By Christoph Willibald von Gluck. Arranged by Henry Clough-Leighter. For SATB so...(+)
By Christoph Willibald
von Gluck. Arranged by
Henry Clough-Leighter.
For SATB soli, SATB
Choir, piano. (Mixed
Voices). Secular. Choral.
8 pages. Published by ECS
Publishing.
Beautiful Star Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Octavo] Schirmer
(No. 3 from RingeltA enze ). By Libby Larsen (1950-). For SATB vocal soli, SATB...(+)
(No. 3 from RingeltA
enze ). By Libby Larsen
(1950-). For SATB vocal
soli, SATB choir,
Keyboard (Organ or Piano)
or Strings, Handbells.
Choral, Christmas.
Octavo. 8 pages.
Published by E.C.
Schirmer Publishing
Festchor Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Facile Carus Verlag
SATB vocal soli, SATB choir, piano - Level 2 SKU: CA.4022900 Composed by ...(+)
SATB vocal soli, SATB
choir, piano - Level 2
SKU: CA.4022900
Composed by Friedrich
Silcher. Edited by
Hermann Josef Dahmen.
This edition: Paperbound.
German title: Festchor.
Secular choral music.
Full score. Composed
1842. 12 pages. Duration
4 minutes. Carus Verlag
#CV 40.229/00. Published
by Carus Verlag
(CA.4022900).
ISBN
9790007065430. Key: A
major. Language:
German.
Vom Goldenen Horn Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
(Turkisches Liederspiel). By Josef Gabriel Rheinberger. Edited by Wanger, Harald...(+)
(Turkisches Liederspiel).
By Josef Gabriel
Rheinberger. Edited by
Wanger, Harald. For Soli
SATB, SATB Choir, Piano.
This edition: paperbound.
Secular choral music.
Score. Language: German.
Composed 1895. 182. 52
pages. Duration 33 min
By Wolfgang Amadeus Mozart (1756-1791). Edited by Klaus Burmeister. For SATB voi...(+)
By Wolfgang Amadeus
Mozart (1756-1791).
Edited by Klaus
Burmeister. For SATB
voice soli, SATB Chorus,
Piano. This edition:
Urtext. Choral. Vocal
score. Text Language:
Latin. Composed No
earlier than 1775.
Published by Edition
Peters
Composed
by Robert Schumann.
Edited by Hansjörg
Ewert. Vocal score.
Composed 1852. Op. 147.
Duration 40 minutes.
Carus Verlag #4068703.
Published by Carus Verlag
(CA.4068703).
ISBN
9790007239718. Key: C
minor. Latin.
A
mass setting by Robert
Schumann? This is still
likely to cause surprise
among audiences –
after all, Schumann is
not generally viewed as a
sacred composer. Indeed,
his little-known late
work, the Missa sacra,
Op. 147, is a discovery
not just for listeners
but often for the
performers themselves.
The mass combines an
acute fascination with
sacred liturgy typical of
Schumann’s time
with the pragmatism of
its intended use by a
local choral society. The
composer employs his
considerable skills to
create a captivating and
varied score that is
almost ethereal in the
Kyrie, leading to
passages of an intimate
and lyrical piano that
alternate with fortissimo
for words of praise,
while always displaying
the utmost sensitivity
and a delight in
dissonance. The composer
declared his setting to
be “fashioned with
great loveâ€.
The demanding
orchestral mass can be
realized with limited
means. The solo parts can
be filled from the choir.
The work, which the
composer himself did not
have published, is here
reissued on the basis of
Schumann’s partial
autograph score.
Carus has also
produced an arrangement
of the work for choir &
organ, enabling
performances without
orchestra in smaller
venues (Carus
40.687/45).
Composed
by Robert Schumann.
Edited by Hansjörg
Ewert. Carus digital:
Extra digital products.
Full Score. Composed
1852. Op. 147. Duration
40 minutes. Carus Verlag
#4068700. Published by
Carus Verlag
(CA.4068700).
ISBN
9790007239701. Key: C
minor. Latin.
A
mass setting by Robert
Schumann? This is still
likely to cause surprise
among audiences â??
after all, Schumann is
not generally viewed as a
sacred composer. Indeed,
his little-known late
work, the Missa sacra,
Op. 147, is a discovery
not just for listeners
but often for the
performers themselves.
The mass combines an
acute fascination with
sacred liturgy typical of
Schumannâ??s time with
the pragmatism of its
intended use by a local
choral society. The
composer employs his
considerable skills to
create a captivating and
varied score that is
almost ethereal in the
Kyrie, leading to
passages of an intimate
and lyrical piano that
alternate with fortissimo
for words of praise,
while always displaying
the utmost sensitivity
and a delight in
dissonance. The composer
declared his setting to
be â??fashioned with
great loveâ?. The
demanding orchestral mass
can be realized with
limited means. The solo
parts can be filled from
the choir. The work,
which the composer
himself did not have
published, is here
reissued on the basis of
Schumannâ??s partial
autograph score.
Carus has also
produced an arrangement
of the work for choir and
organ, enabling
performances without
orchestra in smaller
venues (Carus
40.687/45).
By Felix Mendelssohn; Michael Pilkington (Editor). For Soprano, Alto, Tenor, Bar...(+)
By Felix Mendelssohn;
Michael Pilkington
(Editor). For Soprano,
Alto, Tenor, Baritone,
SATB Chorus, Piano
Accompaniment. Romantic,
Sacred, Classical,
Choral. Sheet Music. 206
pages. Published by
Novello and Co Ltd.
Cantata for the 1st
Sunday in Advent.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. This
edition: urtext,
paperback. Stuttgart
Urtext Edition: Bach
vocal. Sacred vocal
music, Cantatas, Advent,
Christmas. Vocal score.
Composed 1731. BWV 36. 44
pages. Duration 31
minutes. Carus Verlag #CV
31.036/03. Published by
Carus Verlag
(CA.3103603).
ISBN
9790007171605. Language:
German/English.
Translation: Henry
Drinker.
Bach's
well-known church cantata
Schwingt freudig euch
empor BWV 36 (Up joyous
raise your song), first
heard in its final
version on First Advent
Sunday in 1731 at the
Leipzig Nikolaikirche,
can be traced back to a
secular birthday cantata
from 1725. The text is
now revised to render the
events of Advent - the
rejoicing of the opening
chorus, the loving
veneration and the
warm-hearted welcome of
the three solo arias
retained from the
original cantata now all
apply to the Messiah,
who, as once in
Jerusalem, should find a
place in the hearts of
the faithful. However,
their unmistakeable
Advent character derives
from the fact that Bach
contrasts the four
festive settings from the
secular cantata with
three strophes from
Luther's Advent chorale,
Nun komm, der Heiden
Heiland, thus at the same
time giving a voice to
the Mystery of God made
man. Score available
separately - see item
CA.3103600.
Cantata for the 20th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Frauke Heinze. Arranged
by Masaaki Suzuki. This
edition: urtext,
paperback. Stuttgart
Urtext Edition: Bach
vocal. Sacred vocal
music, Cantatas, Whitsun,
Mourning, death. Vocal
score. Composed 1716. BWV
162. 24 pages. Duration
18 minutes. Carus Verlag
#CV 31.162/03. Published
by Carus Verlag
(CA.3116203).
ISBN
9790007171544. Language:
German/English.
Scripture: Matthew
22:1-14.
The
cantata for the 20th
Sunday after Trinity. Ah!
I see now, as I to the
wedding bidden, BWV 162
was first performed on 25
October 1716 in the
Castle church at Weimar.
During the first year in
his position as
Thomaskantor, Bach made a
revival performance of
the cantata on 10 October
1723. For this Leipzig
version he added an
additional obbligato
voice in the first
movement and in the final
chorale he added a Corno
da tirarsi, which played
colla-parte with the
soprano. However, we do
not know what this
mysterious instrument
looked like. For
performances today we
recommend using a trumpet
or a slide trumpet. The
cantata begins not with
an introductory chorus,
but rather with a
sonorous bass aria with a
string accompaniment and
obbligato trumpet. The
following movements,
movement 2 through 5, are
also performed by vocal
soloists. The third
movement, a soprano aria,
presents a peculiarity:
the obbligato wind parts
were not contained in the
original version of this
cantata. Our edition
offers a reconstruction
for the flute, made by
the famous Bach
interpreter and expert,
Masaaki Suzuki. Score
available separately -
see item CA.3116200.
Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Vocal Score] - Intermédiaire Peters
Composed by Wolfgang Amadeus Mozart (1756-1791), edited by F. Brissler. K.626. F...(+)
Composed by Wolfgang
Amadeus Mozart
(1756-1791), edited by F.
Brissler. K.626. For SATB
solos, SATB choir and
piano accompaniment.
Format: vocal score. With
choral notation and piano
reduction. Classical
period. D Minor. Text
language Latin. 80 pages.
7.5x10.5 inches.
Published by C.F. Peters
Choral Fantasy.
Composed by Ludwig van
Beethoven. Edited by
Ulrich Leisinger.
Arranged by Xaver
Scharwenka, Claus-Dieter
Ludwig. Secular choral
music. Full Score.
Composed 1808/1809. Op.
80. Duration 20 minutes.
Carus Verlag #CV
10.394/00. Published by
Carus Verlag
(CA.1039400).
ISBN
M-007-18767-5. Key: C
minor. German/English.
Text: Christoph
Kuffner.
In a
mixture of cantata and
concert piece, Beethoven
set a hymn to art in his
Choral Fantasy. The work,
about 20 minutes in
length, is often seen as
a precursor to the Ode to
Joy in the 9th Symphony.
After a piano
introduction, a dialog
between piano and
orchestra develops in the
space of just 400
measures, before the
soloists and chorus enter
for the last 200
measures. (If necessary,
the solo parts can be
sung by members of the
chorus or a semi-chorus.)
In the main section,
headed Finale (beginning
with the double basses
and celli), the theme
from Beethoven's early
song Gegenliebe (WoO 118,
also used in the Ode to
Joy) is presented, varied
and finally used in the
March in F major. The
main source of the Choral
Fantasia for the edition
is the first edition of
the parts, published in
1811 and corrected by
Beethoven; alongside this
an English edition of the
parts published by
Clementi (1810) has been
consulted for comparison.
The edition contains an
English singing version
in a translation by
Natalia Macfarren from
the 19th century.
In Terra Pax, Op. 39 Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Vocal Score] Boosey and Hawkes
In terra pax, Op. 39. (Christmas Scene). By Gerald Finzi (1901-1956). For Choral...(+)
In terra pax, Op. 39.
(Christmas Scene). By
Gerald Finzi (1901-1956).
For Choral, Chorus,
Orchestra, Piano (Vocal
Score). BH Large Choral.
Book only. 23 pages.
Boosey and Hawkes
#M060030307. Published by
Boosey and Hawkes
Magnificat - Piano/vocal score Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Vocal Score] Schirmer
By Stephen Chatman. For Soprano Voice Solo, SATB choir, string Orchestra. Choral...(+)
By Stephen Chatman. For
Soprano Voice Solo, SATB
choir, string Orchestra.
Choral, advent,
christmas. Piano/vocal
score. Published by E.C.
Schirmer Publishing
Membra Jesu nostri Soli, choeur mixte et accompagnement [Vocal Score] Carus Verlag
By Dietrich Buxtehude. Edited by Schlage, Thomas. For Soli SSATB, SSATB Choir, 2...(+)
By Dietrich Buxtehude.
Edited by Schlage,
Thomas. For Soli SSATB,
SSATB Choir, 2 Violins,
Violone (Violoncello), 5
Viola da Gamba, Basso
continuo. BuxWV 75. Full
score available
separately - see item
CA.3601300. Oratorios;
Use during church year:
Lent and Passiontide.
Piano/Vocal score.
Language: Latin. 80
pages. Duration 63 min.
Published by Carus Verlag
(German import).
Composed by Wolfgang Amadeus Mozart (1756-1791), edited by Helmut Eder. K. 427 (...(+)
Composed by Wolfgang
Amadeus Mozart
(1756-1791), edited by
Helmut Eder. K. 427
(417a). Vocal score for
SSATB solos, 2 SATB
choirs and piano
accompaniment. Urtext of
the New Mozart Edition.
With choral notation,
piano reduction and
introductory text. C
Minor. Text language
Latin. 112 pages.
Published by
Baerenreiter-Ausgaben
(German import). ISBN
M006456932.
Two Part Chorus and Piano, SA, TB, SB or SATB. By Vincent Persichetti. Text: E.E...(+)
Two Part Chorus and
Piano, SA, TB, SB or
SATB. By Vincent
Persichetti. Text: E.E.
Cummings. Mixed choir.
For SA, TB, SB Chorus,
SATB, Piano. Four
Cummings Choruses: For
Two-Part Mixed Voices.
Choral. Piano/Vocal
Score. Opus 98, Number 3.
5 pages. Published by
Theodore Presser Company.
By Felix Mendelssohn. For 2 Soprano and 1 Tenor Soli, SATB Choir, Piano. Romanti...(+)
By Felix Mendelssohn. For
2 Soprano and 1 Tenor
Soli, SATB Choir, Piano.
Romantic, Choral, Sacred.
Sheet Music. 84 pages.
Published by Novello and
Co Ltd.