By Various. Arranged by Brian Balmages and Ryan Fraley. For trombone. Sensationa...(+)
By Various. Arranged by
Brian Balmages and Ryan
Fraley. For trombone.
Sensational Solos!.
Christmas. Grade 2.5.
Solo book and play-a-long
CD. Composed 2009
Vocal and Piano - Grade 2 SKU: HL.14030378 Composed by Borge Muller and K...(+)
Vocal and Piano - Grade 2
SKU: HL.14030378
Composed by Borge Muller
and Kai Normann Andersen.
Music Sales America.
TV-Film-Musical-Show.
Score. Composed 2005.
Edition Wilhelm Hansen
#WH24286. Published by
Edition Wilhelm Hansen
(HL.14030378).
ISBN
9788759879238.
Song
s by Kai Normann Andersen
from the film Skaf En
Sensation (1934) . Text
by Borge Mü,ller.
By Various. Arranged by Brian Balmages and Ryan Fraley. For trumpet. Sensational...(+)
By Various. Arranged by
Brian Balmages and Ryan
Fraley. For trumpet.
Sensational Solos!.
Christmas. Grade 2.5.
Solo book and play-a-long
CD. Composed 2009
By Various. Arranged by Brian Balmages and Ryan Fraley. For tenor saxophone. Sen...(+)
By Various. Arranged by
Brian Balmages and Ryan
Fraley. For tenor
saxophone. Sensational
Solos!. Christmas. Grade
2.5. Solo book and
play-a-long CD. Composed
2009
By Various. Arranged by Brian Balmages and Ryan Fraley. For alto saxophone. Sens...(+)
By Various. Arranged by
Brian Balmages and Ryan
Fraley. For alto
saxophone. Sensational
Solos!. Christmas. Grade
2.5. Solo book and
play-a-long CD. Composed
2009
By Various. Arranged by Brian Balmages and Ryan Fraley. For flute. Sensational S...(+)
By Various. Arranged by
Brian Balmages and Ryan
Fraley. For flute.
Sensational Solos!.
Christmas. Grade 2.5.
Solo book and play-a-long
CD. Composed 2009
By Various. Arranged by Brian Balmages and Ryan Fraley. For violin. Sensational ...(+)
By Various. Arranged by
Brian Balmages and Ryan
Fraley. For violin.
Sensational Solos!.
Christmas. Grade 3. Solo
book and play-a-long CD.
Composed 2009
By Various. Arranged by Brian Balmages and Ryan Fraley. For Bb clarinet. Sensati...(+)
By Various. Arranged by
Brian Balmages and Ryan
Fraley. For Bb clarinet.
Sensational Solos!.
Christmas. Grade 2.5.
Solo book and play-a-long
CD. Composed 2009
Alto, Mixed choir (SATB), Piano SKU: BA.BA11309 Composed by Camille Saint...(+)
Alto, Mixed choir (SATB),
Piano
SKU:
BA.BA11309
Composed
by Camille Saint-Saens.
Edited by Christina M.
Stahl. This edition:
urtext edition.
Paperback. Score.
Baerenreiter Verlag
#BA11309. Published by
Baerenreiter Verlag
(BA.BA11309).
ISBN
9790006577705. 27 x 19 cm
inches. Text Language:
English.
It is a
small music history
sensation: Thanks to Yves
Grard an unknown and
unpublished manuscript
penned by Camille
Saint-Saëns has been
unearthed in the
Mdiathèque Jean Renoir
in Dieppe in
France.
It is the
top four instrumental
parts which make this
manuscript something of a
sensation. Placed under
each other are
â??Saxophone Soprano en
Si bâ?, â??Saxophone
Alto en Mi bâ?,
â??Saxophone Tnor en Si
bâ? and â??Saxophone
Baryton en Mi bâ?,
strings, soprano solo
with chorus and organ.
Musical history has
hitherto credited
Jean-Baptiste Singele
(1812â??1875) with
having written the first
saxophone quartet, his
opus 53, which he
completed in 1857. Now
this historiography
clearly has to be
revised. The date 1854
has been found under the
first page of the
treasure from Dieppe,
which is pasted over and
also sewn, meaning that
Saint-Saënsâ?? work
was written three years
earlier than that of
Singele.
In
contrast to Singele,
Saint-Saëns does not
have the wind instruments
taking solo parts but
rather uses their tonal
colour to depict textual
moods and nuances. On the
one hand the saxophones
accompany the choral
parts (certainly singable
by amateurs) and support
the human voices in fugal
passages. On the other
hand, they take the
melody in the purely
orchestral
passages.
Saint-Sa
ëns wrote the motet in
the period when he had
taken up his first
permanent appointment as
organist at the Church of
Saint-Merri in Paris. He
revised the work several
times over the decades,
changing the motifs at
the beginning, correcting
obvious mistakes,
reworking the ending,
eventually changing the
instrumentation several
times and even â??
probably in the final
stage â?? replacing the
Latin text with an
English one. Today,
three-and-a-half versions
have been handed down,
one of them stopping
after just a few pages.
The compositional steps
have been successfully
reconstructed by means of
detailed detective work.
Furthermore, the first
saxophone version (BA
11305) and the last
English piano version (BA
11309) have been edited
to produce a
scholarly-critical
edition.
The
present edition of the
English version for
soprano solo, choir and
piano (BA 11309) serves
both as a full score and
as a vocal score due to
the
instrumentation.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Piano Trio SKU: BR.EB-9382 Composed by Shen Ye. Chamber music; stapled. E...(+)
Piano Trio
SKU:
BR.EB-9382
Composed
by Shen Ye. Chamber
music; stapled. Edition
Breitkopf. Music
post-1945; New music
(post-2000). Score.
Composed 2011. 64 pages.
Duration 17'. Breitkopf
and Haertel #EB 9382.
Published by Breitkopf
and Haertel (BR.EB-9382).
ISBN 9790004188521. 9
x 12 inches.
This
work was commissioned by
the Phoenix Concerts of
New York State Council. I
clarified that I tend to
provide sensation,
instead of telling a
story under the frame of
the Folk Tale Project.
It's the sensation of a
traveller, stranger,
geographical, temporal or
cultural, while he/she
reaches a new spot just
with his/her memories,
knowledges and songs. The
work Five Folk Songs is
about exploration and
integration. Folk song is
just like the goblet.
Every time it is
refilled, the fragrance
of wine is different.
From the goblet she
drinks Muscat. Happy or
sad in her heart
fulfilled? It is also
variant. The Five Folk
Songs could be listened
to paradigmatically. You
may notice that
essentially the Folk
Songs are like the wine
bottles, Bartok, Brahms,
Berio..., composers pour
their thinking and
consciousness into. (SHEN
Ye)
World
premiere: New York City,
Church of St. Matthew &
St. Timothy, December 9,
2011.
Takayama-No
In-Sho. Composed by
Jan Van der Roost.
Concert and Contest
Collection CBHA. Concert
Piece. Set (Score and
Parts). Composed 2019. De
Haske Publications #DHP
1196070-010. Published by
De Haske Publications
(BT.DHP-1196070-010).
English-German-French-
Dutch.
This piece
was written to celebrate
the fiftieth anniversary
of the Takayama Wind
Orchestra, who also
commissioned it. The
historic city of Takayama
draws numerous visitors
from home and abroad, not
just to see its
well-preserved old houses
and buildings but also
because every year
several historic
processions take place,
with beautiful floats.
When these ride through
the city, age-old
melodies are heard played
on wooden flutes,
accompanied by muted
drums. This image is
evoked at the beginning
of the work, followed by
an archaic sounding
melody in a typically
Japanese pentatonic
sequence, that develops
throughout. In this
challenging piece Eastern
and Western influences
alternate,creating a
sensational and
overwhelming musical
effect!
Dit werk
is geschreven ter
gelegenheid van het
vijftigjarig bestaan van
het Takayama Wind
Orchestra, dat tevens de
opdrachtgever was. De
historische stad Takayama
trekt jaarlijks talloze
bezoekers uit binnen- en
buitenland, niet alleen
vanwege de goed bewaarde
oude huizen en gebouwen
die de stad rijk is, maar
ook omdat er elk jaar een
aantal historische
optochten plaatsvinden.
Wanneer die door de stad
trekken, weerklinken
eeuwenoude melodieën,
gespeeld op houten
fluiten en begeleid door
doffe trommen. Dit beeld
wordt opgeroepen aan het
begin van het werk,
gevolgd door een archa
sch klinkende melodie in
een typisch Japanse
pentatonische tonenreeks,
die zich in de loop van
het werkverder zal
ontwikkelen. In dit
pittige werk wisselen
oosterse en westerse
invloeden elkaar af, met
als resultaat een
meeslepend en
overweldigend muzikaal
effect!
Dieses
Stück wurde aus Anlass
des 50-jährigen
Jubiläums des Takayama
Wind Orchestra
geschrieben, das dieses
Werk auch in Auftrag
gegeben hat. Die Altstadt
von Takayama zieht jedes
Jahr zahlreiche Besucher
aus dem In- und Ausland
an, nicht nur wegen der
gut erhaltenen alten
Häuser und Gebäude,
sondern auch wegen der
historischen
Festumzüge, die dort
stattfinden. Wenn diese
durch die Stadt ziehen,
erklingen uralte
Melodien, die auf
Holzflöten gespielt
und von gedämpften
Trommeln begleitet
werden. Dieses Bild wird
zu Beginn des Werks
hervorgerufen, darauf
folgt eine archaisch
klingende Melodie mit
einer typisch japanischen
pentatonischen Sequenz,
die sich im Laufe des
Werkesweiterentwickelt.
In diesem anspruchsvollen
Werk wechseln sich
östliche und westliche
Einflüsse ab und
erzeugen einen
sensationellen und
überwältigenden
musikalischen Effekt!
Takayama-No
In-Sho. Composed by
Jan Van der Roost.
Concert and Contest
Collection CBHA. Concert
Piece. Score Only.
Composed 2019. 33 pages.
De Haske Publications
#DHP 1196070-140.
Published by De Haske
Publications
(BT.DHP-1196070-140).
English-German-French-
Dutch.
This piece
was written to celebrate
the fiftieth anniversary
of the Takayama Wind
Orchestra, who also
commissioned it. The
historic city of Takayama
draws numerous visitors
from home and abroad, not
just to see its
well-preserved old houses
and buildings but also
because every year
several historic
processions take place,
with beautiful floats.
When these ride through
the city, age-old
melodies are heard played
on wooden flutes,
accompanied by muted
drums. This image is
evoked at the beginning
of the work, followed by
an archaic sounding
melody in a typically
Japanese pentatonic
sequence, that develops
throughout. In this
challenging piece Eastern
and Western influences
alternate,creating a
sensational and
overwhelming musical
effect!
Dit werk
is geschreven ter
gelegenheid van het
vijftigjarig bestaan van
het Takayama Wind
Orchestra, dat tevens de
opdrachtgever was. De
historische stad Takayama
trekt jaarlijks talloze
bezoekers uit binnen- en
buitenland, niet alleen
vanwege de goed bewaarde
oude huizen en gebouwen
die de stad rijk is, maar
ook omdat er elk jaar een
aantal historische
optochten plaatsvinden.
Wanneer die door de stad
trekken, weerklinken
eeuwenoude melodieën,
gespeeld op houten
fluiten en begeleid door
doffe trommen. Dit beeld
wordt opgeroepen aan het
begin van het werk,
gevolgd door een archa
sch klinkende melodie in
een typisch Japanse
pentatonische tonenreeks,
die zich in de loop van
het werkverder zal
ontwikkelen. In dit
pittige werk wisselen
oosterse en westerse
invloeden elkaar af, met
als resultaat een
meeslepend en
overweldigend muzikaal
effect!
Dieses
Stück wurde aus Anlass
des 50-jährigen
Jubiläums des Takayama
Wind Orchestra
geschrieben, das dieses
Werk auch in Auftrag
gegeben hat. Die Altstadt
von Takayama zieht jedes
Jahr zahlreiche Besucher
aus dem In- und Ausland
an, nicht nur wegen der
gut erhaltenen alten
Häuser und Gebäude,
sondern auch wegen der
historischen
Festumzüge, die dort
stattfinden. Wenn diese
durch die Stadt ziehen,
erklingen uralte
Melodien, die auf
Holzflöten gespielt
und von gedämpften
Trommeln begleitet
werden. Dieses Bild wird
zu Beginn des Werks
hervorgerufen, darauf
folgt eine archaisch
klingende Melodie mit
einer typisch japanischen
pentatonischen Sequenz,
die sich im Laufe des
Werkesweiterentwickelt.
In diesem anspruchsvollen
Werk wechseln sich
östliche und westliche
Einflüsse ab und
erzeugen einen
sensationellen und
überwältigenden
musikalischen Effekt!
Oratorio. Composed
by Franz Joseph Haydn.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
In the late 18th century,
Joseph Haydn composed a
choral work - The
Creation - which set
the standard for the
sacred oratorio genre
that stood long after the
Viennese classical era
and far beyond the
boundaries of the German
linguistic spher.
Oratorio/passion;
Classical. Part. 32
pages. Duration 120'.
Breitkopf and Haertel #OB
4381-15. Published by
Breitkopf and Haertel
(BR.OB-4381-15).
ISBN
9790004306802. 10 x 12.5
inches.
Following
sensationally acclaimed
premiere performances in
Vienna, The Creation was
published in several
languages and by various
publishing houses,
including Breitkopf &
Hartel in Leipzig. We now
know that a continuo
instrument was used for
Haydn's oratorio as
premiered in Vienna. The
supplementary continuo
part enables an
historically accurate
reproduction for the
first time: the
harpsichord (and,
increasingly, the
pianoforte) fulfilled the
important continuo
function in the
orchestras of the
time.
In the late
18th century, Joseph
Haydn composed a choral
work - The Creation -
which set the standard
for the sacred oratorio
genre that stood long
after the Viennese
classical era and far
beyond the boundaries of
the German linguistic
sphere.
Orchestra SKU: PR.416416140 For Flute, Oboe, Clarinet in B-flat, Basso...(+)
Orchestra
SKU:
PR.416416140
For
Flute, Oboe, Clarinet in
B-flat, Bassoon, and
Orchestra. Composed
by Narong Prangcharoen.
Full score. 53 pages.
Duration 17 minutes.
Theodore Presser Company
#416-41614. Published by
Theodore Presser Company
(PR.416416140).
UPC:
680160642441.
Time
is one of the main
factors impacting the
world and our lives.
Einstein saw time as the
relationship of the
motion of one object
relative to the position
of another object, as
measured through
observation. But can we
really measure time
objectively? Music, the
art which moves through
time, can affect our
perception of time, and
can affect each person's
perception of time
differently. Depending on
the emotion it
stimulates, music can
make time seem to pass
quickly or slowly. A
composer can use music to
convey time to an
audience and different
musical ideas can create
different sensations of
time. Absence of Time is
a concerto for woodwind
quartet and orchestra. It
has three main sections
(fast, slow, fast),
recalling traditional
concerto form, but it
does not use the solo
instruments in the
traditional way, i.e., as
soloists in contest with
the orchestra. Inspired
by the idea of
juxtaposing different
experiences of time, I
divided the instruments
into two groups: the four
soloists and the
orchestra. The orchestra
functions mostly as the
keeper of time (real
time) while the quartet
of soloists fluctuates
(in imaginary time or in
the absence of time)
around the orchestra's
time. While the quartet's
instruments do play
solos, they also play in
ensemble with the
orchestra. You could say
that they play in both
imaginary time (as
soloists) and in real
time (with the
orchestra). In addition
to this, the woodwind
section of the orchestra
plays in conversation
with the solo quartet,
calling it back to real
time. Fusion is achieved
at the end of the piece
through the use of
strong, driving rhythm.
Absence of Time was
commissioned by the
Pacific Symphony and was
first performed by the
Pacific Symphony and the
Pacific Symphony Woodwind
Quartet with Carl St.
Clair as conductor on
October 20, 2016.
I'm Seventeen Come Sunday Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Belwin
By Percy Aldridge Grainger (1882-1961). Arranged by Douglas E. Wagner. Concert B...(+)
By Percy Aldridge
Grainger (1882-1961).
Arranged by Douglas E.
Wagner. Concert Band.
Concert Band. Belwin
Symphonic Band. 20th
Century. Grade 4.
Conductor Score and
Parts. 252 pages.
Duration 2:31. Published
by Belwin Publishing
Colors of Time Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 2 SKU: BT.DHP-1104865-140 Les couleurs d...(+)
Concert Band/Harmonie -
Grade 2
SKU:
BT.DHP-1104865-140
Les couleurs du
temps. Composed by
Thierry Deleruyelle.
Concert and Contest
Collection CBHA. Concert
Piece. Score Only.
Composed 2010. 32 pages.
De Haske Publications
#DHP 1104865-140.
Published by De Haske
Publications
(BT.DHP-1104865-140).
9x12 inches.
English-German-French-Dut
ch.
Gazing into
life is like gazing at
the colours of passing
time. Sometimes cool and
mysterious, sometimes
opalescent, warm or
luminous, the colours of
time, like life itself,
are ever-changing. When
colour materialises, it
becomes music. With
delicate and powerful
moods, brilliant and
intimate textures, and
joyful and nostalgic
sounds, music seeps into
our memory like stories
drawn from many
individual real-life
experiences.
Het
leven beschouwen is alsof
je naar de kleuren van de
verglijdende tijd kijkt.
Die zijn soms koel en
mysterieus, soms
ondoorzichtig als opaal,
soms warm of licht: de
kleuren van de tijd zijn
altijd in beweging, net
als het leven. Kleuren
kun je ook weergeven in
muziek. Met delicate of
krachtige sfeerbeelden,
glansrijke of intieme
texturen, en vreugdevolle
of nostalgische klanken
glipt muziek ons geheugen
binnen als verhalen die
zijn gebaseerd op
ervaringen uit het echte
leven.
In diesem
Werk portraitiert Thierry
Deleruyelle das Leben und
die Zeit, die verrinnt,
nicht in realen Bildern,
sondern in Farben, die
ganz wunderbar
Gefühle,
Erinnerungen und
Stimmungen
auszudrücken
vermögen. Die Farben
wiederum materialisieren
sich hier in Musik, die
mit zarten und
kraftvollen Stimmungen,
brillanten und innigen
Gefügen sowie
freudevollen und
nostalgischen Klängen
ins Gedächtnis
sickert.
Osservare
la vita è come
osservare i colori del
tempo chepassa. A volte
freddi e misteriosi, a
volte opalescenti, caldi
e luminosi, i colori del
tempo, come la stessa
vita, sono in perenne
mutamento. Ignorando le
frontiere dell’et
, proteggendo i nostri
segreti, il loro potere
è nel fatto che essi
suscitano emozioni,
sensazioni e ricordi.
Quando i colori si
materializzano, nasce la
musica. Colors of Time
entra nella nostra
memoria come tante storie
create dal vissuto di
ognuno di noi.
5
Petrarch Sonnets for 5
Voices SSATB.
Composed by Anno
Schreier. Choral.
Classical. Octavo. 24
pages. Duration 900
seconds. Schott Music
#SKR20126. Published by
Schott Music
(HL.49046753).
ISBN
9781705154229. UPC:
196288021810.
With
the Petrarch settings, I
am continuing my
preoccupation with
classical Italian
literature, after setting
Michelangelo in 2011 and
Ariosto in 2013. The
gesture and harmony of
the piece are developed
entirely from the text
and from the sensations
that are expressed there.
Petrarch's poetry is an
exploration of beauty and
pain that begins again
and again: beauty that
lies in pain and pain
that is causedby beauty.
Anno Schreier.