By Todd Goodman. For Tuba and Piano. Solo music, 20th century. Published by Potenza Music

School of Rhythm = Methode de Rhythm. By Marc Reift. For flute, oboe, clarinet, bassoon, alto saxophone, tenor saxophone, horn in Eb, horn in F, trumpet, cornet, trombone, alto trombone, bass trombone, euphonium, or bass (Eb or Bb). Swiss import. Instructional Methods; Etudes. Instructional method. Published by Editions Marc Reift. (EMR 109)
Level: 1-5.

(2 Trumpets). By J. F. Pala. For Flexible Duet (Trombone / Trumpet/Cornet/Flugelhorn /Baritone / Euphonium) and Piano. Solo Pieces. Grade 3. Published by Molenaar Edition

Full Score. Composed by Michael Daugherty (1954-). Michael Daugherty Music. Softcover. 120 pages. Published by Hal Leonard

(0.0.0.0/0.0+3.0.1,AT horn,Euphonium,perc,voice )

SKU: TM.08192SET

Composed by Jean Sibelius. Set of parts. Lucks Music Library #A5184. Published by Lucks Music Library (TM.08192SET).

Composed by Ludwig van Beethoven (1770-1827). Arranged by J. Boyd. For concert band (Piccolo, Flute, Oboe 1/2, Eb Clarinet, Clarinet 1-4, Bassoon 1/2, Contrabassoon, Horn 1/2, Horn 3/4, Bb Trumpet 1-6, Opt. C Trumpet 1-6, Trombone 1/2, Euphonium 1/2, Opt. T.C. Baritone 1/2, Tuba, Piano, Percussion 1 (snare drum, bass drum), Percussion 2 (). Grade 4. Score only. Duration 10:00. Published by C. Alan Publications

By Dmitri Shostakovich. Brass Ensemble. For trumpet (cornet), euphonium & piano. Swiss import. Level: 3. Score and parts. Published by Editions Marc Reift. (EMR 936S)

Brass Band - Grade 3

SKU: BT.GOB-000495-130

Composed by Andrew R. Mackereth. Score Only. 22 pages. Gobelin Music Publications #GOB 000495-130. Published by Gobelin Music Publications (BT.GOB-000495-130).

From the composer:

High Flyers are regarded as people with promise and potential.They are winners.
This is music for winners.

The title, as well as being a play-on-words, implies the nature of the work. It is a bright, optimistic, and upbeat piece attempting to depict an exhilarating ride on flying carpet.
The opening rising chords immediately suggest the gentle elevation of the carpets' ascent towards unknown heights, leading to a hint of a first theme in the horns at Fig. B.
The first four notes provide the thematic material for the whole work: C F G A.
A perpetual sense of movement is achieved through accented quaver chords punctuating the melodicmaterial of the first main theme.
Fig. E sees the music of the opening bars fully realised, with flourishes from the euphonium and baritones representing swirling clouds, shooting stars, or passing birds in flight.
The same subject is developed into a lyrical second theme with a new lush harmonic treatment, evocative of gliding over an expanse of sparse countryside.This section ends with a note of serenity but is shattered by the urgent insistence of the percussion rhythms.
The third section introduces a new idea with a slightly distorted fanfare in the cornets and trombones.
This figure suggests for the first time that there may be trouble ahead. In fact, there is no need to fear and the journey can continue without aggravation. This fanfare returns near the end to signal a final note of triumph.
A new rhythmic variant of the cell motif emerges as the third theme now transformed by the addition of a triplet figure.
The music steadily gains momentum before moving inexorably towards the climactic return of the music and tonality of the opening bars of the piece.

Trompet/Bugel/Althoorn/Ba rito n/Euphonium. Horen, Lezen en Spelen. TV-Film-Musical-Show. Book Only. Composed 2020. 36 pages. De Haske Publications #DHP 1206243-401. Published by De Haske Publications

(Baritone/Trombone). By Franz Strauss (1822-1905). Arranged by B. Joosen. For Flexible Solo (Trumpet/Cornet/Flugelhor n/Baritone / Euphonium) and Piano. Solo Pieces. Grade 5. Published by Molenaar Edition

Grade 4

SKU: CL.012-4852-00

March. Composed by King. Arranged by Glover. Concert Band. Karl L. King Centennial. Score and set of parts. Composed 2020. Duration 2 minutes, 53 seconds. Opus III Wind Orchestra Publications #012-4852-00. Published by Opus III Wind Orchestra Publications (CL.012-4852-00).

The great Karl King wrote many wonderful marches, and The Caravan Club is one of his most interesting and unusual works. Heavy and ponderous at times, light and frisky at others, this march was used often in the circus to accompany tiger acts. An ominous introduction leads to a lumbering first strain, followed by a delightful contrasting, almost ragtime-like second strain. The trio features a wonderful melody with euphonium countermelody, in the style made so famous by King. The weighty breakstrain returns to a minor key feel, and then concludes with an embellished version of the trio. One of the march King’s very best! Immense!

Concert band (Flute 1, Flute 2, Oboe, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bb Bass Clarinet, Bassoon, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2, Bb Cornet 1, Bb Cornet 2, Horn in F 1, Horn in F 2, Trombone, Euphonium, Barit) - grade 1.5

SKU: CN.S11139

Novelty. Composed by Michael Brand. Band Music. Score only. Duration 4:30. Published by G & M Brand Music Publishers (CN.S11139).

Poor Tchaikovsky ' first his music is mixed up with Frere Jacques and then it is subjected to all sorts of indignities from the percussion section. There cannot be too many pieces in which the conductor shoots the first horn player. (Perhaps there should be more!).

Brass Band - Grade 6

SKU: BT.GOB-000579-030

Composed by Rob Goorhuis. Set (Score & Parts). 60 pages. Gobelin Music Publications #GOB 000579-030. Published by Gobelin Music Publications (BT.GOB-000579-030).

Rob Goorhuis schreef de compositie Amsterdam voor Amsterdam Brass in 2002.
Het werk beleefde haar premi?re in 2003 in een uitvoering van de opdrachtgever.

De componist, zelf Amsterdammer van geboorte, heeft in dit werk zijn herinneringen aan de toen ook al bruisende stad muzikaal verwerkt in een combinatie met het heden. De geluiden van de stad zoals Goorhuis die in de 50-er jaren hoorde zijn al dan niet abstract weergegeven in Amsterdam.

Amsterdam bestaat uit drie in elkaar overgaande delen.
Het eerste deel (Allegro Moderato) beschrijft de grote drukte in de Nederlandse hoofdstad die altijd leeft, beweegt, zindert en schijnbaar nooit 'slaapt'. Devoortdurende zestiende beweging in de diverse instrumenten benadrukken die immer aanwezige drukte in de stad die in de volksmond bekend staat als 'Mokum'. Zelfs de klanken van een Amsterdams draaiorgel zijn goed hoorbaar in dit eerste gedeelte.
De karavaan vuilnisauto's die elke ochtend om 5 uur door de straat van de nog jonge Rob Goorhuis reed is een hoorbare herinnering aan vervlogen tijden.
Het tweede deel brengt ons in het Vondelpark aan de rand van het centrum. Het thema wordt voorgesteld door de bugel en voert via variaties op dit thema in diverse andere instrumenten naar een drukker gedeelte van het stadspark om vervolgens weer kort terug te keren naar de oase van rust.
Het tempo en de begeleidende beweging zijn bepalend voor het bijzondere karakter van dit middendeel.
Het derde deel zet ons weer met beide benen in het bruisende hart van de stad. De euphonium introduceert het grillige thema, met karakteristieke toonladderfiguren en kwartsprongen, dat in de verschillende stemmen canonisch wordt verwerkt.
Halverwege duikt onopvallend het thema van het middendeel weer op dat steeds opvallender naar voren komt resulterend in een verrassend slot.
Verplicht werk Nederlandse Brassband Kampioenschappen 2004 - 1e divisie.

Concert Band Concert Band - late intermediate

SKU: RU.10324S

Composed by Fred Jewell. Edited by Timothy Rhea. Arranged by Edited by Timothy Rhea. Contest/Festival. Legacy of the March. Score. RBC Publications #10324S. Published by RBC Publications (RU.10324S).

9 x 12 inches.

Most marches reserve the instrumental fireworks for the trio interlude – also known as the break-up or dog-fight strain. In Battle Royal – composed in 1909 when Jewell’s euphonium playing skill was near its peak – the lower and upper brass begin their melody-countermelody battle at the introduction and never let up. Battle Royal is the obvious work of a circus musician who knew how to generate circus crowd excitement.

By Larry Clark. For concert band (flute, oboe (opt. flute 2), clarinet in Bb, bass clarinet in Bb (opt. euphonium t.c. in Bb), alto saxophone in Eb, tenor saxophone in Bb, baritone saxophone in Eb, trumpet in Bb, alternate horn in F, horn in F, alternate