2 or more Violoncelli - late intermediate SKU: BT.EMBZ14886 For 4 viol...(+)
2 or more Violoncelli -
late intermediate
SKU:
BT.EMBZ14886
For 4
violoncellos. By
Arpad Pejtsik. EMB
Chamber Music for
Violoncellos. Educational
Tool. Set (Score and
Parts). Composed 2014. 54
pages. Editio Musica
Budapest #EMBZ14886.
Published by Editio
Musica Budapest
(BT.EMBZ14886).
9x12
inches.
The latest
volume of Chamber Music
for Violoncellos contains
four sacral works, two of
which were arranged for
cello quartet by the
editor of the series,
Ãrpád Pejtsik. Both
Angelus!, Liszt's piano
piece of ethereal beauty,
and the Kyrie of Mozart's
Requiem, an irresistibly
surging four-part fugue,
are magnificent when
played with the immensely
rich sound of the four
cellos. The second part
of the volume contains a
pair of inspired works by
two prominent cellists
and composers of the 19th
century: Karl Friedrich
Wilhelm Fitzenhagen's
Consecration Hymn and
Friedrich
Grützmacher's Ave
Maria. While an
instrumental skill of at
least intermediate level
is required for playing
the upperparts due to the
use of higher positions,
the lower parts can be
performed by beginner
cellists. The editor has
assisted the appropriate
interpretation of the
works by providing the
fingering and bowing.
Band 15 der Reihe
für Violoncelli
enthält vier
Kirchenmusikwerke. Die
ersten beiden wurden vom
Herausgeber der Reihe,
Ãrpád Pejtsik,
für Celloquartett
arrangiert. Es folgen
zwei Werke von zwei
berühmten Cellisten
und Komponisten des 19.
Jahrhunderts:Karl
Friedrich Wilhelm
Fitzenhagens CONSECRATION
HYMN und Friedrich
Grützmachers AVE
MARIA. Für die
höheren Lagen sollten
die Schüler mindestens
fortgeschritten sein, die
tieferen Lagen können
von Anfängern gespielt
werden. Der Herausgeber
hat für eine
werkgetreue Wiedergabe
Fingersätze und
Striche
hinzugefügt.
Inhalt:
1. Liszt: Angelus!
Priere aux anges
gardiens 2.
Mozart, Wolfgang Amadeus:
Kyrie from the
Requiem (K 626) 3.
Grützmacher,
Friedrich:
Consecration Hymn
(Op. 65) 4.
Fitzenhagen: Ave
Maria
Conte
nts: 1. Liszt:
Angelus! Priere aux
anges gardiens 2.
Mozart, Wolfgang Amadeus:
Kyrie from the
Requiem (K 626) 3.
Grützmacher,
Friedrich:
Consecration Hymn
(Op. 65) 4.
Fitzenhagen: Ave
Maria
Violoncello and Piano SKU: AP.36-M407491 Arranged by Peter Ilyich Tchaiko...(+)
Violoncello and Piano
SKU: AP.36-M407491
Arranged by Peter Ilyich
Tchaikovsky and ed./arr.
by Wilhelm Fitzenhagen.
Cello. Starker
Performance Editions.
Book. LudwigMasters
Publications #36-M407491.
Published by
LudwigMasters
Publications
(AP.36-M407491).
ISBN
9798892704267. UPC:
659359646829.
English.
This
edition is based on the
long-familiar version by
Wilhelm Fitzenhagen. I
love the work's
references to the
classical style, the
virtuosic use of the
instrument, and its
careful orchestration,
all of which hopefully
avoid romantic excesses.
- Janos Starker.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Variations On A Rococo Theme was written in December 1876 by the famous c...(+)
Variations On A Rococo
Theme was written in
December 1876 by the
famous composer
Tchaikovsky. They were
dedicated to the German
cellist Wilhelm
Fitzenhagen, who was a
teacher at the Academy of
Music in Moscow. This
editionof the work has
modernised fingerings and
bowings based on the
practice and concert
experience of the editor
David Geringas. This
particular book is
written in both German
and English
Cello and piano (solo: vc - 2.2.2.2 - 2.0.0.0 - str) SKU: BR.CB-215 Or...(+)
Cello and piano (solo: vc
- 2.2.2.2 - 2.0.0.0 -
str)
SKU:
BR.CB-215
Original
Version. Composed by
Pjotr Iljitsch
Tschaikowsky. Edited by
Thomas Kohlhase. Solo
instruments; Softcover.
Variations; Solo
concerto; Romantic. Piano
reduction. 48 pages.
Duration 18'. Breitkopf
and Haertel #CB 215.
Published by Breitkopf
and Haertel (BR.CB-215).
ISBN 9790001157223. 9
x 12 inches.
The
triumphal concert hall
success of Tchaikovsky's
most popular and
musically most valuable
concert pieces for solo
instrument and orchestra
was preceded by severe
teething troubles. His
Piano Concerto No. 1 Op.
23 of 1874/75 was slated
by Tchaikovsky's mentor
and potential performer
at the premiere, the
pianist, conductor and
director of the Moscow
Conservatory, Nikolai
Rubinstein. So Hans von
Bulow premiered it
gratefully and
enthusiastically (in
Boston, USA, on 25
October 1875). Leopold
Auer, violin virtuoso and
professor at the
Petersburg Conservatory,
to whom Tchaikovsky
wanted to dedicate his
Violin Concerto Op. 35 of
1878, refused to premiere
it - he regarded the solo
part as unrewarding and
unplayable. On 4 December
1881, Adolf Brodsky
premiered the Violin
Concerto in Vienna, with
Hans Richter conducting,
but Eduard Hanslick wrote
a crushing and unpleasant
review. The Variations on
a Rococo Theme for Cello
and Orchestra Op. 33 were
finally published by
their dedicatee, the
German cellist and
professor at the Moscow
Conservatory, Wilhelm
Fitzenhagen, after he had
almost completely
rewritten and then
premiered it on 18
December 1877 in Moscow,
while Tchaikovsky, who
had asked him to publish
the work, was abroad. The
original version, which
can be found in this
edition, was not
published until the
1950s.
Ave Maria 4 Contrebasses - Intermédiaire Yorke Edition
Double Bass Quartet - Grade 3-5 SKU: BT.YE0063 Composed by Wilhelm Fitzen...(+)
Double Bass Quartet -
Grade 3-5
SKU:
BT.YE0063
Composed by
Wilhelm Fitzenhagen. Set
(Score and Parts). Yorke
Edition #YE0063.
Published by Yorke
Edition (BT.YE0063).
Four Double
Basses. 'A marvellous
piece for inculcating
good intonation in the
young'. The Strad. A
short lyrical quartet of
medium diffilty showing
the cantabile of the
instrument to good
advantage. Everyone has
something to do, but the
first part is more
challenging.
Original Version.
Composed by Pjotr
Iljitsch Tschaikowsky.
Edited by Thomas
Kohlhase. Orchestra;
stapled. Eulenburg
Orchestral Series.
Variations; Solo
concerto; Romantic. Part.
Duration 18'. Breitkopf
and Haertel #EOS 1900-19.
Published by Breitkopf
and Haertel
(BR.EOS-1900-19).
ISBN
9790004789391. 9 x 12
inches.
The
triumphal concert hall
success of Tchaikovsky's
most popular and
musically most valuable
concert pieces for solo
instrument and orchestra
was preceded by severe
teething troubles. His
Piano Concerto No. 1 Op.
23 of 1874/75 was slated
by Tchaikovsky's mentor
and potential performer
at the premiere, the
pianist, conductor and
director of the Moscow
Conservatory, Nikolai
Rubinstein. So Hans von
Bulow premiered it
gratefully and
enthusiastically (in
Boston, USA, on 25
October 1875). Leopold
Auer, violin virtuoso and
professor at the
Petersburg Conservatory,
to whom Tchaikovsky
wanted to dedicate his
Violin Concerto Op. 35 of
1878, refused to premiere
it - he regarded the solo
part as unrewarding and
unplayable. On 4 December
1881, Adolf Brodsky
premiered the Violin
Concerto in Vienna, with
Hans Richter conducting,
but Eduard Hanslick wrote
a crushing and unpleasant
review. The Variations on
a Rococo Theme for Cello
and Orchestra Op. 33 were
finally published by
their dedicatee, the
German cellist and
professor at the Moscow
Conservatory, Wilhelm
Fitzenhagen, after he had
almost completely
rewritten and then
premiered it on 18
December 1877 in Moscow,
while Tchaikovsky, who
had asked him to publish
the work, was abroad. The
original version, which
can be found in this
edition, was not
published until the
1950s.
12 Recital Pieces in First Position for Cello and Piano or Two Celli. Edited b...(+)
12 Recital Pieces in
First
Position for Cello and
Piano
or Two Celli. Edited by
Christoph Sassmannshaus /
Melissa Lusk. Stapled.
Baerenreiter's
Sassmannshaus.
Performance score, parts.
16/23/21 pages pages.
Published by Baerenreiter
Verlag
Violoncelle, Piano [Set de Parties séparées] Peters
Composed by Peter Ilyich Tchaikovsky (1840-1893), arranged by John York, edited ...(+)
Composed by Peter Ilyich
Tchaikovsky (1840-1893),
arranged by John York,
edited by David Brown,
Raphael Wallfisch. Set of
performance parts for
cello and piano. Urtext.
With bowings, fingerings,
introductory text and
performance notes. Op. 33
(original version). 42
pages. Published by C.F.
Peters.
)
Original Version.
Composed by Pjotr
Iljitsch Tschaikowsky.
Edited by Thomas
Kohlhase. Orchestra;
stapled. Eulenburg
Orchestral Series.
Variations; Solo
concerto; Romantic. Part.
8 pages. Duration 18'.
Breitkopf and Haertel
#EOS 1900-27. Published
by Breitkopf and Haertel
(BR.EOS-1900-27).
ISBN
9790004789414. 9 x 12
inches.
The
triumphal concert hall
success of Tchaikovsky's
most popular and
musically most valuable
concert pieces for solo
instrument and orchestra
was preceded by severe
teething troubles. His
Piano Concerto No. 1 Op.
23 of 1874/75 was slated
by Tchaikovsky's mentor
and potential performer
at the premiere, the
pianist, conductor and
director of the Moscow
Conservatory, Nikolai
Rubinstein. So Hans von
Bulow premiered it
gratefully and
enthusiastically (in
Boston, USA, on 25
October 1875). Leopold
Auer, violin virtuoso and
professor at the
Petersburg Conservatory,
to whom Tchaikovsky
wanted to dedicate his
Violin Concerto Op. 35 of
1878, refused to premiere
it - he regarded the solo
part as unrewarding and
unplayable. On 4 December
1881, Adolf Brodsky
premiered the Violin
Concerto in Vienna, with
Hans Richter conducting,
but Eduard Hanslick wrote
a crushing and unpleasant
review. The Variations on
a Rococo Theme for Cello
and Orchestra Op. 33 were
finally published by
their dedicatee, the
German cellist and
professor at the Moscow
Conservatory, Wilhelm
Fitzenhagen, after he had
almost completely
rewritten and then
premiered it on 18
December 1877 in Moscow,
while Tchaikovsky, who
had asked him to publish
the work, was abroad. The
original version, which
can be found in this
edition, was not
published until the
1950s.
Original Version.
Composed by Pjotr
Iljitsch Tschaikowsky.
Edited by Thomas
Kohlhase. Orchestra;
stapled. Eulenburg
Orchestral Series.
Variations; Solo
concerto; Romantic. Part.
8 pages. Duration 18'.
Breitkopf and Haertel
#EOS 1900-23. Published
by Breitkopf and Haertel
(BR.EOS-1900-23).
ISBN
9790004789407. 9 x 12
inches.
The
triumphal concert hall
success of Tchaikovsky's
most popular and
musically most valuable
concert pieces for solo
instrument and orchestra
was preceded by severe
teething troubles. His
Piano Concerto No. 1 Op.
23 of 1874/75 was slated
by Tchaikovsky's mentor
and potential performer
at the premiere, the
pianist, conductor and
director of the Moscow
Conservatory, Nikolai
Rubinstein. So Hans von
Bulow premiered it
gratefully and
enthusiastically (in
Boston, USA, on 25
October 1875). Leopold
Auer, violin virtuoso and
professor at the
Petersburg Conservatory,
to whom Tchaikovsky
wanted to dedicate his
Violin Concerto Op. 35 of
1878, refused to premiere
it - he regarded the solo
part as unrewarding and
unplayable. On 4 December
1881, Adolf Brodsky
premiered the Violin
Concerto in Vienna, with
Hans Richter conducting,
but Eduard Hanslick wrote
a crushing and unpleasant
review. The Variations on
a Rococo Theme for Cello
and Orchestra Op. 33 were
finally published by
their dedicatee, the
German cellist and
professor at the Moscow
Conservatory, Wilhelm
Fitzenhagen, after he had
almost completely
rewritten and then
premiered it on 18
December 1877 in Moscow,
while Tchaikovsky, who
had asked him to publish
the work, was abroad. The
original version, which
can be found in this
edition, was not
published until the
1950s.
18 Recital Pieces in First Position for Cello and Piano or Two Celli. Edited b...(+)
18 Recital Pieces in
First
Position for Cello and
Piano
or Two Celli. Edited by
Christoph Sassmannshaus /
Melissa Lusk. Stapled.
Baerenreiter's
Sassmannshaus.
Performance score, parts.
22/24/17 pages pages.
Published by Baerenreiter
Verlag