By Jacques Offenbach (1819-1880). Arranged by Andreas van Zoelen. For Tenor Voic...(+)
By Jacques Offenbach
(1819-1880). Arranged by
Andreas van Zoelen. For
Tenor Voice, Male Choir
[ad lib.] and Concert
Band. From the Opera Les
contes d'Hoffman. Grade
3. Full score only.
Duration 5 minutes.
Published by Baton Music
Composed by Johann Sebastian Bach (1685-1750), edited by Wilfried Fischer. BWV 1...(+)
Composed by Johann
Sebastian Bach
(1685-1750), edited by
Wilfried Fischer. BWV
1055. Full score (parts
not included) for oboe
d'amore, violin I, violin
II, viola and continuo
(cello, bass,
harpsichord). Urtext of
the New Bach Edition. A
Major. 26 pages.
Published by
Baerenreiter-Ausgaben
(German import). ISBN
M006465637.
Composed by Robert D. Levin / Wolfgang Amadeus Mozart. Stuttgart Urtext Edition....(+)
Composed by Robert D.
Levin / Wolfgang Amadeus
Mozart. Stuttgart Urtext
Edition. German title:
Messen (18), Requiem, 2
Vespern /Schuber. Latin
Masses, Missa brevis in
Latin, Requiem. Set with
study scores. Published
by Carus Verlag
Concerto d'Amore Ensemble d'Accordéons [Conducteur et Parties séparées] - Facile De Haske Publications
Accordion Orchestra - Grade 3 SKU: BT.DHP-1043385-060 Composed by Jacob D...(+)
Accordion Orchestra -
Grade 3
SKU:
BT.DHP-1043385-060
Composed by Jacob De
Haan. Arranged by Gerd
Huber. Accordion.
Educational Tool. Set
(Score & Parts). Composed
2004. 24 pages. De Haske
Publications #DHP
1043385-060. Published by
De Haske Publications
(BT.DHP-1043385-060).
ISBN 9789043119290.
International.
In
Concerto d’Amore,
a maestoso opening is
followed by a quick and
energetic movement that
leads to a magnificent
adagio. A motif from this
adagio can be heard in a
swinging movement, after
which the piece comes to
a close with the return
of the adagio. This
arrangement by Gerd Huber
makes it possible for
each accordion ensemble
to bring this beautiful
music to life.
In
Concerto
d’Amore volgt
na een maestoso inleiding
een snel en energiek
gedeelte, dat uitmondt in
een schitterend adagio.
Een motief daaruit is
vervolgens verwerkt in
een swingend gedeelte,
waarna het stuk besluit
met de terugkeervan het
adagio. Dit arrangement
van de hand van Gerd
Huber stelt elk
accordeonensemble in de
gelegenheid deze mooie
muziek tot leven te
brengen.
In
Concerto
d’Amore folgt
auf ein Maestoso als
Einleitung ein schneller,
energiereicher Satz, der
zu einem bezaubernden
Adagio führt. Ein
Motiv dieses Adagios
erklingt in einem
schwungvollen Satz, nach
welchem das Stück mit
der Rückkehr des
Adagios endet. Mit der
Bearbeitung von Gerd
Huber kann jedes
Akkordeonensemble diese
schöne Musik von Jacob
de Haan zum Leben
erwecken.
Concerto d'Amore Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 3 SKU: BT.DHP-0950624-215 Comp...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 3
SKU:
BT.DHP-0950624-215
Composed by Jacob De
Haan. Inspiration Series.
Original Light Music.
Score Only. Composed
1995. 28 pages. De Haske
Publications #DHP
0950624-215. Published by
De Haske Publications
(BT.DHP-0950624-215).
9x12 inches.
In
Concerto d’Amore,
a maestoso opening is
followed by a quick and
energetic movement that
leads to a magnificent
adagio. A motif from this
adagio can be heard in a
swinging movement, after
which the piece comes to
a close with the return
of the adagio. This
arrangement for concert
band certainly brings
this beautiful music to
life.
In
Concerto
d’Amore worden
drie verschillende
stijlen gecombineerd:
barok, pop en jazz. De
maestoso introductie van
de compositie klinkt als
een barokouverture. Dan
volgt een energiek
gedeelte in popstijl, dat
uitmondt in eenadagio.
Een motief daaruit is
daarna te horen in een
swingende passage, waarna
het werk besluit met de
terugkeer van het adagio
in een nieuw
jasje.
Concerto
d’Amore
vereinigt drei
unterschiedliche Stile:
Barock, Pop und Jazz. Die
Maestoso bezeichnete
Einleitung der
Komposition klingt wie
eine barocke
Ouvertüre. Es folgt
ein energiereicher
Abschnitt im Pop-Stil,
der wiederum zu einem
Adagio führt. Ein
Motiv aus diesem Adagio
ist in der darauf
folgenden Swing-Passage
zu hören. Dann kehrt
Adagio in neuem Gewand
zurück, um das Werk zu
beenden.
Con
certo d’Amore
si compone di tre periodi
tematici con
caratteristiche della
musica barocca, pop e
jazz. La maestosa
introduzione, dagli
accenti barocchi,
accompagna ad un
passaggio vivo ed
energico scritto nello
stile della musica pop.
Segue l’adagio che
sviluppa un passaggio
dalle inflessioni swing.
Concerto d’Amore
si conclude con la
ripresa del motivo
dell’adagio la cui
forma alterata offre una
conclusione
brillante.
Concerto d'Amore Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-0950624-140 Composed by Jacob...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-0950624-140
Composed by Jacob De
Haan. Inspiration Series.
Concert Piece. Score
Only. Composed 2006. 36
pages. De Haske
Publications #DHP
0950624-140. Published by
De Haske Publications
(BT.DHP-0950624-140).
9x12 inches.
English-German-French-Dut
ch.
In Concerto
dââ¬â¢Amore, a
maestoso opening is
followed by a quick and
energetic movement that
leads to a magnificent
adagio. A motif from this
adagio can be heard in a
swinging movement, after
which the piece comes to
a close with the return
of the adagio. This
arrangement for concert
band certainly brings
this beautiful music to
life.
In
Concerto
dââ¬â¢Amore worden drie
verschillende stijlen
gecombineerd: barok, pop
en jazz. De maestoso
introductie van de
compositie klinkt als een
barokouverture. Dan volgt
een energiek gedeelte in
popstijl, dat uitmondt in
eenadagio. Een motief
daaruit is daarna te
horen in een swingende
passage, waarna het werk
besluit met de terugkeer
van het adagio in een
nieuw
jasje.
Concerto
dââ¬â¢Amore vereinigt drei
unterschiedliche Stile:
Barock, Pop und Jazz. Die
Maestoso bezeichnete
Einleitung der
Komposition klingt wie
eine barocke
Ouvertüre. Es
folgt ein energiereicher
Abschnitt im Pop-Stil,
der wiederum zu einem
Adagio führt. Ein
Motiv aus diesem Adagio
ist in der darauf
folgenden Swing-Passage
zu hören. Dann
kehrt Adagio in neuem
Gewand zurück, um
das Werk zu beenden.
Concerto
dââ¬â¢Amore si compone di tre
periodi tematici con
caratteristiche della
musica barocca, pop e
jazz. La maestosa
introduzione, dagli
accenti barocchi,
accompagna ad un
passaggio vivo ed
energico scritto nello
stile della musica pop.
Segue
lââ¬â¢adagio
che sviluppa un passaggio
dalle inflessioni swing.
Concerto
dââ¬â¢Amore si conclude con la
ripresa del motivo
dellââ¬â¢adagi
o la cui forma alterata
offre una conclusione
brillante.
The Book of Urizen is Jacob de Haan his first Symphony for concert band, ...(+)
The Book of Urizen
is Jacob de Haan his
first Symphony for
concert band, solo
soprano, and a male
narrator in which sound
collages of expressions
are used. The piece is
inspired by the
compelling visionary poem
of the samename (which
the poet illustrated
himself) by the
Englishman William Blake
(1757-1827). The
Vision, first
movement and The
Creation, second
movement of The Book
of Urizen are
available by following
editionnumber: DHP
1043551. The Web,
the third movement of
The Book of Urizen
is available by the
following edition number:
DHP 1125252. Download the
audio samples here: track
1, track 2, track
3
In The Book
of Urizen - Jacob de
Haan zijn eerste symfonie
voor harmonieorkest,
zangstem (sopraan) en een
mannelijke spreekstem -
wordt gebruik gemaakt van
geluidscollages. De
compositie is ge
nspireerd op het
gelijknamigegedicht van
William Blake
(1757-1827). The
Vision, het eerste
deel en The
Creation, het tweede
deel van The Book of
Urizen zijn
beschikbaar via volgend
editienummer: DHP
1043551. The Web,
het derdedeel van The
Book of Urizen is
verkrijgbaar via
editienummer: DHP
1125252. Download
audiofragmenten hier:
track 1, track 2, track
3
The Book of
Urizen ist Jacob de
Haan seine erste
Symphonie für
Blasorchester, Gesang
(Sopran) und
(männliche)
Sprechstimme, in welcher
Botschaften durch
Geräuschcollagen
wiedergegeben werden. Als
Inspirationsquelle
dienteder gleichnamige
Gedichtzyklus des
großen englischen
Dichters und Malers
William Blake
(1757-1827). The
Vision, erster Satz
und The Creation,
zweiter Satz von The
Book of Urizen sind
unter der
folgendenEditionsnummer
erhältlich: DHP
1043551. The Web,
der dritte Satz von
The Book of Urizen , ist
unter der folgenden
Editionsnummer
erhältlich: DHP
1125252. Laden Sie hier
die Audiosamples
herunter: track 1, track
2,track 3
The Book of
Urizen is a work for
concert band, solo
soprano, and a male
narrator in which sound
collages of religious
expressions are used. The
piece is inspired by the
compelling visionary poem
of the same name (which
the poet
illustratedhimself) by
the Englishman William
Blake (1757-1827), who
occupies a unique
position in western
literature and the visual
arts. He was not just a
poet and a writer, but he
was also a graphic
artist, a painter, an
illustrator, a
spiritualist, areligious
visionary, and a mystic
philosopher. For the
performance of this work,
a professional sound
system, including two
microphones and a CD
player, is needed. The
three sound collages are
three separate tracks on
the enclosed CD and can
beplayed easily at the
right moment. The Book
of Urizen bears
resemblance to Genesis
and Exodus, of which the
contents form the basis
of the Christian, Jewish,
and Islamic faith. Blake
adhered to the principle
that all religions are in
fact one,and that deities
reside in human beings.
In The Book of
Urizen this is
represented in “The
Net of Religion,â€
which is spanned over the
earth by Urizen. The
sound collages, compiled
by Jacob de Haan in the
studio, find their origin
inJerusalem, the Holy
City, where the
afore-mentioned faiths
“come
together.†In the
first movement of
this composition, The
Vision, Urizen
prepares his vision of
the world, and he
presents this to the
“Eternals.â€
His vision is
rejected,and Urizen locks
himself up in his own
abstract world. When he
does emerge again, he is
confronted with rage by
the gathered Eternals.
Urizen flees the wrath of
the Eternals, “the
flames of eternal
fury,†and enwombs
himself in his own world.
Whenthe Eternals see
Urizen in his
“stony
sleep,†they wonder
if this is death. The
blacksmith Los is torn by
grief because of the
isolation of Urizen. It
brings him to rouse his
fires, prepare his forge,
and to give
Urizen’s world
concrete form. In
thesecond
movement, The
Creation,
Urizen’s world,
but also man, woman, and
child are created. Los is
horrified with the
appearance of
Urizen’s body. He
mourns and pities Urizen,
and from his blood a
female form comes into
being, with thename
Enitharmon. The Eternals,
fearful of the female
form, decide to erect a
tent to obstruct their
view to eternity.
Enitharmon and Los beget
a son, called Orc. Los
baptizes him as a child
of the “fallen
world.†Orc is fed
at Enitharmon’s
breast,which makes a
girdle of jealousy
restrict Los’
chest. He takes the child
to the top of the
mountain and chains him
down. The cries of Orc
awaken Urizen, who
explores his world
creating instruments of
scientific measurement to
do so. Los encircles
theface of Enitharmon
from the sight of Urizen
and Orc. She then
populates the earth by
giving birth to an
enormous race.The
Web, third movement
of The Book of
Urizen is now
available: DHP 1125252
Concerto d'Amore Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-0950624-010 Composed by Jacob...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-0950624-010
Composed by Jacob De
Haan. Inspiration Series.
Concert Piece. Set (Score
& Parts). Composed 1995.
De Haske Publications
#DHP 0950624-010.
Published by De Haske
Publications
(BT.DHP-0950624-010).
9x12 inches.
In
Concerto d’Amore,
a maestoso opening is
followed by a quick and
energetic movement that
leads to a magnificent
adagio. A motif from this
adagio can be heard in a
swinging movement, after
which the piece comes to
a close with the return
of the adagio. This
arrangement for concert
band certainly brings
this beautiful music to
life.
In
Concerto
d’Amore worden
drie verschillende
stijlen gecombineerd:
barok, pop en jazz. De
maestoso introductie van
de compositie klinkt als
een barokouverture. Dan
volgt een energiek
gedeelte in popstijl, dat
uitmondt in een adagio.
Eenmotief daaruit is
daarna te horen in een
swingende passage, waarna
het werk besluit met de
terugkeer van het adagio
in een nieuw
jasje.
Concerto
d’Amore
vereinigt drei
unterschiedliche Stile:
Barock, Pop und Jazz. Die
Maestoso bezeichnete
Einleitung der
Komposition klingt wie
eine barocke
Ouvertüre. Es folgt
ein energiereicher
Abschnitt im Pop-Stil,
der wiederum zu einem
Adagio führt. Ein
Motiv aus diesem Adagio
ist in der darauf
folgenden Swing-Passage
zu hören. Dann kehrt
Adagio in neuem Gewand
zurück, um das Werk zu
beenden.
Con
certo d’Amore
si compone di tre periodi
tematici con
caratteristiche della
musica barocca, pop e
jazz. La maestosa
introduzione, dagli
accenti barocchi,
accompagna ad un
passaggio vivo ed
energico scritto nello
stile della musica pop.
Segue l’adagio che
sviluppa un passaggio
dalle inflessioni swing.
Concerto
d’Amore si
conclude con la ripresa
del motivo
dell’adagio la cui
forma alterata offre una
conclusione
brillante.
Vincent d'Indy : Trio, Op. 29 Clarinette, Violoncelle, Piano (trio) [Conducteur et Parties séparées] Rosewood Publications
By Vincent d'Indy (1851-1931). For clarinet (violin), cello and piano. This edit...(+)
By Vincent d'Indy
(1851-1931). For clarinet
(violin), cello and
piano. This edition:
Facsimile Editions.
Winds, Strings and Piano.
Challenging, rewarding
work. Seldom performed..
20th Century. Score and
Parts. Published by
Rosewood Publications
Composed by Franz
Schubert. Edited by
Michael Kube. This
edition: complete
edition, urtext edition.
Linen. New Schubert
Edition (Neue Ausgabe
samtlicher Werke) Series
I, Volume 6. Complete
edition, Score. D 872,
621. Baerenreiter Verlag
#BA05555_00. Published by
Baerenreiter Verlag
(BA.BA05555).
ISBN
9790006497140. 33.1 x
26.1 cm
inches.
Urtext der
Neuen
Schubert-Ausgabe.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
By Johann Georg Pisendel (1687-1755). For Violin, Basso continuo. D-Dur (D major...(+)
By Johann Georg Pisendel
(1687-1755). For Violin,
Basso continuo. D-Dur (D
major). German title:
Violinsonate in D. Part:
basso continuo. Language:
all languages. 8 pages.
Duration 12 minutes.
Published by Carus Verlag
By Johann Georg Pisendel (1687-1755). For Violin, Basso continuo. D-Dur (D major...(+)
By Johann Georg Pisendel
(1687-1755). For Violin,
Basso continuo. D-Dur (D
major). German title:
Violinsonate in D. Part:
violin. Language: all
languages. 12 pages.
Duration 12 minutes.
Published by Carus Verlag
Concert Band; Orchestra
Detailed Instrumentation:
2+Picc.2.2.2: 4.2.0.0:
Timp: Str (9-8-7-6-5 in
set): Solo Piano
SKU:
AP.36-A212602
Composed by Richard
Strauss. This edition:
Kalmus Orchestra Library.
Full Orchestra;
Performance Music
Ensemble; Single Titles.
Edwin F. Kalmus.
Masterwork. Score and
Part(s). LudwigMasters
Publications #36-A212602.
Published by
LudwigMasters
Publications
(AP.36-A212602).
UPC:
676737597597.
English.
Richard
Strauss (1864-1949)
originally wrote this
work for solo piano and
orchestra under the title
Scherzo in D minor in
1886 for conductor and
pianist Hans von
Bülow, a large
influence on Strauss'
career. Von Bülow,
however, consider the
work a complicated piece
of nonsense and wanted
nothing to do it.
Discouraged, Strauss set
the work aside until
1889, when he met
Scottish pianist Eugen
d'Albert, who liked it
while also suggesting
some changes. With a new
title, Burleske, and a
dedication to d'Albert,
the work was premiered on
June 21st, 1890 in
Eisenach at the
Tonkünstlerfest with
d'Albert at the piano and
Strauss conducting.
Despite this, Strauss
remained convinced that
the work lacked merit and
refused to have the work
published until 1894,
although it eventually
became one of his
favorite works. Strauss
never gave the work an
opus number, but many
consider it to be Op. 11,
which is actually
assigned to his Horn
Concerto No. 1 in E-flat.
Instrumentation:
2+Picc.2.2.2: 4.2.0.0:
Timp: Str (9-8-7-6-5 in
set): Solo Piano.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Piano, Vocal and Guitar SKU: BT.UPF-00012900 Sea Shanty. Book Only. Unive...(+)
Piano, Vocal and Guitar
SKU:
BT.UPF-00012900
Sea
Shanty. Book Only.
Universal Music
Publishing Group #UPF
00012900. Published by
Universal Music
Publishing Group
(BT.UPF-00012900).
French.
The
vocal ensemble Les
Marins d´Iroise
was founded in 1992 on
the occasion of the first
international maritime
festival in Brest and has
long since become famous
and indispensible when it
comes to interpreting
shanties and well-known
maritimetunes. The
edition contains the
vocal score (tenor 1 and
2, baritone and bass)
with piano accompaniment
as well as chord symbols
and many
pictures.
The
vocal ensemble Les
Marins d'Iroise was
founded in 1992 on the
occasion of the first
international maritime
festival in Brest and has
long since become famous
and indispensible when it
comes to interpreting
shanties andwell-known
maritime tunes. The
edition contains the
vocal score (tenor 1 and
2, baritone and bass)
with piano accompaniment
as well as chord symbols
and many
pictures.
Das
Vokalensemble Les
Marins d´Iroise
(die Seeleute von Iroise)
wurden 1992
anläßlich des
ersten internationalen
Fests des Meeres und der
Seeleute in Brest (Les
Tonnerres de Brest)
gegründet. Inzwischen
berühmt und
unverzichtbar
geworden,präsentiert
das vielstimmige
Männerensemble
mitreißend und voller
Begeisterung nicht nur
alte bretonische
Seemannsweisen und
Shanties. Die
vorliegende Ausgabe
enthält die
Chorstimmen (1. und 2.
Tenor, Bariton und Bass)
und die Klavierbegleitung
sowie Akkordsymbole und
viele farbige
Abbildungen.
Composed by
Raphael Fays. Delia
Estrada. Classical.
Score. Editions Henry
Lemoine #26556. Published
by Editions Henry Lemoine
(LM.26556).
ISBN
9790230965569.
Prel
ude No. 1 en mi mineur -
Prelude No. 2 en do
mineur - Prelude No. 3 en
la mineur - Zapateado -
Etude en re majeur -
Valse No. 1 en re majeur
- Valse No. 2 en mi
mineur - Valse No. 4 en
re mineur - A l'aube
d'une nuit d'ete -
L'Ultime adieu.
Suite. Composed by
Geoffrey Brand. Arranged
by Geoffrey Brand. Band
Music. Score only.
Duration 8:10. Published
by G & M Brand Music
Publishers (CN.S11220).
Wit, warmth,
charm, beautiful melody,
vivacity; all of these,
and more are abundantly
evident. No wonder Jeuz
d'enfants has been rated
as a little masterpiece.
Each of the three
included movements is
complete within itself
and playable separately;
together the contrasting
styles and moods create
an attractive Concert
Suite.
Jeuz
d'enfants was originally
written in 1871 as a
Suite of twelve pieces
for piano duet. Two years
later, Bizet scored five
of the pieces for
orchestra to create a
Petite Suite. Each
movement shows Bizet's
enormous skill as a
miniaturist, the music
exuding a concentration
of power and atmosphere.
Wit, warmth, charm,
beautiful melody,
vivacity; all of these,
and more are abundantly
evident. No wonder Jeuz
d'enfants has been rated
as a little masterpiece.
Three of the movements
are included in this
arrangement. Each is
complete within itself
and playable separately;
together the contrasting
styles and moods create
an attractive Concert
Suite. 1) Marche -
Trompette and Tambour
(Trumpet and Drum) 2) Duo
- Petit Mari, Petite
Femme (Little Husband,
Little Wife) 3) Galop -
Le Bal (The Ball).
D.R.U.M. Percussion [Matériel pour classe] Alfred Publishing
Other Percussion SKU: AP.BMR08009 Discipline, Respect, and Unity Throu...(+)
Other Percussion
SKU:
AP.BMR08009
Discipline, Respect,
and Unity Through
Music. Composed by
Jim Solomon.
Classroom/Pre-School;
Orff; Orff School
Orchestra. Book. 56
pages. Alfred Music
#00-BMR08009. Published
by Alfred Music
(AP.BMR08009).
ISBN
9780769268385. UPC:
029156954913.
English.
Kids love
drums! The sight, sound,
power, and feel are
tremendous motivators for
many students. D.R.U.M.
is an acronym for
Discipline, Respect and
Unity Through Music. The
original D.R.U.M. group
was formed at author Jim
Solomon's elementary
school in 1995 to provide
an ensemble experience
for students not involved
in any of the regular
music groups. The group
concept is designed to
stress teamwork and
self-discipline while
learning these intensive
percussion ensembles
built on music from the
United States, Brazil,
Africa, and China. Useful
for general music classes
and special groups, this
book is a terrific
learning tool with
unlimited potential!
Mass in D major Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Clavier Carus Verlag
(Orchesterfassung). Composed by Antonin Dvorak (1841-1904). Edited by Gunter Gra...(+)
(Orchesterfassung).
Composed by Antonin
Dvorak (1841-1904).
Edited by Gunter
Graulich. For SATB vocal
soli, SATB choir, organ.
D-Dur (D major). German
title: Messe in D
(Orgelfassung). Latin
Masses. Level 3. Choral
score includes solo
parts. Language: Latin.
Composed 1887. Op. 86.
Duration 43 minutes.
Published by Carus Verlag
Piano - Level 1 SKU: LM.23728 Composed by Fred Barlow. Classical. Score. ...(+)
Piano - Level 1
SKU:
LM.23728
Composed by
Fred Barlow. Classical.
Score. Editions Henry
Lemoine #23728. Published
by Editions Henry Lemoine
(LM.23728).
ISBN
9790230937283.
Plai
nte de la feuille
d'automne - Berceuse pour
un soir de neige - La
Petite source - Une
petite fille parle au Bon
Dieu - Le Pelerin au
desert - Calme au village
- Le Petit patre dans la
montagne - Petite
valse-confidence - Le
Guet qui passe - Jean
l'insouciant - Le Vallon
aux echos - L'Oiseau
blesse - Jour de pluie -
Clair matin - Jeux
d'indiens.
Suite. Composed by
Geoffrey Brand. Arranged
by Geoffrey Brand. Band
Music. Score and parts.
Duration 8:10. Published
by G & M Brand Music
Publishers (CN.R10220).
Wit, warmth,
charm, beautiful melody,
vivacity; all of these,
and more are abundantly
evident. No wonder Jeuz
d'enfants has been rated
as a little masterpiece.
Each of the three
included movements is
complete within itself
and playable separately;
together the contrasting
styles and moods create
an attractive Concert
Suite.
Jeuz
d'enfants was originally
written in 1871 as a
Suite of twelve pieces
for piano duet. Two years
later, Bizet scored five
of the pieces for
orchestra to create a
Petite Suite. Each
movement shows Bizet's
enormous skill as a
miniaturist, the music
exuding a concentration
of power and atmosphere.
Wit, warmth, charm,
beautiful melody,
vivacity; all of these,
and more are abundantly
evident. No wonder Jeuz
d'enfants has been rated
as a little masterpiece.
Three of the movements
are included in this
arrangement. Each is
complete within itself
and playable separately;
together the contrasting
styles and moods create
an attractive Concert
Suite. 1) Marche -
Trompette and Tambour
(Trumpet and Drum) 2) Duo
- Petit Mari, Petite
Femme (Little Husband,
Little Wife) 3) Galop -
Le Bal (The Ball).
By Franz Schubert (1797-1828). Edited by Reinhold Kubik. For Soli SATB, SATB Cho...(+)
By Franz Schubert
(1797-1828). Edited by
Reinhold Kubik. For Soli
SATB, SATB Choir, 2
Oboes, 2 Bassoons, 2
Trumpets, Timpani, 2
Violins, Viola,
Cello/Contrabass, [3
Trombones, Organ]. This
edition: paperbound. D
49. Mass Sections. Score.
Language: Latin. Composed
1813. 48 pages. Duration
6 min