Bayan SKU: HL.50600472 For Bayan Solo. Composed by Sofia Gubaiduli...(+)
Bayan
SKU:
HL.50600472
For
Bayan Solo. Composed
by Sofia Gubaidulina.
Woodwind Solo. Classical.
Softcover. 16 pages.
Sikorski #SIK8742.
Published by Sikorski
(HL.50600472).
8.25x12.0x0.076
inches.
In the
field of New Music, Sofia
Gubaidulina's “De
profundis†has
already achieved the
status of a classic. It
is not only an attainment
of the New Music that
instruments are capable
of approaching the human
voice in their sound, or
that they can imitate
areas of expression found
in language and
linguistic articulation.
But the avant-garde has
surely expanded the
spectrum to a
considerable extent. The
piece for solo bayan is
an impressive example of
this. The listener
witnesses a slow and
inexorable
intensification from the
“rattling†of
the lowest accordion
register up to the pure,
tender tones of the
highest register. It is
“anascent from the
lowest to the highest,
from the breath and soul
to the world's soul or
wisdomâ€, as
Gubaidulina's friend and
colleague Viktor Suslin
once expressed it. With
the means of sound,
Gubaidulina transfers a
symbol of life onto the
music: breathing.
Breathing distinguishes
the living from the dead.
What other instrument,
other than the winds,
perhaps, could better
lendexpression to this
characteristic than the
accordion? In contrast to
the wind instruments,
however, the accordion is
not an instrument into
which the player breathes
and creates breathing
sounds - instead, the
instrument itself assumes
this function. It
breathes through the
pulling apart and
pressing together of the
bellows. As the basis of
her composition,
Gubaidulina chose the
lines of the Psalm 130
“From the depths, o
Lord, I call to
you†for the
characterisation of her
interlaced message.
Shadowy chorale melodies
are occasionally heard,
but the fundamental idea
of ascent remains
decisive. Sharp
insertions and expressive
gestures, intrusive
glissandi and nervous
vibrati repeatedly
disturb the direction of
movement. And then we
hear consciously the
integrated breathing of
the instrument -
breathing slightly,
hardly audible, opposing
the powerful chord
blocks. The musicologist
Valentina Cholopova once
said of this: “All
these sounds confront
solemn chords richly
ornamented with
figurations, but there is
also a long, monodic
melody running through
the entire symbolic path
of the work - from the
depths all the way up to
the brilliant
heights.†The work
is dedicated to Friedrich
Lips!
The Music of Rollo Dilworth (Henry Leck Creating Artistry) Series. Composed by...(+)
The Music of Rollo
Dilworth
(Henry Leck Creating
Artistry) Series.
Composed by
Rollo Dilworth. Rollo
Dilworth Choral Series.
Concert, Festival,
Inspirational. Octavo. 16
pages. Published by Hal
Leonard
A Clare Benediction Composed by John Rutter A Prayer Of St Richard Of Chicheste...(+)
A Clare Benediction
Composed by John Rutter
A Prayer Of St Richard Of
Chichester Composed by L.
J. White
Alleluia Composed by
William Boyce
Author Of Life Divine
Composed by Cecilia
Mcdowall
Be Still For The Presence
Of The Lord Composed by
David Evans; Arranged by
Richard Shephard
Bread Of The World
Composed by Scottish
Traditional; Arranged by
Alan Bullard
Brightest And Best
Composed by Malcolm
Archer
Christ Is The World's
True Light Composed by W.
K. Stanton
Christ The Lord Is Risen
Again Composed by Richard
Shephard
Christians Shout For Joy
And Gladness Composed by
Johann Sebastian Bach
Come Down, O Love Divine
Composed by Hilary
Tadman-robins
Plainsong: Creator Of The
Stars Arranged by John
Scott
Drop, Drop Slow Tears
Composed by Kerry Andrew
Evening Service In C
Composed by Frank Henry
Shera
Fairest Lord Jesus
Composed by Martin How
Gabriel To Mary Came
Composed by 14th Century
Irish; Arranged by Alan
Bullard
Give Thanks To God
Composed by Botswanan
Traditional; Arranged by
Alan Bullard
God Be In My Head
Composed by Armstrong
Gibbs
God In Mine Eternity
Composed by Alan Bullard
God So Loved The World
Composed by Alan Bullard
God That Madest Earth And
Heaven Composed by Welsh
Traditional; Arranged by
David Thorne
Hail, Virgin Mary (Ave
Maria) Composed by Franz
Liszt
Hark, The Glad Sound
Composed by David Thorne
Harvest Carol Composed by
Ian Ray
He Is Risen Composed by
Cecil Cope
Hide Not Thy Face
Composed by Richard
Farrant
see all...
Holy, Holy, Holy, Holy Is
The Lord Composed by
Franz Schubert; Arranged
by Alan Bullard
Holy, Holy, Holy! Lord
God Almighty Composed by
Alan Smith
Hosanna To The Son Of
David Composed by Georg
Philipp Telemann
Irish Blessing Composed
by Bob Chilcott
Jesu, Lamb Of God,
Redeemer (Ave Verum
Corpus) Composed by
Edward Elgar
Jesus Christ The Apple
Tree Composed by English
Traditional; Arranged by
Alan Bullard
Jubilate (Let Us Praise
You) Composed by Wolfgang
Amadeus Mozart
Lamb Of God (Agnus Dei)
Composed by Samuel Webbe
Let All Mortal Flesh Keep
Silence Composed by
Stephen Cleobury
Like The Murmur Of The
Dove's Song Composed by
Alan Smith
Lord, In Thy Mercy
Composed by Felix
Bartholdy Mendelssohn
Magnificat And Nunc
Dimittis In C Composed by
F. H. Shera
Never Weather-beaten Sail
Composed by Thomas
Campion; Arranged by Alan
Bullard
Now The Green Blade
Riseth Composed by French
Traditional; Arranged by
Alan Bullard
O Breath Of Life Composed
by English Traditional;
Arranged by Alan Bullard
O For A Closer Walk With
God Composed by Charles
Villiers Stanford
O God Of Mercy Composed
by Simon Lole
O God, Your Goodness
Composed by Ludwig Van
Beethoven
O Praise God In His
Holiness Composed by John
Weldon
Panis Angelicus Composed
by Cesar Auguste Franck
Peace Between Nations
Composed by Christopher
Wiggins
Pie Jesu Composed by
Gabriel Faure
Praise To The Trinity
Composed by Hildegard Of
Bingen
Psalm 150 Composed by Bob
Chilcott
Rejoice In The Lord
Always Composed by
Christopher Wiggins
Shout For Joy Composed by
African Traditional;
Arranged by Alan Bullard
Star Of Wonder Composed
by Alan Bullard
The Eternal Gifts Of
Christ The King Composed
by Guidetti/henry G. Ley
The Heavens Sing Praises
To God Composed by Ludwig
Van Beethoven
The Lord Ascendeth
Composed by Michael
Praetorius
The Lord Bless You And
Keep You Composed by John
Rutter
The Lord's My Shepherd
Composed by Bob Chilcott
The Peace Of God Composed
by Alan Bullard
The True And Living Bread
Composed by David
Blackwell
There Is No Rose Composed
by Andrew Smith
Thou Visitest The Earth
Composed by Maurice
Greene
To Be A Pilgrim Composed
by Nick Burt
Were You There? Composed
by American Spiritual;
Arranged by Peter Hunt
Where All Charity And
Love Are (Ubi Caritas)
Arranged by Alan Bullard
Wondrous Cross Composed
by Philip Wilby
The Oxford Book of
Flexible Anthems by Alan
Bullard (1947-). For
flexible instrumentation.
Mixed Voices. Sacred.
Paperback. 296 pages.
Published by Oxford
University Press
(Foreword and Additional Editing by Doris Gazda). By George Frideric Handel Fede...(+)
(Foreword and Additional
Editing by Doris Gazda).
By George Frideric Handel
Federigo Fiorillo. Edited
by Larry Clark, Leopold
Auer, Doris Gazda.
Arranged by William
Strasser. For Violin,
Violin and Piano. Book.
96 pages. Published by
Carl Fischer
(Words and Chords to Nearly 1200 Songs 9x12 Spiral Bound). Edited by Annie Patte...(+)
(Words and Chords to
Nearly 1200 Songs 9x12
Spiral Bound). Edited by
Annie Patterson and Peter
Blood. For Vocal. Vocal.
Softcover. 304 pages.
Published by Hal Leonard
(Words and Chords to Nearly 1200 Songs Spiral-Bound). Edited by Annie Patterson ...(+)
(Words and Chords to
Nearly 1200 Songs
Spiral-Bound). Edited by
Annie Patterson and Peter
Blood. For Vocal. Vocal.
Softcover. 304 pages.
Published by Hal Leonard
Choir SKU: LP.765762168923 Composed by Nick Robertson. Arranged by Russel...(+)
Choir
SKU:
LP.765762168923
Composed by Nick
Robertson. Arranged by
Russell Mauldin. Anthems.
Sacred. Stereo &
split-channel
accompaniment CD with
demo. Published by
Lillenas Publishing
Company
(LP.765762168923).
UPC:
765762168923.
Sacre
d lyrics from the 1800s
and a modern new chorus
are combined in this lush
arrangement by Nick
Robertson and
orchestration by Russell
Mauldin that will move
your congregation and
your singers alike. That
we may know the heart of
Christ; come fill us now
O Breath of Life!.
Choir SKU: LP.765762222106 Composed by Nick Robertson. Arranged by Russel...(+)
Choir
SKU:
LP.765762222106
Composed by Nick
Robertson. Arranged by
Russell Mauldin. Anthems.
Sacred. Orchestration on
CD-ROM. Published by
Lillenas Publishing
Company
(LP.765762222106).
UPC:
765762222106.
Sacre
d lyrics from the 1800s
and a modern new chorus
are combined in this lush
arrangement by Nick
Robertson and
orchestration by Russell
Mauldin that will move
your congregation and
your singers alike. That
we may know the heart of
Christ; come fill us now
O Breath of Life!.
The Oxford Book of Flexible Anthems composed by Alan Bullard (1947-). For flexib...(+)
The Oxford Book of
Flexible Anthems composed
by Alan Bullard (1947-).
For flexible
instrumentation. Mixed
Voices. Sacred.
Spiral-bound paperback.
296 pages. Published by
Oxford University Press
Choral SSA Choir, piano, flute SKU: CF.CM9583 Composed by Christopher Gab...(+)
Choral SSA Choir, piano,
flute
SKU:
CF.CM9583
Composed by
Christopher Gabel. Sws.
Performance Score. 20
pages. Duration 4
minutes, 9 seconds. Carl
Fischer Music #CM9583.
Published by Carl Fischer
Music (CF.CM9583).
ISBN 9781491154052.
UPC: 680160912551. 6.875
x 10.5 inches. Key: Eb
major. English. Thomas
Moore
(1779-1852).
Thomas
Moore (17791852) was an
Irish poet, singer,
songwriter and
entertainer. In his poem,
On Music, Moore
emphasizes the power that
music has in our lives
and the ability it has to
evoke memories and
feelings from the past.
Music transcends that
which can be spoken or
felt. The beauty of
making music together is
to establish meaningful
connections with others
and to share a common
language through song. We
are reminded, however,
that relationships with
each other can be fluid
or unstable, but as the
words of the poem remind
us, music will not
betray. No matter the
experiences that we face,
the relationships that we
foster, or the memories
that we create, music
will always be there for
us in times of need and
in times of celebration.
What does music mean to
you? How does it enrich
your life? On Music
Thomas Moore When through
life unblest we rove,
Losing all that made life
dear, Should some notes
we used to love, In days
of boyhood, meet our ear,
Oh! how welcome breathes
the strain! Wakening
thoughts that long have
slept, Kindling former
smiles again In faded
eyes that long have wept.
Like the gale, that sighs
along Beds of oriental
flowers, Is the grateful
breath of song, That once
was heard in happier
hours. Filld with balm
the gale sighs on, Though
the flowers have sunk in
death; So, when pleasures
dream is gone, Its memory
lives in Musics breath.
Music, oh, how faint, how
weak, Language fades
before thy spell! Why
should Feeling ever
speak, When thou canst
breathe her soul so well?
Friendships balmy words
may feign, Loves are even
more false than they; Oh!
tis only musics strain
Can sweetly soothe, and
not betray. Note to the
performer: Liberty can be
taken with the tempo
markings and rubato
should be used throughout
in order to further
stress the beauty and
significance of the text.
With its vocal-like
descant, the flute should
be treated as an
additional voice rather
than mere accompaniment
to enhance the texture of
the piece. Thomas
Moore (1779a1852) was an
Irish poet, singer,
songwriter and
entertainer. In his poem,
On Music, Moore
emphasizes the power that
music has in our lives
and the ability it has to
evoke memories and
feelings from the past.
Music transcends that
which can be spoken or
felt. The beauty of
making music together is
to establish meaningful
connections with others
and to share a common
language through song. We
are reminded, however,
that relationships with
each other can be fluid
or unstable, but as the
words of the poem remind
us, music will not
betray. No matter the
experiences that we face,
the relationships that we
foster, or the memories
that we create, music
will always be there for
us in times of need and
in times of celebration.
What does music mean to
you? How does it enrich
your life? On Music a
Thomas Moore When through
life unblest we rove,
Losing all that made life
dear, Should some notes
we used to love, In days
of boyhood, meet our ear,
Oh! how welcome breathes
the strain! Wakening
thoughts that long have
slept, Kindling former
smiles again In faded
eyes that long have wept.
Like the gale, that sighs
along Beds of oriental
flowers, Is the grateful
breath of song, That once
was heard in happier
hours. Fillad with balm
the gale sighs on, Though
the flowers have sunk in
death; So, when
pleasureas dream is gone,
Its memory lives in
Musicas breath. Music,
oh, how faint, how weak,
Language fades before thy
spell! Why should Feeling
ever speak, When thou
canst breathe her soul so
well? Friendshipas balmy
words may feign, Loveas
are even more false than
they; Oh! atis only
musicas strain Can
sweetly soothe, and not
betray. Note to the
performer: Liberty can be
taken with the tempo
markings and rubato
should be used throughout
in order to further
stress the beauty and
significance of the text.
With its vocal-like
descant, the flute should
be treated as an
additional voice rather
than mere accompaniment
to enhance the texture of
the piece. Thomas
Moore (1779-1852) was an
Irish poet, singer,
songwriter and
entertainer. In his poem,
On Music, Moore
emphasizes the power that
music has in our lives
and the ability it has to
evoke memories and
feelings from the past.
Music transcends that
which can be spoken or
felt. The beauty of
making music together is
to establish meaningful
connections with others
and to share a common
language through song. We
are reminded, however,
that relationships with
each other can be fluid
or unstable, but as the
words of the poem remind
us, music will not
betray. No matter the
experiences that we face,
the relationships that we
foster, or the memories
that we create, music
will always be there for
us in times of need and
in times of celebration.
What does music mean to
you? How does it enrich
your life? On Music -
Thomas Moore When through
life unblest we rove,
Losing all that made life
dear, Should some notes
we used to love, In days
of boyhood, meet our ear,
Oh! how welcome breathes
the strain! Wakening
thoughts that long have
slept, Kindling former
smiles again In faded
eyes that long have wept.
Like the gale, that sighs
along Beds of oriental
flowers, Is the grateful
breath of song, That once
was heard in happier
hours. Fill'd with balm
the gale sighs on, Though
the flowers have sunk in
death; So, when
pleasure's dream is gone,
Its memory lives in
Music's breath. Music,
oh, how faint, how weak,
Language fades before thy
spell! Why should Feeling
ever speak, When thou
canst breathe her soul so
well? Friendship's balmy
words may feign, Love's
are even more false than
they; Oh! 'tis only
music's strain Can
sweetly soothe, and not
betray. Note to the
performer: Liberty can be
taken with the tempo
markings and rubato
should be used throughout
in order to further
stress the beauty and
significance of the text.
With its vocal-like
descant, the flute should
be treated as an
additional voice rather
than mere accompaniment
to enhance the texture of
the piece. Thomas
Moore (1779-1852) was an
Irish poet, singer,
songwriter and
entertainer. In his poem,
On Music, Moore
emphasizes the power that
music has in our lives
and the ability it has to
evoke memories and
feelings from the past.
Music transcends that
which can be spoken or
felt. The beauty of
making music together is
to establish meaningful
connections with others
and to share a common
language through song. We
are reminded, however,
that relationships with
each other can be fluid
or unstable, but as the
words of the poem remind
us, music will not
betray. No matter the
experiences that we face,
the relationships that we
foster, or the memories
that we create, music
will always be there for
us in times of need and
in times of celebration.
What does music mean to
you? How does it enrich
your life? On Music -
Thomas Moore When through
life unblest we rove,
Losing all that made life
dear, Should some notes
we used to love, In days
of boyhood, meet our ear,
Oh! how welcome breathes
the strain! Wakening
thoughts that long have
slept, Kindling former
smiles again In faded
eyes that long have wept.
Like the gale, that sighs
along Beds of oriental
flowers, Is the grateful
breath of song, That once
was heard in happier
hours. Fill'd with balm
the gale sighs on, Though
the flowers have sunk in
death; So, when
pleasure's dream is gone,
Its memory lives in
Music's breath. Music,
oh, how faint, how weak,
Language fades before thy
spell! Why should Feeling
ever speak, When thou
canst breathe her soul so
well? Friendship's balmy
words may feign, Love's
are even more false than
they; Oh! 'tis only
music's strain Can
sweetly soothe, and not
betray. Note to the
performer: Liberty can be
taken with the tempo
markings and rubato
should be used throughout
in order to further
stress the beauty and
significance of the text.
With its vocal-like
descant, the flute should
be treated as an
additional voice rather
than mere accompaniment
to enhance the texture of
the piece. Thomas
Moore (1779–1852)
was an Irish poet,
singer, songwriter and
entertainer. In his poem,
On Music, Moore
emphasizes the power that
music has in our lives
and the ability it has to
evoke memories and
feelings from the past.
Music transcends that
which can be spoken or
felt. The beauty of
making music together is
to establish meaningful
connections with others
and to share a common
language through song.We
are reminded, however,
that relationships with
each other can be fluid
or unstable, but as the
words of the poem remind
us, music will not
betray. No matter the
experiences that we face,
the relationships that we
foster, or the memories
that we create, music
will always be there for
us in times of need and
in times of celebration.
What does music mean to
you? How does it enrich
your life?On Music
– Thomas MooreWhen
through life unblest we
rove,Losing all that made
life dear,Should some
notes we used to love,In
days of boyhood, meet our
ear,Oh! how welcome
breathes the
strain!Wakening thoughts
that long have
slept,Kindling former
smiles againIn faded eyes
that long have wept.Like
the gale, that sighs
alongBeds of oriental
flowers,Is the grateful
breath of song,That once
was heard in happier
hours.Fill’d with
balm the gale sighs
on,Though the flowers
have sunk in death;So,
when pleasure’s
dream is gone,Its memory
lives in Music’s
breath.Music, oh, how
faint, how weak,Language
fades before thy
spell!Why should Feeling
ever speak,When thou
canst breathe her soul so
well?Friendship’s
balmy words may
feign,Love’s are
even more false than
they;Oh! ’tis only
music’s strainCan
sweetly soothe, and not
betray.Note to the
performer: Liberty can be
taken with the tempo
markings and rubato
should be used throughout
in order to further
stress the beauty and
significance of the text.
With its vocal-like
descant, the flute should
be treated as an
additional voice rather
than mere accompaniment
to enhance the texture of
the piece.
Change the World Chorale TTBB TTBB A Cappella Barbershop Harmony Society
By Eric Clapton. Arranged by David Wright, Deke Sharon. Barbershop Harmony Socie...(+)
By Eric Clapton. Arranged
by David Wright, Deke
Sharon. Barbershop
Harmony Society.
Barbershop, Pop. Octavo.
8 pages. Barbershop
Harmony Society #211164.
Published by Barbershop
Harmony Society
(HL.234449).
Fakebook (spiral bound) for voice and C instrument. With vocal melody, lyrics, c...(+)
Fakebook (spiral bound)
for voice and C
instrument. With vocal
melody, lyrics, chord
names, leadsheet notation
and guitar chord chart.
Series: Hal Leonard Fake
Books. 813 pages.
Published by Hal Leonard.
SATB choir SKU: BP.1516 Composed by Howard Helvey. Arranged by Howard Hel...(+)
SATB choir
SKU:
BP.1516
Composed by
Howard Helvey. Arranged
by Howard Helvey. Sacred
octavos. Sacred. Octavo.
Beckenhorst Press #1516.
Published by Beckenhorst
Press (BP.1516).
UPC:
748769020784.
Howar
d Helvey has joined the
lovely French tune
BERGERS, usually
associated with
Christmas, with Elizabeth
Ann Porter Head's prayer
to the Holy Spirit and
provided us with a
beautiful anthem suitable
for the themes of
Pentecost or revival. As
always, Mr. Helvey's
sensitive accompaniment
provides a wonderful
backdrop for the smooth
part-writing that has
become a signature of his
writing.
By Soon Hee Newbold.
Intermediate String
Orchestra. FJH Developing
Strings. Score for this
title: ST6112S. Extra
part for this title:
ST6112P. String
Orchestra. Level: 2.5.
Score and Set of Parts.
Published by The FJH
Music Company Inc.
3-Part Mixed (3PT MIXED) SKU: HL.1253510 Arranged by Glenda E. Franklin. ...(+)
3-Part Mixed (3PT MIXED)
SKU: HL.1253510
Arranged by Glenda E.
Franklin. Shawnee Press.
Octavo. 12 pages.
Duration 195 seconds.
Published by Shawnee
Press (HL.1253510).
ISBN 9798350100372.
UPC: 196288155218.
6.75x10.5
inches.
This
traditional English
carol, “God Rest Ye
Merry, Gentlemen,â€
breathes new life with
original lyrics in this
gentle choral for winter.
Vocal echoing and simple
harmonies beautifully
paint the text, creating
a lovely holiday
selection that is unique
yet familiar.
2-Part (2PT) SKU: HL.1253511 Arranged by Glenda E. Franklin. Shawnee Pres...(+)
2-Part (2PT)
SKU:
HL.1253511
Arranged
by Glenda E. Franklin.
Shawnee Press. Christmas.
Octavo. 8 pages. Duration
195 seconds. Published by
Shawnee Press
(HL.1253511).
ISBN
9798350100389. UPC:
196288155225. 6.75x10.5
inches.
The
traditional English carol
“God Rest Ye, Merry
Gentlemen†breathes
new life with original
lyrics in this gentle
choral for winter. Vocal
echoing and simple
harmonies beautifully
paint the text, creating
a lovely holiday
selection that is unique
yet familiar.
G String Swing Chorale SATB SATB divisi, A Cappella Gentry Publications
SATB divisi a cappella Choral (SATB a cappella) SKU: HL.1424335 Composed ...(+)
SATB divisi a cappella
Choral (SATB a cappella)
SKU: HL.1424335
Composed by Pietro
Ferrario. Gentry
Publications. Octavo.
Duration 165 seconds.
Gentry Publications
#JG2710. Published by
Gentry Publications
(HL.1424335).
UPC:
196288200604.
Exper
ience the innovative SATB
divisi arrangement in the
Jason Max Ferdinand
Choral Series, breathing
new life into Bach's
iconic “Air on the G
String.” This piece
introduces an acrobatic
jazz quodlibet,
showcasing a spirited
contrapuntal structure
with glimpses of both
Bach and non-Bach themes.
Dedicated to Ward
Swingle's memory, this
vibrant arrangement is
tailored for
advanced-level jazz
choirs or vocal octets,
offering an exhilarating
challenge and an exciting
fusion of classical and
jazz elements.
For voice and C instruments. Format: fakebook. With vocal melody, lyrics and cho...(+)
For voice and C
instruments. Format:
fakebook. With vocal
melody, lyrics and chord
names. Standards and
vocal standards. Series:
Hal Leonard Fake Books.
232 pages. 9x12 inches.
Published by Hal Leonard.
Complete Lyrics for Over 1000 Songs from Broadway to Rock. By Various. Lyric Lib...(+)
Complete Lyrics for Over
1000 Songs from Broadway
to Rock. By Various.
Lyric Library. Softcover.
Size 8.5x11 inches. 373
pages. Published by Hal
Leonard.