One Small Child Chorale 2 parties 2 parties, Piano [Octavo] Hope Publishing Company
By David Meece. Arranged by Lloyd Larson. For 2-part mixed choir. Scripture Refe...(+)
By David Meece. Arranged
by Lloyd Larson. For
2-part mixed choir.
Scripture References:
Matthew 1:18-22 --
Revelations 12:5.
Christmas, Contemporary,
Sacred. Choral octavo. 12
pages
String Quartet (Score) SKU: HL.14023666 Composed by Michael Nyman. Music ...(+)
String Quartet (Score)
SKU: HL.14023666
Composed by Michael
Nyman. Music Sales
America. 20th Century.
Score. Composed 1993. 48
pages. Chester Music
#CH60851. Published by
Chester Music
(HL.14023666).
ISBN
9780711932791.
9.0x12.0x0.153
inches.
String
Quartet No.2 was
commissioned by Shobana
Jeyasingh as a solo dance
work: Miniatures. It was
first performed by her
with the Balanescu
Quartet on 15 September
1988, London. Duration 22
minutes. Instrumental
parts are available on
sale.
String Quartet (String Quartet) SKU: HL.14020978 Composed by Sir Peter Ma...(+)
String Quartet (String
Quartet)
SKU:
HL.14020978
Composed
by Sir Peter Maxwell
Davies. Music Sales
America. Classical.
Score. Composed 2005. 40
pages. Chester Music
#CH66594. Published by
Chester Music
(HL.14020978).
ISBN
9781844498802.
5.5x7.5x0.147
inches.
The second
of the Quartets
commissioned by the Naxos
label was completed in
January 2003. This work
swings between nervous
virtuosic energy to the
serene calm of an
extended Lento, with
exotic harmonies
reminiscent of Bartok,
and is characterised by
it's sharp and
unpredictable contrasts.
First performed by the
Maggini Quartet on 11
July 2003 at the
Pittville Pump Room,
Cheltenham, as part of
the Cheltenham
International Festival.
This is the score in a
pocket-size format. The
set of parts is
available, catalogue
number CH66594-01.
String Quartet No. 2 Quatuor à cordes: 2 violons, alto, violoncelle University Of York Music Press
String Quartet SKU: BT.MUSM570202911 Composed by George Nicholson. Study ...(+)
String Quartet
SKU:
BT.MUSM570202911
Composed by George
Nicholson. Study Score.
31 pages. University of
York Music Press
#MUSM570202911. Published
by University of York
Music Press
(BT.MUSM570202911).
English.
For
String Quartet. Published
1984-5. Commissioned by
Wolfson College, Oxford
with funds from Southern
Arts. First performance:
the Fairfield Quartet,
Wolfson College, Oxford,
2nd March 1985. Study
score.
(Violin II Part). By Wolfgang Amadeus Mozart (1756-1791). Edited by Wolf-Dieter ...(+)
(Violin II Part). By
Wolfgang Amadeus Mozart
(1756-1791). Edited by
Wolf-Dieter Seiffert. For
String Quartet, Violin 2.
Henle Music Folios.
Softcover. 8 pages. G.
Henle #HN1007. Published
by G. Henle
String Quartet No. 2 Quatuor à cordes: 2 violons, alto, violoncelle [Set de Parties séparées] University Of York Music Press
String Quartet SKU: BT.MUSM570202928 Composed by George Nicholson. Set of...(+)
String Quartet
SKU:
BT.MUSM570202928
Composed by George
Nicholson. Set of Parts.
University of York Music
Press #MUSM570202928.
Published by University
of York Music Press
(BT.MUSM570202928).
English.
For
String Quartet. Published
1984-5. Commissioned by
Wolfson College, Oxford
with funds from Southern
Arts. First performance:
the Fairfield Quartet,
Wolfson College, Oxford,
2nd March 1985.
Parts.
9 Recital Pieces in First Position for Viola and Piano or Two Violas. Edited b...(+)
9 Recital Pieces in First
Position for Viola and
Piano
or Two Violas. Edited by
Christoph Sassmannshaus
Kurt
Sassmannshaus and Melissa
Lusk. Stapled.
Barenreiter's
Sassmannshaus.
Performance
Score(s), Part(s).
12/12/8
pages. Baerenreiter
Verlag
#BA08990. Published by
Baerenreiter Verlag
String quartet SKU: FG.55011-510-1 Composed by Matthew Whittall. Score an...(+)
String quartet
SKU:
FG.55011-510-1
Composed by Matthew
Whittall. Score and
parts. Fennica Gehrman
#55011-510-1. Published
by Fennica Gehrman
(FG.55011-510-1).
ISBN
9790550115101.
Matt
hew Whittall's preface to
Bright Ferment (2019): I
have a complicated
history with the string
quartet. Actually, it's
not that complicated. I
spent months writing a
huge one in my early
twenties and hastily
withdrew it after a long
delayed premiere, vowing
never to write another.
In a typical case of
karmic retribution, my
fear of the form would
eventually be overcome by
the unrefusable offer to
write the compulsory
piece for the Banff
International String
Quartet Competition in my
native Canada. The short
duration requested, about
nine minutes, also felt
like a good way to wade
gingerly back into the
medium. The title was
originally just a
nice-sounding pair of
words that surfaced in a
brainstorming session
with fellow composer Alex
Freeman over an
injudicious amount of
fermented barley. When I
looked it up later, I
found that it was a
phrase of older coinage,
seemingly used more for
poetic resonance than any
fixed meaning. Ferment by
itself denotes a state of
confusion, change or lack
of order. With bright, it
takes on a more positive
connotation with regard
to society and
creativity: a wild
profusion of ideas barely
checked by reason. (It
may not actually mean
that, but it describes
this piece nicely, so
let's go with it.)
Fermentation in its
trendy culinary usage is
also hinted at via a
recurrent percolating
device of scattered
pizzicati. As one may
guess from the tone of
this introduction, there
is little attempt at
gravity in Bright
Ferment, the only means
by which I felt I could
sidestep the historical
and expressive weight of
the string quartet genre.
Styles, gestures and
moods are tossed around,
cross-cut and abandoned
in
stream-of-consciousness
fashion, connected by
little except an
intuitive sense of
rightness in their
juxtaposition. If the
piece acquires depth in
spite of me, it will only
be because its disparate
parts amplify and
strengthen each other
simply by being together
- much like the ensemble
itself. Bright Ferment
was commissioned by the
Banff Centre for the Arts
and Creativity and the
Canadian Broadcasting
Corporation, with
additional funding from
the Americas Society (New
York), for the 2019 Banff
International String
Quartet Competition.
Duration: ca. 9
minutes.
Vistas. Composed
by Shulamit Ran. Set of
Score and Parts. With
Standard notation. 42 +
112 pages. Duration 25
minutes. Theodore Presser
Company #114-40698.
Published by Theodore
Presser Company
(PR.114406980).
UPC:
680160010806.
Shula
mit Ran’s second
string quartet, subtitled
“Vistas,â€
occupies a large canvas
that is cast in a
traditional fourmovement
mold, where the outer
movements present,
explore, and later return
to the work’s
principal musical
materials, surrounding a
slow movement and
scherzo-type third
movement with a trio. In
addition to tempo-based
titles, the individual
movements have subtitles
that are evocative of
each movement’s
character, as follows: I.
Concentric: from the
inside out II. Stasis
III. Flashes IV.
Vistas. My second
string quartet,
“Vistasâ€, is
a work cast in a
traditional four-movement
formal mold, with the
outer movements,
presenting and later
returning to the
work’s principal
musical materials,
surrounding a slow
movement and a
scherzo-type third
movement.While the four
movements’
“properâ€
names -- Maestoso con
forza, Lento, Scherzo
impetuoso, and
Introduzione; Maestoso e
grande – give some
indication of the general
character of the
individual movements, I
have also subtitled, less
formally, each movement
as follows:Â 1)
Concentric:Â from the
inside out 2)Â
Stasis 3) FlashesÂ
4) Vista. The images
evoked by these titles
tell one, I think, a bit
more about the inner
workings of the
quartet.In the first
movement, a prominently
presented opening pitch
(E) reveals itself, as
the movement unfolds, to
be a center of gravity
from which ever-growing
cycles of activity
gradually evolve.Â
While various important
themes come into being as
the movement progresses,
their impact on the
listener has, I believe,
a great deal to do with
their juxtaposition and
relationship to the
initial central point of
gravity.Stasis is, as the
name implies, a movement
where activity seems, at
times, almost
suspended. Being
also, as Webster’s
Dictionary reminds us,
“a state of static
balance and equilibrium
among opposing tendencies
or forces,†it
develops various
materials, including ones
from the first movement,
without bringing them to
points of
resolution.Flashes is
short and very fast,
evoking in my mind the
quick shimmer of
fireflies, a
“sudden burst of
lightâ€, but also a
“brief
timeâ€. Perhaps,
even, a
“smile�Final
ly, the last movement,
Vista, is not only
“a view or
outlookâ€, but also
“a comprehensive
mental view of a series
of remembered or
anticipated
events.â€Â After
a brief recall of the
opening of the second
movement, this movement
brings back all the
important themes of the
first movement in their
original order. But
just as going back can
never really mean going
back in time, the
movement is much more
than recapitulatory.Â
By cutting through
previously transitory
passages and presenting
the main ideas in a
fashion more direct yet
more evolved, it also
sheds new light on
earlier events, offering
a retrospective, synoptic
view of the first
movement as it brings to
culmination the work as a
whole. “Vistasâ
€ was commissioned by
C. Geraldine Freund for
the Taneyev String
Quartet of what was then
Leningrad. It was the
first commission given in
this country to a Soviet
chamber ensemble since
the 1985 cultural
exchange accord between
the Soviet Union and the
United States.
By Bedrich Smetana. Edited by Frantisek Bartos; Josef Plavec; Karel Solc. For Vi...(+)
By Bedrich Smetana.
Edited by Frantisek
Bartos; Josef Plavec;
Karel Solc. For Violin
(2), Viola, Violoncello.
Published by
Baerenreiter-Ausgaben
(German import).