Violoncelle, Piano [Livre + CD] - Facile Warner Brothers
Composed by Howard Shore, edited by Bill Gallifor, Jeannette DeLisa. For cello s...(+)
Composed by Howard Shore,
edited by Bill Gallifor,
Jeannette DeLisa. For
cello solo and piano
accompaniment. Includes
cello/piano book and
accompaniment CD. With
solo part and piano
accompaniment. Movies. 80
pages. 9x12 inches.
Published by Warner
Brothers.
Duo Violoncelle, Piano Edward B. Marks Music Company
Cello & Piano SKU: SU.80603280 For Cello & Piano. Composed by Davi...(+)
Cello & Piano
SKU:
SU.80603280
For
Cello & Piano.
Composed by David
Ward-steinman. Strings,
Cello. Accompanied by
piano. Score & Parts.
Edward B. Marks Music
#80603280. Published by
Edward B. Marks Music
(SU.80603280).
Manuscript;
reduced version of the
composer's Cello
ConcertoCello, Piano
Composed: 1966 Published
by: E.B. Marks.
(Cello and Piano). Composed by Edward Gregson. For Cello, Piano Accompaniment. M...(+)
(Cello and Piano).
Composed by Edward
Gregson. For Cello, Piano
Accompaniment. Music
Sales America. 52 pages.
Novello and Co Ltd.
#NOV958089. Published by
Novello and Co Ltd.
In a Sacred Mood Violoncelle, Piano Edward B. Marks Music Company
Cello & Piano SKU: SU.80601640 For Cello & Piano. Composed by Fred...(+)
Cello & Piano
SKU:
SU.80601640
For
Cello & Piano.
Composed by Freda
Gronowetter. Strings,
Cello. Accompanied by
piano. Score & Parts.
Edward B. Marks Music
#80601640. Published by
Edward B. Marks Music
(SU.80601640).
Cello & Piano
Composed: 1942 Published
by: E.B. Marks.
(fur Cello und Klavier) Composed by Antoni Cofalik, Romuald Twardoski. Score; Si...(+)
(fur Cello und Klavier)
Composed by Antoni
Cofalik, Romuald
Twardoski. Score; Single
Part for cello and piano.
Easy cello pieces with
piano accompaniment;
teaches technical skills
in a spirit of fun;
Imaginative melodies;
Colorful illustrations.
Published by
Baerenreiter-Ausgaben
(German import). ISBN
M006531639.
(Fantasia for Cello and Piano). Composed by Edward Mollenhauer. Edited by Christ...(+)
(Fantasia for Cello and
Piano). Composed by
Edward Mollenhauer.
Edited by Christoph
Sassmannshaus. For cello
solo and piano. Stapled.
Barenreiter's Concert
Pieces. Transcribed for
Violoncello and Piano.
Level 2. Piano reduction,
part(s). Published by
Baerenreiter Verlag
(Violoncello and Piano With Marked and Unmarked String Parts). Composed by Edwar...(+)
(Violoncello and Piano
With Marked and Unmarked
String Parts). Composed
by Edward Elgar
(1857-1934). Edited by
Claus Kanngiesser, Rolf
Koenen, and Rupert
Marshall-Luck. For Cello,
Piano Accompaniment.
Henle Music Folios.
Softcover. 8 pages. G.
Henle #HN1189. Published
by G. Henle
Arrangement for Violoncello and Piano by the Composer. By Edward Elgar. Edited b...(+)
Arrangement for
Violoncello and Piano by
the Composer. By Edward
Elgar. Edited by Jonathan
Del Mar. For Cello Solo,
piano. Piano
Reduction/Vocal Score;
Urtext Edition. Op. 85.
Duration 25'. Published
by Baerenreiter-Ausgaben
(German import). (BA9040
90)
Due Per Due Violoncelle, Piano Edward B. Marks Music Company
(Violoncello and Piano). Composed by Justin Dello Joio. For Cello, Piano Accompa...(+)
(Violoncello and Piano).
Composed by Justin Dello
Joio. For Cello, Piano
Accompaniment (Score and
Parts). E.B. Marks.
Softcover. Published by
Edward B. Marks Music
(Cello and Piano). By Edward MacDowell (1861-1908). Arranged by Wolfgang Birtel....(+)
(Cello and Piano). By
Edward MacDowell
(1861-1908). Arranged by
Wolfgang Birtel. For
Cello, Piano
Accompaniment. String.
Softcover. 6 pages.
Schott Music #ED09909.
Published by Schott Music
Concerto In E Minor Violoncelle, Piano [Conducteur et Parties séparées] Carl Fischer
Op. 85, for Violoncello and Piano. Composed by Edward Elgar (1857-1934). ...(+)
Op. 85, for
Violoncello and
Piano. Composed by
Edward Elgar (1857-1934).
Edited by Feldman,
Marion, du Pre,
Jaqueline. Score and
part(s). With Standard
notation. Opus 85. 32
12 pages. Carl Fischer
#B003463. Published by
Carl Fischer (CF.B3463).
Chamber Music cello, piano SKU: PR.144405190 For Piano Solo or Piano a...(+)
Chamber Music cello,
piano
SKU:
PR.144405190
For
Piano Solo or Piano and
Cello (ad lib.).
Composed by David
Ward-steinman. Saddle.
Premiere: Melbourne,
Australia; Imogen Manins,
cello; Tony Gould, piano.
Contemporary. Performance
Score. With Standard
notation. Composed March
5 2006. 4 pages. Duration
1:45. Theodore Presser
Company #144-40519.
Published by Theodore
Presser Company
(PR.144405190).
UPC:
680160575152. 9 x 12
inches.
Ward-Steinm
an has penned a short and
lovely lulllaby in
primarily 3/4 time.
Especially effective with
obbligato cello
accompaniment.
From Jewish Life Violoncelle, Piano Guitare classique Carl Fischer
Chamber Music Cello, Piano SKU: CF.BF141 Composed by Ernest Bloch. Edited...(+)
Chamber Music Cello,
Piano
SKU:
CF.BF141
Composed by
Ernest Bloch. Edited by
Julian Schwarz. 12+8
pages. Carl Fischer Music
#BF141. Published by Carl
Fischer Music (CF.BF141).
ISBN 9781491159989.
UPC:
680160918584.
The
three pieces From Jewish
Life were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance.
The
first movement, Prayer,
is a deeply heartfelt
plea to the almighty. As
Neil W Levin writes, The
initial four-note motive
in the minor mode,
together with its
elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max Janowski's
(1912-1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu. This prayer has
special meaning in my own
spiritual life, as I have
been singing it since my
childhood. Both Prayer
and Janowski's Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt
pathos.
The second
movement, Supplication
(the act of begging
humbly), has more angst,
almost a sense of urgency
as a result of the
rhythmic motor in the
piano. The third
movement, Jewish Song,
evokes a quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish
experience.
The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of Bloch's most
celebrated work, Schelomo
in 1917.
Though
the popularity of Bloch's
oeuvre has been dominated
by works of Jewish
connection, we should not
forget that Bloch had
many other stylistic
periods, including
Franco-Belgian, modal,
serial, and even American
folk. In 1927, he was
awarded Musical America's
composition prize in a
unanimous vote, despite
being regarded as an
outsider by American
music writers at the
time. His winning work
America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music. The three
pieces From Jewish Life
were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance. The first
movement, Prayer, is a
deeply heartfelt plea to
the almighty. As Neil W
Levin writes, The initial
four-note motive in the
minor mode, together with
its elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max Janowski's
(1912-1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu. This prayer has
special meaning in my own
spiritual life, as I have
been singing it since my
childhood. Both Prayer
and Janowski's Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt pathos. The
second movement,
Supplication (the act of
begging humbly), has more
angst, almost a sense of
urgency as a result of
the rhythmic motor in the
piano. The third
movement, Jewish Song,
evokes a quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish experience. The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of Bloch's most
celebrated work, Schelomo
in 1917. Though the
popularity of Bloch's
oeuvre has been dominated
by works of Jewish
connection, we should not
forget that Bloch had
many other stylistic
periods, including
Franco-Belgian, modal,
serial, and even American
folk. In 1927, he was
awarded Musical America's
composition prize in a
unanimous vote, despite
being regarded as an
outsider by American
music writers at the
time. His winning work
America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music. The three
pieces From Jewish Life
were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance.The first
movement,
“Prayerâ€, is
a deeply heartfelt plea
to the almighty. As Neil
W Levin writes,
“The initial
four-note motive in the
minor mode, together with
its elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max
Janowski’s
(1912–1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu.†This
prayer has special
meaning in my own
spiritual life, as I have
been singing it since my
childhood. Both
“Prayer†and
Janowski’s Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt pathos.The
second movement,
“Supplicationâ€
(the act of begging
humbly), has more angst,
almost a sense of urgency
as a result of the
rhythmic motor in the
piano. The third
movement, “Jewish
Songâ€, evokes a
quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish experience.The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of
Bloch’s most
celebrated work, Schelomo
in 1917.Though the
popularity of
Bloch’s oeuvre has
been dominated by works
of Jewish connection, we
should not forget that
Bloch had many other
stylistic periods,
including Franco-Belgian,
modal, serial, and even
American folk. In 1927,
he was awarded Musical
America’s
composition prize in a
unanimous vote, despite
being regarded as an
outsider by American
music writers at the
time. His winning work
America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music.
Cello and Piano (Cello) SKU: HL.14019507 Composed by Lovell-Page. Music S...(+)
Cello and Piano (Cello)
SKU: HL.14019507
Composed by Lovell-Page.
Music Sales America.
Tuition. Book
[Softcover]. 16 pages.
Music Sales #BOE003925.
Published by Music Sales
(HL.14019507).
ISBN
9780711990029.
Easy
pieces for Cello and
Piano by Joan Lovell and
Peggy Page. This volume
introduces the backward
and forward extensions of
the first position
together with the half
position.
Cello; Piano Accompaniment (Cello Part And Piano Score) SKU: HL.48025367 ...(+)
Cello; Piano
Accompaniment (Cello Part
And Piano Score)
SKU:
HL.48025367
Cello
and Piano. Composed
by Simon Laks. Boosey &
Hawkes Chamber Music.
Classical. Softcover.
Bote & Bock #M202538630.
Published by Bote & Bock
(HL.48025367).
By Louise Farrenc (1804-1875). Edited by Bella and Semjon Kalinowsky. For viola ...(+)
By Louise Farrenc
(1804-1875). Edited by
Bella and Semjon
Kalinowsky. For viola and
piano. Viola.
Instrumental Music.
Intermediate. Score and
parts. Composed 1861.
Published by Furore
Verlag
12 Recital Pieces in First Position for Cello and Piano or Two Celli. Edited b...(+)
12 Recital Pieces in
First
Position for Cello and
Piano
or Two Celli. Edited by
Christoph Sassmannshaus /
Melissa Lusk. Stapled.
Baerenreiter's
Sassmannshaus.
Performance score, parts.
16/23/21 pages pages.
Published by Baerenreiter
Verlag
Cello; Piano; Violin (Score) SKU: HL.50499719 For Violin, Cello and Pi...(+)
Cello; Piano; Violin
(Score)
SKU:
HL.50499719
For
Violin, Cello and Piano
Score. Composed by
Si-Ang Chen. Ensemble.
Classical, Contemporary.
Softcover. 16 pages.
Sikorski #SIK8751.
Published by Sikorski
(HL.50499719).
11.75x8.25x0.4
inches.
With this
composition, Si-Ang Chen
was awarded 1st prize at
the 2nd China ConTempo
Composition Competition
2008.
Cello; Piano; Violin (Score) SKU: HL.50499718 For Violin, Cello and Pi...(+)
Cello; Piano; Violin
(Score)
SKU:
HL.50499718
For
Violin, Cello and Piano
Score. Composed by
Hui-Hui Cheng. Ensemble.
Contemporary. Softcover.
26 pages. Sikorski
#SIK8750. Published by
Sikorski (HL.50499718).
11.75x8.25x0.4
inches.
With this
composition, Hui-Hui
Cheng was awarded 1st
prize at the 1st China
ConTempo Composition
Competition 2007.
Cello and Piano SKU: HL.14030693 Composed by Ernest John Moeran. Music Sa...(+)
Cello and Piano
SKU:
HL.14030693
Composed
by Ernest John Moeran.
Music Sales America.
Post-1900. Book
[Softcover]. Music Sales
#NOV120092. Published by
Music Sales
(HL.14030693).
8.25x11.75x0.466
inches.
In the
second half of his life,
Moeran greatly extended
his sensibilities and his
musical palate to include
more energetic and
vigorous rhythms,
harmonic colours and
tonalities. In the Sonata
for ViolonCello and
Piano, the listener will
find grandeur in the
first movement and an
intricate rondo in the
finale. It is a piece by
a composer who has taken
an expansive step beyond
his immediate
surroundings and first
influences.E J Moeran was
a 20th century British
composer of Anglo-Irish
background who spent his
early years in Norfolk
and influences of
folksong and programmatic
elements can be easily
heard in this composer's
main body of work. Moeran
tended toward thesmaller
ensembles in his
compositions, which gave
an appropriate frame for
his lyric gifts.
Salut D'amour-vc/pn Violoncelle, Piano - Intermédiaire EMB (Editio Musica Budapest)
Violoncello and Piano - Grade 3 SKU: HL.50510867 MM-25. By Arpad P...(+)
Violoncello and Piano -
Grade 3
SKU:
HL.50510867
MM-25. By Arpad
Pejtsik. By William
Edward Elgar. Arranged by
Fitzenhagen Pejtsik. 20th
Century. EMB. Book Only.
Op. 12. Editio Musica
Budapest #Z13884.
Published by Editio
Musica Budapest
(HL.50510867).
ISBN
9790080138847. UPC:
073999348422. Bach (23 x
30,2 cm) inches. William
Edward Elgar; Arpad
Pejtsik.
The series
Moments Musicaux contains
popular and well-known
short masterpieces and
transcriptions. An
admitted aim of the
publisher was to release
high-standard editions of
these popular pieces for
a moderate price. Each
piece of the series may
be performed on
violoncello solo with
piano accompaniment.