Composed by Various. Arranged by Peter Lavender. Music Sales America. Baroque and Classical Period. Fake book (softcover). With melody line (no accompaniment included) and chord names. 128 pages. Music Sales #AM92350. Published by Music Sales

by Mel Bay. For all guitars. Modern Guitar Method. All styles, solos & duets. Level: Multiple Levels. Book. Method. Size 8.75x11.75. 320 pages. Published by Mel Bay Pub., Inc.

Perfect binding. Exercises. Book. Mel Bay Publications, Inc #30782. Published by Mel Bay Publications, Inc

By Mel Bay. For Guitar (All). Method. Modern Guitar Method. All Styles. Level: Beginning-Intermediate. Book/CD Set. Size 8.75x11.75. 88 pages. Published by Mel Bay Publications, Inc.

A Collection of Popular Classical Themes Arranged for Guitar. By David Coe. By David Coe. For Guitar (All). Tune Book. Archive Edition. Classic. Level: Beginning. Book. 168 pages. Published by Mel Bay Publications, Inc.

Edited by Amy Appleby. For piano. Format: piano solo book (spiral bound). With fingerings. Baroque, classical period, romantic period and americana. 240 pages. 9x12 inches. Published by Music Sales.

Edited by Maurice Hinson. For Piano. Piano Collection. Masterwork. Level: Intermediate / Early Advanced (grade 4/5/6/6 ). Book. 248 pages. Published by Alfred Publishing.

Composed by William Bay. Saddle-stitched, Technique, Theory and Reference, Solos. Book and online audio. 28 pages. Mel Bay Publications, Inc #WBM41M. Published by Mel Bay Publications, Inc

By Tony Trischka. For Banjo Tab, with chord symbols. Folk. Sheet Music. 144 pages. Published by Oak Publications.

Flute - Intermediate to Early Advanced

SKU: FH.FLS02

2010 Edition. Composed by The Royal Conservatory. Overtones: A Comprehensive Flute Series. Book/CD. The Frederick Harris Music Company #FLS02. Published by The Frederick Harris Music Company (FH.FLS02).

ISBN 978-1-55440-298-4.

Unparalleled in scope, Overtones offers all the music flutists want in one complete series! This progressive collection includes fundamental repertoire and supporting materials such as Studies, Compact Discs, Orchestral Excerpts, and Technique. The richness of music carefully selected for this compilation will resonate with teachers and students at every level of study.This compilation of standard orchestral passages for flute is an indispensable resource for the developing years and beyond. Teachers and students will find this unrivalled volume essential for examination or audition preparation.
Caprice in D Major, op. 37, no. 5 Karl Joachim Andersen
Study in G sharp Minor Heinrich Soussmann
Study in C Major, op. 88, no. 3 Giuseppe Gariboldi
Ringing the Changes James Rae
Study in G Major Harald Genzmer
Bulgarian Bounce Allen Vizzutti
Caprice in G Major, op. 37, no. 3 Karl Joachim Andersen
Study in C Minor Louis Drouet
Study in C Minor, op. 88, no. 20 Giuseppe Gariboldi
Consolation, op. 66, no. 4 Ernesto Koehler
Study in F Major Harald Genzmer
Imaginings Oliver Ledbury
Tarantella Allen Vizzutti
Ocean Tide Hilary Taggart
Exercise in A Minor, op. 33, no. 2 Karl Joachim Andersen
Study in B Minor Louis Drouet
Farewell, op. 66, no. 13 Ernesto Koehler
Study in G Minor Antoine (Benoit) Tranquille Berbiguier
Chilli con salsa Mike Mower
Study in B flat Minor Russell Stokes
Study No. 4 Francois Veilhan
Exercise in C Minor, op. 33, no. 20 Karl Joachim Andersen
Study in D Minor Antoine (Benoit) Tranquille Berbiguier
Study in D sharp Minor Louis Drouet
Zig-Zag, op. 66, no. 8 Ernesto Koehler
Tango-etude No. 4 Astor Piazzolla
Sidewalk Hilary Taggart
Study No. 5 Endre Szervanszky.

About Overtones

Unparalleled in scope, Overtones offers all the music flutists want in one complete series! This progressive collection includes fundamental Repertoire and supporting materials such as Etudes, Compact Discs, Orchestral Excerpts, and Technique. The richness of music carefully selected for this compilation will resonate with teachers and students at every level of study and is the official series for those using The Royal Conservatory Music Development program.

Book 1 Guitar

SKU: HL.122489

Hal Leonard Guitar Repertoire. Composed by Various. Arranged by John Hill. Guitar Solo. Classical, Folk. Softcover. With guitar tablature. Published by Hal Leonard (HL.122489).

ISBN 9781480355927. UPC: 884088953010. 9.0x12.0x0.138 inches. Compiled and Arranged by John Hill.

Journey Through the Classics is a classical guitar repertoire folio designed to lead students seamlessly from the earliest classics to the intermediate masterworks. The 32 graded pieces are presented in a progressive order and feature a variety of traditional folk songs and classical favorites essential to any guitar student's educational foundation. The pieces are written in standard notation and tab, and include right and left hand fingerings. The authentic repertoire is ideal for auditions and recitals and is a perfect companion to any classical guitar method.

By Amy Appleby. For Piano. Classical. Sheet Music. 192 pages. Published by Music Sales.

Double Bass and Piano. By Angela Schofield. (Double Bass). Boosey and Hawkes Chamber Music. Size 8.5x11 inches. 20 pages. Published by Boosey and Hawkes.

By Dennis Alexander. For Piano. Piano Duet (1 Piano, 4 Hands). Piece for the Piano Duet event with the National Federation of Music Clubs (NFMC) Festivals Bulletin 2008-2009-2010. Level: Intermediate. Sheet. 16 pages. Published by Alfred Publishing.

by William Bay. For flatpick and plectrum guitar. All styles, notes and tab. Level: Intermediate-Advanced. Book. Technique. Size 8.75x11.75. 132 pages. Published by Mel Bay Pub., Inc.

Piano - Level 10

SKU: FH.C6R10

Celebration Series, Sixth Edition. Method book. The Frederick Harris Music Company #C6R10. Published by The Frederick Harris Music Company (FH.C6R10).

ISBN 9781554409426.

The Celebration Series, Sixth Edition will inspire students at every level with its comprehensive collection of graded repertoire and etudes. Carefully curated and edited to support teachers and students in artistic and technical development, this 22-book series provides an engaging compilation of music--from beloved classics to newly commissioned works. New to this series are never-before published works from popular Canadian and US composers that will enhance the musical journey. Each book includes high-quality recordings, easily accessible online, to inspire students and teachers.

The Repertoire books provide students with a wide selection of outstanding pieces. This series provides a representative collection of repertoire from the Baroque, Classical, Romantic, and Contemporary style periods. With composers from more than 20 countries, these volumes are the ultimate resource for examinations, recitals, festivals, competitions, auditions, and personal enjoyment.

About Celebration Series - Frederick Harris Music

Celebration Series is a comprehensive series of graded repertoire and etudes for piano. This outstanding collection of music from the Baroque era to the present day provides thoroughly engaging teaching and learning materials. Each book includes high-quality recordings, easily accessible online, to inspire students and teachers.

By Stanley Yates. For Guitar (Classical). solos. Stanley Yates Gtr. Classic. Level: Beginning-Intermediate. Book. Size 8.75x11.75. 88 pages. Published by Mel Bay Publications, Inc.

Edited by Harvey Vinson. Guitar solo book for guitar. With standard notation (no tablature) and fingerings. Series: World's Favorite Series. 127 pages. Published by Ashley Publications, Inc.

Guitar solo - Advanced

SKU: DZ.DZ-4287

Composed by Francisco Braga. Arranged by Luciano Lima. Score. Les Productions d'OZ #DZ 4287. Published by Les Productions d'OZ (DZ.DZ-4287).

ISBN 9782898522048.

Antà ´nio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.
In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.
Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.
Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).
In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.
In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.
Unfortunately , Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.
The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.

Antôni o Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.
En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.
De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.
Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).
En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.
En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.
Malheureuseme nt, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.
La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».
Envoyer des commentaires
Panneaux latéraux
HistoriqueEnregistrées.

Composed by Various. Piano. Classical. Softcover. 250 pages. Published by Hal Leonard

(Selections from the Cello Repertoire). Compiled, ed., and arr. Carey Cheney. For Cello. String - Cello Studies or Collection. Companion CD to the print music version (see item 21110X). Audio CD. Published by Alfred Publishing.

(Selections from the Cello Repertoire). Compiled, ed., and arr. Carey Cheney. For Cello and Piano. String - Cello Studies or Collection. Companion CD also available (see item 21970X). Instrumental Solo Book and Piano Accompaniment Book. 72 pages. Published by Alfred Publishing.