Requiem Soli, choeur mixte et accompagnement Soli, chœur mixte et piano [Vocal Score] Carus Verlag
Solo voices, SATB chorus, orchestra (2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Tim...(+)
Solo voices, SATB chorus,
orchestra (2 Corni di
bassetto, 2 Fg, 2 Tr, 3
Trb, Timp, 2 Vl, Va, Bc)
SKU: CA.5165203
Completed and edited
by Howard Arman.
Composed by Wolfgang
Amadeus Mozart. Edited by
Howard Arman. Arranged by
Howard Arman. Vocal
score. KV 626. Duration
50 minutes. Carus Verlag
#5165203. Published by
Carus Verlag
(CA.5165203).
ISBN
9790007294243. Key: D
minor. Latin.
The
English conductor and
composer Howard Arman has
presented us with a
completed version of
Mozartâ??s Requiem.
â??Another one?â? you
might ask, since this
publication is only the
latest in a long line
reaching back to the
traditional Sü�mayr
version. Yet such is the
enormous power of
Mozartâ??s score that
the challenge and appeal
of completing it remain
undiminished. After two
decades of intensive
study, Howard Armanâ??s
additions to Mozartâ??s
great original show the
requisite care and
respect while
incorporating many new
insights.
Armanâ?
?s approach is
particularly fruitful.
Always aware of the
appropriate limits to
such re-creative work, he
orients himself towards
the typical
characteristics of
Mozartâ??s brilliant
composing style: The
masterly compositional
technique, the search for
innovative solutions to
every problem, and even
the terse treatment of
the text with extremely
suggestive harmonies. All
of this leads to a number
of new listening
experiences. In the Tuba
mirum, for example, we
enjoy a warm, cohesive
ensemble sound, supported
by the bassoons, which
depart from the bass
line. The Confutatis
presents a quite
different picture: Even
the basset horns are
drawn down into the
infernal depths. This
effect is reinforced by
the independence of the
trombones; rather than
simply following the
choral parts, the
instrumentâ??s unique
sound is given an
opportunity to shine.
Armanâ??s Lacrimosa
achieves a lively
Mozartian feel by
granting the voices
considerable freedom
rather than following a
rigid pattern. And he
concludes the movement
with a fugal Amen,
whereby the focus is not
so much on the
counterpoint itself, but
rather â?? in the spirit
of Mozart â?? on
creating a sense of drama
and illuminating the
theme in all its possible
facets. Mozartâ??s
fragment ends with the
Hostias, and so does
Armanâ??s completion.
For the four
following movements
(Sanctus to Communio) we
have nothing from Mozart,
and so here, where the
master is silent, Arman
finally returns to
Sü�mayr, the man who
was closest to Mozart at
the time of his death and
whose efforts to fill the
blank manuscripts still
garner our respect
today.
Armanâ??s
version has already
proven its practical
value. The premiere with
the Bavarian Radio Choir
was enthusiastically
received by audiences and
press alike â?? and
celebrated as offering a
scholarly, entirely fresh
perspective on
Mozartâ??s
masterpiece.
-
World premiere by the
Bavarian Radio Choir -
Enthusiastically received
by audience and
press.
Ave verum, op. 65/1 N 123 Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre - Facile Barenreiter
Solo voices, SATB chorus,organ,double bass ad lib (Soprano solo or Alto solo (or...(+)
Solo voices, SATB
chorus,organ,double bass
ad lib (Soprano solo or
Alto solo (or Female
choir (2voices)) or Tenor
solo, Baritone solo,
Organ, Double bass ad
libitum) - Level 2
SKU: BA.BA25144
Motet for Soprano or
Alto (or two-part Female
Choir) or Tenor and
Baritone, Organ and
optional Double Bass.
Composed by Gabriel
Faure. Edited by Helga
Schauerte-Maubouet. This
edition: urtext edition.
Folded. Barenreiter
Urtext. Singing Score.
Opus 65/1. 4 pages.
Baerenreiter Verlag
#BA25144_00. Published by
Baerenreiter Verlag
(BA.BA25144).
ISBN
9790006575107. 29.7 x 21
cm inches. Text Language:
Latin.
The motets
and choral pieces,
composed with the
distinctive features of
the Madeleine organ in
mind, enchant with their
colourful, floating
harmonies and convey a
certain intimacy even
with their ritualized
Latin texts. These works
are very well suited for
performances by small
vocal ensembles. A
novelty is the inclusion
of the double bass part
(ad libitum) which does
not appear consistently
in the first editions but
corresponds to the
musical practice at the
Madeleine.
Numerou
s gems such as the
â??Cantique de Jean
Racineâ? or the
â??Messe basseâ? are
published in performing
editions based on the
musical text of the
â??Gabriel Faur â??
Å?uvres
complètesâ?.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Composed
by Wolfgang Amadeus
Mozart. Score. Lucks
Music Library #A2310.
Published by Lucks Music
Library (TM.04537SC).
Basset horn
parts play only in No. 10
(Welcher Wechsel). These
are written into clarinet
parts (in C only). Chorus
contains Act I No. 5
(Chorder Janitscharen)
and Act III No. 21 (Niew
Werd) only. Vocal score I
has English translation
by Martin.
Composed
by Wolfgang Amadeus
Mozart. Set Type: A. Set
of parts. Lucks Music
Library #A2310. Published
by Lucks Music Library
(TM.04537SET).
Basset horn
parts play only in No. 10
(Welcher Wechsel). These
are written into clarinet
parts (in C only). Chorus
contains Act I No. 5
(Chorder Janitscharen)
and Act III No. 21 (Niew
Werd) only. Vocal score I
has English translation
by Martin.
Sussmayr-Version.
Composed by Wolfgang
Amadeus Mozart. Edited by
Ulrich Leisinger.
Arranged by Paul Horn,
Franz Xaver Sussmayr.
This edition: urtext. 1x
51.626/21 basset horn 1,
1x 51.626/22 basset horn
2, 1x 51.626/23 bassoon
1, 1x 51.626/24 bassoon
2, 1x 51.626/31 clarino
1, 1x 51.626/32 clarino
2, 1x 51.626/33 trombone
1, 1x 51.626/34 trombone
2, 1x 51.626/35 trombone
3, 1x 51.626/41 timpani.
Stuttgart Urtext Edition:
Mozart. REQUIEM (ARR.
SUssMAYR). Innovative
practice aids, Sacred
vocal music, Requiem,
Mourning, death. Set of
Orchestra Parts. Composed
1791. KV 626. 88 pages.
Carus Verlag #CV
51.626/09. Published by
Carus Verlag
(CA.5162609).
ISBN
9790007225216. Key: D
minor. Language:
Latin.
The history
of the genesis of the
Requiem is entwined with
legends and anecdotes.
The burdens of the
composition and
performance of La
Clemenza di Tito and Die
Zauberflote, and an acute
infection led to the
collapse and death of the
composer following a
short illness. Mozart
left his wife in
considerable debt.
Constanze therefore
turned to Mozart's
friends, asking them to
complete the fragment.
After two failed
attempts, the task passed
to Mozart's pupil Franz
Xaver Sussmayr, who
completed the Requiem in
the form known today,
using working materials
that are no longer
extant, and perhaps
verbal instructions from
the composer. Today the
Sussmayr version is still
the most well known, and
it is doubtless the one
with the closest
historical ties to
Mozart. This work is now
available in carus music,
the choir app! Score and
parts available
separately - see item
CA.5162600.
Composed
by Wolfgang Amadeus
Mozart. Set Type: A. Set
of parts. Lucks Music
Library #A2315. Published
by Lucks Music Library
(TM.04536SET).
Chorus English
translation does not
match Schirmer vocal
score Martin translation.
Clothbound score. Basset
horns play in Nos. 8-10;
Clarinets double basset
horns.
Composed
by Wolfgang Amadeus
Mozart. Score. Lucks
Music Library #A2315.
Published by Lucks Music
Library (TM.04536SC).
Chorus English
translation does not
match Schirmer vocal
score Martin translation.
Clothbound score. Basset
horns play in Nos. 8-10;
Clarinets double basset
horns.
Composed
by Wolfgang Amadeus
Mozart. Score. Lucks
Music Library #A2670.
Published by Lucks Music
Library (TM.07252SC).
Transposed: Cl
1&2, Tpt 1&2, Tbn I.
Original Tbn II in modern
clef. Transposed Cl (Bb)
= Transposed Basset horns
(Bb). Orig. Cl in Bb
except Dies Irae in C,
Sanctus in A. Chorus sold
as separate S, A, T, or B
choral parts - please
specify quantity for each
voice when ordering. Part
engraved.
Composed
by Wolfgang Amadeus
Mozart. Set Type: A. Set
of parts. Lucks Music
Library #A2670. Published
by Lucks Music Library
(TM.07252SET).
Transposed: Cl
1&2, Tpt 1&2, Tbn I.
Original Tbn II in modern
clef. Transposed Cl (Bb)
= Transposed Basset horns
(Bb). Orig. Cl in Bb
except Dies Irae in C,
Sanctus in A. Chorus sold
as separate S, A, T, or B
choral parts - please
specify quantity for each
voice when ordering. Part
engraved.