Sands of the Sahara Orchestre d'harmonie [Conducteur] - Facile Opus III Wind Orchestra Publications
Concert band - Grade 3 SKU: CL.012-4119-75 Composed by Neeck. Concert Ban...(+)
Concert band - Grade 3
SKU:
CL.012-4119-75
Composed by Neeck.
Concert Band. Concert
Band Series. Audio
recording available
separately (item
CL.WFR375). Oversized,
spiral-bound score.
Composed 2012. Duration 4
minutes, 33 seconds. Opus
III Wind Orchestra
Publications
#012-4119-75. Published
by Opus III Wind
Orchestra Publications
(CL.012-4119-75).
Sands of the
Sahara paints a
breathtaking and dramatic
picture of the
desolation, intrigue,
culture, and storied
history of the north
Africa landscape. At the
start, special percussion
effects mimic the sounds
of the wind, while a
mysterious, faraway flute
melody calls to mind an
oasis in the desert.
Abruptly, a bold theme is
introduced by the full
band, and leads to the
driving rhythms and
exotic themes that
further propel and
sustain the rest of the
piece. Concluding, the
introduction is briefly
restated, and the piece
ends in a stunning
tour-de-force of color
and intensity. Perfect
for concert or contest,
Sands of the Sahara will
showcase your entire band
with excitement and
enthusiasm.
Sands of the Sahara Orchestre d'harmonie [Conducteur] - Facile Opus III Wind Orchestra Publications
Concert band - Grade 3 SKU: CL.012-4119-01 Composed by Neeck. Concert Ban...(+)
Concert band - Grade 3
SKU:
CL.012-4119-01
Composed by Neeck.
Concert Band. Concert
Band Series. Audio
recording available
separately (item
CL.WFR375). Extra full
score. Composed 2012.
Duration 4 minutes, 33
seconds. Opus III Wind
Orchestra Publications
#012-4119-01. Published
by Opus III Wind
Orchestra Publications
(CL.012-4119-01).
Sands of the
Sahara paints a
breathtaking and dramatic
picture of the
desolation, intrigue,
culture, and storied
history of the north
Africa landscape. At the
start, special percussion
effects mimic the sounds
of the wind, while a
mysterious, faraway flute
melody calls to mind an
oasis in the desert.
Abruptly, a bold theme is
introduced by the full
band, and leads to the
driving rhythms and
exotic themes that
further propel and
sustain the rest of the
piece. Concluding, the
introduction is briefly
restated, and the piece
ends in a stunning
tour-de-force of color
and intensity. Perfect
for concert or contest,
Sands of the Sahara will
showcase your entire band
with excitement and
enthusiasm.
Composed by Philip
Sparke. Anglo Music
Concert Band. Concert
Piece. Set (Score &
Parts). Composed 2013.
Anglo Music Press
#AMP358010. Published by
Anglo Music Press
(HL.44012270).
UPC:
888680057657.
English-German-French-Dut
ch.
Looking Up,
Moving On was
commissioned by the Tokyo
Kosei Wind Orchestra and
featured in their concert
programme in their May
2012 tour, which took in
many areas destroyed by
the earthquake and
tsunami in 2011. The
timeless message of
thismoving work is the
belief in the tremendous
capacity of humankind to
recover from such
disasters and look
optimistically to the
future.
Looking Up,
Moving On was
commissioned by the Tokyo
Kosei Wind Orchestra and
featured in their concert
programme in their May
2012 tour, which took in
many areas destroyed by
the earthquake and
tsunami in
2011.
The timeless
message of this moving
work is the belief in the
tremendous capacity of
humankind to recover from
such disasters and look
optimistically to the
future.
Looking Up,
Moving On is
gecomponeerd in opdracht
van het Tokyo Kosei Wind
Orchestra. Het werk
maakte deel uit van een
programma uit mei 2012,
dat werd uitgevoerd
tijdens een tournee
waarbij veel regios
werden bezocht die waren
verwoest doorde
aardbeving en tsunami van
2011. Het tijdloze thema
van dit treffende werk is
het buitengewone vermogen
van de mens om dergelijke
rampen te boven te komen
en de toekomst met
optimisme tegemoet te
zien.
Looking
Up, Moving Down wurde
vom Tokyo Kosei Wind
Orchestra in Auftrag
gegeben und war Teil des
Konzertprogramms einer
Tour im Mai 2012, die
auch viele Gebiete
einschloss, die vom
Erdbeben und Tsunami im
Jahr 2011 zerstort worden
waren. Diezeitlose
Botschaft dieses
bewegenden Werkes ist der
Glaube an die gewaltige
Fahigkeit des Menschen,
uber solche Katastrophen
hinwegzukommen und
optimistisch in die
Zukunft zu
blicken.
Lookin
g Up, Moving On est
une commande du Tokyo
Kosei Wind Orchestra.
Cette piece faisait
partie du programme de la
tournee effectuee par
l'orchestre en mai 2012,
qui s'est produit dans de
nombreuses regions
devastees par le
tremblement deterre et le
tsunami de 2011. La
composition a pour theme
l'immense capacite
humaine a surmonter de
telles catastrophes et
envisager l'avenir de
facon
positive.
Looki
ng Up, Moving On e
stata commissionata dalla
Tokyo Kosei Wind
Orchestra e faceva parte
del programma del
concerto di un tour del
maggio 2012 che
comprendeva diverse zone
colpite nel 2011 dal
terremoto e dallo
tsunami. Il messaggio
sempreattuale di questa
toccante opera e il
credere nella grandiosa
capacita dell'uomo di
superare tali catastrofi
e di guardare al futuro
con ottimismo.
Olympia Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant FJH
By Brian Balmages. Arranged by Brian Balmages. Beginning Band. FJH Beginning Ban...(+)
By Brian Balmages.
Arranged by Brian
Balmages. Beginning Band.
FJH Beginning Band. This
fanfare captures the
spirit of Olympia, the
birthplace of the Olympic
Games. The Games began in
776 B.C. In honor of
Zeus. Since then, they
have become the central
location for heroes and
champions to compete for
the highest honors in the
world. This work also
serves as a reminder that
heroes are all around us
- in teachers who stay
after school to help
students, in parents who
strive to give their
children the best
possible lives, and most
of all in students
themselves, the young
champions of our world
who see nothing between
them and their dreams.
The mallet part calls for
multiple sets of bells
(or other metallic
instruments such as the
vibraphone). Certainly,
two to three players can
really make this an
effective part. There are
two Percussion 1 parts
included: a normal part
and an advanced part. The
level of the snare
drummer will determine
which part should be
used. However, both parts
may be used
simultaneously if
percussionists are
available. Score for this
title: B1270S. Extra part
for this title: B1270P.
Concert Band. Level: 1.
Score and Set of Parts.
Published by The FJH
Music Company Inc.
From
'The Childhood of
Christ'. Composed by
Geoffrey Brand. Arranged
by Geoffrey Brand. Band
Music. Score only.
Duration 5:15. Published
by G & M Brand Music
Publishers (CN.S11260).
Geoffrey
Brand's arrangement of
Berlioz's Shepherds'
Farewell form L'Enfance
du Christ is restrained,
delicate, and
contemplative. In this
arrangement for small
wind orchestra, the
instruments are called
upon to display their
softer persuasive sounds
in order to retain the
sensitive nature of this
tender
music.
L'Enfance
du Christ (The Childhood
of Christ), written
between 1850 and 1854, is
the nearest that Berlioz
got to writing an
oratorio. It is in three
parts; he called it a
'sacred trilogy.'
Throughout, the music is
restrained, delicate, and
contemplative. In its
original version, The
Shepherds' Farewell is
scored for chorus
accompanied by two oboes,
two clarinets, and
strings. With these
selected colors, Berlioz
achieves a masterpiece of
delicacy and serenity. In
this arrangement for
small wind orchestra
without chorus, the wind
instruments are called
upon to display their
softer persuasive sounds
in order to retain the
sensitive nature of this
tender music. This
arrangement may be used
with chorus utilizing the
original chorus parts.
The key is one half tone
lower than the original
setting.
Composed by
Ed Kiefer. Concert Band
(CPS). Set of Score and
Parts. With Standard
notation.
8+8+4+8+16+16+4+4+4+4+4+4
+8+8+8+4+4+6+6+6+8+2+2+1+
12+2+1+36+4 pages.
Duration 5 minutes, 19
seconds. Carl Fischer
Music #CPS222. Published
by Carl Fischer Music
(CF.CPS222).
ISBN
9781491152485. UPC:
680160909988.
From
the call of the open seas
to the wistful dance
section, this piece will
open the imagination of
your students and
audiences. Â Very
playable by young bands,
the piece features a
short opening ostinato
that develops into a tone
cluster and leads to
the ominous sounds of the
brass and percussion,
which depict the slow
lumbering ship on the
dangerous, open waters.
The piece continues
through a more lyrical
second section before a
dramatic return of the
opening material to close
out this contest/festival
style piece. From the
call of the open seas to
the wistful dance
section, this piece will
open the imagination of
your students and
audiences. Very playable
by young bands, the piece
features a short opening
ostinato that develops
into a tone cluster. This
leads to the ominous
sounds of the brass and
percussion, which depict
the slow lumbering ship
on the dangerous, open
waters. After a quickly
paced melody in the low
register for the
clarinets, the piece
gives way to an exciting
tutti section that
features horns and saxes
on an answering
countermelody.The second
section is a dance that
starts with low reeds and
a flute solo, but
develops into a full band
Spanish-sounding dance,
with melody in many
different places. The
recap is a reverse of the
beginning section and
again loosely represents
the danger of life on the
high seas.The short
ostinato that is used at
the beginning and in some
transitional moments is
based on the beginning
notes of Irish Tune from
County Derry, a favorite
of J. C. Sykes, who this
piece honors. Mr. Sykes
gave a lifetime to
teaching music to band
students in North
Carolina. The first four
notes in clarinet 1, the
first four in flute 1 and
the first four in
clarinet 2 make up the
first phrase from that
beautiful melody. Just
something to get students
thinking about
composition in a new
way.
Composed
by Ed Kiefer. Concert
Band (CPS). Full score.
With Standard notation.
36 pages. Carl Fischer
Music #CPS222F. Published
by Carl Fischer Music
(CF.CPS222F).
ISBN
9781491153161. UPC:
680160910663.
From
the call of the open seas
to the wistful dance
section, this piece will
open the imagination of
your students and
audiences. Â Very
playable by young bands,
the piece features a
short opening ostinato
that develops into a tone
cluster and leads to
the ominous sounds of the
brass and percussion,
which depict the slow
lumbering ship on the
dangerous, open waters.
The piece continues
through a more lyrical
second section before a
dramatic return of the
opening material to close
out this contest/festival
style piece. From the
call of the open seas to
the wistful dance
section, this piece will
open the imagination of
your students and
audiences. Very playable
by young bands, the piece
features a short opening
ostinato that develops
into a tone cluster. This
leads to the ominous
sounds of the brass and
percussion, which depict
the slow lumbering ship
on the dangerous, open
waters. After a quickly
paced melody in the low
register for the
clarinets, the piece
gives way to an exciting
tutti section that
features horns and saxes
on an answering
countermelody.The second
section is a dance that
starts with low reeds and
a flute solo, but
develops into a full band
Spanish-sounding dance,
with melody in many
different places. The
recap is a reverse of the
beginning section and
again loosely represents
the danger of life on the
high seas.The short
ostinato that is used at
the beginning and in some
transitional moments is
based on the beginning
notes of Irish Tune from
County Derry, a favorite
of J. C. Sykes, who this
piece honors. Mr. Sykes
gave a lifetime to
teaching music to band
students in North
Carolina. The first four
notes in clarinet 1, the
first four in flute 1 and
the first four in
clarinet 2 make up the
first phrase from that
beautiful melody. Just
something to get students
thinking about
composition in a new
way.
Hill Street Blues Orchestre d'harmonie [Conducteur] - Intermédiaire Molenaar Edition
(Theme '81). By M. Post. Arranged by Marcel Peeters. For Concert Band. Selection...(+)
(Theme '81). By M. Post.
Arranged by Marcel
Peeters. For Concert
Band. Selections of
Opera/Musical/Movies/TV /
Arrangements of Modern
Light Music / TV. Movie
and Musical. Grade 4.
Score. Published by
Molenaar Edition .
Score.
Concert Band. Classics
Series. Audio recording
available separately
(items CL.WFR102 &
CL.WFR184). Oversized,
spiral-bound score.
Composed 1992. Duration 7
minutes, 35 seconds. Opus
III Wind Orchestra
Publications
#012-2442-75. Published
by Opus III Wind
Orchestra Publications
(CL.012-2442-75).
A powerful work
that recounts the
magnificent story of four
U.S. Army Chaplains who
heroically sacrificed
their lives during World
War II. The Light Eternal
is based on the
well-known hymn, God Of
Our Fathers, and is
filled with an abundance
of musical inventiveness
that will produce a
startling emotional
impact on the listener.
Audiences will be
overwhelmed!
About C.L.
Barnhouse Classics
Series
Und
er the editorial
supervision of Dr. Alfred
Reed, these classics from
master composers have
been adapted and arranged
for concert band. A
perfect way to acquaint
concert band performers
and audiences with some
of the greatest classical
music of all time!
Golden Peak Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1196201-010 Composed by Thier...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1196201-010
Composed by Thierry
Deleruyelle. Concert and
Contest Collection CBHA.
Concert Piece. Set (Score
& Parts). Composed 2019.
De Haske Publications
#DHP 1196201-010.
Published by De Haske
Publications
(BT.DHP-1196201-010).
English-German-French-
Dutch.
Golden
Peak is a concert
piece that takes us deep
into the world of
volcanoes of the Auvergne
in central France. They
are dormant volcanoes
whose origins date back
from 7,000 to over 65
million years ago. Among
the most well-known are
the 80 volcanoes of the
Chaîne des Puys, a
spectacular natural
environment ranking among
the most fascinating
landscapes in the world.
The title of this dynamic
and rhythmic piece is a
reference to the local
spa town of Mont-Dore and
calls upon all sections
of the orchestra. The
central theme is very
mellow yet riveting and
the music depicts both
the dynamism and
tranquillity of the
region.
Golden
Peak is een
concertwerk dat ons
meeneemt naar een
vulkanische wereld: die
van de Auvergne in het
midden van Frankrijk. De
vulkanen daar zijn
slapende; hun oorsprong
gaat terug naar 7000 tot
meer dan 65 miljoen jaar
geleden. Tot de bekendste
behoren de tachtig
vulkanen van de Chaîne
des Puys, een uniek
natuurgebied dat tot de
boeiendste landschappen
van de wereld behoort. De
titel van deze dynamische
en ritmische compositie
verwijst naar de plaats
Mont-Dore aldaar. Het
werk doet een beroep op
alle secties in het
orkest. Het centrale
thema is mild en tegelijk
meeslepend, en verder
beschrijft de muziek
zowel de vitaliteit als
de rust van de
streek.
Golden
Peak ist ein
Konzertstück, das uns
tief in die Welt der
Vulkane in der Auvergne
in Mittelfrankreich
entführt. Es handelt
sich um erloschene
Vulkane, deren
Ursprünge zwischen
7.000 bis 65 Millionen
Jahren vor unserer Zeit
liegen. Zu den
bekanntesten gehören
die 80 Vulkane der
Chaîne des Puys, eine
spektakuläre Gegend,
die zu den
faszinierendsten
Landschaften der Welt
zählt. Der Titel
dieses dynamischen und
rhythmischen Stücks,
in dem alle
Instrumentengruppen des
Orchesters verwendet
werden, bezieht sich auf
die Kurstadt Mont-Dore.
Das zentrale Thema ist
sehr sanft und voller
Emotionen und die Musik
beschreibt sowohl die
Betriebsamkeit als auch
die Ruhe dieserRegion.
Golden Peak Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1196201-140 Composed by Thier...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1196201-140
Composed by Thierry
Deleruyelle. Concert and
Contest Collection CBHA.
Concert Piece. Score
Only. Composed 2019. 31
pages. De Haske
Publications #DHP
1196201-140. Published by
De Haske Publications
(BT.DHP-1196201-140).
English-German-French-
Dutch.
Golden
Peak is a concert
piece that takes us deep
into the world of
volcanoes of the Auvergne
in central France. They
are dormant volcanoes
whose origins date back
from 7,000 to over 65
million years ago. Among
the most well-known are
the 80 volcanoes of the
Chaîne des Puys, a
spectacular natural
environment ranking among
the most fascinating
landscapes in the world.
The title of this dynamic
and rhythmic piece is a
reference to the local
spa town of Mont-Dore and
calls upon all sections
of the orchestra. The
central theme is very
mellow yet riveting and
the music depicts both
the dynamism and
tranquillity of the
region.
Golden
Peak is een
concertwerk dat ons
meeneemt naar een
vulkanische wereld: die
van de Auvergne in het
midden van Frankrijk. De
vulkanen daar zijn
slapende; hun oorsprong
gaat terug naar 7000 tot
meer dan 65 miljoen jaar
geleden. Tot de bekendste
behoren de tachtig
vulkanen van de Chaîne
des Puys, een uniek
natuurgebied dat tot de
boeiendste landschappen
van de wereld behoort. De
titel van deze dynamische
en ritmische compositie
verwijst naar de plaats
Mont-Dore aldaar. Het
werk doet een beroep op
alle secties in het
orkest. Het centrale
thema is mild en tegelijk
meeslepend, en verder
beschrijft de muziek
zowel de vitaliteit als
de rust van de
streek.
Golden
Peak ist ein
Konzertstück, das uns
tief in die Welt der
Vulkane in der Auvergne
in Mittelfrankreich
entführt. Es handelt
sich um erloschene
Vulkane, deren
Ursprünge zwischen
7.000 bis 65 Millionen
Jahren vor unserer Zeit
liegen. Zu den
bekanntesten gehören
die 80 Vulkane der
Chaîne des Puys, eine
spektakuläre Gegend,
die zu den
faszinierendsten
Landschaften der Welt
zählt. Der Titel
dieses dynamischen und
rhythmischen Stücks,
in dem alle
Instrumentengruppen des
Orchesters verwendet
werden, bezieht sich auf
die Kurstadt Mont-Dore.
Das zentrale Thema ist
sehr sanft und voller
Emotionen und die Musik
beschreibt sowohl die
Betriebsamkeit als auch
die Ruhe dieserRegion.
Concert band - Grade 2 SKU: CL.011-4412-01 Young Concert Band. Command Se...(+)
Concert band - Grade 2
SKU:
CL.011-4412-01
Young
Concert Band. Command
Series. Audio recording
available separately
(item CL.WFR385). Extra
full score. Composed
2015. Duration 2 minutes,
29 seconds. C.L.
Barnhouse #011-4412-01.
Published by C.L.
Barnhouse
(CL.011-4412-01).
History is the
hook in this composition
that, from start to
finish, is full of
non-stop excitement. The
use of one’s vivid
imagination is a great
tool for inspiration.
Following the first
reading of this work,
your students will
undoubtedly want to raise
their hands and, when
called upon,
enthusiastically share
their interpretation as
to the meaning of the
music. This piece also
provides a wonderful
opportunity to introduce
the musical understanding
of a fugue. Well crafted
and fun to perform!
About C.L.
Barnhouse Command
Series
The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content.
Grade 2 - Score
Only. Composed by
Mike Hannickel. Curnow
Music Concert Band.
Concert. 15 pages. Curnow
Music #89305140.
Published by Curnow Music
(HL.44005218).
UPC:
073999574685. 8.5x11
inches.
Most
second-year bands have
some clarinet players who
are comfortable above the
break and others who are
not. By staying below the
break throughout, this
light and spirited
clarinet section feature
lets you give the entire
section a bit of the
limelight. It's a perfect
vehicle to help your
clarinet section learn to
shape a phrase, and the
cheerful melody lets you
program the piece
anywhere you like. It's
also a good selection to
use to take the pressure
off of the brass before a
particularly taxing major
work. Remind the
critically important
clarinet section that you
value their efforts as
much as any other
section. Breezy!
Concert Band - Grade 3 SKU: AP.38373 Featuring: Forget You / Don't Sto...(+)
Concert Band - Grade 3
SKU: AP.38373
Featuring: Forget You
/ Don't Stop
Believin'. Composed
by Ari Levine,
Christopher Brown, Don't
Stop Believin': Jonathan
Cain, Neal Schon, Peter
Hernandez, Philip
Lawrence, Steve Perry,
and Thomas Cee Lo
Callaway. Arranged by
Patrick Roszell. Concert
Band; Performance Music
Ensemble; Single Titles.
Pop Concert Band. Pop.
Score and Part(s). 242
pages. Duration 3:30.
Alfred Music #00-38373.
Published by Alfred Music
(AP.38373).
UPC:
038081441269. English.
Forget You: Words; music
by Christopher Brown;
Peter Hernandez; Ari
Levine; Philip Lawrence;
Thomas Cee Lo Callaway;
Don't Stop Believin':
Words; music by Jonathan
Cain; Neal Schon; Steve
Perry.
Cee Lo
Green's Forget You and
Journey's Don't Stop
Believin' collide in this
exciting Mash-Up
reminiscent of the
popular television show
Glee. This arrangement
presents an exhilarating
performance opportunity
for your outstanding
trumpet and trombone
soloists and provides an
entertaining experience
for bands and audiences
alike. Building on the
Mash-Up concept, the two
tunes are joined as one
in the show-stopping
arrangement. (3:30).
The Snake Pit Orchestre d'harmonie - Débutant Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Cabasa, China Cymbal, Clarinet 1, Clarin...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Cabasa,
China Cymbal, Clarinet 1,
Clarinet 2, Congas,
Cowbell, Euphonium,
Euphonium T.C., Flute,
Flute 2, Glockenspiel,
Gong, Horn, Mallet
Percussion, Maracas,
Oboe, Percussion 1,
Percussion 2, Snare Drum
and more. - Grade 1.5
SKU: CF.FPS151
Composed by Tyler Arcari.
First Plus Band (FPS).
Set of Score and Parts.
With Standard notation.
8+2+4+4+2+5+2+2+4+4+4+6+3
+1+1+3+6+12+2 pages.
Duration 1 minute, 36
seconds. Carl Fischer
Music #FPS151. Published
by Carl Fischer Music
(CF.FPS151).
ISBN
9781491152119. UPC:
680160909612.
Every
one remembers the first
time that they saw a
snake. Though fascinating
to some and terrifying to
others, few animals are
as universally
mesmerizing. Composer
Tyler Arcari has crafted
a very fun piece making
use of auxiliary
percussion instruments to
emulate a snake's hiss or
ominous rattle. With very
strong and interesting
melodic material, and
scored to make a
developing band sound
great, this piece is sure
to be a favorite among
students. Everyone
remembers the first time
that they saw a snake.
The majority of people
have a base fear of them,
while others have a
“heebie-jeebiesâ
experience. We all
know how the great
explorer Dr. Indiana
Jones felt about snakes,
especially when he
famously fell into a
snake pit during Raiders
of the Lost Ark. However
you feel about snakes, a
pit of them certainly
sounds like an
adventure.About the
work:Snake Pit uses a lot
of auxiliary percussion
instruments. Some of
these sounds are intended
to subtly mimic the
sounds that snakes make.
The maraca in m. 4, of
course, is a
rattler’s call!
The Chinese cymbal is
intended to sound like
the “hiss†of
a not-so-friendly
serpent. The eighth-note
pattern at m. 9 is used
throughout as a
“creepyâ€
effect using dynamic
contrast so take care to
emphasize this when
present.I enjoy the gong
as a “colorâ€
instrument in the band. I
try to balance it with
the low brass. Take care
that at m. 42 the gong is
not “front-and
center†but more of
a support for the nice
accented chords in the
low brass. Also, the
trumpets can become
spaced too much here. The
accents are more for
emphasis and less
space.
The Snake Pit Orchestre d'harmonie [Conducteur] - Débutant Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Cabasa, China Cymbal, Clarinet 1, Clarin...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Cabasa,
China Cymbal, Clarinet 1,
Clarinet 2, Congas,
Cowbell, Euphonium,
Euphonium T.C., Flute,
Flute 2, Glockenspiel,
Gong, Horn, Mallet
Percussion, Maracas,
Oboe, Percussion 1,
Percussion 2, Snare Drum
and more. - Grade 1.5
SKU: CF.FPS151F
Composed by Tyler Arcari.
First Plus Band (FPS).
Full score. With Standard
notation. 12 pages. Carl
Fischer Music #FPS151F.
Published by Carl Fischer
Music (CF.FPS151F).
ISBN 9781491152799.
UPC:
680160910298.
Every
one remembers the first
time that they saw a
snake. Though fascinating
to some and terrifying to
others, few animals are
as universally
mesmerizing. Composer
Tyler Arcari has crafted
a very fun piece making
use of auxiliary
percussion instruments to
emulate a snake's hiss or
ominous rattle. With very
strong and interesting
melodic material, and
scored to make a
developing band sound
great, this piece is sure
to be a favorite among
students. Everyone
remembers the first time
that they saw a snake.
The majority of people
have a base fear of them,
while others have a
“heebie-jeebiesâ
experience. We all
know how the great
explorer Dr. Indiana
Jones felt about snakes,
especially when he
famously fell into a
snake pit during Raiders
of the Lost Ark. However
you feel about snakes, a
pit of them certainly
sounds like an
adventure.About the
work:Snake Pit uses a lot
of auxiliary percussion
instruments. Some of
these sounds are intended
to subtly mimic the
sounds that snakes make.
The maraca in m. 4, of
course, is a
rattler’s call!
The Chinese cymbal is
intended to sound like
the “hiss†of
a not-so-friendly
serpent. The eighth-note
pattern at m. 9 is used
throughout as a
“creepyâ€
effect using dynamic
contrast so take care to
emphasize this when
present.I enjoy the gong
as a “colorâ€
instrument in the band. I
try to balance it with
the low brass. Take care
that at m. 42 the gong is
not “front-and
center†but more of
a support for the nice
accented chords in the
low brass. Also, the
trumpets can become
spaced too much here. The
accents are more for
emphasis and less
space.
No Woman, No Cry Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Music Sales
Concert Band/Harmonie/Fanfare Band - Grade 1.5 SKU: BT.1518-07-015-MS Com...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 1.5
SKU:
BT.1518-07-015-MS
Composed by Vincent Ford.
Arranged by Peter Kleine
Schaars. Flexible 5
Series. Pop & Rock. Set
(Score & Parts). Composed
2008. Music Sales
#1518-07-015 MS.
Published by Music Sales
(BT.1518-07-015-MS).
9x12 inches.
English-German-French-Dut
ch.
This well-known
reggae song was a great
hit for the Jamaican
group Bob Marley and The
Wailers in the live
version of 1975. It was
written by Bob Marley
himself, but he had it
attributed to a man
called Vincent Ford, a
friend of his - who could
keep running his soup
kitchen in Trenchtown
with the royalties. No
Woman, No Cry is still a
classic within pop music.
This arrangement for a
variable four-part
line-up was written by
Peter Kleine Schaars, who
has produced many more
successful arrangements
of popular
hits.
Dit bekende
reggaenummer was in de
liveversie van 1975 een
grote hit voor de
Jamaicaanse groep Bob
Marley and The Wailers.
Het werd door Bob Marley
zelf geschreven, maar hij
liet het officieel
toeschrijven aan ene
Vincent Ford, eenvriend
van hem - die met de
royalty’s zijn
gaarkeuken in Trenchtown
draaiende kon houden.
No Woman, No Cry
is nog altijd een
klassieker binnen de
popmuziek. Dit
arrangement voor een
variabele vierstemmige
bezetting is vande hand
van Peter Kleine Schaars,
die al meer succesvolle
bewerkingen van populaire
hits op zijn naam heeft
staan.
Dieser
berühmte Reggae-Song
war ein Riesenhit der
jamaikanischen Gruppe Bob
Marley and The Wailers im
Jahr 1975. Geschrieben
wurde es von Bob Marley
selbst, der es jedoch
einem Freund namens
Vincent Ford zuschrieb -
dieser konnte mit den
Tantiemen seine
Suppenküche in
Trenchtown finanzieren.
No Woman, No Cry
ist noch immer ein
Klassiker der Popmusik.
Diese Bearbeitung für
eine fünfstimmig
variable Besetzung stammt
aus der Feder von Peter
Kleine Schaars, der schon
zahlreiche erfolgreiche
Pophit-Arrangements
produziert hat.
Concert Band (SCORE+PARTS) SKU: HL.4007266 Composed by Philip Sparke. Ang...(+)
Concert Band
(SCORE+PARTS)
SKU:
HL.4007266
Composed
by Philip Sparke. Anglo
Music Concert Band.
Concert. Hardcover.
Duration 240 seconds.
Anglo Music Press
#032793. Published by
Anglo Music Press
(HL.4007266).
UPC:
840126992021.
Guard
ians of the Waves was
commissioned by the Japan
Coast Guard Band to
celebrate their 30th
anniversary in 2018. They
gave the premiere as part
of a 30th anniversary
concert on November 8th
that year. Set in
traditional march form,
Guardians of the Waves
opens with a short,
introduction, which leads
to the main theme, played
initially by the brass
and then repeated with a
florid woodwind descant.
The theme is extended and
morphs into a second
theme, first played tutti
and then quietly repeated
by bassoon, tenor sax and
euphonium. This leads to
a conventional 'bass
strain', played twice
with varying
accompaniments. A quieter
trio section follows,
delicately scored and
featuring the tenor
instruments and the band.
Taken up by the full
band, this leads back to
a recall of the
introduction and a return
to the main two themes,
which lead to a triumphal
close.
Concert Band (SCORE) - Level 3.5 SKU: HL.4007267 Composed by Philip Spark...(+)
Concert Band (SCORE) -
Level 3.5
SKU:
HL.4007267
Composed
by Philip Sparke. Anglo
Music Concert Band.
Concert. Hardcover.
Duration 240 seconds.
Anglo Music Press
#032793. Published by
Anglo Music Press
(HL.4007267).
UPC:
840126992038.
Guard
ians of the Waves was
commissioned by the Japan
Coast Guard Band to
celebrate their 30th
anniversary in 2018. They
gave the premiere as part
of a 30th anniversary
concert on November 8th
that year. Set in
traditional march form,
Guardians of the Waves
opens with a short,
introduction, which leads
to the main theme, played
initially by the brass
and then repeated with a
florid woodwind descant.
The theme is extended and
morphs into a second
theme, first played tutti
and then quietly repeated
by bassoon, tenor sax and
euphonium. This leads to
a conventional 'bass
strain', played twice
with varying
accompaniments. A quieter
trio section follows,
delicately scored and
featuring the tenor
instruments and the band.
Taken up by the full
band, this leads back to
a recall of the
introduction and a return
to the main two themes,
which lead to a triumphal
close.
Band Concert Band SKU: PR.11540431S Composed by Stacy Garrop. Study Score...(+)
Band Concert Band
SKU:
PR.11540431S
Composed
by Stacy Garrop. Study
Score. 64 pages. Duration
18 minutes. Theodore
Presser Company
#115-40431S. Published by
Theodore Presser Company
(PR.11540431S).
UPC:
680160689750.
The
first time I saw an
alpenglow, I had no idea
what it was. It was the
late 1980s, and I was at
a music camp at the base
of theRocky Mountain
National Park in
Colorado. A few of us got
up in the middle of the
night so we could hike to
a vantage pointat the
foot of Longs Peak, to
watch the sun rise
without any trees
obstructing our view.
Even though we had a few
moreminutes to go before
the sun breached the
horizon, when I looked up
at the face of Longs
Peak, it was glowing
intensely with amost
beautiful peach-pink
color. This enchanting
vision lasted only about
ten minutes, after which
the color faded as the
sunrose. Throughout the
next thirty years,
whenever I returned to
the Rocky Mountain
National Park, I would
occasionally catchthis
pre-dawn light show in
all its glory.An
alpenglow is an optical
phenomenon that is
visible on high altitude
mountains. It happens
twice daily, right before
the sunrises and right
after it sets. The
earth’s atmosphere
scatters the sun’s
light, allowing
particular wavelengths of
light through
andblanketing the
mountains in rich hues of
peach, pink, red, and
purple.Alpenglow opens
with First Light. This
movement begins in the
pre-dawn hour. The music
starts simply and slowly,
thengrows increasingly
animated as the sky
lightens and the horizon
shimmers with color. The
movement explodes in a
massiveflurry of activity
when the sun crosses the
horizon; this energy
eventually fades as the
sun rises in the sky. In
Arc of the Sun,we follow
the sun as it
energetically leaps and
surges upwards in the
sky. The music moves
steadily upwards as it
keeps pacewith the
sun’s progress,
then crests as the sun
reaches its zenith. As
the sun bends back down
towards the earth, the
musicfollows suit,
getting lower in range
and slower as the sun
nears the horizon. In
Radiant Glow, the sun
slips under the
horizon,giving way to a
most radiant alpenglow.
As the alpenglow fades
and twilight envelops the
earth, stars shimmer in
the nightsky.-S.G.
Band Concert Band SKU: PR.11540431L Composed by Stacy Garrop. Large Score...(+)
Band Concert Band
SKU:
PR.11540431L
Composed
by Stacy Garrop. Large
Score. 64 pages. Duration
18 minutes. Theodore
Presser Company
#115-40431L. Published by
Theodore Presser Company
(PR.11540431L).
UPC:
680160689767.
The
first time I saw an
alpenglow, I had no idea
what it was. It was the
late 1980s, and I was at
a music camp at the base
of theRocky Mountain
National Park in
Colorado. A few of us got
up in the middle of the
night so we could hike to
a vantage pointat the
foot of Longs Peak, to
watch the sun rise
without any trees
obstructing our view.
Even though we had a few
moreminutes to go before
the sun breached the
horizon, when I looked up
at the face of Longs
Peak, it was glowing
intensely with amost
beautiful peach-pink
color. This enchanting
vision lasted only about
ten minutes, after which
the color faded as the
sunrose. Throughout the
next thirty years,
whenever I returned to
the Rocky Mountain
National Park, I would
occasionally catchthis
pre-dawn light show in
all its glory.An
alpenglow is an optical
phenomenon that is
visible on high altitude
mountains. It happens
twice daily, right before
the sunrises and right
after it sets. The
earth’s atmosphere
scatters the sun’s
light, allowing
particular wavelengths of
light through
andblanketing the
mountains in rich hues of
peach, pink, red, and
purple.Alpenglow opens
with First Light. This
movement begins in the
pre-dawn hour. The music
starts simply and slowly,
thengrows increasingly
animated as the sky
lightens and the horizon
shimmers with color. The
movement explodes in a
massiveflurry of activity
when the sun crosses the
horizon; this energy
eventually fades as the
sun rises in the sky. In
Arc of the Sun,we follow
the sun as it
energetically leaps and
surges upwards in the
sky. The music moves
steadily upwards as it
keeps pacewith the
sun’s progress,
then crests as the sun
reaches its zenith. As
the sun bends back down
towards the earth, the
musicfollows suit,
getting lower in range
and slower as the sun
nears the horizon. In
Radiant Glow, the sun
slips under the
horizon,giving way to a
most radiant alpenglow.
As the alpenglow fades
and twilight envelops the
earth, stars shimmer in
the nightsky.-S.G.
Concert
Band, Grade 2.5 6:50
Score. Composed by
Otto M. Schwarz. Concert.
Softcover. Duration 410
seconds. Hal Leonard
#SDP0672101. Published by
Hal Leonard (HL.4007970).
With its height
of 4,808 meters,
Mont-Blanc is called
“the roof of
Europe.†The
highest mountains on our
planet have been
insurmountable for a long
time. Only in the past
250 years have those
giants been mounted.
Crystal-hunter Jacques
Balmat and Michel-Gabriel
Paccard, a doctor, were
the first to climb
Mont-Blanc, in 1786. Many
paths lead to
Mont-Blanc's peak: the
regular ascent goes
through the magnificent
“voie royale of
Saint-Gervais-les-
Bains,†which was
opened in August 1855 by
the Englishmen Hudson,
Kennedy, and Smythe.
Today's most common route
to climb up, starting
from Saint-Gervais via
Aiguille du Gou ter
(3,863m), Do me du Gou
ter (4,304m), and Are te
des Bosses (4,547m), was
first used in 1861. Otto
M. Schwarz composed this
work inspired by
“the roof of
Europe†with its
luminous and huge
glaciers. Early in the
morning, mountain
climbers set off to the
peak; they witness the
sunrise, and experience
the hazards that the
journey up to the summit
brings along. A snowstorm
and falling rocks at Are
te des Bosses aggravate
their journey. A sudden
change of weather,
however, enables them to
reach the top after a
strenuous ascent. This
piece invites you to an
imaginary journey from
Saint-Gervais-les-Bains
via the “voie
royale†to the top
of Mont-Blanc.
Solo Trumpet & Wind Ensemble SKU: SU.96010070 For Solo Trumpet & Wind ...(+)
Solo Trumpet & Wind
Ensemble
SKU:
SU.96010070
For
Solo Trumpet & Wind
Ensemble. Composed by
Joseph Turrin. Brass,
Trumpet, Concert
Band/Wind Ensemble. Full
Score. Subito Music
Corporation #96010070.
Published by Subito Music
Corporation
(SU.96010070).
Instrumentation
: Solo Trumpet; 2,1 2
Eb,3,bcl 2; 2asx tsx bsx;
4331 euph; timp, perc,
pno/cel; cb Duration:
11' Composed: 2014
Published by: Subito
Music Publishing
Also available: Full
Score & Set of Parts
(96010071).
Elephant Orchestre d'harmonie - Débutant Carl Fischer
Band concert band - Grade 1 SKU: CF.BPS127 Composed by Peter Sciaino. Fol...(+)
Band concert band - Grade
1
SKU: CF.BPS127
Composed by Peter
Sciaino. Folio. Bps. Set
of Score and Parts.
8+2+8+2+5+2+2+8+3+6+2+3+1
+1+2+2+12 pages. Duration
2 minutes, 39 seconds.
Carl Fischer Music
#BPS127. Published by
Carl Fischer Music
(CF.BPS127).
ISBN
9781491156209. UPC:
680160914746. 9 x 12
inches.
Program
Notes Elephant is, of
course, inspired by the
incredible mammals of the
same name. Their
column-like legs, long
trunks, and massive
presence will never cease
to amaze; however, it's
their trumpeting that
makes them stand out as
the instrumentalists of
the animal kingdom! In
this selection, an
elephant's slow gate and
general demeanor are
represented by a
methodical tempo and
lumbering texture.
Woodwinds will enjoy the
opportunity to perform
grace notes while
Elephant also offers
exposure to flams for
young percussionists.
At m. 33 the
trumpets and horns
recreate an elephant call
after slipping brown
paper bags, or lunch-bag
mutes, over their bells
(in their bells for horn
players). For the trumpet
players, the mutes can be
enhanced with an
additional balled-up
piece of paper placed at
the bottom of the bag
prior to slipping it over
the bell. Horns should
ball up the bag itself
and experiment with
placement to create the
most realistic tones
without stopping the
instrument. While
specific pitches are
noted, making the best
elephant sounds should
prioritized. Young
students always look
forward to experimenting
with mutes, and this
selection offers an
inexpensive and creative
way to do so at a young
age. Note to the
Conductor This piece can
be used to introduce or
reinforce the finer
points of staccato
playing. While many
students know to play
these notes short in
length, they may need
reminding that they
should also be played
lightly. This also may
allow for opportunities
in emphasizing
contrasting articulation
styles that are in this
piece. Younger students
will likely need a
reasonable amount of
practice in successfully
using the lunch-bag
mutes. Allowing
additional rehearsal time
for this is
recommended. Program
Notes Elephant is, of
course, inspired by the
incredible mammals of the
same name. Their
column-like legs, long
trunks, and massive
presence will never cease
to amaze; however, it's
their trumpeting that
makes them stand out as
the instrumentalists of
the animal kingdom! In
this selection, an
elephant's slow gait and
general demeanor are
represented by a
methodical tempo and
lumbering texture.
Woodwinds will enjoy the
opportunity to perform
grace notes while
Elephant also offers
exposure to flams for
young percussionists.
At m. 33 the
trumpets and horns
recreate an elephant call
after slipping brown
paper bags, or lunch-bag
mutes, over their bells
(in their bells for horn
players). For the trumpet
players, the mutes can be
enhanced with an
additional balled-up
piece of paper placed at
the bottom of the bag
prior to slipping it over
the bell. Horns should
ball up the bag itself
and experiment with
placement to create the
most realistic tones
without stopping the
instrument. While
specific pitches are
noted, making the best
elephant sounds should
prioritized. Young
students always look
forward to experimenting
with mutes, and this
selection offers an
inexpensive and creative
way to do so at a young
age. Note to the
Conductor This piece can
be used to introduce or
reinforce the finer
points of staccato
playing. While many
students know to play
these notes short in
length, they may need
reminding that they
should also be played
lightly. This also may
allow for opportunities
in emphasizing
contrasting articulation
styles that are in this
piece. Younger students
will likely need a
reasonable amount of
practice in successfully
using the lunch-bag
mutes. Allowing
additional rehearsal time
for this is
recommended. Program
NotesElephant is, of
course, inspired by the
incredible mammals of the
same name. Their
column-like legs, long
trunks, and massive
presence will never cease
to amaze; however,
it’s their
trumpeting that makes
them stand out as the
instrumentalists of the
animal kingdom! In this
selection, an
elephant’s slow
gait and general demeanor
are represented by a
methodical tempo and
lumbering texture.
Woodwinds will enjoy the
opportunity to perform
grace notes while
Elephant also offers
exposure to flams for
young
percussionists. At m.
33 the trumpets and horns
recreate an elephant call
after slipping brown
paper bags, or
“lunch-bag
mutes,†over their
bells (in their bells for
horn players). For the
trumpet players, the
mutes can be enhanced
with an additional
balled-up piece of paper
placed at the bottom of
the bag prior to slipping
it over the bell. Horns
should ball up the bag
itself and experiment
with placement to create
the most realistic tones
without stopping the
instrument. While
specific pitches are
noted, making the best
elephant sounds should
prioritized. Young
students always look
forward to experimenting
with mutes, and this
selection offers an
inexpensive and creative
way to do so at a young
age.Note to the
ConductorThis piece can
be used to introduce or
reinforce the finer
points of staccato
playing. While many
students know to play
these notes short in
length, they may need
reminding that they
should also be played
lightly. This also may
allow for opportunities
in emphasizing
contrasting articulation
styles that are in this
piece.Younger students
will likely need a
reasonable amount of
practice in successfully
using the
“lunch-bag
mutes.†Allowing
additional rehearsal time
for this is
recommended.
Composed by
Bruce Fraser. Band Music,
closer. Score only.
Duration 4:30. Published
by G & M Brand Music
Publishers (CN.S11203).
Freedom's Sword
tells the tale of battle
and reconciliation
between two lands,
deriving themes from the
well-known Scottish song
Ca' the yowes. Horn calls
and pounding drums set
the tone for the battle
scenes while a dreamy
alto saxophone solo
creates an air of
optimism.
This
work was originally
commissioned by Nigel
Boddice for the West
Lothian Schools Brass
Band to play at the
European Youth Brass Band
Championships in 1997
entitled Devolution to
celebrate the setting up
of the new Scottish
Parliament. It appears in
this revised version for
Concert Band with the
title Freedom's Sword.
The opening section
recalls days gone by when
the Scots and English
fought many a battle. The
themes are derived from
the well-known haunting
song Ca' the yowes. The
horn calls and off-stage
percussion sound of a
distant battle and it
gradually comes closer.
The centre section
creates a mood of
reconciliation with a
dreamy Alto Saxophone
solo. The last section
now looks ahead with
optimism and various
bright dance themes
appear based on
traditional Scottish reel
tunes, one of which is a
two-part vocal scat
section The piece then
heads for its conclusion
including a full
statement of the main
theme.
Composed by
Bruce Fraser. Band Music,
closer. Score and parts.
Duration 4:30. Published
by G & M Brand Music
Publishers (CN.R10203).
Freedom's Sword
tells the tale of battle
and reconciliation
between two lands,
deriving themes from the
well-known Scottish song
Ca' the yowes. Horn calls
and pounding drums set
the tone for the battle
scenes while a dreamy
alto saxophone solo
creates an air of
optimism.
This
work was originally
commissioned by Nigel
Boddice for the West
Lothian Schools Brass
Band to play at the
European Youth Brass Band
Championships in 1997
entitled Devolution to
celebrate the setting up
of the new Scottish
Parliament. It appears in
this revised version for
Concert Band with the
title Freedom's Sword.
The opening section
recalls days gone by when
the Scots and English
fought many a battle. The
themes are derived from
the well-known haunting
song Ca' the yowes. The
horn calls and off-stage
percussion sound of a
distant battle and it
gradually comes closer.
The centre section
creates a mood of
reconciliation with a
dreamy Alto Saxophone
solo. The last section
now looks ahead with
optimism and various
bright dance themes
appear based on
traditional Scottish reel
tunes, one of which is a
two-part vocal scat
section The piece then
heads for its conclusion
including a full
statement of the main
theme.