
(Violinschlussel), Tuba
(Bassschlussel), Tuba
(Violinschlussel),
Schlagzeug.
Concert band (KLAR ES) SKU: HL.49021114 For the first cooperation....(+)
Concert band (KLAR ES)
SKU: HL.49021114
For the first
cooperation. Composed
by Georg Abraham
Schneider. Edited by
Willy Schneider. This
edition: Folding. Sheet
music. Blaserkreis.
Individual part. 4 pages.
Schott Music #BLK 101-12.
Published by Schott Music
(HL.49021114).
ISBN
9790001119146.
Flot
e in C (Oboe oder
Klarinette in C),
Klarinette in Es,
Klarinette I und II in B,
Flugelhorn I und II in B,
Horn I und II in Es,
Trompete I und II in B,
Tenorhorn I, II und III
in B, Posaune
(Bassschlussel), Posaune
(Violinschlussel),
Bariton (Bassschlussel),
Bariton
(Violinschlussel), Tuba
(Bassschlussel), Tuba
(Violinschlussel),
Schlagzeug.
Concert band (THR2/3 B) SKU: HL.49021120 For the first cooperation...(+)
Concert band (THR2/3 B)
SKU: HL.49021120
For the first
cooperation. Composed
by Georg Abraham
Schneider. Edited by
Willy Schneider. This
edition: Folding. Sheet
music. Blaserkreis.
Individual part. 4 pages.
Schott Music #BLK 101-18.
Published by Schott Music
(HL.49021120).
ISBN
9790001119207.
Flot
e in C (Oboe oder
Klarinette in C),
Klarinette in Es,
Klarinette I und II in B,
Flugelhorn I und II in B,
Horn I und II in Es,
Trompete I und II in B,
Tenorhorn I, II und III
in B, Posaune
(Bassschlussel), Posaune
(Violinschlussel),
Bariton (Bassschlussel),
Bariton
(Violinschlussel), Tuba
(Bassschlussel), Tuba
(Violinschlussel),
Schlagzeug.
Concert band (SCHLGZ) SKU: HL.49021123 For the first cooperation. ...(+)
Concert band (SCHLGZ)
SKU: HL.49021123
For the first
cooperation. Composed
by Georg Abraham
Schneider. Edited by
Willy Schneider. This
edition: Folding. Sheet
music. Blaserkreis.
Individual part. 4 pages.
Schott Music #BLK 101-21.
Published by Schott Music
(HL.49021123).
ISBN
9790001119238.
Flot
e in C (Oboe oder
Klarinette in C),
Klarinette in Es,
Klarinette I und II in B,
Flugelhorn I und II in B,
Horn I und II in Es,
Trompete I und II in B,
Tenorhorn I, II und III
in B, Posaune
(Bassschlussel), Posaune
(Violinschlussel),
Bariton (Bassschlussel),
Bariton
(Violinschlussel), Tuba
(Bassschlussel), Tuba
(Violinschlussel),
Schlagzeug.
Concert band (THR1 B) SKU: HL.49021119 For the first cooperation. ...(+)
Concert band (THR1 B)
SKU: HL.49021119
For the first
cooperation. Composed
by Georg Abraham
Schneider. Edited by
Willy Schneider. This
edition: Folding. Sheet
music. Blaserkreis.
Individual part. 4 pages.
Schott Music #BLK 101-17.
Published by Schott Music
(HL.49021119).
ISBN
9790001119191.
Flot
e in C (Oboe oder
Klarinette in C),
Klarinette in Es,
Klarinette I und II in B,
Flugelhorn I und II in B,
Horn I und II in Es,
Trompete I und II in B,
Tenorhorn I, II und III
in B, Posaune
(Bassschlussel), Posaune
(Violinschlussel),
Bariton (Bassschlussel),
Bariton
(Violinschlussel), Tuba
(Bassschlussel), Tuba
(Violinschlussel),
Schlagzeug.