Part of the popular 'Top Ten' series, this collection contains ten carefully selected pieces in the jazz style.There is such variety within the genre we call 'jazz' it seems almost impossible to do it justice in just ten songs, but we've given it our best shot. We've unforgettable standards, like Duke Ellington's 'Take The A Train', and 'Fly Me To The Moon' as popularised by Frank Sinatra - elegant tunes from the 1930s, such as 'The Way You Look Tonight' and 'The Very Thought Of You' - classic numbers from the late 50s and early 60s, 'So What' and 'Cantaloupe Island' - and we make no apology for stretching the jazz definition to accommodate the gorgeous 'Girl From Ipanema'!Some of the pieces are arranged for Piano and Voice - others are purely instrumental, but every one possesses that special something that has earned it a place in our collection, and indeed in the heads and hearts of countless jazz lovers around the world.Each piece in The Top Ten Jazz Songs To Play On Piano is accompanied by interesting background notes to give you that extra bit of insight. / Piano

The Piano Treasury of Hymns is designed to be the cornerstone of your personal music library. This tremendous collection contains 400 pages of the best-loved Christian hymns from Europe and America. From traditional favourites to contemporary worship songs, here you'll find the music that has inspired praise and worship for over four centuries. This sacred folio will provide years of enjoyment for everyone who loves the music of the church. Rediscover the beauty and power of the great songs that are a part of the fabric of the church and music history. / Piano

This new addition to the Complete Piano Player series adds a Latin flavour to the popular tutor method with 16 Latin-American and Brazilian favourites complete with chord symbols, fingering and lyrics.If you want to learn to play Tangos, Salsas and Bossa Novas, this is the place to start. Featuring many well-known and fun-to-play songs like La Bamba by Los Lobos and the classic La Cucaracha, this songbook takes the characteristic style and rhythms of Latin music and turns them into easy-to-play arrangements.The Complete Piano Player: Latin is based on the bestselling method by Kenneth Baker that continues to teach many people the basics of playing the Piano. The sheet music contained in this collection provides accurate transcriptions of songs such as Mambo #5, as well as helpful fingering and chord symbols that will be familiar to those who have used the Complete Piano Player series before.If you've worked through the tutorial method, or you are just looking to inject a fusion of exciting rhythm and spicy style into your Piano playing, our Complete Piano Player: Latin sheet music is the most comprehensive way to put such a varied selection of Latin classics at your fingertips. / Piano

45 Classic Hymns for Churches, Schools & Choirs. A wonderful collection of the most popular traditional hymns in a handy 10 x 7 inch format. Ideal for Churches, Schools and Choirs making an ideal resource. / Songbooks / Recueil / Voix et Piano

A must-own comprehensive collection of 76 songs from musical theatre, movies, folksongs and standards for any budding vocalist! Songs include: Baby Face · The Bare Necessities · Beauty and the Beast · Born to Entertain · Castle on a Cloud · Do-Re-Mi · Do You Want to Build a Snowman? · Edelweiss · Getting to Know You · How Much Is That Doggie in the Window · I Whistle a Happy Tune · Let Me Entertain You · Let There Be Peace on Earth · Little People · Mairzy Doats · My Favorite Things · Never Never Land · Over the Rainbow · Puff the Magic Dragon · The Rainbow Connection · Red Ryder(R) Carbine Action BB Gun · Simple Gifts · Tomorrow · When I Grow Up · Where Is Love? · You've Got a Friend in Me · and more! / Piano/Vocal/Guitare (PVG)

This album contains 12 classic songs from teen roles in Broadway shows. The book includes access to online Piano accompaniment tracks and Playback+ software for changing tempo and pitch.Contents include: All That's Known (Spring Awakening), Boy Falls from the Sky (Spider-Man: Turn Off the Dark), Enjoy the Trip (Bring It On: The Musical), Get Me What I Need (13), Go the Distance (Hercules), I'm Not That Smart (The 25th Annual Putnam County Spelling Bee), Left Behind (Spring Awakening), Mama Says (Footloose), My Unfortunate Erection (The 25th Annual Putnam County Spelling Bee), Proud of Your Boy (Aladdin), Santa Fe (Newsies The Musical) and Take a Chance on Me (Little Women). / Voix

This songbook features easy Piano arrangements of 11 songs from the multi-award winning show, Blood Brothers , including the hit song Tell Me It's Not True . This powerful, modern fable, with music and lyrics by Willy Russell, has had two highly successful productions in London's West End and is regularly seen in provincial theatres accross Britain. / Piano

For aspiring and professional singers who love Broadway, Alfred's Singer's Library of Musical Theatre presents an elegant collection of the best-loved musical theatre songs in their original keys, authentically transcribed from their original vocal scores. Perfect for study, and equally suitable for the most important auditions and performances, each volume is dedicated to a specific vocal range, and contains dozens of songs from a variety of shows that span decades of theatre history. Multiple volumes are available for each of four vocal ranges: Soprano, Mezzo-Soprano/Alto, Tenor, and Baritone/Bass. Authoritative historical and contextual commentary, audition tips, and 16-bar cut suggestions for each song make it the most useful and relevant song library of its kind. Titles: Green Finch and Linnet Bird (Sweeney Todd) * How Could I Ever Know? (Secret Garden) * The Lady Is a Tramp (Babes in Arms) * Look to the Rainbow (Finian's Rainbow) * Someone to Watch Over Me (Oh, Kay!) * Summertime (Porgy and Bess?+?) and more. / Instrumental Music, Miscellaneous, Songbooks, Voca / Recueil / Voix et Piano

Kammeroper Nr. 2. Par RIHM WOLFGANG. Chamber opera does not mean “little opera.” On the same scale as chamber music is to the symphony, it is rather the other way of talking onstage. The movable apparatus permits sophisticated voice-leading. A large ensemble demands simple conception to achieve the complexity it perhaps intends; this can be formulated more sharply and nuanced in a chamber ensemble. Therefore it is the subject which this type of presentation must sustain – or, better, provoke. Büchner’s Lenz is a description of the conditions within a process of collapse, moments of destruction already occurred but not yet accepted, evident in the points of contact with the environment. And it was those points of contact which Michael Fröhling attempted to reconstruct onstage. Lenz’s distraught state is always the same; only the proximity of the environment to that distraught state grows and ebbs. The musical consequence An hour of extreme chamber music results from this description: always bound for the main character – actually, not a commentary, but the main character himself as a multilayered level of action. Although Lenz acts on many levels – or tries to or believes he is – he has no room to manoeuvre. That is why he is also tightly interwoven in his sonic surroundings; the voices which only he hears are just as much himself as the two men with whom he foregathers (the liberal pragmatist Oberlin and the alert merchant who always “does the right thing” in every situation) – they evoke responses which he deeply desires. Omnipresent Friederike is just as much his inner world as Nature is – Nature, which he can no longer perceive unless it is personified, enlivened or dead. Therefore, the music’s task is both to motivate the “situation” (atmospherically) and to be the psychological constant (via a network of entangled references per se) in an action as it is played out. The compositional process December 1977 to June 1978 – a period identical to the stepwise understanding of an existence as that of Jakob Lenz. Yet the more the historical figure became precisely attendant in my intellect in terms of data and atmosphere, the more it retreated in favour of a cipher of disturbance as I began to understand Lenz. Thence the explanation for the failure of the attempts to approach him – including my attempt to interpret him via musical representation – because, essentially, Lenz himself is the failure. Only the naked stages of that failure remain portrayable, i.e. including the failure of those who wish to “help” Lenz, for example, while Lenz himself is already trapped inextricably in a state of complete destruction. I tried to compose my way into that situation as far as possible; the insistence of several rhythmic and harmonic configurations is the palpable expression of the main character’s ever-recurring rigidity. One sound pervades the entire work. The musical stage For me, this is a place where very magical and very human things take place. In Jakob Lenz, the human aspects often switch to magical ones, since the realism of a self-suasive, unhinged soul takes on surreal traits – or we simply cannot understand that otherwise except as not being real. A character like Jakob Lenz on the stage is complex due to the fact alone that it harbours many stages within itself, and music must represent those constantly present stages. I have tried to do so in the most direct way – by not cleanly separating the musical layers, but keeping them constantly in evidence until they must break forth, each in accord with its own dramaturgy. In an overview, the large form takes on aspects of a rondo, performed in overlapping layers – a type of rondo relief, since perspectives of psychological proximity and distance are indeed formulated musically as atmospheric relations. Above all: the thread on which Jakob Lenz hangs is the current onto the listeners’ hearts. Wolfgang Rihm (January 1979)/ Répertoire / Chant et Piano

Par RAMEAU JEAN-PHILIPPE. Amongst Rameau?s stage works which have come down to us in two main versions, such as ?Dardanus? (1739, 1744), ?Platée? (1745, 1749) and ?Zoroastre? (1749, 1756), none fell into oblivion for as long a period as ?Castor et Pollux?. After the work had been premiered in 1737, not until 1754 did Rameau decide to revise it. He asked his librettist ?Gentil-Bernard? to add an act to the tragedy and to give more weight to the brotherly friendship between Castor and Pollux. The main plot remains very similar to the one of 1737, aside from the fact that the sisters Télaïre and Phébé no longer are in love - the one with Castor the other with Pollux - but rather both with Castor which is the reason why Phébé is jealous of Télaïre. Already at the beginning of the first act Pollux relinquishes his love of Télaïre to the benefit of Castor. Castor, however, is killed by Linceus and finds himself in Hades. Pollux commits to saving his brother, sacrifices his immortality and declares his willingness to take Castor?s place in Hades so that his brother and Télaïre may be reunited. Jupiter, moved by this sacrifice, frees Pollux and bestows the couple immortality by giving them a place in the zodiac. Following the editorial principles of the ?Opera omnia Rameau? (and in contrast to the 1903 edition by August Chapuis issued within the old Rameau series), both versions of ?Castor et Pollux?, the version of 1737 (OOR IV.3) and the present version of 1754 (OOR IV.23), are published in two separate volumes in their entirety. Owing to the discovery of the original performance material, today preserved at the Gesellschaft der Musikfreunde in Vienna, the second version of 1754, which up until today was in the shadow of the 1737 version, can now be presented with its more tightly woven plot in all its vigor and dramatic momentum. This edition is enriched with twelve additions which enable the performance of the 1763-1764 version when the work was restaged. / Date parution : 2023-06-16/ Répertoire / Chant et Piano

Les Take that sont de retour et ils cartonnent en Angleterre !
Retrouvez leur cinquième album studio (le deuxième depuis leur retour) en partitions arrangées pour Piano, Chant et Guitare.
Ce songbook approuvé par le groupe contient les 13 morceaux de l'album The Circus et la chanson cachée ! En bonus un poster A3 en couleur du groupe ! Collector ! / Variétés Internationales / Partition /

La série The Pop Piano Player est une source incontournable pour tous les pianistes pop, chaque volume réunissant beaucoup de classiques de la chanson. Retrouvez dans ce volume 13 chansons Pop. Conçue pour ceux qui désirent se mettre au piano pop comme pour ceux qui brûlent de développer leur propre style, chaque chanson est proposée en deux versions:


- La première, qui présente la mélodie, les paroles et le structure basique des accords, est idéale pour s'entraîner, accompagner et improviser.

- La seconde - un superbe arrangement pour piano solo, adapté aux pianistes de niveau moyen - est parfaite pour les concerts.

- Toutes les chansons sont dans leur tonalité standard, ce qui permet aux pianistes de jouer avec d'autres musiciens.

- Un CD gratuit propose une interprétation de tous les arrangements pianistiques / Variétés / Partition CD /

Many of your favourite Jazz classics to play such as - Jeepers Creepers, Take The 'A' Train and more. / Niveau : Facile / Jazz / Recueil / Clavier Electronique et Ligne Mélodique

Debuting on Christmas Day 2014, Sondheim's Into the Woods is now being introduced to a new generation of fans in this Disney movie adaptation of the Broadway musical that puts a new twist on familiar fairy tales. Our songbook features 14 songs from the soundtrack for voice with piano accompaniment plus 8 pages of color artwork from the film. Songs include: Agony · Children Will Listen · Giants in the Sky · Hello Little Girl · It Takes Two · Last Midnight · Moments in the Woods · On the Steps of the Palace · Stay with Me · and more. Includes color artwork from the film! / Voix Et Piano