2. (Fantasia Originale #2, Pollaca, Serenata) for viola and piano. Composed by...(+)
2. (Fantasia Originale
#2,
Pollaca, Serenata) for
viola
and piano. Composed by
Eugenio Cavallini. Edited
by
Kenneth Martinson. This
edition: Urtext. Staple
Center Bound with 1
insert. 9
Operatic Concert Pieces.
Classical. Piano score
and 1
part. With Text Language:
English. Composed ca.
1845.
Gems Music Publications
#GPL
270. Published by Gems
Music
Publications
Composed by Henry Eccles (1671-1742). Edited by Christoph Sassmannshaus. Stap...(+)
Composed by Henry Eccles
(1671-1742). Edited by
Christoph Sassmannshaus.
Stapled. Barenreiter's
Concert Pieces.
Performance
score , Part(s). 7/10
pages.
Baerenreiter Verlag
#BA10699. Published by
Baerenreiter Verlag
3. (Souvenir, Tema Variato #1, Tema Variato #2) for viola and piano. Composed ...(+)
3. (Souvenir, Tema
Variato
#1, Tema Variato #2) for
viola and piano. Composed
by
Eugenio Cavallini. Edited
by
Kenneth Martinson. This
edition: Urtext. Staple
Center Bound with 1
insert. 9
Operatic Concert Pieces.
Classical. Piano score
and 1
part. With Text Language:
English. Composed ca.
1845.
Gems Music Publications
#GPL
271. Published by Gems
Music
Publications
1. (Adagio Variato
Dell'Opera
Poliuto, Fantasia,
Fantasia
Originale #1 ) for viola
and
piano. Composed by
Eugenio
Cavallini. Edited by
Kenneth
Martinson. This edition:
Urtext. Staple Center
Bound
with 1 insert. 9 Operatic
Concert Pieces.
Classical.
Piano score and 1 part.
With
Text Language: English.
Composed ca. 1845. Gems
Music
Publications #GPL 269.
Published by Gems Music
Publications
Nordanvind Orchestre d'harmonie - Intermédiaire Carl Fischer
Band concert band - Grade 4.5 SKU: CF.SPS71 Composed by Carl Strommen. Se...(+)
Band concert band - Grade
4.5
SKU: CF.SPS71
Composed by Carl
Strommen. Set of Score
and Parts. With Standard
notation.
2+16+4+8+8+8+4+4+2+4+4+4+
4+6+6+6+4+4+4+4+6+6+6+6+4
+8+3+2+12+2+4+28 pages.
Duration 6 minutes, 26
seconds. Carl Fischer
Music #SPS71. Published
by Carl Fischer Music
(CF.SPS71).
ISBN
9781491143544. UPC:
680160901043. Key: G
minor.
Nordanvind
is a tour de force
symphonic rhapsody that
is built on three
Scandinavian folk songs.
Composer Carl Strommen
has composed these
Viking-influenced
melodies into a concert
setting that brings out
all of the history of the
Scandinavian people. The
piece is at times bold
and aggressive, at other
times beautiful. Carl
employs all of the
instrumental colors of
the concert band to
create a new work for
more advanced
ensembles. Modern
Scandinavians are
descendants of the
Vikings, an adventuresome
people who were known for
their love of the sea,
their naval prowess, and
as fierce fighters . The
Scandinavian Vikings were
warriors from Denmark,
Norway, and Sweden who
traded, raided and
settled in various parts
of Europe, Russia, the
North Atlantic islands,
and the northeastern
coast of North America
.Starting around 1850,
over one million Swedes
left their homeland for
the United States in
search of religious
freedom and open farm
land . Augustana College
was founded in 1860 by
graduates of Swedish
universities and is
located on the
Mississippi River in Rock
Island, Illinois . Home
of the
“Vikings,â€
Augustana College is the
oldest Swedish- American
institution of higher
learning in the United
States . This powerful
and lively piece takes
inspiration from Swedish
history and from Swedish
folk songs and hymns
.Havsdrake (Dragon of the
Sea)The Nordanvind or
“North Windâ€
blows a cold wind during
a journey of a group of
courageous Viking rowers
. The
“Dragon-shipâ€
or long ships designed
for raiding and war was a
sophisticated, fast ship
able to navigate in very
shallow water . To
musically portray these
magnificent seafaring
vessels, the director is
encouraged to use an
Ocean Drum (or a rain
stick) during the
introduction . Wind
players may consider
blowing air through their
instruments to suggest
the North wind . Adding
men’s voices to
accompany the haunting
low brass and percussive
“rowerâ€
sounds can be helpful in
creating the dark and
ominous portrayal of
Viking adventurers
.Slangpolska efter Byss -
KalleIn Sweden, a
“polska†is a
partner dance where the
dancers spin each other
(släng in Swedish
“to sling or
tossâ€) .
Slangpolska efter Byss -
Kalle is attributed to
Byss-Kalle, who was a
notable Swedish folk
musician, specifically a
nyckelharpa player .
Slangpolska efter Byss -
Kalle is a traditional
“polskaâ€
dance song most often
played on the Nyckelharpa
or keyed fiddle and is
commonly heard in pubs
and at festive events
throughout Sweden .
Approximately 10,000
nyckelharpa players live
in Sweden today, and the
Swedish and the American
Nyckelharpa Associations
are dedicated to this
Swedish National
instrument . The director
is encouraged to share
video and audio examples
of the nyckelharpa
playing the original
Slangpolska efter Byss -
Kalle .Tryggare Kan Ingen
Vara (Children of the
Heavenly Father)Tryggare
Kan Ingen Vara Is a
traditional Swedish
melody, possibly of
German roots, and was
believed to be arranged
as a hymn by the Swedish
hymn writer, Karolina
Wilhelmina Sandell-Berg
(1832–1903) . As a
daughter of a Swedish
Lutheran minister, she
began writing poems as a
teenager and is said to
have written over 1,700
different texts . There
are two different
accounts as to the
inspiration for this hymn
. The first story is that
Lina (as she was called)
wrote the hymn to honor
her father and to say
thank you to him for
raising her and
protecting her . A second
belief is of her
witnessing the tragic
death of her father . She
and her father were on a
boat, when a wave threw
her father overboard . It
was said that the
profound effect of
watching her father drown
is what caused Lina to
write the text to this
hymn . Although this is a
treasured song to people
of Swedish descent
everywhere, it speaks to
all people about a father
tending and nourishing
his children, and
protecting them from evil
.SPS71FThe Augustana
College Concert
BandFounded in 1874, the
Augustana Band program is
one of the oldest
continuously active
collegiate band programs
in the country . The
Concert Band is one of
two bands on campus and
was formed more than
thirty years ago . The
Concert Band attracts
students of every skill
level and from a wide
variety of majors .
Students in the ensemble
play a large part in
choosing their music for
performance, which
include works from the
standard repertoire,
orchestral
transcriptions, and the
latest compositions from
leading composers .Rick
Jaeschke began his
musical career as a
clarinet player in the
1st US Army Band . He
received a Bachelor of
Music degree from
Susquehanna University, a
Masters of Music from
James Madison University,
and a doctorate from
Columbia University in
New York . He was also
fortunate to study
conducting with Donald
Hunsburger and with
Frederick Fennell .Dr .
Jaeschke taught band and
choir at Great Mills High
School in Southern
Maryland, and for fifteen
years, he was the
district Music Supervisor
in Armonk, New York,
where he taught high
school concert and jazz
bands, beginning band,
and music technology .
During that time, the
music program flourished,
and the high school band
consistently received
Gold Medals in the New
York State Festivals, as
well as in national, and
international festivals .
As a clarinet and
saxophone player, Dr .
Jaeschke performed in the
New York metropolitan
area with the Rockland
Symphony Orchestra, the
Putnam Symphony
Orchestra, Fine Arts
Symphony Orchestra, and
served as the concert
master for the Hudson
Valley Wind Symphony .For
several years, Dr .
Jaeschke served as the
Fine Arts Coordinator for
the District 204 schools
in Naperville, IL, a
district selected as One
of the Best 100 Schools
in America for Music .
Currently, Dr . Jaeschke
is an Associate Professor
at Augustana College
where he teaches music
and music education
courses, and directs the
Concert Band . He has
served on various
educational boards, is a
National edTPA scorer,
and has presented at
state, national and
international music
conferences . He lives
with his family in
Bettendorf Iowa, and
enjoys any opportunity to
explore the open water in
his sea kayak .
(Full Score). By Ludwig van Beethoven (1770-1827). Arranged by Roy Phillippe. St...(+)
(Full Score). By Ludwig
van Beethoven
(1770-1827). Arranged by
Roy Phillippe. String
orchestra. For String
Orchestra. Carl Fischer
Concert String Orchestra
Series. Medium
Easy/Medium. Full Score.
Standard notation.
Published by Carl Fischer
Abracadabra Orchestre d'harmonie [Conducteur] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor Full
Score. Duration 4:30.
Published by Manhattan
Beach Music.
Composed by Louis Spohr (1784-1859). Edited by Ulrich Scheideler. Sheet music....(+)
Composed by Louis Spohr
(1784-1859). Edited by
Ulrich
Scheideler. Sheet music.
Henle Music Folios.
Classical. Softcover. G.
Henle #HN996. Published
by G.
Henle
Composed by
Bill Calhoun. Collate -
FS SWS - spine: 17/32 or
.531. Carl Fischer
Concert Performance
Series. Set of Score and
Parts. With Standard
notation.
8+8+4+8+8+8+4+4+4+4+4+4+8
+8+8+4+4+6+6+4+6+8+1+2+6+
14+24 pages. Duration 3
minutes, 33 seconds. Carl
Fischer Music #CPS116.
Published by Carl Fischer
Music (CF.CPS116).
ISBN 9780825884955.
UPC: 798408084950. 9 x 12
inches. Key: G
minor.
After an
atmospheric opening, Bill
Calhoun presents us with
a contemporary concert
overture in 3/4 time,
easing into a lush middle
section before the return
of the introduction in a
new key. Not only will
your percussion section
love their lively parts
in this work, but your
whole band gets a chance
to play moving melody
lines. This musical
adventure is an asset to
concert and festival
programs.
Composed by Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. This e...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Edited by Jonathan Del
Mar. This edition: urtext
edition. Paperback. Study
score. Opus 58 No. 4.
Duration 33 minutes.
Published by Baerenreiter
Verlag (BA.TP924).
By Georg Philipp Telemann. Edited by Hirschmann, Wolfgang. For Viola, Piano. Pia...(+)
By Georg Philipp
Telemann. Edited by
Hirschmann, Wolfgang. For
Viola, Piano. Piano
Reduction/Vocal Score;
Urtext Edition. TWV
51:G9. Duration 12'.
Published by
Baerenreiter-Ausgaben
(German import). (BA5878
90)
Organ SKU: CA.5027400 Arranged for concert use by Josef Gabriel Rheinb...(+)
Organ
SKU:
CA.5027400
Arranged for concert
use by Josef Gabriel
Rheinberger. Composed
by Nicolaus Bruhns.
Edited by Martin Weyer.
Arranged by Josef Gabriel
Rheinberger. Carus
digital: Extra digital
products. Full Score.
Composed 1883. WoO 95.
Carus Verlag #5027400.
Published by Carus Verlag
(CA.5027400).
ISBN
9790007298395. Key: G
major.
As well as
20 organ sonatas and
seven collections of
stand-alone organ pieces
with opus numbers,
Rheinberger composed a
whole range of smaller
works for organ methods
or organ collections for
his favorite instrument,
mainly at the request of
colleagues and friends.
The Prelude in G
major by Nikolaus Bruhns
arranged by Rheinberger
in 1882 specifically
“for concert
performance†shows
Rheinberger as an editor
skilled at
“recreatingâ€
older works. He added
individual voices or
chords to the original
composition, and
occasionally restructured
the part-writing –
an interesting version
for performing on a late
19th-century
organ.
Separate
edition from
Supplementary Volume 3 of
the Rheinberger Complete
Edition.
Composed by
John Ireland. Band Music.
Score and parts. Duration
10:00. Published by G & M
Brand Music Publishers
(CN.R10011).
Cast your self
into a storm at sea with
this fantastic piece from
John Ireland. Turbulent
rhythmic motives launch
the work to blend into a
more lyrical melody
contrasting the opening.
Don't be fooled though;
the first rhythmic motive
provides the underlay, a
reminder that the calm
surface of the sea is
only masking the swirling
water
underneath!
A
Maritime Overture was
written in 1944 and
published in 1946. This
edition was published in
1988. The score was
prepared from the
composer's full draft by
Norman Richardson, and
uses the same material as
Tritons - a Symphonic
Prelude for orchestra
dating from the early
1900s. The development of
the material however is
different in each piece.
The work is conceived in
F major - but it is 24
bars before Ireland
establishes this
tonality. Fortissimo
chords of B-flat major
open the work, and the
Overture hovers between G
minor and B-flat as a
restless rhythmic motif
is introduced. As soon as
F major is finally
established it is
contradicted as the music
fragments, but the key is
allowed a further 4 bars
to consolidate before
more lyrical interplay
leads to a second idea,
introduced by flutes and
oboes in C major. Marked
'espressivo e ben
cantando' this is a
complete contrast to the
opening, although the
first rhythmic motif
provides the underlay - a
reminder after the
opening storms that the
calm surface of the sea
is only masking the
swirling water
underneath. A Maritime
Overture has a freer
approach to form than say
the first movement of a
symphony might allow,
enabling Ireland to
introduce a totally new
central section marked
'poco meno mosso' in F
minor. A bold cornet (not
trumpet) heralds this new
idea, in a passage marked
'with freedom' and
perhaps for the only time
there is a true
tranquility in the
sextuplet accompaniment.
Thus the restlessness is
suspended, but not for
long, as the opening
storm returns and a
recapitulation allows the
F major theme and the
second theme - this time
in the sub-dominant
(B-flat) - to reassert
themselves.
Composed by J. Curnow.
Arranged by James Curnow.
Band Music. Score and
parts. Duration 11:15.
Published by G & M Brand
Music Publishers
(CN.R10018).
The melodies in
Songs of the West differ
in styles, keys, and
tempos. The nautical
nature of the coastal
region is evident in many
of the melodies.
Gustav Holst did
not have much success in
getting his early
compositions published.
In 1905, he began a
career as a gifted
teacher when he was
appointed Director of
Music at St. Paul's Girls
School in Hammersmith. It
was also a time when he
developed the friendship
of Ralph Vaughan Williams
and the two developed an
interest in English folk
music. This became a
turning point in Holst's
style as he left behind
the heaviness of the
Wagnerian style for the
simplicity of folk
melodies. Vaughan
Williams wrote 'we were
dazzled, we wanted to
preach a new gospel, we
wanted to rhapsodise on
these tunes just as Liszt
and Grieg had done on
theirs - we simply were
fascinated by the tunes.'
Enthusiastic archivist
Cecil Sharp, of the Folk
Song Society, encouraged
Holst to write 'Two
Selections of Folk Songs'
based on material Sharp
had collected in the West
of England. Songs of the
West was the first of the
pair noted as Opus 22 was
written in 1906; A
Somerset Rhapsody was
completed the following
year. The melodies in
Songs of the West differ
in styles, keys, and
tempos. The nautical
nature of the coastal
region is evident in many
of the melodies.
Originally written for
orchestra, noted composer
James Curnow was
commissioned in 1986 to
arrange the work for
concert band.
Trumpet, Piano SKU: HU.HN840 Parts for Trumpet in E, E flat, C and B flat. Comp...(+)
Trumpet, Piano
SKU: HU.HN840
Parts for Trumpet in E, E
flat, C and B flat.
Composed by Johann
Nepomuk Hummel. Edited by
Michael Kube. Brass,
Repertoire, Solos.
Trumpet Concerto in E
major. Softcover Book.
103 pages. G. Henle
#HN840. Published by G.
Henle (HU.HN840).
12.2 x 9.2 x 0.3 inches.
Composed in 1803,
Hummel's Trumpet Concerto
is still one of the most
popular concertos for
trumpet.
Composed
by Johann Sebastian Bach.
Edited by Wilfried
Fischer. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Reconstructed from BWV
1056. Score. Duration
00:14:00. Baerenreiter
Verlag #BA05146_00.
Published by Baerenreiter
Verlag (BA.BA05146).
ISBN 9790006566761.
32.5 x 25.5 cm inches.
Key: G minor. Preface:
Fischer,
Wilfried.
This
violin concerto in G
minor has not come down
to us in the form
presented here. It has
been reconstructed from a
lost violin concerto that
survives solely in
Bach’s arrangement
for harpsichord, namely,
as the Harpsichord
Concerto in F minor (BWV
1056).
The
reconstruction is based
on a meticulous
evaluation of those
autograph harpsichord
concertos that also
survive in an original
version for violin. In
particular, the autograph
harpsichord parts contain
changes that Bach made
when preparing his
arrangements, thereby
revealing the manner in
which he transcribed his
solo violin works for the
harpsichord.
The
keyboard realization is
presented in a
transparent way allowing
players the possibility
to embellish and fill in
the harmonies at their
discretion.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
From
'The Childhood of
Christ'. Composed by
Geoffrey Brand. Arranged
by Geoffrey Brand. Band
Music. Score only.
Duration 5:15. Published
by G & M Brand Music
Publishers (CN.S11260).
Geoffrey
Brand's arrangement of
Berlioz's Shepherds'
Farewell form L'Enfance
du Christ is restrained,
delicate, and
contemplative. In this
arrangement for small
wind orchestra, the
instruments are called
upon to display their
softer persuasive sounds
in order to retain the
sensitive nature of this
tender
music.
L'Enfance
du Christ (The Childhood
of Christ), written
between 1850 and 1854, is
the nearest that Berlioz
got to writing an
oratorio. It is in three
parts; he called it a
'sacred trilogy.'
Throughout, the music is
restrained, delicate, and
contemplative. In its
original version, The
Shepherds' Farewell is
scored for chorus
accompanied by two oboes,
two clarinets, and
strings. With these
selected colors, Berlioz
achieves a masterpiece of
delicacy and serenity. In
this arrangement for
small wind orchestra
without chorus, the wind
instruments are called
upon to display their
softer persuasive sounds
in order to retain the
sensitive nature of this
tender music. This
arrangement may be used
with chorus utilizing the
original chorus parts.
The key is one half tone
lower than the original
setting.
Song of
the Auvergne.
Composed by Kevin
Thompson. Band Music.
Score and parts. Duration
3:30. Published by G & M
Brand Music Publishers
(CN.R10104).
This beautiful
song reflects the
tranquillity of the
French countryside. Dr.
Kevin Thompson is a
leading British authority
on bands and his
sensitive score is ideal
for smaller groups,
providing training for
phrasing and ensemble
playing.
This
beautiful song reflects
the tranquillity of the
French countryside. Dr.
Kevin Thompson is a
leading British authority
on bands and his
sensitive score is ideal
for smaller groups,
providing training for
phrasing and ensemble
playing. Professor Kevin
Thompson is Principal and
Chief Executive of
Dartington College of
Arts, a University Sector
institution dedicated to
the performance
arts.After undergraduate
studies at the Royal
Northern College of
Music, he gained masters
and subsequently doctoral
degrees at the University
of London. He began his
career as a professional
trumpet player,
conductor, composer and
teacher. He was the
architect of University
of Salford's degree in
band musicianship,
launched in 1987 and the
first of its kind. From
1988 - 1993 he was
Principal of Birmingham
Conservatoire and during
this time was elected to
a personal professorship
and subsequently a
Deanship chair.On his
arrival at Dartington, he
was made an honorary
Professor by the
University of Plymouth.
In 1992 he gained a
Winston Churchill
Fellowship to study the
Great American Music
Schools: Juilliard,
Curtis, Eastman, Indiana.
Other awards include
those of the British
Association for American
Studies and the British
Council for the Royal
Danish Academy of Music.
He is a Freeman of the
City of London. His
publications include a
book on brass and wind
bands published by
Cambridge University,
many articles in Times
Newspaper and other
leading British and
American journals. The
book on wind and brass
bands became a key text
in many college and
university reading lists
and was read extensively
throughout the English
speaking world,
particularly in North
America and the Pacific
Rim. He is joint editor,
with Dr Gordon Cox of the
new eleven volume series
on brass playing and
teaching and author of
two of the volumes.
Song of
the Auvergne.
Composed by Kevin
Thompson. Band Music.
Score only. Duration
3:30. Published by G & M
Brand Music Publishers
(CN.S11104).
This beautiful
song reflects the
tranquillity of the
French countryside. Dr.
Kevin Thompson is a
leading British authority
on bands and his
sensitive score is ideal
for smaller groups,
providing training for
phrasing and ensemble
playing.
This
beautiful song reflects
the tranquillity of the
French countryside. Dr.
Kevin Thompson is a
leading British authority
on bands and his
sensitive score is ideal
for smaller groups,
providing training for
phrasing and ensemble
playing. Professor Kevin
Thompson is Principal and
Chief Executive of
Dartington College of
Arts, a University Sector
institution dedicated to
the performance
arts.After undergraduate
studies at the Royal
Northern College of
Music, he gained masters
and subsequently doctoral
degrees at the University
of London. He began his
career as a professional
trumpet player,
conductor, composer and
teacher. He was the
architect of University
of Salford's degree in
band musicianship,
launched in 1987 and the
first of its kind. From
1988 - 1993 he was
Principal of Birmingham
Conservatoire and during
this time was elected to
a personal professorship
and subsequently a
Deanship chair.On his
arrival at Dartington, he
was made an honorary
Professor by the
University of Plymouth.
In 1992 he gained a
Winston Churchill
Fellowship to study the
Great American Music
Schools: Juilliard,
Curtis, Eastman, Indiana.
Other awards include
those of the British
Association for American
Studies and the British
Council for the Royal
Danish Academy of Music.
He is a Freeman of the
City of London. His
publications include a
book on brass and wind
bands published by
Cambridge University,
many articles in Times
Newspaper and other
leading British and
American journals. The
book on wind and brass
bands became a key text
in many college and
university reading lists
and was read extensively
throughout the English
speaking world,
particularly in North
America and the Pacific
Rim. He is joint editor,
with Dr Gordon Cox of the
new eleven volume series
on brass playing and
teaching and author of
two of the volumes.
Band concert band - Grade 3 SKU: CF.CPS106F Composed by Antonin Dvorak. A...(+)
Band concert band - Grade
3
SKU: CF.CPS106F
Composed by Antonin
Dvorak. Arranged by
Andrew Balent. SWS. Carl
Fischer Concert
Performance Series. Full
score. With Standard
notation. 32 pages.
Duration 4 minutes, 25
seconds. Carl Fischer
Music #CPS106F. Published
by Carl Fischer Music
(CF.CPS106F).
ISBN
9780825874246. UPC:
798408074241. 9x12
inches. Key: G
minor.
Arranger
Andrew Balent takes the
famous Dvořák
piece and sets it for the
modern concert band. What
a great opportunity for
bands to perform a
fantastic classical piece
that adapts so well in
the hands of a master
arranger! These are the
types of arrangements
that Balent is so famous
for, given their seamless
translation to concert
band.
S.C.D.B.A. Fanfare Orchestre d'harmonie [Conducteur] - Intermédiaire Carl Fischer
Concert Band Concert Band - Grade 3-3.5 SKU: CF.CPS51F Composed by Larry ...(+)
Concert Band Concert Band
- Grade 3-3.5
SKU:
CF.CPS51F
Composed by
Larry Clark. SWS. Carl
Fischer Concert
Performance Series. Full
score. With Standard
notation. Carl Fischer
Music #CPS51F. Published
by Carl Fischer Music
(CF.CPS51F).
ISBN
9780825859007. UPC:
798408059002. 9 X 12
inches. Key: G
minor.
The letters
in the title of this
piece serve as its
musical inspiration. The
piece is designed as a
concert opener and has
qualities reminiscent of
the great fanfares from
composer John Williams.
The music features tight
harmonies with brass
flourishes and soaring
woodwind lines punctuated
by timpani and
percussion.
S.C.D.B.A. Fanfare Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Carl Fischer
Concert Band concert band - Grade 3-3.5 SKU: CF.CPS51 Composed by Larry C...(+)
Concert Band concert band
- Grade 3-3.5
SKU:
CF.CPS51
Composed by
Larry Clark. FS-SWS. Carl
Fischer Concert
Performance Series. Score
and Set of Parts. With
Standard notation. Carl
Fischer Music #CPS51.
Published by Carl Fischer
Music (CF.CPS51).
ISBN
9780825858994. UPC:
798408058999. 9 X 12
inches. Key: G
minor.
The letters
in the title of this
piece serve as its
musical inspiration. The
piece is designed as a
concert opener and has
qualities reminiscent of
the great fanfares from
composer John Williams.
The music features tight
harmonies with brass
flourishes and soaring
woodwind lines punctuated
by timpani and
percussion.
Composed
by Franz Xaver Richter.
Edited by Robert Dohn.
This edition: Paperbound.
With one part. Piano
reduction. 32 pages.
Carus Verlag #CV
17.022/03. Published by
Carus Verlag
(CA.1702203).
ISBN
9790007095376. Key: G
major. Language: all
languages.
Among
the large numbers of
works in different
genres, the composer has
left eight flute
concertos - imaginative
examples of early
classical style which are
worth rediscovering.
Carus-Verlag has
published one of them in
a first edition, making
it again accessible.
Score available
separately - see item
CA.1702200.
Composed
by Antonin Dvorak. Edited
by Robbert van Steijn.
This edition: urtext
edition. Paperback.
Barenreiter Urtext.
Score. Opus 33. Duration
00:40:00. Baerenreiter
Verlag #BA10420_00.
Published by Baerenreiter
Verlag (BA.BA10420).
ISBN 9790260108387. 31
x 24.3 cm inches. Key: G
minor. Preface: David R.
Beveridge.
Composed
in 1876, Dvorákâ??s
only piano concerto has
been overshadowed by his
other two concertos, for
violin and violoncello,
respectively. Performers
and editors have often
attempted to upgrade this
pianistically unassuming
work by adding
stylisations of their
own. Our Urtext edition
revaluates the sources,
frees the work from
subsequent interventions
and presents it to full
advantage in its
authentic
form.
The
principal source of our
new edition is the first
complete print issued by
the publisher Hainauer in
1883, which has been
meticulously collated
with the autograph. The
anonymous original piano
reduction is so full of
mistakes that editor
Robbert van Steijn
decided instead to
present the version by
Karel Å olc.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding