Violin SKU: BT.MUSM570366392 Composed by Thomas Simaku. Book Only. 11 pag...(+)
Violin
SKU:
BT.MUSM570366392
Composed by Thomas
Simaku. Book Only. 11
pages. University of York
Music Press
#MUSM570366392. Published
by University of York
Music Press
(BT.MUSM570366392).
English.
Written
for and dedicated to
Peter Sheppard-Skærved.
The world premiere was
given on 26 November 2014
at King's Place, London.
Written in 2014, this
work focuses exclusively
on a single note - the
drone? This particular
sonority, is on, is
ubiquitously present
throughout the piece; the
music begins and ends
with it, and its echo is
felt even when the actual
sound is not heard! But
it is always there in the
background and it serves
as a nucleus with a
gravitational sonic
power, around which the
identity of the music is
displayed. The title
alludes to the genre of
capriccio, in terms
ofboth its free formal
design and the overall
character of the music,
which invariably
consistsof rhythmic
gestures with a high
degree of virtuosity. And
who better than its
dedicatee, with whom I
have collaborated for a
number of years now,
could give all these and
much more! TS Duration:
c. 8'.
Violin SKU: ST.Y237 Composed by Morgan Hayes. String music. 3 minutes. Pa...(+)
Violin
SKU:
ST.Y237
Composed by
Morgan Hayes. String
music. 3 minutes. Part.
Stainer & Bell Ltd.
#Y237. Published by
Stainer & Bell Ltd.
(ST.Y237).
ISBN
9790220221835.
1st
perf: Darragh Morgan, The
Picture Gallery, Royal
Holloway College,
University of London, 15
November 2006
Programme
Note Lucky's
Speech was composed at
the request of the
violinist Darragh Morgan,
for the launch of his
recital CD Opera on the
NMC label in June 2006.
The title refers to a
pivotal moment in Samuel
Beckett's play Waiting
for Godot, when the
hitherto silent character
Lucky suddenly pours
forth a torrential stream
of gibberish.
This idea also suggested
the cadenza of my Violin
Concerto, composed in the
same year, and it is
reflected in both cases
by an almost breathless
musical activity
punctuated by pizzicato
commentaries. I should
like to thank Darragh
Morgan for his invaluable
advice in the preparation
of the score.
A violin method for children age four and older. By Egon Sassmannshaus; Kurt Sa...(+)
A violin method for
children age four and
older. By Egon
Sassmannshaus; Kurt
Sassmannshaus. American
English translation: Kurt
Sassmannshaus and Melissa
Lusk; Illustrations:
Charlotte Panowsky. For
Violin. Take advantage of
our exclusive
introductory offer now
and save 25% off the
regular price - this
special price is
available for a limited
time only. Baerenreiter's
Sassmannshaus. Original
German title: Fruher
Anfang auf der Geige -
Band 1; Eine Violinschule
fur Kinder ab 4 Jahren.
Instructional Method.
Method book. Text
language: English. 64
pages. Published by
Baerenreiter Verlag
(German import).
Play Handel (Violin) Violon [Partition + CD] - Intermédiaire De Haske Publications
Violin. By George Frideric Handel. (Violin). De Haske Play-Along Book. Book & CD...(+)
Violin. By George
Frideric Handel.
(Violin). De Haske
Play-Along Book. Book &
CD Package. Size 9x12
inches. 24 pages.
Published by De Haske
Publications.
Sonata (1941) Violon SATB, Orchestre PWM (Polskie Wydawnictwo Muzyczne)
Violin SKU: BT.PWM7985010 Composed by Grazyna Bacewicz. Classical. Book O...(+)
Violin
SKU:
BT.PWM7985010
Composed by Grazyna
Bacewicz. Classical. Book
Only. 18 pages. Polskie
Wydawnictwo Muzyczne
#PWM7985010. Published by
Polskie Wydawnictwo
Muzyczne (BT.PWM7985010).
In her
four-movement Sonata
Bacewicz obviously refers
to the Baroque music ,
the virtuoso trend of the
music for strings of that
epoch, as proven by the
kind of narrative as well
as Bach-like ostinatos
and figurations, textural
devices such as lyrical
double stops or bourdons
with open strings, a
based-on-fifths-plan of
repetitions in the second
movement and the like.
(...) All this makes the
Sonata an original
commentary on a
composition on which it
feeds and to which it
owes a great deal (i.e. a
cycle of the Partitas and
Sonatas for solo violin
by J. S. Bach), depriving
the music of Arcadian
illusions while
preserving its musicianly
dash instead, an
indisputable violin
quality of sound and
energy, which is
exclusively the energy of
the material, without any
extramusical references.
[M. G siorowska, op.
cit.].