(November and December Services (10 Easily Prepared Piano Arrangements)). Arranged by Carol Tornquist. For Piano. Book; Piano Collection; Piano Supplemental. Sacred Performer Collections. Advent; All Saints Day; Christ the King; Christmas; Contemporary Chri

Piano

SKU: HL.14048253

For Piano Solo. Composed by Joby Talbot. Music Sales America. Classical. Softcover. Composed 2016. 10 pages. Chester Music #CH85492. Published by Chester Music (HL.14048253).

8.0x11.75 inches.

Released in 2005, the album Once Around The Sun is the outcome of Joby Talbot's residency with Classic FM. During his year in residence, Talbot composed a new piece of music each month, scored for up to five instruments. The resulting twelve compositions were then premiered on Classic FM and were recorded on CD. December - Polarisation was the 12th piece to be composed and is scored here for solo Piano.

By George Peter Tingley. For Piano. Piano Solo; Sheet; Solo. Signature Series. Winter. Intermediate. 4 pages. Published by Alfred Music Publishing

By Valerie Roth Roubos. For Piano. Composers In Focus. Contents include: Candy Bars for Breakfast; It's Raining; The Magical Forest; Halloween Night; Russian Sleigh Ride; The Forgotten Road; Soaring Through the Clouds; Race Across the Serengeti; December Frost; Calypso Island. Level: Intermediate. Book. Published by The FJH Music Company Inc.

By Tom Barabas. Piano. Level: Intermediate. Music Book. Published by Neil A. Kjos Music Company.

Chamber Music Piano

SKU: CF.P3313

For Piano Solo. Composed by Christopher Brubeck. Premiered December 13, 2002 at the Society for Ethical Culture in NYC. Solo part. With Standard notation. Carl Fischer Music #P3313. Published by Carl Fischer Music (CF.P3313).

ISBN 9780825850899. UPC: 798408050894. 9 X 12 inches.

This eclectic piano solo was written for the Vision Into Arts International Pianofest and was premiered in December of 2002 in New York City. The composer, son of noted jazz pianist Dave Brubeck, pays tribute to his father’s jazz legacy and mentor Darius Milhaud through this wild romp featuring a variety of styles including boogie-woogie, jazz, and improvisation. A short piece (only three minutes), this dramatic work is perfect for an unusual encore, showpiece in a piano recital or when a little dramatic contrast is in order for any program.

Piano

SKU: BR.EB-9234

Composed by Isabel Mundry. Solo instruments; stapled. Edition Breitkopf. World premiere: Berlin, December 1, 2013. New music (post-2000); Music post-1945. Score. Composed 2013. 8 pages. Duration 6'. Breitkopf and Haertel #EB 9234. Published by Breitkopf and Haertel (BR.EB-9234).

ISBN 9790004185247. 9 x 12 inches.

World premiere: Berlin, December 1, 2013.

By russian. For Piano. (Piano Solo). CD Sheet Music (Version 2.0). PDF file on CD. 4000 pages. Published by Subito Music.

(Piano Solo). By Peter Ilyich Tchaikovsky (1840-1893). Edited by Polina Vajdman. For piano solo. This edition: HN616. Piano (Harpsichord), 2-hands. Henle Music Folios. Pages: VII and 66. SMP Level 10 (Advanced). Urtext edition-paper bound. 74 pages. Published by G. Henle Verlag

Piano SKU: HU.HN858 Composed by George Gershwin. Edited by Norbert Gertsch. Piano Solo, Piano and Keyboard, Repertoire, Solos. Preludes for Piano. 20th Century, Classical. Softcover Book. 22 pages. G. Henle #HN858. Published by G. Henle

(The Songs and Spirit of Christmas (Piano/Vocal/Chords)). By Jim Brickman. For Piano. This edition: Piano/Vocal/Chords. Artist/Personality; Book; Piano - Personality Book; Piano Supplemental. Christmas; Sacred; Secular; Winter. 84 pages. Published by Alfred Music

Piano

SKU: BR.EB-9253

Composed by Helmut Lachenmann. Solo instruments; stapled. Edition Breitkopf.

World premiere of the orchestral version: Stuttgart, January 1, 2018World premiere of the piano version: Mito, June 17, 2017

Have a look into EB 9283.

New music (post-2000). Score. Composed 2016/17/20. 12 pages. Duration 8'. Breitkopf and Haertel #EB 9253. Published by Breitkopf and Haertel (BR.EB-9253).

ISBN 9790004185537. 9 x 12 inches.

Marche fatale is an incautiously daring escapade that may annoy the fans of my compositions more than my earlier works, many of which have prevailed only after scandals at their world premieres. My Marche fatale has, though, little stylistically to do with my previous compositional path; it presents itself without restraint, if not as a regression, then still as a recourse to those empty phrases to which modern civilization still clings in its daily utility music, whereas music in the 20th and 21st centuries has long since advanced to new, unfamiliar soundscapes and expressive possibilities. The key term is banality. As creators we despise it, we try to avoid it - though we are not safe from the cheap banal even within new aesthetic achievements.Many composers have incidentally accepted the banal. Mozart wrote Ein musikalischer Spass [A Musical Jape], a deliberately amateurishly miscarried sextet. Beethoven's Bagatellen op. 119 were rejected by the publisher on the grounds that few will believe that this minor work is by the famous Beethoven. Mauricio Kagel wrote, tongue in cheek, so to speak, Marsche, um den Sieg zu verfehlen [Marches for being Unvictorious], Ligeti wrote Hungarian Rock; in his Circus Polka Stravinsky quoted and distorted the famous, all too popular Schubert military march, composed at the time for piano duet. I myself do not know, though, whether I ought to rank my Marche fatale alongside these examples: I accept the humor in daily life, the more so as this daily life for some of us is not otherwise to be borne. In music, I mistrust it, considering myself all the closer to the profounder idea of cheerfulness having little to do with humor. However: Isn't a march with its compelling claim to a collectively martial or festive mood absurd, a priori? Is it even music at all? Can one march and at the same time listen? Eventually, I resolved to take the absurd seriously - perhaps bitterly seriously - as a debunking emblem of our civilization that is standing on the brink. The way - seemingly unstoppable - into the black hole of all debilitating demons: that can become serene. My old request of myself and my music-creating surroundings is to write a non-music, whence the familiar concept of music is repeatedly re-defined anew and differently, so that derailed here - perhaps? - in a treacherous way, the concert hall becomes the place of mind-opening adventures instead of a refuge in illusory security. How could that happen? The rest is - thinking.(Helmut Lachenmann, 2017)CD (Version for Piano):Nicolas Hodges CD Wergo WER 7393 2 Bibliography:Ich bin nicht ,,pietistisch verformt. Ein Gesprach [von Jan Brachmann] mit dem Komponisten Helmut Lachenmann, in: FAZ vom 7. Juni 2018, p. 15.

World premiere of the piano version: Mito/Japan, June 17, 2017, World premiere of the orchestral version: Stuttgart, January 1, 2018, World premiere of the ensemble version: Frankfurt, December 9, 2020.

(A Fresh Approach to Piano Sight-Reading). By Alan Bullard (1947-). For Piano. Instructional, Sight Reading. 34 pages

Piano

SKU: BT.EMBZ2128

Composed by Bela Bartok. Book Only. Composed 1955. 20 pages. Editio Musica Budapest #EMBZ2128. Published by Editio Musica Budapest (BT.EMBZ2128).

German-Hungarian.

< p>'The Two Elegies are typified by Romantically exuberant, orchestral and full piano writing. Elegy No.1 was written in February 1908. The ternary reprise form is concealed by the voices in Bartók's varied piano writing that proliferate like luxuriant foliage. In the 'Grave' theme of the first section an important role is given to jumps of open fourths (presumably based on his recent folk music experiences), and these are also to be found in the fugato reprise of the theme. Elegy No.2 was written almost two years later, in December 1909. The entire composition is defined by the five falling notes that Bartók fashioned by inverting the Stefi Geyer motif also found in ElegyNo.1. Paired with this motivic unity is a harmonic world reflecting Debussy's influence, and piano writing reminiscent of the Romantic repertoire.' (HCD 32524 Bartók New Series Vol. 24, István G. Németh).

(Piano Adventures®). By Nancy Faber and Randall Faber. For Piano. Faber Piano Adventures®. Methods. Softcover. 32 pages. Faber Music #FF1257. Published by Faber Music

Piano - Grade 4-5

SKU: ET.PNO68

Composed by Richard Lane. Contemporary. Composed 1972, 1977, 1986. Duration 7 minutes, 15 seconds. Editions BIM #PNO68. Published by Editions BIM (ET.PNO68).

ISBN 9790207009289.

The 3 Impromptus by Richard Lane are excellent examples of a composer in full possession of his craft, an accomplished musician capable of writing beautiful music at any level of difficulty.
Lane composed Impromptu I (no specified dedicatee but most likely written for one of his students) in December 1972 at the age of 39.
The Impromptu II is dated June 1977 and was written for Eric Neumann who writes: [...] This Impromptu II written for me was a graduation present. I had studied with Richard Lane for three years, starting with composition. After my piano teacher retired, “Dick agreed to teach me piano to prepare for college auditions. With his support, I was accepted at the Eastman School of Music, his alma mater. The work was written as his impression of my finger dexterity in the fast sections and my contemplative spirit in the slower section.
The Impromptu III was written 9 years later (Oct. 1986) and is dedicated to Dahwei Kuo, most certainly also a Richard Lane student. A light, elegant piece with an impish sense of humor and some technical challenges thrown in for good measure.
The numerous unpublished piano works (including those for 2 pianos or 4 hands) by Richard Lane, composer and pianist, are all marvelous gems to be discovered as we proceed with the exclusive Editions Bim publications planned for the coming years.
Pianists interested in these publications can sign up for email information regarding new releases or periodically checking our website: www.editions-bim.com.

For Piano. (Piano Solo). CD Sheet Music (Version 2.0). PDF file on CD. 1000 pages. Published by Subito Music.

Piano

SKU: BK.100-042-172

Tonades. Composed by David Leon Fioravanti. Published by Brotons & Mercadal (BK.100-042-172).

Edicion of Tonades + Berceuse for Lidia - TONADES is a small collection of piano pieces written during December 2003 and January 2004, with a clear didactic aim. I have tried to combine elements from traditional music from the Balearic Islands together with well-known musical forms, using a personal language, typical of the 20th century. The technical demand is that of an intermediate level in music. My main intention was to contribute to and enrich the intermediate level piano repertory, while promoting the knowledge of our own popular roots. The parts that make up Tonades can be performed consecutively, presenting the complete work with variety and unity, or the parts can be played separately. The work is dedicated to all young piano students.

Edited by Gail Lew. Arranged by Gail Lew, Tom Roed,, Eugenie Rocherolle. Piano method/supplement (Intermediate piano). Level: intermediate piano solos, level 4. 44 pages. Published by Belwin.

For Piano. By Chen Yi. Solo piano. For Piano. World premiere at Birmingham Symphony Hall, England, November 13, 2005. US premiere at Isaac Stern Auditorium, Carnegie Hall, December 4, 2005. Solo part. 8 pages. Published by Theodore Presser Company.

(An Artistic Intermediate / Late Intermediate Collection for Solo Piano). By Melody Bober. For Piano. Piano Collection; Piano Supplemental. Composers in Focus. Intermediate; Late Intermediate. Book. 28 pages

Intermediate Piano Solo. By Various. Piano Collection. Size 9x12 inches. 80 pages. Published by G. Schirmer, Inc.

7 Late Intermediate Christmas Piano Arrangements in Latin American Styles. Arranged by Wynn-Anne Rossi. Piano Collection; Piano Supplemental. Musica Latina. Christmas; Latin; Recital; Sacred; Secular; Traditional; Winter. Book. 24 pages. Alfred Music #00- 47019. Published by Alfred Music

Chamber Music 2 Tenor Trombones, Bass Trombone, Piano

SKU: PR.11441597S

For Three Trombones and Piano. Composed by Carter Pann. Contemporary. Piano Reduction Score. With Standard notation. Composed December 1 2001. Theodore Presser Company #114-41597S. Published by Theodore Presser Company (PR.11441597S).

UPC: 680160615308.

(Schirmer's Library of Musical Classics Vol. 2115). Composed by Various. For Piano Solo. Piano Collection. Softcover. Published by G. Schirmer