From Stabat Mater, First Movement Schirmer Choral Classics. Composed by Giova...(+)
From Stabat Mater, First
Movement Schirmer Choral
Classics. Composed by
Giovanni Battista
Pergolesi
(1710-1736). Choral.
Concert,
Festival. Octavo. 4
pages.
Published by G. Schirmer
Choral; Piano Accompaniment (Vocal Score) SKU: HL.14048247 For Six Sol...(+)
Choral; Piano
Accompaniment (Vocal
Score)
SKU:
HL.14048247
For
Six Solo Voices & Chamber
Orchestra. Composed
by Lennox Berkeley.
Choral. Classical.
Octavo. Composed 2016. 36
pages. Chester Music
#CH85503. Published by
Chester Music
(HL.14048247).
8.0x11.75 inches.
English.
Stabat
Mater is a work by Lennox
Berkeley for Six Solo
Voices and Chamber
Orchestra (or Solo Voices
with SATB Choir and
String Orchestra). The
solo voices are SSATBarB
in this work that lasts
around 33 minutes. This
is the Vocal Score.
Chorus (with soloists) and orchestra (solos: SA - choir: SA(ad lib) - org - str)...(+)
Chorus (with soloists)
and orchestra (solos: SA
- choir: SA(ad lib) - org
- str)
SKU:
BR.CHB-5171-02
Urtext. Composed
by Giovanni Battista
Pergolesi. Choir;
stapled. Chor-Bibliothek
(Choral Library). Baroque
period. Choral score. 16
pages. Duration 50'.
Breitkopf and Haertel
#ChB 5171-02. Published
by Breitkopf and Haertel
(BR.CHB-5171-02).
ISBN
9790004410950. 7.5 x 10.5
inches.
In Naples,
late in the year 1734,
Giovanni Battista
Pergolesi obtained a
commission from a
brotherhood of noblemen
to write a new setting of
the Stabat mater text in
order to replace the work
of Alessandro Scarlatti,
who had passed away in
1725. This work, too, was
to be limited to two
vocal parts, which
reflects the intimate
character of this
devotional work. Just a
few years after its
creation, Pergolesi's
Stabat mater setting
became known throughout
the entire musical world,
regardless of all
religious boundaries. No
other musical work was
printed and copied more
often in the 18th century
than the Stabat mater.
The present edition is
based on the autograph,
which contains
corrections and
deletions. It seems to
have been hastily
transcribed from sketches
intended for the
copyist's use. The
publisher thus faced a
particularly challenging
task here.Besten Dank fur
die Bereitstellung von
Notenmaterial auf dem
letzten Stand fur gerade
dieses hervorragende
Meisterwerk!(Singende
Kirche)Breitkopf stellt
zu seiner Ausgabe des
Stabat-Maters eine
Taschenpartitur zur
Verfugung - eine nach den
Quellen sorgfaltig
erstellte, vorbildliche
Ausgabe in
ubersichtlichem Druck und
ausfuhlichem
Vorwort.(Wurttembergische
Blatter fur
Kirchenmusik).
Study score (solos: SA - choir: SA(ad lib) - org - str) SKU: BR.PB-5256-07(+)
Study score (solos: SA -
choir: SA(ad lib) - org -
str)
SKU:
BR.PB-5256-07
Urtext. Composed
by Giovanni Battista
Pergolesi. Edited by
Helmut Hucke. Softbound.
Partitur-Bibliothek
(Score Library). Baroque
period. Study Score. 64
pages. Duration 50'.
Breitkopf and Haertel #PB
5256-07. Published by
Breitkopf and Haertel
(BR.PB-5256-07).
ISBN
9790004212141. 6.5 x 9
inches.
In Naples,
late in the year 1734,
Giovanni Battista
Pergolesi obtained a
commission from a
brotherhood of noblemen
to write a new setting of
the Stabat mater text in
order to replace the work
of Alessandro Scarlatti,
who had passed away in
1725. This work, too, was
to be limited to two
vocal parts, which
reflects the intimate
character of this
devotional work. Just a
few years after its
creation, Pergolesi's
Stabat mater setting
became known throughout
the entire musical world,
regardless of all
religious boundaries. No
other musical work was
printed and copied more
often in the 18th century
than the Stabat mater.
The present edition is
based on the autograph,
which contains
corrections and
deletions. It seems to
have been hastily
transcribed from sketches
intended for the
copyist's use. The
publisher thus faced a
particularly challenging
task here.Besten Dank fur
die Bereitstellung von
Notenmaterial auf dem
letzten Stand fur gerade
dieses hervorragende
Meisterwerk!(Singende
Kirche)Breitkopf stellt
zu seiner Ausgabe des
Stabat-Maters eine
Taschenpartitur zur
Verfugung - eine nach den
Quellen sorgfaltig
erstellte, vorbildliche
Ausgabe in
ubersichtlichem Druck und
ausfuhlichem
Vorwort.(Wurttembergische
Blatter fur
Kirchenmusik).
Vocal, Mixed Choir and Orchestra SKU: BT.PWM5447 For Soprano, Alto, Ba...(+)
Vocal, Mixed Choir and
Orchestra
SKU:
BT.PWM5447
For
Soprano, Alto, Baritone,
Mixed Choir and
Orchestra. Composed
by Karol Szymanowski.
Classical. Book Only.
Composed 2000. 68 pages.
Polskie Wydawnictwo
Muzyczne #PWM5447.
Published by Polskie
Wydawnictwo Muzyczne
(BT.PWM5447).
Urtext. Composed
by Antonin Dvorak. Edited
by Klaus Doge. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
The authentic
text-critical new edition
- complete as sales
material (the only
edition with a choral
score and a historically
legitimated piano-vocal
score by Josef
Zubaty)
Antonin
Dvorak penned his Stabat
mater op. 58 in the years
1876 and 1877. The first
performance took place in
Prague on 23 December
1880. The first edition
(score and piano vocal
score) was published by
Simrock (Berlin) in
1881.Breitkopf & Hartel's
Urtext edition comprises
the complete performance
material including the
piano vocal score and
choral score. Through the
arrangement by Josef
Zubaty, the piano vocal
score offers the sole
authentic and
historically legitimated
music text, the one that
Dvorak himself
commissioned for the
world premiere.The unique
stature of Breitkopf's
new edition of Dvorak's
Stabat mater can easily
be nailed down by three
superlatives: * It is the
only edition with a
historically legitimated
piano-vocal score. Josef
Zubaty's arrangement is
the only authentic
reduction, and was
commissioned by Dvorak
himself for the world
premiere. (The composer
never made a reduction of
this work himself.)* It
is the only edition with
a choral score.* It is
thus the first
text-critical edition
that goes beyond the
source findings presented
in the Dvorak Complete
Edition and which can be
used for performances
with a material that can
be purchased in its
entirety. ,,Guter Druck,
gutes Papier,
ubersichtlicher
Notensatz. Wie immer ein
Kompliment an und fur
B&H! Die sorgsam
aufeinander abgestimmten
Teile der Neuausgabe
erleichtern die Arbeit.
Wenn nicht schon
Auffuhrungsmaterial
vorhanden ist, so sollte
unbedingt zu dieser
Ausgabe gegriffen werden.
(Kurt-Ludwig Forg,
Kirchenmusik)
The
authentic text-critical
new edition - complete as
sales material (the only
edition with a choral
score and a historically
legitimated piano-vocal
score by Josef
Zubaty)Awarded the German
Music Edition Prize
2005.
Urtext. Composed
by Antonin Dvorak. Edited
by Klaus Doge. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
The authentic
text-critical new edition
- complete as sales
material (the only
edition with a choral
score and a historically
legitimated piano-vocal
score by Josef
Zubaty)
Antonin
Dvorak penned his Stabat
mater op. 58 in the years
1876 and 1877. The first
performance took place in
Prague on 23 December
1880. The first edition
(score and piano vocal
score) was published by
Simrock (Berlin) in
1881.Breitkopf & Hartel's
Urtext edition comprises
the complete performance
material including the
piano vocal score and
choral score. Through the
arrangement by Josef
Zubaty, the piano vocal
score offers the sole
authentic and
historically legitimated
music text, the one that
Dvorak himself
commissioned for the
world premiere.The unique
stature of Breitkopf's
new edition of Dvorak's
Stabat mater can easily
be nailed down by three
superlatives: * It is the
only edition with a
historically legitimated
piano-vocal score. Josef
Zubaty's arrangement is
the only authentic
reduction, and was
commissioned by Dvorak
himself for the world
premiere. (The composer
never made a reduction of
this work himself.)* It
is the only edition with
a choral score.* It is
thus the first
text-critical edition
that goes beyond the
source findings presented
in the Dvorak Complete
Edition and which can be
used for performances
with a material that can
be purchased in its
entirety. ,,Guter Druck,
gutes Papier,
ubersichtlicher
Notensatz. Wie immer ein
Kompliment an und fur
B&H! Die sorgsam
aufeinander abgestimmten
Teile der Neuausgabe
erleichtern die Arbeit.
Wenn nicht schon
Auffuhrungsmaterial
vorhanden ist, so sollte
unbedingt zu dieser
Ausgabe gegriffen werden.
(Kurt-Ludwig Forg,
Kirchenmusik)
The
authentic text-critical
new edition - complete as
sales material (the only
edition with a choral
score and a historically
legitimated piano-vocal
score by Josef
Zubaty)Awarded the German
Music Edition Prize
2005.
Chorus a cappella (Solos: SATB - mix ch - 2.2.2.2 - 4.2.3.0 - timp - org - str) ...(+)
Chorus a cappella (Solos:
SATB - mix ch - 2.2.2.2 -
4.2.3.0 - timp - org -
str)
SKU:
BR.CHB-5312-02
Urtext. Composed
by Antonin Dvorak. Edited
by Klaus Doge. Choir;
stapled. Chor-Bibliothek
(Choral Library). The
authentic text-critical
new edition - complete as
sales material (the only
edition with a choral
score and a historically
legitimated piano-vocal
score by Josef
Zubaty)Awarded the German
Music Edition Prize
2005Have a look into CHB
5312 and PB 5510.
Romantic period. Choral
score. 44 pages. Duration
85'. Breitkopf and
Haertel #ChB 5312-02.
Published by Breitkopf
and Haertel
(BR.CHB-5312-02).
ISBN
9790004412329. 7.5 x 10.5
inches.
Antonin
Dvorak penned his Stabat
mater op. 58 in the years
1876 and 1877. The first
performance took place in
Prague on 23 December
1880. The first edition
(score and piano vocal
score) was published by
Simrock (Berlin) in
1881.Breitkopf & Hartel's
Urtext edition comprises
the complete performance
material including the
piano vocal score and
choral score. Through the
arrangement by Josef
Zubaty, the piano vocal
score offers the sole
authentic and
historically legitimated
music text, the one that
Dvorak himself
commissioned for the
world premiere.The unique
stature of Breitkopf's
new edition of Dvorak's
Stabat mater can easily
be nailed down by three
superlatives: * It is the
only edition with a
historically legitimated
piano-vocal score. Josef
Zubaty's arrangement is
the only authentic
reduction, and was
commissioned by Dvorak
himself for the world
premiere. (The composer
never made a reduction of
this work himself.)* It
is the only edition with
a choral score.* It is
thus the first
text-critical edition
that goes beyond the
source findings presented
in the Dvorak Complete
Edition and which can be
used for performances
with a material that can
be purchased in its
entirety. ,,Guter Druck,
gutes Papier,
ubersichtlicher
Notensatz. Wie immer ein
Kompliment an und fur
B&H! Die sorgsam
aufeinander abgestimmten
Teile der Neuausgabe
erleichtern die Arbeit.
Wenn nicht schon
Auffuhrungsmaterial
vorhanden ist, so sollte
unbedingt zu dieser
Ausgabe gegriffen werden.
(Kurt-Ludwig Forg,
Kirchenmusik)
The
authentic text-critical
new edition - complete as
sales material (the only
edition with a choral
score and a historically
legitimated piano-vocal
score by Josef
Zubaty)Awarded the German
Music Edition Prize
2005.
Urtext. Composed
by Antonin Dvorak. Edited
by Klaus Doge. Choir;
Folder.
Orchester-Bibliothek
(Orchestral Library).
The authentic
text-critical new edition
- complete as sales
material (the only
edition with a choral
score and a historically
legitimated piano-vocal
score by Josef
Zubaty)
Antonin
Dvorak penned his Stabat
mater op. 58 in the years
1876 and 1877. The first
performance took place in
Prague on 23 December
1880. The first edition
(score and piano vocal
score) was published by
Simrock (Berlin) in
1881.Breitkopf & Hartel's
Urtext edition comprises
the complete performance
material including the
piano vocal score and
choral score. Through the
arrangement by Josef
Zubaty, the piano vocal
score offers the sole
authentic and
historically legitimated
music text, the one that
Dvorak himself
commissioned for the
world premiere.The unique
stature of Breitkopf's
new edition of Dvorak's
Stabat mater can easily
be nailed down by three
superlatives: * It is the
only edition with a
historically legitimated
piano-vocal score. Josef
Zubaty's arrangement is
the only authentic
reduction, and was
commissioned by Dvorak
himself for the world
premiere. (The composer
never made a reduction of
this work himself.)* It
is the only edition with
a choral score.* It is
thus the first
text-critical edition
that goes beyond the
source findings presented
in the Dvorak Complete
Edition and which can be
used for performances
with a material that can
be purchased in its
entirety. ,,Guter Druck,
gutes Papier,
ubersichtlicher
Notensatz. Wie immer ein
Kompliment an und fur
B&H! Die sorgsam
aufeinander abgestimmten
Teile der Neuausgabe
erleichtern die Arbeit.
Wenn nicht schon
Auffuhrungsmaterial
vorhanden ist, so sollte
unbedingt zu dieser
Ausgabe gegriffen werden.
(Kurt-Ludwig Forg,
Kirchenmusik)
The
authentic text-critical
new edition - complete as
sales material (the only
edition with a choral
score and a historically
legitimated piano-vocal
score by Josef
Zubaty)Awarded the German
Music Edition Prize
2005.
Urtext. Composed
by Antonin Dvorak. Edited
by Klaus Doge. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
The authentic
text-critical new edition
- complete as sales
material (the only
edition with a choral
score and a historically
legitimated piano-vocal
score by Josef
Zubaty)
Antonin
Dvorak penned his Stabat
mater op. 58 in the years
1876 and 1877. The first
performance took place in
Prague on 23 December
1880. The first edition
(score and piano vocal
score) was published by
Simrock (Berlin) in
1881.Breitkopf & Hartel's
Urtext edition comprises
the complete performance
material including the
piano vocal score and
choral score. Through the
arrangement by Josef
Zubaty, the piano vocal
score offers the sole
authentic and
historically legitimated
music text, the one that
Dvorak himself
commissioned for the
world premiere.The unique
stature of Breitkopf's
new edition of Dvorak's
Stabat mater can easily
be nailed down by three
superlatives: * It is the
only edition with a
historically legitimated
piano-vocal score. Josef
Zubaty's arrangement is
the only authentic
reduction, and was
commissioned by Dvorak
himself for the world
premiere. (The composer
never made a reduction of
this work himself.)* It
is the only edition with
a choral score.* It is
thus the first
text-critical edition
that goes beyond the
source findings presented
in the Dvorak Complete
Edition and which can be
used for performances
with a material that can
be purchased in its
entirety. ,,Guter Druck,
gutes Papier,
ubersichtlicher
Notensatz. Wie immer ein
Kompliment an und fur
B&H! Die sorgsam
aufeinander abgestimmten
Teile der Neuausgabe
erleichtern die Arbeit.
Wenn nicht schon
Auffuhrungsmaterial
vorhanden ist, so sollte
unbedingt zu dieser
Ausgabe gegriffen werden.
(Kurt-Ludwig Forg,
Kirchenmusik)
The
authentic text-critical
new edition - complete as
sales material (the only
edition with a choral
score and a historically
legitimated piano-vocal
score by Josef
Zubaty)Awarded the German
Music Edition Prize
2005.
Urtext. Composed
by Antonin Dvorak. Edited
by Klaus Doge. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
The authentic
text-critical new edition
- complete as sales
material (the only
edition with a choral
score and a historically
legitimated piano-vocal
score by Josef
Zubaty)
Antonin
Dvorak penned his Stabat
mater op. 58 in the years
1876 and 1877. The first
performance took place in
Prague on 23 December
1880. The first edition
(score and piano vocal
score) was published by
Simrock (Berlin) in
1881.Breitkopf & Hartel's
Urtext edition comprises
the complete performance
material including the
piano vocal score and
choral score. Through the
arrangement by Josef
Zubaty, the piano vocal
score offers the sole
authentic and
historically legitimated
music text, the one that
Dvorak himself
commissioned for the
world premiere.The unique
stature of Breitkopf's
new edition of Dvorak's
Stabat mater can easily
be nailed down by three
superlatives: * It is the
only edition with a
historically legitimated
piano-vocal score. Josef
Zubaty's arrangement is
the only authentic
reduction, and was
commissioned by Dvorak
himself for the world
premiere. (The composer
never made a reduction of
this work himself.)* It
is the only edition with
a choral score.* It is
thus the first
text-critical edition
that goes beyond the
source findings presented
in the Dvorak Complete
Edition and which can be
used for performances
with a material that can
be purchased in its
entirety. ,,Guter Druck,
gutes Papier,
ubersichtlicher
Notensatz. Wie immer ein
Kompliment an und fur
B&H! Die sorgsam
aufeinander abgestimmten
Teile der Neuausgabe
erleichtern die Arbeit.
Wenn nicht schon
Auffuhrungsmaterial
vorhanden ist, so sollte
unbedingt zu dieser
Ausgabe gegriffen werden.
(Kurt-Ludwig Forg,
Kirchenmusik)
The
authentic text-critical
new edition - complete as
sales material (the only
edition with a choral
score and a historically
legitimated piano-vocal
score by Josef
Zubaty)Awarded the German
Music Edition Prize
2005.
Urtext. Composed
by Antonin Dvorak. Edited
by Klaus Doge. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
The authentic
text-critical new edition
- complete as sales
material (the only
edition with a choral
score and a historically
legitimated piano-vocal
score by Josef
Zubaty)
Antonin
Dvorak penned his Stabat
mater op. 58 in the years
1876 and 1877. The first
performance took place in
Prague on 23 December
1880. The first edition
(score and piano vocal
score) was published by
Simrock (Berlin) in
1881.Breitkopf & Hartel's
Urtext edition comprises
the complete performance
material including the
piano vocal score and
choral score. Through the
arrangement by Josef
Zubaty, the piano vocal
score offers the sole
authentic and
historically legitimated
music text, the one that
Dvorak himself
commissioned for the
world premiere.The unique
stature of Breitkopf's
new edition of Dvorak's
Stabat mater can easily
be nailed down by three
superlatives: * It is the
only edition with a
historically legitimated
piano-vocal score. Josef
Zubaty's arrangement is
the only authentic
reduction, and was
commissioned by Dvorak
himself for the world
premiere. (The composer
never made a reduction of
this work himself.)* It
is the only edition with
a choral score.* It is
thus the first
text-critical edition
that goes beyond the
source findings presented
in the Dvorak Complete
Edition and which can be
used for performances
with a material that can
be purchased in its
entirety. ,,Guter Druck,
gutes Papier,
ubersichtlicher
Notensatz. Wie immer ein
Kompliment an und fur
B&H! Die sorgsam
aufeinander abgestimmten
Teile der Neuausgabe
erleichtern die Arbeit.
Wenn nicht schon
Auffuhrungsmaterial
vorhanden ist, so sollte
unbedingt zu dieser
Ausgabe gegriffen werden.
(Kurt-Ludwig Forg,
Kirchenmusik)
The
authentic text-critical
new edition - complete as
sales material (the only
edition with a choral
score and a historically
legitimated piano-vocal
score by Josef
Zubaty)Awarded the German
Music Edition Prize
2005.
SATB/SATB choir SKU: CA.7003705 Composed by Franz Lachner. Stabat Mater O...(+)
SATB/SATB choir
SKU:
CA.7003705
Composed
by Franz Lachner. Stabat
Mater Op.154. Sacred
vocal music, Holy Week.
Choral Score. Op. 154. 24
pages. Duration 25
minutes. Carus Verlag #CV
70.037/05. Published by
Carus Verlag
(CA.7003705).
ISBN
9790007103750. Language:
Latin.
Among his
compositions, Franz
Lachner, the long-serving
Music Director of the
Court of Munich and
Director of the Royal
Choir, left behind a
considerable number of
sacred works, including
two settings of the
Stabat Mater. The first
Stabat Mater, op. 154,
from 1856 was strictly
for a vocal ensemble; the
second, op. 168, from
1870 (see p. 5) included
strings and organ, in
which the darker timbre
was achieved through the
absence of the violins.
In its harmonic
expression the second
composition is especially
oriented towards the, at
that time, modern style
of the North German
School centred around
Liszt and Wagner, but
without ever exceeding a
moderate degree of
technical difficulty in
the voice parts. Score
available separately -
see item CA.7003700.
Viennese version.
Composed by Giovanni
Battista Pergolesi.
Edited by Martin
Haselbock. Arranged by
Ignaz Xaver Ritter von
Seyfried, Joseph Leopold
Eybler, and Otto Nicolai.
Stabat Mater (Satb
Arr.Salieri) Spira.
Sacred vocal music, Lent
and Passiontide, Feasts
of the Blessed Virgin
Mary, Hymns in praise of
the Virgin Mary. Single
Part, Violin 2. Composed
1736/1800/1843. 16 pages.
Duration 35 minutes.
Carus Verlag #CV
97.003/12. Published by
Carus Verlag
(CA.9700312).
ISBN
9790007238766. Language:
Latin.
Following
his death, Pergolesi's
last larger composition,
the Stabat Mater of 1736,
immediately became one of
the most popular sacred
works of the late
baroque-early classical
era. Numerous
publications made this
icon of Italian sacred
music known throughout
Europe. It was arranged
by, among others, J. S.
Bach (Tilge, Hochster,
meine Sunden, BWV 1083),
J. A. Hiller and Abbe
Vogler. The most popular
arrangement was the one
made around 1800 for the
Vienna Court Kapelle, in
which Antonio Salieri,
Franz Xaver Sussmayr and
I. X. Ritter von Seyfried
added woodwind
instruments and obbligato
trombones to the string
accompaniment. In
addition the 2-part
texture of the upper
voices in the original
was arranged for 4 parts
with obbligato soli. It
was only in this opulent,
sonorous version, which
Otto Nicolai and three
composer colleagues
offered to 19th century
Viennese music lovers.
The piece is of medium
difficulty. In the
Viennese version it is a
rarity that offers an
enrichment to the
repertoire for choirs
wishing to discover
something new. Score and
part available separately
- see item
CA.9700300.
Soli SATB, SATB Choir, 2 Ob (auch Eh), 2 Vl, Va, Bc SKU: CA.5199105 Compo...(+)
Soli SATB, SATB Choir, 2
Ob (auch Eh), 2 Vl, Va,
Bc
SKU: CA.5199105
Composed by Franz Joseph
Haydn. Edited by Clemens
Harasim. Stuttgart Urtext
Edition: Joseph Haydn,
Sacred vocal music.
Sacred vocal music, Lent
and Passiontide, Feasts
of the Blessed Virgin
Mary, Hymns in praise of
the Virgin Mary. Choral
Score. Composed 1767.
Hob. XXbis. 16 pages.
Duration 60 minutes.
Carus Verlag #CV
51.991/05. Published by
Carus Verlag
(CA.5199105).
ISBN
9790007186296. Language:
Latin.
Joseph
Haydn's Stabat Mater,
written in 1767, was the
first church work the
composer wrote after
entering the service of
Prince Esterhazy in
Eisenstadt. Unlike almost
all his other sacred
works, it soon circulated
in numerous copies and
established Haydn's
reputation as the leading
vocal composer of his
day. This edition is
based on three original
copies of parts, which
are regarded as being
particularly close to the
(missing) autograph
manuscript because of the
date they were made and
the reliable transmission
of the music text. As so,
this great, moving
setting of the Stabat
Mater is now newly
available in a modern,
scholarly edition. The
complete performance
material is available on
sale. Score available
separately - see item
CA.5199100.
SS vocal soli, 2 violas, 2 cellos, contrabass (or SS vocal soli, organ) SKU: ...(+)
SS vocal soli, 2 violas,
2 cellos, contrabass (or
SS vocal soli, organ)
SKU: CA.4077315
Composed by Franz
Lachner. Edited by Georg
Gunther. Double bass.
Sacred vocal music, Lent
and Passiontide, Holy
Week, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Single Part,
Double Bass. Composed
1870. Op. 168. 4 pages.
Duration 20 minutes.
Carus Verlag #CV
40.773/15. Published by
Carus Verlag
(CA.4077315).
ISBN
9790007221034. Language:
Latin.
2nd version:
Arrangement for Soli SS
and upper strings 2 Vl,
Va, Vc, Cb) Among his
compositions, Franz
Lachner, the long-serving
Music Director of the
Court of Munich and
Director of the Royal
Choir, left behind a
considerable number of
sacred works, including
two settings of the
Stabat Mater. The first
Stabat Mater, op. 154,
from 1856 was limited to
a purely vocal ensemble
(CV 70.037); the second,
op. 168, from 1870
included strings and
organ, in which the
darker timbre was
achieved through the
absence of the violins.
In its harmonic
expression the second
composition is especially
oriented towards the, at
that time, modern style
of the North German
School centred around
Liszt and Wagner, but
without ever exceeding a
moderate degree of
technical difficulty in
the voice parts. Score
and part available
separately - see item
CA.4077300.
Composed
by Franz Schubert. Edited
by Stefan Schuck. 1x
70.065/21 flute 1, 1x
70.065/22 flute 2, 1x
70.065/23 oboe 1, 1x
70.065/24 oboe 2, 1x
70.065/25 bassoon 1, 1x
70.065/26 bassoon 2, 1x
70.065/27 double bassoon,
1x 70.065/31 horn 1, 1x
70.065/32 horn 2, 1x
70.065/33 trombone 1, 1x
70.065/34 trombone 2, .
Stuttgart Urtext Edition:
Schubert. Harmony parts.
Sacred vocal music, Lent
and Passiontide, Holy
Week, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Set of
Orchestra Parts. D 383.
Duration 37 minutes.
Carus Verlag #CV
70.065/09. Published by
Carus Verlag
(CA.7006509).
ISBN
9790007244729. Language:
German.
In spring
1816 Franz Schubert, just
nineteen years old,
completed his second
setting of the Stabat
Mater in the midst of a
highly productive period.
In contrast with his
first setting written the
previous year, just five
minutes in length, this
time Schubert used the
German translation by
Klopstock as the basis
for his composition.
Stefan Schuck's edition
is the first one of this
work to be based on a
critical evaluation of
the primary sources, with
complete performance
material. The work, in a
dark F minor, with its
text by Klopstock, places
Jesus Christ, rather than
Mary, at the center of
the contemplation. With
his fugues, but
particularly in the
eight-part lamenting
chorus Wer wird Zahren
sanften Mitleids,
Schubert shows himself at
the height of his
creative output. He
composed his 4th
Symphony, the Tragic, at
almost the same time. The
Stabat Mater is a
rewarding work for choral
societies and choirs to
perform, because the
choir has the largest
portion to sing, and the
choral parts are not too
demanding. The
composition is also a
beautiful introduction to
the choral-symphonic
music of Schubert for
less experienced choirs.
Score and parts available
separately - see item
CA.7006500.
Composed
by Franz Schubert. Edited
by Stefan Schuck.
Stuttgart Urtext Edition:
Schubert. Sacred vocal
music, Lent and
Passiontide, Holy Week,
Feasts of the Blessed
Virgin Mary, Hymns in
praise of the Virgin
Mary. Vocal score. D 383.
64 pages. Duration 37
minutes. Carus Verlag #CV
70.065/03. Published by
Carus Verlag
(CA.7006503).
ISBN
9790007166007. Language:
German.
In spring
1816 Franz Schubert, just
nineteen years old,
completed his second
setting of the Stabat
Mater in the midst of a
highly productive period.
In contrast with his
first setting written the
previous year, just five
minutes in length, this
time Schubert used the
German translation by
Klopstock as the basis
for his composition.
Stefan Schuck's edition
is the first one of this
work to be based on a
critical evaluation of
the primary sources, with
complete performance
material. The work, in a
dark F minor, with its
text by Klopstock, places
Jesus Christ, rather than
Mary, at the center of
the contemplation. With
his fugues, but
particularly in the
eight-part lamenting
chorus Wer wird Zahren
sanften Mitleids,
Schubert shows himself at
the height of his
creative output. He
composed his 4th
Symphony, the Tragic, at
almost the same time. The
Stabat Mater is a
rewarding work for choral
societies and choirs to
perform, because the
choir has the largest
portion to sing, and the
choral parts are not too
demanding. The
composition is also a
beautiful introduction to
the choral-symphonic
music of Schubert for
less experienced choirs.
Score available
separately - see item
CA.7006500.