12-part Trombone Choir - Advanced SKU: CY.CC3139 Composed by Julius Kleng...(+)
12-part Trombone Choir -
Advanced
SKU:
CY.CC3139
Composed by
Julius Klengel. Arranged
by Brian Conklin.
Classical. Score and
Parts. Cherry Classics
#CC3139. Published by
Cherry Classics
(CY.CC3139).
ISBN
9790530111079. 8.5 x 11
in inches.
Hymnus,
Op 57 is a piece first
composed for 12 cellos by
Julius Klengel and first
published in 1920.
Klengel was one of the
most important German
cellists and pedagogues
of the German Romantic
period. Hymnus is a lush,
chordal and spiritual
work composed in memory
of the great conductor
Artur Nikisch. It has
been beautifully arranged
for 12-part Trombone
Choir by Brian Conklin.
This 6 minute work is
appropriate for advanced
performers.
The Chord Chorale TTBB TTBB A Cappella [Octavo] Schirmer ECS Publishing
Arranged by Thomas Bold. Janet Lewis. For Alto voice solo, TTBB choir. (Men's V...(+)
Arranged by Thomas Bold.
Janet Lewis. For Alto
voice solo, TTBB choir.
(Men's Voices). Lent.
Thomas Bold Cantus Hymnus
Choral Series. Choral.
Octavo. 8 pages.
Published by ECS
Publishing.
The Manger Chorale 3 parties SAB A Cappella [Octavo] Schirmer ECS Publishing
Arranged by Thomas Bold. Janet Lewis. For Alto voice solo, SAB choir. (Mixed Vo...(+)
Arranged by Thomas Bold.
Janet Lewis. For Alto
voice solo, SAB choir.
(Mixed Voices). Epiphany.
Thomas Bold Cantus Hymnus
Choral Series. Choral.
Octavo. 8 pages.
Published by ECS
Publishing.
Hymnus Fanfare [Conducteur et Parties séparées] - Intermédiaire Gobelin Music Publications
Fanfare Band - Grade 4 SKU: BT.GOB-000264-020 Composed by Andrew R. Macke...(+)
Fanfare Band - Grade 4
SKU:
BT.GOB-000264-020
Composed by Andrew R.
Mackereth. Set (Score &
Parts). 72 pages. Gobelin
Music Publications #GOB
000264-020. Published by
Gobelin Music
Publications
(BT.GOB-000264-020).
Hymnus was
commissioned by the
Wilhelmina Easterein
Fanfare Orchestra in the
Autumn of 1999 for their
performance at the World
Music Contest,
Kerkrade.
The
commission was the result
of a collaboration
between the composer and
the thenmusical director,
Marten van der
Wal.
The exact
meaning of the word
Hymnus is not known but
it is taken in this
presentation to mean hymn
or hymn-like. The
melodic material is
organic and grows from an
initial unison tone.
Thisinterval is gradually
expanded to form the cell
F E C F, a semitone,
third, fifth. The only
other melodic motif is
the ascending three-note
pattern spanning a major
third. This is the second
of his compositions to
use this ascending motif,
theother being Fanfare
for a Bright New Age for
Brass Band and Organ,
also of 2000. These
characteristic intervals
appear in many
contrasting moods and
guises throughout the
piece.
The
opening unison notes are
intended to convey as
sense ofpower and
magnificence, like the
first sounds at the
dawning of the
universe. After the
immense power, a period
of stunned silence and
reverence. The evolution
of the hymn melody
incorporates a variety of
moods and atmospheres,
sometimes expressing much
joy and celebration
whilst also suggesting
periods of intense
savagery or prayerful
contemplation. The
hymn builds as the piece
progresses and is finally
stated in its complete
form at letter W.
The official
worldpremiere of the work
was given by Wilhelmina
Easterein at the World
Music Contest 2001.
Whilst the composer was
unable to attend in
person, he was able to
enjoy the premier
simultaneously
transmitted via a mobile
phone from the
audience!
Conductors Note The
tempo indications are to
be viewed as a guide
rather than a literal
instruction. Within the
music there is an innate
sense of pulse and metre,
lending itself to
considerable rubato.
Melody is king, and all
else is mere support and
decoration, careful
attention must therefore
be given to balance.
Hymnus Fanfare [Conducteur] - Intermédiaire Gobelin Music Publications
Fanfare Band - Grade 4 SKU: BT.GOB-000264-120 Composed by Andrew R. Macke...(+)
Fanfare Band - Grade 4
SKU:
BT.GOB-000264-120
Composed by Andrew R.
Mackereth. Score Only. 20
pages. Gobelin Music
Publications #GOB
000264-120. Published by
Gobelin Music
Publications
(BT.GOB-000264-120).
Hymnus was
commissioned by the
Wilhelmina Easterein
Fanfare Orchestra in the
Autumn of 1999 for their
performance at the World
Music Contest,
Kerkrade.
The
commission was the result
of a collaboration
between the composer and
the thenmusical director,
Marten van der
Wal.
The exact
meaning of the word
Hymnus is not known but
it is taken in this
presentation to mean hymn
or hymn-like. The
melodic material is
organic and grows from an
initial unison tone.
Thisinterval is gradually
expanded to form the cell
F E C F, a semitone,
third, fifth. The only
other melodic motif is
the ascending three-note
pattern spanning a major
third. This is the second
of his compositions to
use this ascending motif,
theother being Fanfare
for a Bright New Age for
Brass Band and Organ,
also of 2000. These
characteristic intervals
appear in many
contrasting moods and
guises throughout the
piece.
The
opening unison notes are
intended to convey as
sense ofpower and
magnificence, like the
first sounds at the
dawning of the
universe. After the
immense power, a period
of stunned silence and
reverence. The evolution
of the hymn melody
incorporates a variety of
moods and atmospheres,
sometimes expressing much
joy and celebration
whilst also suggesting
periods of intense
savagery or prayerful
contemplation. The
hymn builds as the piece
progresses and is finally
stated in its complete
form at letter W.
The official
worldpremiere of the work
was given by Wilhelmina
Easterein at the World
Music Contest 2001.
Whilst the composer was
unable to attend in
person, he was able to
enjoy the premier
simultaneously
transmitted via a mobile
phone from the
audience!
Conductors Note The
tempo indications are to
be viewed as a guide
rather than a literal
instruction. Within the
music there is an innate
sense of pulse and metre,
lending itself to
considerable rubato.
Melody is king, and all
else is mere support and
decoration, careful
attention must therefore
be given to balance.
Soloists (TB, with piano accompaniment) and mixed choir (SATB/SATB) SKU: HL.4...(+)
Soloists (TB, with piano
accompaniment) and mixed
choir (SATB/SATB)
SKU:
HL.49019926
In
Flammen nahet Gott.
Composed by Carl
Friedrich Zelter. This
edition: Saddle
stitching. Sheet music.
Choral. Softcover. 20
pages. Schott Music
#ED21772. Published by
Schott Music
(HL.49019926).
ISBN
9790001196192.
German.
'Die Sache
war fur den Moment so
gelungen, dass ich die
Musik selber loben
mochte, wenn sie nicht
zufallig von mir ware.'
So begeistert ausserte
sich Carl Friedrich
Zelter bereits 1831 uber
seinen Hymnus an die
Sonne, der nun endlich in
der Reihe 'Schatze der
Chormusik' einen wurdigen
Platz gefunden hat. Das
in diesem Hymnus
verwendete Gedicht In
Flammen nahet Gott stammt
aus dem Hauptwerk Urania
von Christoph August
Tiedge. Die beiden
Ecksatze dieses
dreiteiligen Werks setzt
Zelter fur zwei gemischte
Chore (SATB/SATB) und
verwendet dabei uber
weite Strecken gleiches
musikalisches Material.
Durchbrochen werden sie
von einem
klavierbegleiteten Tenor-
und Bass-Solo. Ein sehr
wirkungsvolles, dabei gut
machbares Werk voller
Pathos, das sich glanzend
eignet fur Chore, die
keine Scheu vor
Achtstimmigkeit
haben.
Composed
by Anton Stingl. German
title: Hymnus nach Psalm
148. Sacred vocal music,
Psalms. Choral Score. 6
pages. Carus Verlag #CV
46.075/05. Published by
Carus Verlag
(CA.4607505).
SATB choir with divisi, organ - Difficult SKU: PL.9921 Composed by Donald...(+)
SATB choir with divisi,
organ - Difficult
SKU:
PL.9921
Composed by
Donald Hunt. Cathedral.
Choral, General, advent.
Choral score. Paraclete
Press #9921. Published by
Paraclete Press
(PL.9921).
This
singular work was
originally written for
the Three Choirs Festival
in Worcester in 1995. The
version published here is
for choir and organ, but
was originally performed
in a version for the
choir and orchestra. The
work was inspired by the
discovery of a beautiful
chant tune,Ad Coenam Agni
Providi. This tune
pervades the entire work,
as does Victimae Paschali
and two hymn tunes:
Rockingham and Victory.
The reviews of the
premiere performance were
unanimous in their
praise: This is most
assuredly among the
finest of contemporary
choral compositions.
(Musical Opinion) Hymnus
Paschalisrequires choral
forces (dividing into
three choirs at one
point) of great
accomplishment and skill
as well as a virtuoso
organist.
4-part mixed chorus (4-stimmig) SKU: VD.ED21791 Hymnus aus dem Complet...(+)
4-part mixed chorus
(4-stimmig)
SKU:
VD.ED21791
Hymnus
aus dem Completorium der
Psalmodia vespertina op.
9. Composed by
Valentin Rathgeber.
Edited by Josef Dahlberg.
Classical. Choral score.
With Text Language:
Latin. 7 S. pages. Verlag
Dohr #ED21791. Published
by Verlag Dohr
(VD.ED21791).
Hymnus Pastorale Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Beriato Music
(Score and Parts). By Bert Appermont. For Concert Band (Score and Parts). Beriat...(+)
(Score and Parts). By
Bert Appermont. For
Concert Band (Score and
Parts). Beriato Music
Concert Band Set. Grade
2. Beriato Music
#BMP6081340. Published by
Beriato Music
SATB chorus. Composed by Nico Muhly. Choral. Concert, General Worship, Sacred....(+)
SATB chorus. Composed by
Nico
Muhly. Choral. Concert,
General Worship, Sacred.
Octavo. 8 pages. Duration
160
seconds. Chester Music
#SRO100212. Published by
Chester Music
By Franz Liszt. Edited by Straube. For Organ. Variations on Weinen,Klagen(Cantat...(+)
By Franz Liszt. Edited by
Straube. For Organ.
Variations on
Weinen,Klagen(Cantata
No.12)and Crucifixus(B
Minor Mass)by Bach;
Evocation a la Chapelle
Sixtine(Miserere by
Allegri; Ave verum corpus
by Mozart); Ora pro
nobis,Litanei; Hymnus;
Ave Maria by
Arcadelt,Angelus;
Introitus; Trauerode.
Published by C.F. Peters.
Orchestra, altovoice, live electronics and tape SKU: HL.49007918 Composed...(+)
Orchestra, altovoice,
live electronics and tape
SKU: HL.49007918
Composed by Dieter
Schnebel. This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. Classical. Study
Score. Composed
1987-1992. 504 pages.
Duration 150'. Schott
Music #ED 8326. Published
by Schott Music
(HL.49007918).
ISBN
9790001084680.
8.25x11.75x1.57
inches.
Premiered
in 1992 at
Donaueschingen, the
'Sinfonie X' with more
than 2 hours duration
could be considered an
'Opus terminum'. The
movements which can be
performed individually
are like an historical
digest in homage to
composers of the 20th
century. The piano
concerto movement
'Hymnus' for example
obviously refers to
Oliver Messiaen. But
'Sinfonie X' is far more
than just the sum of its
parts, the vast scope of
the symphony as generic
form can be felt in the
musique concrete of the
'Stille' sections and in
some of the other
movements, it's like the
design for an Utopia, for
a new 'Song of the
Earth'.