(4 Songs for Soprano and Wind Ensemble: February / August / May / December). By David Liptak. Concert Band. Concert Band; Part(s); Score. Donald Hunsberger Wind Library. Contemporary. Grade 5. 312 pages. Published by Alfred Music Publishing

(Score with CD). By Johan De Meij. Score. Amstel Music. Grade 5-6. Book with CD. Amstel Music #AM06. Published by Amstel Music

Concert Band/Harmonie - Grade 3

SKU: BT.DHP-1155628-140

Composed by Satoshi Yagisawa. Brilliant Marches. Score Only. Composed 2015. De Haske Publications #DHP 1155628-140. Published by De Haske Publications (BT.DHP-1155628-140).

English-German-French- Dutch.

Every December, the Winter Band Festival is held at the Disneyland resort in Hong Kong where bands from various Asian countries perform and enjoy an international atmosphere. The Victoria Peak , a concert march by Satoshi Yagisawa - a popular composer in Asian countries and beyond - was commissioned for the festival in 2013. This bright, colourful work is ideal as an opening piece for your concert and will undoubtedly enchant wind music fans around the world!

Elk jaar in december wordt het Winter Band Festival gehouden in Disneyland Hong Kong. Orkesten uit verschillende Aziatische landen treden hier op en genieten van een internationale sfeer. Gerenommeerde en populaire componist Satoshi Yagisawa componeerde in opdracht van het festival van 2013 The Victoria Peak. Deze lichte, kleurrijke concertmars is ideaal als openingsstuk voor uw concert en zal ongetwijfeld blaasmuziekfans rond de hele wereld betoveren!

Jedes Jahr im Dezember findet ein Winter-Blasorchester-Fest ival im Disneyland-Park Hongkong statt. Bei diesem Anlass bietet sich Blasorchestern aus verschiedenen asiatischen Staaten die Chance, aufzutreten und die internationale Atmosphäre zu genießen. Der Konzertmarsch The Victoria Peak wurde vom Organisator des Festivals 2013 in Auftrag gegeben. Dieses lebendige, brillante, klangfarbenreiche Werk ist ein ideales Eröffnungswerk und wird zweifellos Blasmusikfans auf der ganzen Welt bezaubern!

Lors du Winter Band Festival qui est organisé chaque décembre dans le parc Disneyland Hong Kong, des orchestres d’harmonie de plusieurs pays d’Asie peuvent apprécier une atmosphère internationale pendant leur performance. The Victoria Peak, une marche de concert du compositeur Satoshi Yagisawa qui est populaire en Asie et au-del , fut commandée pour le festival en 2013. Ce morceau éclatant et vif est parfait pour commencer votre concert et va sans doute charmer les fans de musique vent du monde entier !

Ogni dicembre, al Disneyland Resort di Hong Kong, ha luogo il Festival Invernale delle Bande dove bande provenienti dai vari paesi asiatici si esibiscono e godono di questa atmosfera internazionale. The Victoria Peak , una marcia da concerto di Satoshi Yagisawa compositore famoso nei paesi asiatici ma non solo è stata commissionata per il festival nel 2013. Questo lavoro luminoso e pieno di colore, è ideale come brano d’apertura per il vostro concerto e senza dubbi affasciner coloro che amano la musica per fiati in tutto il mondo!

Concert Band/Harmonie - Grade 3

SKU: BT.DHP-1155628-010

Composed by Satoshi Yagisawa. Brilliant Marches. Concert March. Set (Score & Parts). Composed 2015. De Haske Publications #DHP 1155628-010. Published by De Haske Publications (BT.DHP-1155628-010).

English-German-French- Dutch.

Every December, the Winter Band Festival is held at the Disneyland resort in Hong Kong where bands from various Asian countries perform and enjoy an international atmosphere. The Victoria Peak , a concert march by Satoshi Yagisawa - a popular composer in Asian countries and beyond - was commissioned for the festival in 2013. This bright, colourful work is ideal as an opening piece for your concert and will undoubtedly enchant wind music fans around the world!

Elk jaar in december wordt het Winter Band Festival gehouden in Disneyland Hong Kong. Orkesten uit verschillende Aziatische landen treden hier op en genieten van een internationale sfeer. Gerenommeerde en populaire componist Satoshi Yagisawa componeerde in opdracht van het festival van 2013 The Victoria Peak. Deze lichte, kleurrijke concertmars is ideaal als openingsstuk voor uw concert en zal ongetwijfeld blaasmuziekfans rond de hele wereld betoveren!

Jedes Jahr im Dezember findet ein Winter-Blasorchester-Fest ival im Disneyland-Park Hongkong statt. Bei diesem Anlass bietet sich Blasorchestern aus verschiedenen asiatischen Staaten die Chance, aufzutreten und die internationale Atmosphäre zu genießen. Der Konzertmarsch The Victoria Peak wurde vom Organisator des Festivals 2013 in Auftrag gegeben. Dieses lebendige, brillante, klangfarbenreiche Werk ist ein ideales Eröffnungswerk und wird zweifellos Blasmusikfans auf der ganzen Welt bezaubern!

Lors du Winter Band Festival qui est organisé chaque décembre dans le parc Disneyland Hong Kong, des orchestres d’harmonie de plusieurs pays d’Asie peuvent apprécier une atmosphère internationale pendant leur performance. The Victoria Peak, une marche de concert du compositeur Satoshi Yagisawa qui est populaire en Asie et au-del , fut commandée pour le festival en 2013. Ce morceau éclatant et vif est parfait pour commencer votre concert et va sans doute charmer les fans de musique vent du monde entier !

Ogni dicembre, al Disneyland Resort di Hong Kong, ha luogo il Festival Invernale delle Bande dove bande provenienti dai vari paesi asiatici si esibiscono e godono di questa atmosfera internazionale. The Victoria Peak , una marcia da concerto di Satoshi Yagisawa compositore famoso nei paesi asiatici ma non solo è stata commissionata per il festival nel 2013. Questo lavoro luminoso e pieno di colore, è ideale come brano d’apertura per il vostro concerto e senza dubbi affasciner coloro che amano la musica per fiati in tutto il mondo!

Concert Band/Harmonie/Fanfare Band - Grade 2

SKU: BT.DHP-0970962-015

Composed by Franz Xaver Gruber. Arranged by Jacob De Haan. Christmas Collection. Christmas. Set (Score & Parts). Composed 1997. De Haske Publications #DHP 0970962-015. Published by De Haske Publications (BT.DHP-0970962-015).

Jacob de Haan wrote this arrangement for concert band, fanfare band and brass band and optional male voice choir. The original carol was written by the Austrian composer and organist Franz Gruber (1787-1863). He was asked to write Silent Night on the 24th of December 1818 by the priest of the Church of St. Nicolas in Oberndorf, who had himself written the text. It is a romantic carol, with nuances of contemporary Austrian folk and Italian pastorale music.

Jacob de Haan maakte dit arrangement voor blaasorkest met eventueel een mannenkoor. Het originele kerstlied werd geschreven door de Oostenrijkse componist en organist Franz Gruber (1787-1863). Stille Nacht componeerde hij op24 december 1818 in opdracht van de priester van de Sint Nikolaaskerk van Oberndorf, die de tekst voor dit lied zelf had geschreven.Stille Nacht is romantisch van karakter, heeft trekken van de Oostenrijkse volksmuziek vandie tijd, evenals enkele kenmerken van de Italiaanse pastorale muziek.

Stille Nacht wurde vom österreichischen Komponisten und Organisten Franz Gruber am 24. Dezember 1818 im Auftrag des Priesters der St. Nikolaus-Kirche in Oberndorf geschrieben. Wer hätte damals geahnt, dass dieses Lied mit seinem romantischen Charakter einmal in 150 Sprachen übersetzt auf der ganzen Welt gesungen werden würde? Jacob de Haan schrieb dieses gelungene Arrangement für Blasorchester mit Männerchor ad. lib.

Le 24 décembre 1818, Franz Gruber (1787-1863), compositeur et organiste autrichien, mettait en musique un texte rédigé par le prêtre de sa paroisse. Il ne se doutait pas que sa composition deviendrait l’un des noëls les plus célèbres. Stille Nacht (Douce Nuit) est un chant romantique et lyrique alliant les caractéristiques de la musique traditionnelle autrichienne d’alors, celles des pastorales italiennes.

Concert Band/Harmonie - Grade 3

SKU: BT.DHP-1063973-140

Arranged by Masato Myokoin. New Sounds for Concert Band. Original Light Music. Score Only. Composed 2006. 28 pages. De Haske Publications #DHP 1063973-140. Published by De Haske Publications (BT.DHP-1063973-140).

9x12 inches. English-German-French-Dut ch.

In 1942 Glenn Miller voluntarily joined the army and founded the Glenn Miller Army Air Force Band and with his music he kept up the morale of the troops. In December 1944 he boarded an aircraft in England that would never reach its destination (France) - the plane was never found. The patriotic legend of this great composer however lives on in his music. Pennsylvania 6-5000 was one of the greatest successes of his famous band and is as popular today as it was in the 1940s.

In 1942 meldde Glenn Miller zich aan voor het Amerikaanse leger en richtte hij de Glenn Miller Army Air Force Band op. Met zijn muziek hield hij de moraal van de troepen hoog. In december 1944 ging hij in Engeland aan boord van eenvliegtuig dat zijn bestemming (Frankrijk) niet zou bereiken - het toestel werd nooit gevonden. De patriottische legende van zijn persoon leeft echter voort in zijn muziek. Pennsylvania 6-5000 is nog altijd een van de grootstesuccessen van zijn vermaarde orkest.

Das Thema des bekannten Swing-Standards Pennsylvania 6-5000 entstand im Jahr 1940 während eines dreimonatigen Engagements des Glenn-Miller-Orchesters im New Yorker Hotel Pennsylvania. Bei diesem Thema handelte es sich um nichts anderes als die Vertonung der Telefonnummer des Hotels. Kurz nach dem Aufenthalt im Hotel wurde die Aufnahme des Stückes gemacht, das sich bis heute als absoluter Dauerbrenner erwiesen hat. Masato Myokoin arrangierte die flotte Swingnummer für Blasorchester.

En 1942, Glenn Miller se met au service des forces armées américaines et fonde le Glenn Miller Army Air Force Band. Il part pour l’Europe pour apporter un soutien moral aux troupes. Deux ans plus tard, il disparaît mystérieusement en Manche. Il reste pour le public une véritable légende et ses airs les plus célèbres sont dans toutes les mémoires. Pennsylvania 6-5000 reste l’un des plus grands succès de cet orchestre mythique.

Nel 1942, Glenn Miller si mette al servizio delle forze armate americane e fonda la Glenn Miller Air Force Band. Parte per l’Europa per sostenere moralmente le truppe e, due anni dopo, scompare misteriosamente nel Canale della Manica. Glenn Miller resta una vera leggenda e le sue arie sono celebri in tutto il mondo. Pennsylvania 6-5000 è uno dei più grandi successi di questa mitica orchestra.

Concert Band soprano voice solo and wind ensemble (concert band) - Grade 5

SKU: AP.32548S

4 Songs for Soprano and Wind Ensemble: February / August / May / December. Concert Band; Performance Music Ensemble; Single Titles. Donald Hunsberger Wind Library. Contemporary. Score. 64 pages. Alfred Music #00-32548S. Published by Alfred Music (AP.32548S).

UPC: 038081385518. English.

Commission ed by a consortium of outstanding collegiate wind ensembles, Folgore's Months features a soprano voice soloist in a contemporary setting of four movements musically depicting February, August, May, and December. David Liptak, well known for his creative compositional style (his The Sacred Harp was one of the first wind works included in The Donald Hunsberger Wind Library), has written a four-movement composition for Soprano and Chamber Wind Ensemble based upon the writings of a 14th century poet. Folger's Months is a vital addition to the growing serious repertoire for vocal soloist and winds.

This particular item includes the complete score only.

Concert Band/Harmonie - Grade 3

SKU: BT.DHP-1175813-010

Composed by Satoshi Yagisawa. Brilliant Marches. March. Set (Score & Parts). Composed 2017. De Haske Publications #DHP 1175813-010. Published by De Haske Publications (BT.DHP-1175813-010).

English-German-French- Dutch.

This work was composed as ceremonial music, as part of a march medley for the participants’ entry for the 71st National Sports Festival and the 16th National Disabled Personnel Sports Festival, held in Iwate Prefecture in 2016. The European premiere of this piece took place in December of that year, the composer guest conducting the Young Musicians from Fribourg, Switzerland. This work, fusing Japanese folk song with march music, will have wide appeal, like the sister work March-Bou-Shu, also published by de Haske Publications.

Dit werk is gecomponeerd als ceremoniële muziek: het maakte deel uit van een marsenmedley voor de binnenkomst van deelnemers aan het 71e Nationale Sportfestival en het 16e Nationale Sportfestival voor Gehandicapten, gehouden in de prefectuur Iwate, in 2016. Deze combinatie van Japanse volksmuziek met marsmuziek zal veel muzikanten en luisteraars aanspreken, net als het zusterwerk March-Bou-Shu, dat ook door de Haske Publications bv werd uitgegeven.

Dieses Werk wurde 2016 anlässlich eines großen Sportfestes in Japan komponiert und war Teil eines Marsch-Medleys für den Einmarsch der Teilnehmer. Die europäische Premiere fand 2016 mit den Young Musicians aus Fribourg (Schweiz) und dem Komponisten als Gastdirigent statt. Im March-Chagu-Chagu vermischen sich japanische Volksmusik und Marschmusik zu einem exotischen Hörvergnügen.

Cette oeuvre fut composée comme musique cérémonielle, faisant partie d’un medley de marches l’arrivée des participants du 71e National Sports Festival et du 16e National Disabled Personnel Sports Festival en 2016. La première européenne s’est tenue en décembre de la même année l’initiative de l’Association Fribourgeoise des Jeunes Musiciens en Suisse. Cette œuvre qui fusionne une chanson folklorique japonaise avec la musique de marche aura une large résonance, comme sa composition soeur March-Bou-Shu, aussi publiée par De Haske Publications.

Ques to brano è stato composto nello stile di una musica cerimoniale, come parte di un medley di marce per accompagnare l’entrata dei partecipanti al 71° National Sports Festival e al 16° National Disabled Personnel Sports Festival nella Prefettura di Iwate in Giappone nel 2016. La prima europea della composizione si è tenuta nel dicembre dello stesso anno a Friburgo (Svizzera), sotto la direzione del compositore stesso. Come per March-Bou-Shu successo garantito per questa delizioso mix di canzone popolare giapponese e marcia.

Concert Band/Harmonie - Grade 3

SKU: BT.DHP-1175813-140

Composed by Satoshi Yagisawa. Brilliant Marches. March. Score Only. Composed 2017. De Haske Publications #DHP 1175813-140. Published by De Haske Publications (BT.DHP-1175813-140).

English-German-French- Dutch.

This work was composed as ceremonial music, as part of a march medley for the participants’ entry for the 71st National Sports Festival and the 16th National Disabled Personnel Sports Festival, held in Iwate Prefecture in 2016. The European premiere of this piece took place in December of that year, the composer guest conducting the Young Musicians from Fribourg, Switzerland. This work, fusing Japanese folk song with march music, will have wide appeal, like the sister work March-Bou-Shu, also published by de Haske Publications.

Dit werk is gecomponeerd als ceremoniële muziek: het maakte deel uit van een marsenmedley voor de binnenkomst van deelnemers aan het 71e Nationale Sportfestival en het 16e Nationale Sportfestival voor Gehandicapten, gehouden in de prefectuur Iwate, in 2016. Deze combinatie van Japanse volksmuziek met marsmuziek zal veel muzikanten en luisteraars aanspreken, net als het zusterwerk March-Bou-Shu, dat ook door de Haske Publications bv werd uitgegeven.

Dieses Werk wurde 2016 anlässlich eines großen Sportfestes in Japan komponiert und war Teil eines Marsch-Medleys für den Einmarsch der Teilnehmer. Die europäische Premiere fand 2016 mit den Young Musicians aus Fribourg (Schweiz) und dem Komponisten als Gastdirigent statt. Im March-Chagu-Chagu vermischen sich japanische Volksmusik und Marschmusik zu einem exotischen Hörvergnügen.

Cette oeuvre fut composée comme musique cérémonielle, faisant partie d’un medley de marches l’arrivée des participants du 71e National Sports Festival et du 16e National Disabled Personnel Sports Festival en 2016. La première européenne s’est tenue en décembre de la même année l’initiative de l’Association Fribourgeoise des Jeunes Musiciens en Suisse. Cette œuvre qui fusionne une chanson folklorique japonaise avec la musique de marche aura une large résonance, comme sa composition soeur March-Bou-Shu, aussi publiée par De Haske Publications.

Ques to brano è stato composto nello stile di una musica cerimoniale, come parte di un medley di marce per accompagnare l’entrata dei partecipanti al 71° National Sports Festival e al 16° National Disabled Personnel Sports Festival nella Prefettura di Iwate in Giappone nel 2016. La prima europea della composizione si è tenuta nel dicembre dello stesso anno a Friburgo (Svizzera), sotto la direzione del compositore stesso. Come per March-Bou-Shu successo garantito per questa delizioso mix di canzone popolare giapponese e marcia.

Concert Band/Harmonie - Grade 3

SKU: BT.AMP-134-010

Composed by Mykola Leotnovich. Arranged by Philip Sparke. Anglo Music Midway Series. Concert Piece. Set (Score & Parts). Composed 2005. Anglo Music Press #AMP 134-010. Published by Anglo Music Press (BT.AMP-134-010).

9x12 inches. English-German-French-Dut ch.

The Ukrainian Bell Carol is part of a large choral work entitled Shchedryk by the Ukrainian composer Mykola Dmytrovich Leontovych (1877-1921). It was first performed by students of Kiev University in December 1916. The tune is an adaptation of an old ‘shchedrivka� �, a song traditionally sung on Ukrainian New Year’s Eve (January 13th) which hopes for good fortune in the year to come. In Shchedryk, Leontovych added his own the lyrics which concern the legend claiming that when Jesus was born, all the bells on earth started ringing in his honour.The tune has since been the inspiration of at least four different Christmas carols, but Philip Sparke has sourced the originalUkrainian melody to create this stirring arrangement.

De Ukrainian Bell Carol is onderdeel van het grote koorwerk Shchedryk van de Oekra ense componist Mykola Dmytrovich Leontovych (1877-1921). De melodie is gebaseerd op een ‘shchedrivka� �, een lied dat van oudsher werdgezongen op de Oekra ense oudejaarsavond (13 januari). In Shchedryk voegde Leontovych de tekst toe over de legende die vertelt dat bij de geboorte van Jezus alle klokken op aarde begonnen te luiden. Sindsdien is deze melodiede inspiratiebron geweest voor ten minste vier verschillende Christmas carols, waarvan Carol of the Bells de beroemdste is. Voor dit meeslepende arrangement heeft Philip Sparke echter de oorspronkelijke Oekra ense melodiegebruikt.

D as Ukrainian Bell Carol ist Teil eines großen Chorwerkes namens Shchedryk vom ukrainischen Komponisten Mykola Dmytrovich Leontovych. Leontovych ergänzte ein traditionelles ukrainisches Neujahrslied um eine alte Legende, die besagt, dass zu Ehren von Jesu Geburt alle Glocken läuteten. Die Melodie diente inzwischen als Grundlage für mindestens vier verschiedene Weihnachtslieder. Philip Sparke griff für seine bewegende Bearbeitung jedoch auf die originale ukrainische Melodie zurück.

Ukra inian Bell Carol constitue une des parties de l’œuvre chorale Shchedryk du compositeur ukrainien Mykola Dmytrovich Leontovich (1877-1921). La mélodie s’inspire d’un vieux chant traditionnel ukrainien (shchedrivka) chanté le Jour de l’An (célébré le 13 janvier, conformément au calendrier julien) dans l’espoir que l’année venir se présente sous de bons hospices. l’écriture de Shchedryk, Mykola Leontovich a choisi de changer les paroles. Il opte pour la légende selon laquelle, toutes les cloches des églises se sont mises carillonner joyeusement pour annoncer la naissance de Jésus. La mélodie du chant a inspiré au moins quatre noëlsdifférents. Carol of the Bells en est la version la plus célèbre. Elle a été adaptée en 1936 (texte et mélodie) par Peter J. Wilhousky (1902-1978) d’après la version originale de Mykola Leontovich. Philip Sparke s’est basé sur la mélodie du chant traditionnel ukrainien pour réaliser cet arrangement brillant et pétillant.

Ukrainian Bell Carol costituisce una delle parti dell’opera corale Shchedryk del compositore ucraino Mykola Dmytrovich Leontovich (1877-1921). Il testo narra una leggenda secondo la quale le campane delle chiese si sono messe a suonare per annunciare la nascita di Gesù. La melodia di Leontovich ha ispirato almeno quattro canti natalizi diversi. Carol of the Bells di Peter J.Wilhousky è la versione più celebre. Philip Sparke ha scelto di ispirarsi alla melodia originale del canto tradizionale ucraino (shchedrivka) per realizzare questo brillante arrangiamento.

Concert Band/Harmonie - Grade 3

SKU: BT.AMP-134-140

Composed by Mykola Leotnovich. Arranged by Philip Sparke. Anglo Music Midway Series. Concert Piece. Score Only. Composed 2005. 28 pages. Anglo Music Press #AMP 134-140. Published by Anglo Music Press (BT.AMP-134-140).

9x12 inches. English-German-French-Dut ch.

The Ukrainian Bell Carol is part of a large choral work entitled Shchedryk by the Ukrainian composer Mykola Dmytrovich Leontovych (1877-1921). It was first performed by students of Kiev University in December 1916. The tune is an adaptation of an old ‘shchedrivka� �, a song traditionally sung on Ukrainian New Year’s Eve (January 13th) which hopes for good fortune in the year to come. In Shchedryk, Leontovych added his own the lyrics which concern the legend claiming that when Jesus was born, all the bells on earth started ringing in his honour.The tune has since been the inspiration of at least four different Christmas carols, but Philip Sparke has sourced the originalUkrainian melody to create this stirring arrangement.

De Ukrainian Bell Carol is onderdeel van het grote koorwerk Shchedryk van de Oekra ense componist Mykola Dmytrovich Leontovych (1877-1921). De melodie is gebaseerd op een ‘shchedrivka� �, een lied dat van oudsher werdgezongen op de Oekra ense oudejaarsavond (13 januari). In Shchedryk voegde Leontovych de tekst toe over de legende die vertelt dat bij de geboorte van Jezus alle klokken op aarde begonnen te luiden. Sindsdien is deze melodiede inspiratiebron geweest voor ten minste vier verschillende Christmas carols, waarvan Carol of the Bells de beroemdste is. Voor dit meeslepende arrangement heeft Philip Sparke echter de oorspronkelijke Oekra ense melodiegebruikt.

D as Ukrainian Bell Carol ist Teil eines großen Chorwerkes namens Shchedryk vom ukrainischen Komponisten Mykola Dmytrovich Leontovych. Leontovych ergänzte ein traditionelles ukrainisches Neujahrslied um eine alte Legende, die besagt, dass zu Ehren von Jesu Geburt alle Glocken läuteten. Die Melodie diente inzwischen als Grundlage für mindestens vier verschiedene Weihnachtslieder. Philip Sparke griff für seine bewegende Bearbeitung jedoch auf die originale ukrainische Melodie zurück.

Ukra inian Bell Carol constitue une des parties de l’œuvre chorale Shchedryk du compositeur ukrainien Mykola Dmytrovich Leontovich (1877-1921). La mélodie s’inspire d’un vieux chant traditionnel ukrainien (shchedrivka) chanté le Jour de l’An (célébré le 13 janvier, conformément au calendrier julien) dans l’espoir que l’année venir se présente sous de bons hospices. l’écriture de Shchedryk, Mykola Leontovich a choisi de changer les paroles. Il opte pour la légende selon laquelle, toutes les cloches des églises se sont mises carillonner joyeusement pour annoncer la naissance de Jésus. La mélodie du chant a inspiré au moins quatre noëlsdifférents. Carol of the Bells en est la version la plus célèbre. Elle a été adaptée en 1936 (texte et mélodie) par Peter J. Wilhousky (1902-1978) d’après la version originale de Mykola Leontovich. Philip Sparke s’est basé sur la mélodie du chant traditionnel ukrainien pour réaliser cet arrangement brillant et pétillant.

Ukrainian Bell Carol costituisce una delle parti dell’opera corale Shchedryk del compositore ucraino Mykola Dmytrovich Leontovich (1877-1921). Il testo narra una leggenda secondo la quale le campane delle chiese si sono messe a suonare per annunciare la nascita di Gesù. La melodia di Leontovich ha ispirato almeno quattro canti natalizi diversi. Carol of the Bells di Peter J.Wilhousky è la versione più celebre. Philip Sparke ha scelto di ispirarsi alla melodia originale del canto tradizionale ucraino (shchedrivka) per realizzare questo brillante arrangiamento.

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Euphonium, Euphonium T.C., Flute, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Timpani, Trombone, Trumpet 1, Trumpet 2, Tuba, alto Saxophone and more. - Grade 2

SKU: CF.YPS208

Shlof, Mayn Kind. Composed by Larry Clark. Young Band (YPS). Set of Score and Parts. With Standard notation. 8+2+4+4+2+2+5+2+2+4+4+4+6 +3+2+3+1+1+2+6+12 pages. Duration 4 minutes, 31 seconds. Carl Fischer Music #YPS208. Published by Carl Fischer Music (CF.YPS208).

ISBN 9781491152287. UPC: 680160909780. Key: D minor.

A stunning and heart-wrenching composition based on the Jewish folk son Shlof, Mayn Kind. You can hear the emotional content pour out of this piece written in memory of an outstanding orchestra director. The piece beginnings with original material to set the tone, followed by a clarinet solo on the song. It then develops through a variety of different harmonic presentation before building to a nice key change and climatic moment. The piece ends as it began, but with a more hopeful tone. An amazing piece.
Sleep, My Child was commissioned by the Madison Middle School Band and Orchestra in Tampa, Florida, and is dedicated to the memory of their Director of Orchestras Kevin Frye. Director of Bands Chris Shultz championed the commissioning of this piece to honor Kevin after he passed away in December 2016. Mr. Frye was a beloved member of the staff at Madison Middle as well as the music community of Tampa and the state of Florida. I was a personal friend of Kevin’s. We were in several musical groups together when we were young that were formative to both of our musical careers. I also guest conducted his Madison Middle School Orchestra several times over the past four years. His musicianship, teaching skills and love for his students were exemplary.When taking on the challenge of writing a piece to honor Kevin’s legacy, Mr. Shultz and I decided to try and include several important aspects of Kevin’s life into the piece. Kevin was proudly Jewish, a fantastic trumpet player and loved Jazz. With that in mind, and after a lot of research, a Jewish folk song Shlof, Mayn Kind was selected as the basis for the piece, not to be religious, but to honor his faith and heritage. Plus it is a beautiful song, and I felt the title reflected the sentiment I was looking to express, which is of someone taking rest after a long battle with illness. Thus, a lullaby seemed appropriate.I also wanted to incorporate Jazz into the piece, but in a concert setting, so you will hear as the piece develops, the harmonies of the folk song expand into ones found more commonly in Jazz compositions. Not in a far out way, but in a subtle way to again honor this part of his life. For example the climactic moment of the piece at the fermata in m. 57 is a Dbmaj9#11 chord. It appropriately give the piece the angst that I was looking for at this moment in the piece, while honoring the importance of Jazz in Kevin’s musical life.The piece was also conceived to include both the Madison band and orchestra in the performance at the premiere. I wanted the pieces to work separately by the band and separately by the orchestra, but I also wanted them to be able to play the piece together to honor Kevin.The piece begins with original material designed to set the mood of the piece with a tempo/style marking of pensive, but also as material that I used as connective musical tissue between statements of the folk song.  After this introduction, the folk song is presented by a solo violin (or clarinet) with orchestral accompaniment in a simple straight forward presentation of the song. This is followed by a woodwind section statement of the folk song accompanied by muted trumpets. During this presentation the harmony starts to expand with more color notes in the chords. The low brass are added half way through this statement to add depth and lushness.The introductory material returns, but with some angry hits in the lower voices. This leads to a full ensemble state of new material that is used to transition to the climax of the piece, and to build tension. After the build, the piece modulates to a shortened statement of the folk song with more advanced harmonies and an active counter line in the violas, horns, saxes and first clarinets to further build the tension.  This tension is released at the fermata in m. 57, as mentioned above. After a thoughtful pause, the piece concludes with a completion of the folk song again with a solo violin (or clarinet) followed by a return of the introductory material to tie the piece together. The piece ends hopeful, with a solo trumpet (Kevin’s instrument) that is dissonant at first, but then resolves as if to say - everything will be OK! It has been my distinct honor to have been asked to write this piece in Kevin’s memory! I hope that in some small way the piece helps to bring comfort to his family, students, colleagues and to all those that knew him!–Larry ClarkLakeland, FL  2017.

Concert Band/Harmonie - Grade 3

SKU: BT.DHP-0981286-010

Composed by Otto M. Schwarz. Applause Series. Original Light Music. Set (Score & Parts). Composed 1998. De Haske Publications #DHP 0981286-010. Published by De Haske Publications (BT.DHP-0981286-010).

The Baroque is a period of frills and ornaments, wether in architecture, painting or music. An easy melody passes through a variety of arrangements. From brass quintet and different tutti parts, all the sections are in action. Fortified by a drum set and an (optional) electric bass, the piece is given a modern touch and becomes more acceptable to the audience. A follow-up to Rondo Romantica, this piece was composed in December 1997.

De barok: een tijdperk van speelsheid in de architectuur, de schilderkunst en de muziek. In dit werk wordt een eenvoudig in het gehoor liggende melodie door veel verschillende arrangementen geleid. Van het koperkwintet tot enkele tuttidelen zijn alle secties in actie. Versterkt door de drumset en de basgitaar krijgt het stuk een moderne touch. Hierdoor wordt het extra aantrekkelijk voor het publiek!

In diesem fröhlichen Werk des österreichischen Komponisten Otto M. Schwarz kommt wirklich jede Instrumentengruppe Ihres Blasorchesters zum Zuge. Ein spielerisches Barock-Thema wird durch einen flotten Schlagzeug-Rhythmus unterlegt und wird somit zu einer swingenden Nummer für Ihr nächstes Konzert!

Le baroque : un style et une époque marqués par la légèreté qui a investi tous les domaines artistiques (architecture, peinture, musique, etc.). Dans ce morceau, la mélodie simple est jouée plusieurs fois dans des arrangements différents. Tous les pupitres sont sollicités afin que l’on entende aussi bien des tutti que des interventions du quintette de cuivres. La batterie et la guitare basse donnent au morceau une touche moderne très attrayante. Rondo Barocco, qui s’inscrit dans la lignée de Rondo Romantica, est une oeuvre adaptée aux orchestres juniors et aux formations plus expérimentées.
< br>Il barocco: uno stile e un’epoca contraddistinti dalla leggerezza che ha infl uenzato tutti i campi artistici (architettura, pittura, musica, ecc.). In questo brano, la semplice melodia è eseguita a più riprese in diversi arrangiamenti. Tutte le sezioni della banda sono sollecitate per far sì che si possano ascoltare vari passaggi in tutti, ma anche degli interventi del quintetto di ottoni. La batteria e la chitarra apportano un tocco moderno ed accattivante. Rondo Barocco è un brano a sicuro effetto che delizier il pubblico.

Concert Band/Harmonie - Grade 3

SKU: BT.DHP-0981286-140

Composed by Otto M. Schwarz. Applause Series. Original Light Music. Score Only. Composed 1998. De Haske Publications #DHP 0981286-140. Published by De Haske Publications (BT.DHP-0981286-140).

The Baroque is a period of frills and ornaments, wether in architecture, painting or music. An easy melody passes through a variety of arrangements. From brass quintet and different tutti parts, all the sections are in action. Fortified by a drum set and an (optional) electric bass, the piece is given a modern touch and becomes more acceptable to the audience. A follow-up to Rondo Romantica, this piece was composed in December 1997.

De barok: een tijdperk van speelsheid in de architectuur, de schilderkunst en de muziek. In dit werk wordt een eenvoudig in het gehoor liggende melodie door veel verschillende arrangementen geleid. Van het koperkwintet tot enkele tuttidelen zijn alle secties in actie. Versterkt door de drumset en de basgitaar krijgt het stuk een moderne touch. Hierdoor wordt het extra aantrekkelijk voor het publiek!

In diesem fröhlichen Werk des österreichischen Komponisten Otto M. Schwarz kommt wirklich jede Instrumentengruppe Ihres Blasorchesters zum Zuge. Ein spielerisches Barock-Thema wird durch einen flotten Schlagzeug-Rhythmus unterlegt und wird somit zu einer swingenden Nummer für Ihr nächstes Konzert!

Le baroque : un style et une époque marqués par la légèreté qui a investi tous les domaines artistiques (architecture, peinture, musique, etc.). Dans ce morceau, la mélodie simple est jouée plusieurs fois dans des arrangements différents. Tous les pupitres sont sollicités afin que l’on entende aussi bien des tutti que des interventions du quintette de cuivres. La batterie et la guitare basse donnent au morceau une touche moderne très attrayante. Rondo Barocco, qui s’inscrit dans la lignée de Rondo Romantica, est une oeuvre adaptée aux orchestres juniors et aux formations plus expérimentées.
< br>Il barocco: uno stile e un’epoca contraddistinti dalla leggerezza che ha infl uenzato tutti i campi artistici (architettura, pittura, musica, ecc.). In questo brano, la semplice melodia è eseguita a più riprese in diversi arrangiamenti. Tutte le sezioni della banda sono sollecitate per far sì che si possano ascoltare vari passaggi in tutti, ma anche degli interventi del quintetto di ottoni. La batteria e la chitarra apportano un tocco moderno ed accattivante. Rondo Barocco è un brano a sicuro effetto che delizier il pubblico.

Band Bass Clarinet, Bass Drum, Bassoon, Bell Tree, Bells, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Suspended Cymbal, Tam-tam, Timpani and more. - Grade 2

SKU: CF.YPS208F

Shlof, Mayn Kind. Composed by Larry Clark. Young Band (YPS). Full score. With Standard notation. 12 pages. Carl Fischer Music #YPS208F. Published by Carl Fischer Music (CF.YPS208F).

ISBN 9781491152966. UPC: 680160910465.

A stunning and heart-wrenching composition based on the Jewish folk son Shlof, Mayn Kind. You can hear the emotional content pour out of this piece written in memory of an outstanding orchestra director. The piece beginnings with original material to set the tone, followed by a clarinet solo on the song. It then develops through a variety of different harmonic presentation before building to a nice key change and climatic moment. The piece ends as it began, but with a more hopeful tone. An amazing piece.
Sleep, My Child was commissioned by the Madison Middle School Band and Orchestra in Tampa, Florida, and is dedicated to the memory of their Director of Orchestras Kevin Frye. Director of Bands Chris Shultz championed the commissioning of this piece to honor Kevin after he passed away in December 2016. Mr. Frye was a beloved member of the staff at Madison Middle as well as the music community of Tampa and the state of Florida. I was a personal friend of Kevin’s. We were in several musical groups together when we were young that were formative to both of our musical careers. I also guest conducted his Madison Middle School Orchestra several times over the past four years. His musicianship, teaching skills and love for his students were exemplary.When taking on the challenge of writing a piece to honor Kevin’s legacy, Mr. Shultz and I decided to try and include several important aspects of Kevin’s life into the piece. Kevin was proudly Jewish, a fantastic trumpet player and loved Jazz. With that in mind, and after a lot of research, a Jewish folk song Shlof, Mayn Kind was selected as the basis for the piece, not to be religious, but to honor his faith and heritage. Plus it is a beautiful song, and I felt the title reflected the sentiment I was looking to express, which is of someone taking rest after a long battle with illness. Thus, a lullaby seemed appropriate.I also wanted to incorporate Jazz into the piece, but in a concert setting, so you will hear as the piece develops, the harmonies of the folk song expand into ones found more commonly in Jazz compositions. Not in a far out way, but in a subtle way to again honor this part of his life. For example the climactic moment of the piece at the fermata in m. 57 is a Dbmaj9#11 chord. It appropriately give the piece the angst that I was looking for at this moment in the piece, while honoring the importance of Jazz in Kevin’s musical life.The piece was also conceived to include both the Madison band and orchestra in the performance at the premiere. I wanted the pieces to work separately by the band and separately by the orchestra, but I also wanted them to be able to play the piece together to honor Kevin.The piece begins with original material designed to set the mood of the piece with a tempo/style marking of pensive, but also as material that I used as connective musical tissue between statements of the folk song.  After this introduction, the folk song is presented by a solo violin (or clarinet) with orchestral accompaniment in a simple straight forward presentation of the song. This is followed by a woodwind section statement of the folk song accompanied by muted trumpets. During this presentation the harmony starts to expand with more color notes in the chords. The low brass are added half way through this statement to add depth and lushness.The introductory material returns, but with some angry hits in the lower voices. This leads to a full ensemble state of new material that is used to transition to the climax of the piece, and to build tension. After the build, the piece modulates to a shortened statement of the folk song with more advanced harmonies and an active counter line in the violas, horns, saxes and first clarinets to further build the tension.  This tension is released at the fermata in m. 57, as mentioned above. After a thoughtful pause, the piece concludes with a completion of the folk song again with a solo violin (or clarinet) followed by a return of the introductory material to tie the piece together. The piece ends hopeful, with a solo trumpet (Kevin’s instrument) that is dissonant at first, but then resolves as if to say - everything will be OK! It has been my distinct honor to have been asked to write this piece in Kevin’s memory! I hope that in some small way the piece helps to bring comfort to his family, students, colleagues and to all those that knew him!–Larry ClarkLakeland, FL  2017.

(Symphonie Fantastique). By Hector Berlioz (1803-1869). Arranged by Christiaan Janssen. For Concert Band. Grade 5. Full score and set of parts. Duration 10:30. Published by Baton Music

Orchestra 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Piano

SKU: AP.36-A134548

Composed by Johannes Brahms. Arranged by Clinton Nieweg and Robert Sutherland. This edition: Kalmus Orchestra Library. Full Orchestra; Performance Music Ensemble; Single Titles. Kalmus Orchestra Library. Part(s). LudwigMasters Publications #36-A134548. Published by LudwigMasters Publications (AP.36-A134548).

UPC: 735816434267. English.

Johannes Brahms (1833-1897) composed his Piano Concerto No. 1 in 1858 and performed the work's debut in Hanover, Germany, in 1859, to mixed reviews. The work initially began as a sonata for two pianos, then a four-movement symphony. Under the counsel of friends Julius Otto Grimm and violinist Joseph Joachim, Brahms landed on a three-movement piano concerto. After its fifth performance in December 1861, with Clara Schumann as piano soloist, the work still received mixed audience reception. It has since grown in popularity and has been recognized as a masterpiece. Instrumentation: 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Piano.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Grade 3

SKU: CL.012-5031-00

Largo from the New World Symphony. Composed by Antonin Dvorak. Arranged by Romeyn. Concert Band. Score and set of parts. Composed 2023. Opus III Wind Orchestra Publications #012-5031-00. Published by Opus III Wind Orchestra Publications (CL.012-5031-00).

Antonin Dvorak first premiered his New World Symphony at Carnegie Hall in December of 1893 with the goal to bring American musical sensibility to European classical music. The second movement, labeled Largo, contained the melody that would later be identified as Goin’ Home. This well-crafted adaptation of that beautiful melody for concert band contains all the elements of the original orchestral version that has moved orchestral concert patrons for over a century. Expert scoring and careful orchestration techniques will ensure success with all ensembles. We think this outstanding arrangement will become a concert band classic for many years to come. Our highest recommendation!

Grade 3

SKU: CL.012-5031-01

Largo from the New World Symphony. Composed by Antonin Dvorak. Arranged by Romeyn. Concert Band. Extra score. Composed 2023. Opus III Wind Orchestra Publications #012-5031-01. Published by Opus III Wind Orchestra Publications (CL.012-5031-01).

Antonin Dvorak first premiered his New World Symphony at Carnegie Hall in December of 1893 with the goal to bring American musical sensibility to European classical music. The second movement, labeled Largo, contained the melody that would later be identified as Goin’ Home. This well-crafted adaptation of that beautiful melody for concert band contains all the elements of the original orchestral version that has moved orchestral concert patrons for over a century. Expert scoring and careful orchestration techniques will ensure success with all ensembles. We think this outstanding arrangement will become a concert band classic for many years to come. Our highest recommendation!

Concert Band; Orchestra 0.2.2.2: 2.0.0.0: Timp: Str (4-4-3-3-3): Solo Soprano: Mix Chorus

SKU: AP.36-A464991

Composed by Felix Mendelssohn/ Libretto by William Bartholomew after Psalm 55. Cantata/ Oratorio, Orchestra Accompaniment, VS. Kalmus Choral Library. Score. LudwigMasters Publications #36-A464991. Published by LudwigMasters Publications (AP.36-A464991).

ISBN 9798892700023. UPC: 659359968167. English.

While Felix Mendelssohn (1809-1847) modestly refers to Hear My Prayer (Hör' mein Bitten) in G Major, WoO 15, as a trifle, it is among his most popular works for chorus. On the autograph score, he inscribed the following: A sacred Solo, for a Soprano and Chorus, with Organ accompaniment, composed for W. Bartholomew, Esq., by Felix Mendelssohn Bartholdy. William Bartholomew wrote the text, which is derived on Psalm 55, and requested that Mendelssohn set it to music. This version premiered on January 8, 1845, at Crosby Hall in London. In 1847, Mendelssohn orchestrated the work, but he passed before he could hear this version, which premiered on December 21, 1848, in Dublin. Score and parts for orchestral accompaniment available separately. This edition adds reheasal numbers that match between the score, parts, and choral score.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Orchestra

SKU: AP.12-0571522386

Composed by Nicholas Maw. Full Orchestra; Masterworks; Performance Music Ensemble; Single Titles. Faber Edition. Form: Suite. 20th Century; Masterwork. Score. Faber Music #12-0571522386. Published by Faber Music (AP.12-0571522386).

ISBN 9780571522385. English.

The first performance of the opera Sophie's Choice was given at the Royal Opera House, Covent Garden, London on December 7, 2002, conducted by Sir Simon Rattle and directed by Trevor Nunn. The Concert Suite from Sophie's Choice was written for the Peabody Institute. The first performance was given by the Peabody Symphony Orchestra with mezzo-soprano Elizabeth Healy, conducted by Hajime Teri Murai, at the Peabody Institute, Baltimore on April 24, 2004. The suite is a direct transcription by the composer from the orchestral music of the opera. The mezzo-soprano aria may be omitted.

Composed by Hankus Netsky. For Concert Band (Score and Parts). BandQuest. Grade 3. Published by BandQuest

Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Horn 3, Horn 4, Oboe, Percussion 1, Percussion 2, Piccolo, Snare Drum, Timpani, Triangle, Trombone 1 and more. - Grade 5

SKU: CF.SPS78

Composed by Victor Herbert. Symphonic Band (SPS). Set of Score and Parts. With Standard notation. 3+12+12+6+6+3+12+24+24+6+ 6+8+8+6+6+9+18+18+27+8+8+ 8+8+9+9+9+9+12+3+6+6+40+6 pages. Duration 7:37. Carl Fischer Music #SPS78. Published by Carl Fischer Music (CF.SPS78).

ISBN 9781491152553. UPC: 680160910052. Key: Bb major.

Festival March is presented in a new edition arranged by Richard Summers. It is a tour de force composition for advanced bands and hearkens back to a bygone era during the golden age of the band movement. Directors and students will hear operatic music from composer Victor Herbert who is best known for his Christmas classic, Toyland. This is a richly scored masterpiece that deserves to return to standard status in concert band repertoire. We are proud to bring you this new setting of this cherished classic.
Festival March by Victor Herbert was written for the Pittsburgh Symphony and first performed under Herbert’s direction in Chicago on Dec. 9, 1901 celebrating the 12th anniversary of Chicago’s Auditorium Theatre. Also known as the Auditorium Festival March, he included it many times for programs of a festival nature. The main theme Auld Lang Syne, a famous Scottish folk song, is incorporated many times along with brass fanfares, interludes and march melodies. This band arrangement is very similar to the original orchestral composition. The missing string parts, the addition of the saxophone section and other band instruments, editing of the superimposed triplets against sixteenth notes, to one or the other, and articulations suitable for the band, were major challenges. The style of early twentieth-century American music is captured here. This arrangement will give band musicians access to a fine piece of music that could only be appreciated by orchestra musicians up to now. Although suitable for many occasions, this piece is a great way to begin or end a December holiday concert.  Notes to the ConductorVictor Herbert’s music can be interpreted in a romantic style, which is the conductor’s responsibility to read in nuance and musicality. The beginning and other triple-tonguing sections of this piece have a March of the Toys quality to it.  The interludes and Auld Lang Syne sections are legato and musical. The March sections can also be shaped musically.About the ComposerVictor Herbert was born in Ireland in 1861 and raised in Germany. When he moved to America in 1886, he joined the Metropolitan Opera as principal cellist and eventually composed many works including forty-three operettas on Broadway from the 1890s to World War I, including Naughty Marietta and Babes in Toyland. Victor Herbert conducted the Pittsburgh Symphony from 1898 to 1904 and then was the conductor of his own Victor Herbert Orchestra. He formed ASCAP with a group of composers in 1914 and was the director until his death in 1924. Among his thirty-one compositions for orchestra, Festival March was a favorite of his and was eventually published by Carl Fischer Music.  .

Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Horn 3, Horn 4, Oboe, Percussion 1, Percussion 2, Piccolo, Snare Drum, Timpani, Triangle, Trombone 1 and more. - Grade 5

SKU: CF.SPS78F

Composed by Victor Herbert. Symphonic Band (SPS). Full score. With Standard notation. 40 pages. Carl Fischer Music #SPS78F. Published by Carl Fischer Music (CF.SPS78F).

ISBN 9781491153239. UPC: 680160910731.

Festi val March is presented in a new edition arranged by Richard Summers. It is a tour de force composition for advanced bands and hearkens back to a bygone era during the golden age of the band movement. Directors and students will hear operatic music from composer Victor Herbert who is best known for his Christmas classic, Toyland. This is a richly scored masterpiece that deserves to return to standard status in concert band repertoire. We are proud to bring you this new setting of this cherished classic.
About the CompositionFestival March by Victor Herbert was written for the Pittsburgh Symphony and first performed under Herbert’s direction in Chicago on Dec. 9, 1901 celebrating the 12th anniversary of Chicago’s Auditorium Theatre. Also known as the Auditorium Festival March, he included it many times for programs of a festival nature. The main theme Auld Lang Syne, a famous Scottish folk song, is incorporated many times along with brass fanfares, interludes and march melodies. This band arrangement is very similar to the original orchestral composition. The missing string parts, the addition of the saxophone section and other band instruments, editing of the superimposed triplets against sixteenth notes, to one or the other, and articulations suitable for the band, were major challenges. The style of early twentieth-century American music is captured here. This arrangement will give band musicians access to a fine piece of music that could only be appreciated by orchestra musicians up to now. Although suitable for many occasions, this piece is a great way to begin or end a December holiday concert.  Notes to the ConductorVictor Herbert’s music can be interpreted in a romantic style, which is the conductor’s responsibility to read in nuance and musicality. The beginning and other triple-tonguing sections of this piece have a March of the Toys quality to it.  The interludes and Auld Lang Syne sections are legato and musical. The March sections can also be shaped musically.About the ComposerVictor Herbert was born in Ireland in 1861 and raised in Germany. When he moved to America in 1886, he joined the Metropolitan Opera as principal cellist and eventually composed many works including forty-three operettas on Broadway from the 1890s to World War I, including Naughty Marietta and Babes in Toyland. Victor Herbert conducted the Pittsburgh Symphony from 1898 to 1904 and then was the conductor of his own Victor Herbert Orchestra. He formed ASCAP with a group of composers in 1914 and was the director until his death in 1924. Among his thirty-one compositions for orchestra, Festival March was a favorite of his and was eventually published by Carl Fischer Music.  .

Arranged by Michael Brown. (Score & Parts). Score and full set of parts. Young Band (Concert Band). Grade 3. Published by Hal Leonard.