Violin (VIOLIN SOLO) SKU: HL.50487759 (1986). Composed by Laszlo T...(+)
Violin (VIOLIN SOLO)
SKU: HL.50487759
(1986). Composed
by Laszlo Tihanyi. EMB.
Score Only. Composed
1997. Duration 11'.
Editio Musica Budapest
#Z14099. Published by
Editio Musica Budapest
(HL.50487759).
ISBN
9790080140994. A/4
inches. Hungarian,
English. Laszlo
Tihanyi.
The piece
was composed at the
request of violinist
Eszter Perenyi, my
colleague at the Ferenc
Liszt Academy of Music,
and was several times
amond the optional pieces
of the yearly violin
competition for students.
It was inspired by the
famous 63rd poem of
Catullus that tells the
story of Attis: the hero
of the Greek mythology
arrives at the Mount Ida
in Frygia, to the
invitation of the goddess
Cybele, and becomes her
lover. The Gallas,
certitude priests of
Cybele chase him into
delirious dance, by the
end of which he castrates
himself. On waking from
his paralysed dream he
entreats in vain for his
virility and freedom to
Cybele, he will remain
servant of the goddess
for eternity. My work
tells the story in four
parts: 1) Attis' ecstasy
2) Dance of the Gallas 3)
Attis' dream 4) Attis'
entreaty. The Catullian
galliambic metric that
first appears in the
'prologue' of the piece,
becomes the
organisational principle
of almost all musical
aspects of it.
(Hungaroton HCD
32484).
M.S. 54 Critical Edition. Composed by Nicolo Paganini (1782-1840). String Solo...(+)
M.S. 54 Critical Edition.
Composed by Nicolo
Paganini
(1782-1840). String Solo.
Classical. Softcover. 16
pages. Ricordi
#NR14199900.
Published by Ricordi
By Aaron Copland. Arranged by Quincy C. Hilliard. Boosey and Hawkes Chamber Musi...(+)
By Aaron Copland.
Arranged by Quincy C.
Hilliard. Boosey and
Hawkes Chamber Music.
Softcover. Size 9x12
inches. 14 pages.
Published by Boosey &
Hawkes.
Vol. 1:
Sonatas 1-6. Composed
by Arcangelo Corelli.
Edited by Iain Quinn.
Arranged by Carl Czerny.
Saddle stitching.
Classical. Set of Parts.
60 pages. Ut Orpheus #HS
220B. Published by Ut
Orpheus (UT.HS-220B).
Violin SKU: HL.49004363 Violin 1. Composed by George Frideric Hand...(+)
Violin
SKU:
HL.49004363
Violin
1. Composed by George
Frideric Handel. Edited
by Helmuth Walcha. This
edition: ED3827-12. Sheet
music. Edition Schott.
Classical. Individual
part. Op. 4/2. 3 pages.
Duration 10'. Schott
Music #ED 3827-12.
Published by Schott Music
(HL.49004363).
ISBN
9790001045322. UPC:
073999507331.
9.0x12.0x0.009
inches.
Violin SKU: UT.HS-221B Vol. 2: Sonatas 7-12. Composed by Arcangelo...(+)
Violin
SKU:
UT.HS-221B
Vol. 2:
Sonatas 7-12.
Composed by Arcangelo
Corelli. Edited by Iain
Quinn. Arranged by Carl
Czerny. Saddle stitching.
Classical. Set of Parts.
48 pages. Ut Orpheus #HS
221B. Published by Ut
Orpheus (UT.HS-221B).
Violin SKU: HL.49004358 Violin 2. Composed by George Frideric Hand...(+)
Violin
SKU:
HL.49004358
Violin
2. Composed by George
Frideric Handel. Edited
by Helmuth Walcha. Sheet
music. Edition Schott.
Classical. Individual
part. Op. 4/1. 4 pages.
Duration 15'. Schott
Music #ED3826-14.
Published by Schott Music
(HL.49004358).
ISBN
9790001045278. UPC:
073999606232.
9.0x12.0x0.009
inches.
(for Solo Violin). Composed by Johann Sebastian Bach (1685-1750). Arranged by St...(+)
(for Solo Violin).
Composed by Johann
Sebastian Bach
(1685-1750). Arranged by
Stuart Carlson. For
Violin. LKM Music.
Softcover. 10 pages.
Lauren Keiser Music
Publishing #S510009.
Published by Lauren
Keiser Music Publishing
For Violin. Composed by Klaus Badelt. Hal Leonard Instrumental Play-Along. Play ...(+)
For Violin. Composed by
Klaus Badelt. Hal Leonard
Instrumental Play-Along.
Play Along and Movies.
Softcover Audio Online.
24 pages. Published by
Hal Leonard
(on a painting by Edvard Munch Young people on the beach Solo Violin). Composed ...(+)
(on a painting by Edvard
Munch Young people on the
beach Solo Violin).
Composed by Naji Hakim
(1955-). For Violin.
Schott. Softcover. 6
pages. Schott Music
#VLB156. Published by
Schott Music
Violin SKU: HL.49004357 Violin 1. Composed by George Frideric Hand...(+)
Violin
SKU:
HL.49004357
Violin
1. Composed by George
Frideric Handel. Edited
by Helmuth Walcha. Sheet
music. Edition Schott.
Classical. Individual
part. Op. 4/1. 4 pages.
Duration 15'. Schott
Music #ED3826-13.
Published by Schott Music
(HL.49004357).
ISBN
9790001045261. UPC:
073999191578.
9.0x12.0x0.011
inches.
Score and Parts Mixed Ensemble (Score & Parts) SKU: HL.233289 For Viol...(+)
Score and Parts Mixed
Ensemble (Score & Parts)
SKU: HL.233289
For Violin,
Vibraphone, Piano,
Sustaining Keyboard and
Contrabass. Composed
by John Luther Adams.
Music Sales America.
Classical. Set. Duration
1800 seconds. Chester
Music #CH85987. Published
by Chester Music
(HL.233289).
12.0x9.25x0.43
inches.
Score and
separate parts with
spiral-bound
keyboard/organ part.
Number 5, 1950 was Mark
Rothko's last painting
before the breakthrough
into his mature format.
In it the luminous color
fields of a classic
Rothko are inscribed
across the middle with
three delicate lines.
Describing this painting
and its pivotal position
in Rothko's work, Brian
O'Doherty observes:
'After this, the lines
disappear completely.' In
recent years gesture and
figuration have
disappeared from my
music. What used to be
background has emerged to
become a musical world
composed entirely of
floating color fields. In
this new world I've
changed media, moving
from the orchestra to
smaller combinations of
acoustical instruments
and
electronically-processed
sounds. I still think in
orchestral terms, but
this hybrid medium allows
me to create orchestral
textures for more
practical and readily
available ensembles.
Initially I imagined this
as a kind of monolithic
music -an entire piece as
one rich and complex
sound. Then I came to
hear it as homophonic or
heterophonic. And now -
in this musical world
that I thought was
completely free of lines
- I've come to hear a
polyphony of harmonic
clouds. Maybe the lines
never disappear
completely. Maybe
Christian Wolff was right
when he quipped: 'No
matter what we do, sooner
or later it all sounds
melodic.' - John Luther
Adams.
Chamber Music Violin SKU: CF.BF131 Composed by Roland Vamos. With Standar...(+)
Chamber Music Violin
SKU: CF.BF131
Composed by Roland Vamos.
With Standard notation.
168 pages. Carl Fischer
Music #BF131. Published
by Carl Fischer Music
(CF.BF131).
ISBN
9781491153765. UPC:
680160911264. 9 x 12
inches.
Inspired by
Clarence Cameron
White’s book The
Violinist’s Daily
Dozen, The
Violinist’s Daily
Sixteen is a collection
of daily exercises
compiled by Roland Vamos.
Intended for student and
professional violinists,
the collection provides
the performer with a
variety of exercises for
daily warm-ups. Mr. Vamos
also focuses on
developing dexterity and
flexibility in the
fingers and joints, the
first and fourth fingers
in particular. Each of
the sixteen exercises is
notated for each of the
four strings, and Vamos
recommends that the
exercises be practiced as
warm-ups, choosing a
different string for each
day of practice.Also
included with the Daily
Sixteen is a
comprehensive set of
studies for developing
fluency with scales and
arpeggios. Mr.
Vamos’ unique
methodology is to begin
with major scales and
arpeggios, followed by
minor scales and
arpeggios, all of which
are notated in two, three
and four octaves.
Alternate fingers are
provided, as well as a
variety of slurred and
mixed bowings using the
three parts of the bow
whenever feasible. It is
a remarkably systematic
approach to performing
scales and arpeggios on
the violin and will
surely benefit students
and professionals
alike. ForewordThis
short hand-setting set of
exercises was inspired by
a book entitled The
Violinist’s Daily
Dozen, conceived by
Clarence Cameron White, a
prominent
African-American
violinist, composer and
arranger who enjoyed the
bulk of his career in the
first half of the
twentieth century.I have
practiced this set of
exercises since I was
twelve years old. It has
served me as a superb
warm-up and hand setting
tool. Over the years, I
have found that there are
some aspects of this
warm-up routine that were
not given sufficient
attention or not
addressed at all.
Consequently, I have
expanded the Daily Dozen
to create a new work
entitled The
Violinist’s Daily
Sixteen.I have also paid
particular attention in
this work as to how these
exercises are to be
practiced. In exercises
one and two, I have
indicated some notes to
be played before the
actual written exercises.
This is to ensure that
the fourth finger will be
over the string in a
position ready to strike
even though it is not
being used. Before
playing exercises three,
four, nine, ten, eleven
and twelve, I have
indicated silent fingers
to be placed on the notes
they would be playing if
they were being used.I
have replaced Mr.
White’s grace
notes with notes of
specific value and have
slowed down the exercises
so that the first joint
(the joint nearest the
string) of each finger
can move with flexibility
and strength. At no time
should the first joint
buckle.In Mr.
White’s version,
the last exercise gave
the first finger some
very valuable backward
extensions. In this
exercise (number 14 in
this book), I caution the
student not to move the
hand along with the first
finger. The hand should
remain in position while
the first finger
independently moves back
and forth.It became
obvious to me that if the
first finger were given
the opportunity to
develop the dexterity
that Mr. White’s
twelfth exercise
emphasizes, the fourth
finger could benefit from
an exercise that gives it
a forward extension.
Consequently, I added
another exercise to
create a Baker’s
Dozen (thirteen).Several
years later, I felt that
the second and third
fingers should also have
an exercise to further
develop their
dexterity…hence
exercise fourteen was
added to create a
“Vamos
Dozen.â€Because the
first finger did not have
sufficient practice in
the development of the
first joint in the
original version, I have
added two exercises to
precede White’s
fifth exercise. After
re-working and
re-numbering these
exercises, I have come up
with a total of sixteen
exercises. It is my
suggestion that these be
practiced as a warm-up,
choosing a different
string each
day.—Roland
VamosEvanston, Illinois
2017Â PrefaceScales are
a means of teaching a
person the fingerboard on
his or her instrument.
The fingers move across
the strings and are
required to make shifts,
all in highly organized
patterns. Scales and
arpeggios are the
foundation upon which our
repertoire is built. Many
scale books have been
written; each one being
organized in its own
specific way. The Flesch
Scale System has been a
standard for many
decades. It is very
comprehensive and
systematic. From the
point of view of
establishing similar
patterns, it has one
drawback: it is organized
by starting with a major
key, followed by its
relative minor, going
through the circle of
fifths. I believe that it
is more profitable to do
only major scales with
their arpeggios first,
going up chromatically,
and then follow them in a
similar way with the
minor scales. In using
this approach, the
similarities in
fingerings between the
various scales are more
apparent. It is also
profitable to have
alternate fingerings
whenever possible. My
approach to scales and
arpeggios includes a
variety of slurred and
mixed bowings using the
three parts of the bow
whenever feasible. These
bowings are not
all-inclusive. Whenever a
particularly awkward
bowing pattern is
encountered in the
repertoire, it can be
practiced as an
additional bowing
variation in the scales
and arpeggios. Â Â I
have chosen to introduce
the three and four octave
scales by teaching two
octave scales across the
strings in one position
going up chromatically
through seven positions;
starting on the first,
second, third, and
finally fourth fingers in
major and melodic
minor.—Roland
VamosEvanston, Illinois
2017.
Violin - Level 2 SKU: FH.VLR02 Composed by The Royal Conservatory. Repert...(+)
Violin - Level 2
SKU:
FH.VLR02
Composed by
The Royal Conservatory.
Repertoire. Violin
Series. Book and online
audio. The Frederick
Harris Music Company
#VLR02. Published by The
Frederick Harris Music
Company (FH.VLR02).
ISBN
9781554409037.
C
arefully selected and
curated to support
teachers and students in
their artistic and
technical development,
the Violi
n Series, 2021 Edition
includes pieces from
a diverse range of eras
and styles that represent
stepping stones to major
violin repertoire. Each
level is constructed to
link repertoire
selections to necessary
techniques and
corresponding etudes,
while illustrating
step-by-step connections
for developing core
skills. Each Reper
toire book includes
quality video and audio
recordings by some of
North America's finest
violinists and
accompanists; both
performance and
accompaniment-only tracks
for each Reper
toire selection
offer students a model
for performance practice
and the convenience of
accompanied rehearsal at
home.
Violi
n Repertoire 2
provides an array of
character pieces to
capture students'
imaginations with music
written by Violet Archer,
Ludwig van Beethoven,
Edward Elgar, Mikhail
Glinka, Dmitri
Kabalevsky, Wolfgang
Amadeus Mozart, Franz
Schubert, and Pyotr
Ilyich Tchaikovsky. The
selections are varied and
compelling, from
arrangements of
traditional favorites to
exciting, newly
commissioned works from
21st-century composers.
Level 2 explores rhythmic
pulse and organization of
meter, while integrating
dotted rhythms with
hooked bowings, increased
slur combinations, and
bow articulations.
Position work is explored
in first and third
position with additional
focus on major and minor
keys.
Violin SKU: FH.VLE02 Composed by The Royal Conservatory. Excerpts. Violin...(+)
Violin
SKU:
FH.VLE02
Composed by
The Royal Conservatory.
Excerpts. Violin Series.
Book. The Frederick
Harris Music Company
#VLE02. Published by The
Frederick Harris Music
Company (FH.VLE02).
ISBN
9781554409143.
C
arefully selected and
curated to support
teachers and students in
their artistic and
technical development,
the Violi
n Series, 2021 Edition
includes pieces from
a diverse range of eras
and styles that represent
stepping stones to major
violin
repertoire.
Violi
n Orchestral Excerpts
9-ARCT presents
excerpts ordered
chronologically from the
Baroque to the modern era
and includes overtures,
ballets, operas, chamber
music, orchestral music,
and contemporary works.
Selections are organized
progressively to present
relevant materials with
both section parts and
concertmaster solos for
youth and community
orchestras, chamber music
ensembles, and to provide
preparation material for
auditions at the
professional level. This
book features works from
Ludwig van Beethoven,
Antonin Dvorak, Edward
Elgar, Franz Joseph
Haydn, Gustav Mahler,
Wolfgang Amadeus Mozart,
Felix Mendelssohn, Sergei
Prokofiev, Sergei
Rachmaninoff, Nikolai
Rimsky-Korsakov, Arnold
Schoenberg, Rodney
Sharman, Caroline Shaw,
Dmitri Shostakovich,
Bedrich Smetena, Richard
Strauss, Pyotr Il'yich
Tchaikovsky and Dinuk
Wijeratne.
Essential Elements 2000 for Strings. By Pamela Tellejohn Hayes, Michael Allen, R...(+)
Essential Elements 2000
for Strings. By Pamela
Tellejohn Hayes, Michael
Allen, Robert Gillespie.
Essential Elements String
Method. Softcover with
CD. 149 pages. Published
by Hal Leonard.
Violin SKU: FH.VLE01 Composed by The Royal Conservatory. Excerpts. Violin...(+)
Violin
SKU:
FH.VLE01
Composed by
The Royal Conservatory.
Excerpts. Violin Series.
Book. The Frederick
Harris Music Company
#VLE01. Published by The
Frederick Harris Music
Company (FH.VLE01).
ISBN
9781554409136.
C
arefully selected and
curated to support
teachers and students in
their artistic and
technical development,
the Violi
n Series, 2021 Edition
includes pieces from
a diverse range of eras
and styles that represent
stepping stones to major
violin
repertoire.
Violi
n Orchestral Excerpts 7-8
presents excerpts
ordered chronologically
from Baroque through to
the modern era.
Selections are organized
progressively to present
relevant materials for
school orchestras and
initial chamber music
experiences. Bowing and
fingering has been added
where needed to encourage
the most stylistically
appropriate results. This
book features works from
Johann Sebastian Bach,
Ludwig van Beethoven,
Hector Berlioz, Georges
Bizet, Mikhail Glinka,
George Frideric Handel,
Jacques Hetu, Franz
Joseph Haydn, Wolfgang
Amadeus Mozart, Felix
Mendelssohn, Kelly-Marie
Murphy, Jacques
Offenbach, Gioachino
Rossini, Franz Schubert,
Georg Philipp Telemann,
and Pyotr Il'yich
Tchaikovsky.
Violin SKU: FH.S50 Composed by The Royal Conservatory. Syllabus. Violin S...(+)
Violin
SKU: FH.S50
Composed by The Royal
Conservatory. Syllabus.
Violin Series. Book. The
Frederick Harris Music
Company #S50. Published
by The Frederick Harris
Music Company (FH.S50).
ISBN
9781554409150.
T
he Official Syllabi of
The Royal Conservatory
are essential for
teachers preparing
students for
examinations. Students
and their parents will
also benefit from the
information presented in
these helpful resource
books. The syllabi
include information about
application procedures
and marking systems for
RCM Examinations,
technical requirements
and listings of a wide
range of repertoire for
each level of study, and
comprehensive
bibliographies of music
texts and reference
books. This resource
outlines the Violin
requirements for the
Preparatory to ARCT
levels of The Royal
Conservatory
Examinations. The Violin
Syllabus includes an
extensive listing of
repertoire organized by
musical style, historical
era, or
genre.
(A critical collection of the most important exercises for violin technique by O...(+)
(A critical collection of
the most important
exercises for violin
technique by Otakar
Sevcik.). By Ottakar
Sevcik (1852-1934).
Edited by Endre Granat
and Stephen Shipps. For
Violin. LKM Music. 248
pages. Hal Leonard
#S510008. Published by
Hal Leonard
Composed by Drew
Beisswenger. Country,
Bluegrass, Perfect
binding, Solos, Duets and
Ensembles, Tunebook,
American Music. Style.
Book and online audio.
220 pages. Mel Bay
Publications, Inc
#21123M. Published by Mel
Bay Publications, Inc
(MB.21123M).
ISBN
9780786695256. 8.75 x
11.75 inches.
This
book, which includes 308
tune transcriptions, is
organized around
individual fiddlers who
typically combine
Appalachian-style
fiddling with rags, pop
standards, Midwest-style
fiddling and sometimes a
touch of Western swing to
create a style often
identifiable as Ozarks.
Thirty Ozarks fiddlers
and their lives are
highlighted with
biographical sketches,
photographs, and tune
histories. Another 50
great Ozarks fiddlers are
presented in a similar
manner but with less
detail. The book and
accompanying audio with
37 tunes, many recorded
in the field emphasize
the older fiddling
traditions connected to
the square dances and
community events more
than those connected to
bluegrass music and
modern contest fiddling.
Some of the tunes in the
collection are old
standbys such as Bile
Them Cabbage while others
such as Finley Creek
Blues are unique to the
region. The book is the
result of years of work
by two respected
researchers. Gordon
McCann won the
prestigious Missouri Arts
Award in 2002 for his
decades of work
documenting, studying,
and accompanying Ozarks
fiddle music. Drew
Beisswenger, a music
librarian at Missouri
State University with a
Ph.D. in ethnomusicology,
has published three other
works about fiddle music
and is known for his
strong transcription and
analysis skills. Includes
access to online
audio.
(A Revolutionary Method for Early-Intermediate Musicians (Violin)). By Bob Phill...(+)
(A Revolutionary Method
for Early-Intermediate
Musicians (Violin)). By
Bob Phillips, Peter
Boonshaft, and Robert
Sheldon. Orchestra. For
Violin. This edition:
Violin. Book; CD; DVD;
Method/Instruction;
String Orchestra
Method/Supplement. Sound
Innovations. 48 pages.
Published by Alfred Music
Publishing