| Festival in Russia (Polonaise, Op. 49) Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Manhattan Beach Music
Concert band - Grade 4 SKU: MH.1-59913-020-3 Composed by Liadov. Arranged...(+)
Concert band - Grade 4
SKU:
MH.1-59913-020-3
Composed by Liadov.
Arranged by Don Wilcox.
Suitable for high school,
community, and college
bands. Conductor score
and set of parts.
Duration 6:45. Published
by Manhattan Beach Music
(MH.1-59913-020-3).
ISBN
9781599130200. Prog
ram Notes: Festival in
Russia is a transcription
for concert band of
Anatoli Liadov's dazzling
orchestral work,
Polonaise (Op. 49).
Written at the turn of
the century, its
energetic dance rhythms
and melodic
expressiveness will bring
a delightful Old World
charm to today's
audiences. Liadov
(1855-1914) was a student
of Rimsky-Korsakov at the
St. Petersburg
Conservatory, and
succeeded him as the
composition teacher. (One
of Liadov's most notable
students at the
Conservatory was Sergei
Prokofiev.) At the time
the Polonaise was written
(1899), Liadov was at the
height of his profession
and one of his era's most
respected and
widely-known composers.
The first performance of
this transcription for
concert band was given by
the West Virginia
University Wind Symphony
at the Kennedy Center for
the Performing Arts on
February 24, 1988, Don
Wilcox conducting.
Ensemble instrumentation:
1 Piccolo, 4 Flute I, 4
Flute II, 1 Oboe I, 1
Oboe II, 1 English Horn,
1 Bassoon I, 1 Bassoon
II, 1 Eb Clarinet, 4 Bb
Clarinet I, 4 Bb Clarinet
II, 4 Bb Clarinet III, 1
Eb Alto Clarinet, 1 Eb
ContrabassClarinet, 3 Bb
Bass Clarinet & Bb
Contrabass Clarinet, 3 Eb
Alto Saxophone I, 3 Eb
Alto Saxophone II, 2 Bb
Tenor Saxophone, 2 Eb
Baritone Saxophone, 3 Bb
Cornet I, 3 Bb Cornet II,
3 Bb Cornet III, 2 Bb
Trumpet I, 2 Bb Trumpet
II, 2 F Horn I & III, 2 F
Horn II & IV, 2 Trombone
I, 2 Trombone II, 2 Bass
Trombone, 3 Euphonium, 2
Euphonium T.C., 4 Tuba, 2
Timpani, 2 Bells &
Vibraphone, 3 Chimes,
Triangle & Cymbals, 2
Xylophone & Marimba, 2
Snare Drum & Bass
Drum. $150.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Festival in Russia (Polonaise, Op. 49) Orchestre d'harmonie - Intermédiaire Manhattan Beach Music
Concert band - Grade 4 SKU: MH.1-59913-021-1 Composed by Liadov. Arranged...(+)
Concert band - Grade 4
SKU:
MH.1-59913-021-1
Composed by Liadov.
Arranged by Don Wilcox.
Suitable for high school,
community, and college
bands. Conductor Full
Score. Duration 6:45.
Published by Manhattan
Beach Music
(MH.1-59913-021-1).
ISBN
9781599130217. Prog
ram Notes: Festival in
Russia is a transcription
for concert band of
Anatoli Liadov's dazzling
orchestral work,
Polonaise (Op. 49).
Written at the turn of
the century, its
energetic dance rhythms
and melodic
expressiveness will bring
a delightful Old World
charm to today's
audiences. Liadov
(1855-1914) was a student
of Rimsky-Korsakov at the
St. Petersburg
Conservatory, and
succeeded him as the
composition teacher. (One
of Liadov's most notable
students at the
Conservatory was Sergei
Prokofiev.) At the time
the Polonaise was written
(1899), Liadov was at the
height of his profession
and one of his era's most
respected and
widely-known composers.
The first performance of
this transcription for
concert band was given by
the West Virginia
University Wind Symphony
at the Kennedy Center for
the Performing Arts on
February 24, 1988, Don
Wilcox conducting.
Ensemble instrumentation:
1 Piccolo, 4 Flute I, 4
Flute II, 1 Oboe I, 1
Oboe II, 1 English Horn,
1 Bassoon I, 1 Bassoon
II, 1 Eb Clarinet, 4 Bb
Clarinet I, 4 Bb Clarinet
II, 4 Bb Clarinet III, 1
Eb Alto Clarinet, 1 Eb
ContrabassClarinet, 3 Bb
Bass Clarinet & Bb
Contrabass Clarinet, 3 Eb
Alto Saxophone I, 3 Eb
Alto Saxophone II, 2 Bb
Tenor Saxophone, 2 Eb
Baritone Saxophone, 3 Bb
Cornet I, 3 Bb Cornet II,
3 Bb Cornet III, 2 Bb
Trumpet I, 2 Bb Trumpet
II, 2 F Horn I & III, 2 F
Horn II & IV, 2 Trombone
I, 2 Trombone II, 2 Bass
Trombone, 3 Euphonium, 2
Euphonium T.C., 4 Tuba, 2
Timpani, 2 Bells &
Vibraphone, 3 Chimes,
Triangle & Cymbals, 2
Xylophone & Marimba, 2
Snare Drum & Bass
Drum. $18.50 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Dies Irae - Handbell Score Cloches [Conducteur] Choristers Guild
By Michael Glasgow. For handbells (3-7 octaves) with oboe (or C instrument) (wit...(+)
By Michael Glasgow. For
handbells (3-7 octaves)
with oboe (or C
instrument) (with
optional hand chimes 2,
cello). Level 3-. Sheet
Music. Published by
Chorister's Guild
$4.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| I Sing the Mighty Power of God - Full Score and Parts Cloches [Conducteur] - Facile Choristers Guild
Composed by Carol Lynn Mizell. For selected handbells (chimes, glockenspiel), ob...(+)
Composed by Carol Lynn
Mizell. For selected
handbells (chimes,
glockenspiel), oboe,
unison voices. Level 2 .
Full score and parts.
Published by Chorister's
Guild
$13.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Ruders Listening Earth Score Book Orchestre [Conducteur] Wilhelm Hansen
Orchestra SKU: HL.14027993 Composed by Poul Ruders. Music Sales America. ...(+)
Orchestra SKU:
HL.14027993 Composed
by Poul Ruders. Music
Sales America. Classical.
Score. Composed 2006. 164
pages. Edition Wilhelm
Hansen #WH30602.
Published by Edition
Wilhelm Hansen
(HL.14027993). ISBN
9788759811832.
English. Premiered
at the festival 'Magma
Berlin 2002' by the
Berlin Philharmonic
Orchestra, conducted by
David Robertson, 29th
November 2002.
3
Flutes, 1st and 2nd also
Alto Flutes in G, 3rd
also Piccolo 3 Oboes,
3rd also Cor Anglais in
F 3 Clarinets in Bb,
3rd also Bass Clarinet in
Bb 3 Bassoons, 3rd
also Contra
Bassoon
4 Horn in
F 3 Trumpets in
Bb 3 Trombones 1
Tuba
Timpani 4 Percussion, four
players Player
1 - Vibraphone,
Glockenspiel, Water
Chime, Bell Tree,
Japanese Wood Blocks,
Cymbal (Suspended),
TamTam (Medium) Player
2 - Triangle, Tubular
Bells, Crotales, Marimba,
Chinese Cymbal Player
3 - TamTam (Large), Java
Gong(Large, very low),
Bell Lyra (Handheld),
Sizzle Cymbal Player 4
- Bass Drum,
Glockenspiel,
Xylophone
1
Harp
1 Piano, also
Celesta
Strings -
16/14/12/10/8
All
transposing instruments
are notated in their
relevant
transpositions. Any
accidental apply only to
the note that it
immediately precedes,
except tied
notes. Naturals appear
occasionally 'for
safety'.
'LIST
ENING EARTH' is a
symphonic drama, a one-
movement composition in
four parts based on the
work by two writers,
Joseph Addison
(1672-1719) and W.H.Auden
(1907-1973). Joseph
Addison is not
particularly well known;
he was English, a
classical scholar,
essayist, poet and
politician, but one of
his hymns was used by
Benjamin Britten. in his
setting of a Thomas
Tallis canon. The hymn
is singularly beautiful
and being a composer
always inspired by
extramusical stimuli such
as poems, nature,
paintings, I was
immediately convinced
when I carne across the
Addison hymn, that here
was exactly what I wanted
to use as my major source
of inspiration for this
piece, commissioned by
and written for The
Berlin Philharmonic.
I don't refer to the
hymn in its entirety, but
have chosen the following
3 excerpts, all acting as
mottos for the first
three sections of the
piece, thus turning the
piece into a
straightforward tonepoem
in the classical. $131.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Semper Gratus - Facile Carl Fischer
Band Bass Clarinet, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, ...(+)
Band Bass Clarinet,
Bassoon, Bells, Chimes,
Clarinet 1, Clarinet 2,
Clarinet 3, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Mallet Percussion 1,
Mallet Percussion 2,
Mallet Percussion 3,
Marimba, Oboe, Percussion
1, Percussion 2 and more.
- Grade 3 SKU:
CF.CPS251 Composed by
Patrick Glenn Harper. Set
of Score and Parts.
28+8+8+4+8+8+8+4+4+4+4+4+
4+8+8+8+4+4+6+6+6+4+8+1+4
+2+2+12+2+8 pages.
Duration 4 minutes, 27
seconds. Carl Fischer
Music #CPS251. Published
by Carl Fischer Music
(CF.CPS251). ISBN
9781491159873. UPC:
680160918461. About
the Music Semper Gratus
is Latin for always
grateful. The piece was
written in honor of James
E. Champion, who taught
band for thirty-eight
years, twenty-five of
which were spent in
Florence, Alabama, where
he was my elementary
school and high school
band director. His bands
consistently achieved
superior ratings
throughout his career. He
holds
multi-decade-spanning
memberships in
professional music
education organizations,
continues to serve in
helping with Alabama
Bandmasters Association
events, and conducts and
performs in various
community bands and
ensembles. As my band
director at Bradshaw High
School, Mr. Champion
encouraged me to perform
one of my first
compositions, a clarinet
quartet, at solo/ensemble
festival. He taught his
students the fundamentals
of music, the technical
aspects of performance,
and exposed them to the
great standards of band
literature. But in doing
so, he also modeled
leadership, work-ethic,
good character, and
fostered the love of the
activity of band that led
me to choose music
education as a career.
And for that, I will
always be grateful.
Performance Notes
Measures 1-12: The
beginning of the piece
should be performed in a
majestic, fanfare-like
style. The woodwind cues
should only be used if
absolutely needed during
this section. Measures
41-58: The concert toms
should establish a
presence, but not
overpower the winds. The
triangle and woodblock
parts should be heard
distinctly over the
concert toms. A higher
pitched woodblock should
be used for this section.
(A set of claves could be
used in place of the
woodblock if desired.)
Measures 59-94: The
entirety of the middle
section should be played
in a rubato style to
maximize musical
expression, exaggerating
dynamics and ritardando
sections. The
quarter-note triplets in
the middle and low winds
should be emphasized at
m. 70. The molto
ritardando that begins at
m. 70 should be allowed
to build as long as
possible in m. 71 before
reaching the musical apex
of the middle section at
m. 72. At mm. 92-94,
depending on the size of
the ensemble, you may
want to limit the number
of players (or put one
per part) to achieve the
most delicate sound
possible. Measures
95-End: In mm. 99-107, be
sure that the eighth-note
running mallet parts are
heard as a background
texture, but do not
overpower the winds. In
mm. 114-115, the accents
on beats 2 and 4 in the
lower winds should be
exaggerated to contrast
the feel of the previous
four measures. In m. 118,
all winds should cut off
and breathe on beat two
for maximum impact on the
next three
measures. About the
MusicSemper Gratus is
Latin for “always
grateful.†The
piece was written in
honor of James E.
Champion, who taught band
for thirty-eight years,
twenty-five of which were
spent in Florence,
Alabama, where he was my
elementary school and
high school band
director. His bands
consistently achieved
superior ratings
throughout his career. He
holds
multi-decade-spanning
memberships in
professional music
education organizations,
continues to serve in
helping with Alabama
Bandmasters Association
events, and conducts and
performs in various
community bands and
ensembles. As my band
director at Bradshaw High
School, Mr. Champion
encouraged me to perform
one of my first
compositions, a clarinet
quartet, at solo/ensemble
festival. He taught his
students the fundamentals
of music, the technical
aspects of performance,
and exposed them to the
great standards of band
literature. But in
doing so, he also modeled
leadership, work-ethic,
good character, and
fostered the love of the
activity of band that led
me to choose music
education as a
career. And for that,
I will always be
grateful.Performance
NotesMeasures
1-12:Â Â The
beginning of the piece
should be performed in a
majestic, fanfare-like
style. The woodwind
cues should only be used
if absolutely needed
during this
section.Measures
41-58:Â Â The
concert toms should
establish a presence, but
not overpower the
winds.  The
triangle and woodblock
parts should be heard
distinctly over the
concert toms. A
higher pitched woodblock
should be used for this
section. (A set of
claves could be used in
place of the woodblock if
desired.)Â Measures
59-94:Â Â The
entirety of the middle
section should be played
in a rubato style to
maximize musical
expression, exaggerating
dynamics and ritardando
sections.  The
quarter-note triplets in
the middle and low winds
should be emphasized at
m. 70.  The molto
ritardando that begins at
m. 70 should be allowed
to build as long as
possible in m. 71 before
reaching the musical apex
of the middle section at
m. 72. At mm.
92–94, depending
on the size of the
ensemble, you may want to
limit the number of
players (or put one per
part) to achieve the most
delicate sound
possible.Measures
95-End:Â Â In mm.
99–107, be sure
that the eighth-note
running mallet parts are
heard as a background
texture, but do not
overpower the winds. In
mm. 114–115, the
accents on beats 2 and 4
in the lower winds should
be exaggerated to
contrast the feel of the
previous four measures.
 In m. 118, all winds
should cut off and
breathe on beat two for
maximum impact on the
next three measures. $90.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| SEAL Team: The Mission Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Music Distribution Services
Composed by David Bobrowitz. Sheet music. Score and parts. Duration 4' ...(+)
Composed by David
Bobrowitz.
Sheet music. Score and
parts. Duration 4'
45''. MDS
(Music Distribution
Services) #CFK 913725.
Published by MDS (Music
Distribution Services)
$145.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Commence! Orchestre d'harmonie - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Cabasa, Chimes, China Cymbal, Cla...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Cabasa, Chimes, China
Cymbal, Clarinet 1,
Clarinet 2, Clarinet 3,
Crash Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Mallet Percussion, Mark
Tree, Oboe, Percussion 1
and more. - Grade 3
SKU: CF.CPS210
Composed by Sean
O'Loughlin. Concert Band
(CPS). Set of Score and
Parts. With Standard
notation.
16+16+8+16+32+32+8+8+8+8+
8+8+16+16+16+8+8+12+12+12
+16+8+4+8+32+40+8 pages.
Duration 3 minutes, 57
seconds. Carl Fischer
Music #CPS210. Published
by Carl Fischer Music
(CF.CPS210). ISBN
9781491152362. UPC:
680160909865. A
driving composition from
Sean
O'loughlin,?Commence!?beg
ins with a spirited theme
that oscillates between
triple and duple meter.
After developing into a
heartfelt lush brass
chorale, the lilting
theme returns again. The
composition concludes
with a dramatic return of
the B theme and a rousing
finale. A beautiful
piece,?Commence!?is
a?strong choice for any
contest or
festival.
Commence!
em> was commissioned by
the Lynden High School
Class 2017-2019 and the
Lynden, WA Community, and
is dedicated to Steve
Herrick in celebration of
his retirement. Mr.
Herrick and I first
collaborated on a
commission in 2006, and I
was immediately taken by
the community and the
music program in Lynden.
It is truly one of the
most beautiful places in
the country and full of
musical inspiration at
every turn.
This piece is a
loving tribute to Mr.
Herrick and his amazing
contribution to the
students of Lynden for
over thirty years. The
music begins with a
spirited section
oscillating between 6/8
and 2/4 time. It should
maintain a pulsing
feeling throughout. The
main melody appears at m.
25 and has a lilting,
reminiscing quality to
it. After some further
development, it moves to
a B-section at m. 41 with
some warm brass passages.
The woodwinds should soar
over the top with their
counter line. The lower
voices take over the
melody at m. 59. The
harmony becomes more
discordant at m. 71 with
passages trading between
the brass and woodwinds.
This tension
releases into a slow
section that features a
flowing, heartfelt
melody. This builds to
the big moment at m. 112.
The timpani ushers us
back to the 6/8, 2/4
section. The melody is
now accompanied by some
flowing counterpoint at
m. 153 which leads to the
B-section again at m.
169. This time the
woodwinds take the lead
and the brass provide the
counter line. A final big
moment at m. 194 is the
culmination and high
point of the composition.
A brief fast section puts
a bow on the piece for a
rousing
finale. . Commence!
em> was commissioned by
the Lynden High School
Class 2017-2019 and the
Lynden, WA Community, and
is dedicated to Steve
Herrick in celebration of
his retirement. Mr.
Herrick and I first
collaborated on a
commission in 2006, and I
was immediately taken by
the community and the
music program in Lynden.
It is truly one of the
most beautiful places in
the country and full of
musical inspiration at
every turn.
This piece is a
loving tribute to Mr.
Herrick and his amazing
contribution to the
students of Lynden for
over thirty years. The
music begins with a
spirited section
oscillating between 6/8
and 2/4 time. It should
maintain a pulsing
feeling throughout. The
main melody appears at m.
25 and has a lilting,
reminiscing quality to
it. After some further
development, it moves to
a B-section at m. 41 with
some warm brass passages.
The woodwinds should soar
over the top with their
counter line. The lower
voices take over the
melody at m. 59. The
harmony becomes more
discordant at m. 71 with
passages trading between
the brass and woodwinds.
This tension
releases into a slow
section that features a
flowing, heartfelt
melody. This builds to
the big moment at m. 112.
The timpani ushers us
back to the 6/8, 2/4
section. The melody is
now accompanied by some
flowing counterpoint at
m. 153 which leads to the
B-section again at m.
169. This time the
woodwinds take the lead
and the brass provide the
counter line. A final big
moment at m. 194 is the
culmination and high
point of the composition.
A brief fast section puts
a bow on the piece for a
rousing
finale. . Co
mmence! was commissioned
by the Lynden High School
Class 2017-2019 and the
Lynden, WA Community, and
is dedicated to Steve
Herrick in celebration of
his retirement. Mr.
Herrick and I first
collaborated on a
commission in 2006, and I
was immediately taken by
the community and the
music program in Lynden.
It is truly one of the
most beautiful places in
the country and full of
musical inspiration at
every turn. This piece is
a loving tribute to Mr.
Herrick and his amazing
contribution to the
students of Lynden for
over thirty years. The
music begins with a
spirited section
oscillating between 6/8
and 2/4 time. It should
maintain a pulsing
feeling throughout. The
main melody appears at m.
25 and has a lilting,
reminiscing quality to
it. After some further
development, it moves to
a B-section at m. 41 with
some warm brass passages.
The woodwinds should soar
over the top with their
counter line. The lower
voices take over the
melody at m. 59. The
harmony becomes more
discordant at m. 71 with
passages trading between
the brass and woodwinds.
This tension releases
into a slow section that
features a flowing,
heartfelt melody. This
builds to the big moment
at m. 112. The timpani
ushers us back to the
6/8, 2/4 section. The
melody is now accompanied
by some flowing
counterpoint at m. 153
which leads to the
B-section again at m.
169. This time the
woodwinds take the lead
and the brass provide the
counter line. A final big
moment at m. 194 is the
culmination and high
point of the composition.
A brief fast section puts
a bow on the piece for a
rousing finale. $95.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Commence! Orchestre d'harmonie [Conducteur] - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Cabasa, Chimes, China Cymbal, Cla...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Cabasa, Chimes, China
Cymbal, Clarinet 1,
Clarinet 2, Clarinet 3,
Crash Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Mallet Percussion, Mark
Tree, Oboe, Percussion 1
and more. - Grade 3
SKU: CF.CPS210F
Composed by Sean
O'Loughlin. Concert Band
(CPS). Full score. With
Standard notation. 40
pages. Carl Fischer Music
#CPS210F. Published by
Carl Fischer Music
(CF.CPS210F). ISBN
9781491153048. UPC:
680160910540. A
driving composition from
Sean
O'loughlin,?Commence!?beg
ins with a spirited theme
that oscillates between
triple and duple meter.
After developing into a
heartfelt lush brass
chorale, the lilting
theme returns again. The
composition concludes
with a dramatic return of
the B theme and a rousing
finale. A beautiful
piece,?Commence!?is
a?strong choice for any
contest or
festival.
Commence!
em> was commissioned by
the Lynden High School
Class 2017-2019 and the
Lynden, WA Community, and
is dedicated to Steve
Herrick in celebration of
his retirement. Mr.
Herrick and I first
collaborated on a
commission in 2006, and I
was immediately taken by
the community and the
music program in Lynden.
It is truly one of the
most beautiful places in
the country and full of
musical inspiration at
every turn.
This piece is a
loving tribute to Mr.
Herrick and his amazing
contribution to the
students of Lynden for
over thirty years. The
music begins with a
spirited section
oscillating between 6/8
and 2/4 time. It should
maintain a pulsing
feeling throughout. The
main melody appears at m.
25 and has a lilting,
reminiscing quality to
it. After some further
development, it moves to
a B-section at m. 41 with
some warm brass passages.
The woodwinds should soar
over the top with their
counter line. The lower
voices take over the
melody at m. 59. The
harmony becomes more
discordant at m. 71 with
passages trading between
the brass and woodwinds.
This tension
releases into a slow
section that features a
flowing, heartfelt
melody. This builds to
the big moment at m. 112.
The timpani ushers us
back to the 6/8, 2/4
section. The melody is
now accompanied by some
flowing counterpoint at
m. 153 which leads to the
B-section again at m.
169. This time the
woodwinds take the lead
and the brass provide the
counter line. A final big
moment at m. 194 is the
culmination and high
point of the composition.
A brief fast section puts
a bow on the piece for a
rousing
finale. . Commence!
em> was commissioned by
the Lynden High School
Class 2017-2019 and the
Lynden, WA Community, and
is dedicated to Steve
Herrick in celebration of
his retirement. Mr.
Herrick and I first
collaborated on a
commission in 2006, and I
was immediately taken by
the community and the
music program in Lynden.
It is truly one of the
most beautiful places in
the country and full of
musical inspiration at
every turn.
This piece is a
loving tribute to Mr.
Herrick and his amazing
contribution to the
students of Lynden for
over thirty years. The
music begins with a
spirited section
oscillating between 6/8
and 2/4 time. It should
maintain a pulsing
feeling throughout. The
main melody appears at m.
25 and has a lilting,
reminiscing quality to
it. After some further
development, it moves to
a B-section at m. 41 with
some warm brass passages.
The woodwinds should soar
over the top with their
counter line. The lower
voices take over the
melody at m. 59. The
harmony becomes more
discordant at m. 71 with
passages trading between
the brass and woodwinds.
This tension
releases into a slow
section that features a
flowing, heartfelt
melody. This builds to
the big moment at m. 112.
The timpani ushers us
back to the 6/8, 2/4
section. The melody is
now accompanied by some
flowing counterpoint at
m. 153 which leads to the
B-section again at m.
169. This time the
woodwinds take the lead
and the brass provide the
counter line. A final big
moment at m. 194 is the
culmination and high
point of the composition.
A brief fast section puts
a bow on the piece for a
rousing
finale. . Co
mmence! was commissioned
by the Lynden High School
Class 2017-2019 and the
Lynden, WA Community, and
is dedicated to Steve
Herrick in celebration of
his retirement. Mr.
Herrick and I first
collaborated on a
commission in 2006, and I
was immediately taken by
the community and the
music program in Lynden.
It is truly one of the
most beautiful places in
the country and full of
musical inspiration at
every turn. This piece is
a loving tribute to Mr.
Herrick and his amazing
contribution to the
students of Lynden for
over thirty years. The
music begins with a
spirited section
oscillating between 6/8
and 2/4 time. It should
maintain a pulsing
feeling throughout. The
main melody appears at m.
25 and has a lilting,
reminiscing quality to
it. After some further
development, it moves to
a B-section at m. 41 with
some warm brass passages.
The woodwinds should soar
over the top with their
counter line. The lower
voices take over the
melody at m. 59. The
harmony becomes more
discordant at m. 71 with
passages trading between
the brass and woodwinds.
This tension releases
into a slow section that
features a flowing,
heartfelt melody. This
builds to the big moment
at m. 112. The timpani
ushers us back to the
6/8, 2/4 section. The
melody is now accompanied
by some flowing
counterpoint at m. 153
which leads to the
B-section again at m.
169. This time the
woodwinds take the lead
and the brass provide the
counter line. A final big
moment at m. 194 is the
culmination and high
point of the composition.
A brief fast section puts
a bow on the piece for a
rousing finale. $14.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Journey of the Spanish Buccaneers Orchestre d'harmonie - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Castanets, Chimes, Clarinet 1, Clarinet ...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Castanets,
Chimes, Clarinet 1,
Clarinet 2, Clarinet 3,
Claves, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Mallet Percussion 1,
Mallet Percussion 2,
Oboe, Percussion 1,
Percussion 2 and more. -
Grade 3 SKU:
CF.CPS222 Composed by
Ed Kiefer. Concert Band
(CPS). Set of Score and
Parts. With Standard
notation.
8+8+4+8+16+16+4+4+4+4+4+4
+8+8+8+4+4+6+6+6+8+2+2+1+
12+2+1+36+4 pages.
Duration 5 minutes, 19
seconds. Carl Fischer
Music #CPS222. Published
by Carl Fischer Music
(CF.CPS222). ISBN
9781491152485. UPC:
680160909988. From
the call of the open seas
to the wistful dance
section, this piece will
open the imagination of
your students and
audiences. Â Very
playable by young bands,
the piece features a
short opening ostinato
that develops into a tone
cluster and leads to
the ominous sounds of the
brass and percussion,
which depict the slow
lumbering ship on the
dangerous, open waters.
The piece continues
through a more lyrical
second section before a
dramatic return of the
opening material to close
out this contest/festival
style piece. From the
call of the open seas to
the wistful dance
section, this piece will
open the imagination of
your students and
audiences. Very playable
by young bands, the piece
features a short opening
ostinato that develops
into a tone cluster. This
leads to the ominous
sounds of the brass and
percussion, which depict
the slow lumbering ship
on the dangerous, open
waters. After a quickly
paced melody in the low
register for the
clarinets, the piece
gives way to an exciting
tutti section that
features horns and saxes
on an answering
countermelody.The second
section is a dance that
starts with low reeds and
a flute solo, but
develops into a full band
Spanish-sounding dance,
with melody in many
different places. The
recap is a reverse of the
beginning section and
again loosely represents
the danger of life on the
high seas.The short
ostinato that is used at
the beginning and in some
transitional moments is
based on the beginning
notes of Irish Tune from
County Derry, a favorite
of J. C. Sykes, who this
piece honors. Mr. Sykes
gave a lifetime to
teaching music to band
students in North
Carolina. The first four
notes in clarinet 1, the
first four in flute 1 and
the first four in
clarinet 2 make up the
first phrase from that
beautiful melody. Just
something to get students
thinking about
composition in a new
way. $95.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Journey of the Spanish Buccaneers Orchestre d'harmonie [Conducteur] - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Castanets, Chimes, Clarinet 1, Clarinet ...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Castanets,
Chimes, Clarinet 1,
Clarinet 2, Clarinet 3,
Claves, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Mallet Percussion 1,
Mallet Percussion 2,
Oboe, Percussion 1,
Percussion 2 and more. -
Grade 3 SKU:
CF.CPS222F Composed
by Ed Kiefer. Concert
Band (CPS). Full score.
With Standard notation.
36 pages. Carl Fischer
Music #CPS222F. Published
by Carl Fischer Music
(CF.CPS222F). ISBN
9781491153161. UPC:
680160910663. From
the call of the open seas
to the wistful dance
section, this piece will
open the imagination of
your students and
audiences. Â Very
playable by young bands,
the piece features a
short opening ostinato
that develops into a tone
cluster and leads to
the ominous sounds of the
brass and percussion,
which depict the slow
lumbering ship on the
dangerous, open waters.
The piece continues
through a more lyrical
second section before a
dramatic return of the
opening material to close
out this contest/festival
style piece. From the
call of the open seas to
the wistful dance
section, this piece will
open the imagination of
your students and
audiences. Very playable
by young bands, the piece
features a short opening
ostinato that develops
into a tone cluster. This
leads to the ominous
sounds of the brass and
percussion, which depict
the slow lumbering ship
on the dangerous, open
waters. After a quickly
paced melody in the low
register for the
clarinets, the piece
gives way to an exciting
tutti section that
features horns and saxes
on an answering
countermelody.The second
section is a dance that
starts with low reeds and
a flute solo, but
develops into a full band
Spanish-sounding dance,
with melody in many
different places. The
recap is a reverse of the
beginning section and
again loosely represents
the danger of life on the
high seas.The short
ostinato that is used at
the beginning and in some
transitional moments is
based on the beginning
notes of Irish Tune from
County Derry, a favorite
of J. C. Sykes, who this
piece honors. Mr. Sykes
gave a lifetime to
teaching music to band
students in North
Carolina. The first four
notes in clarinet 1, the
first four in flute 1 and
the first four in
clarinet 2 make up the
first phrase from that
beautiful melody. Just
something to get students
thinking about
composition in a new
way. $14.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Long Ships Orchestre d'harmonie [Conducteur] - Facile Carl Fischer
Band Anvil, Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarin...(+)
Band Anvil, Bass
Clarinet, Bass Drum,
Bassoon, Bells, Chimes,
Clarinet 1, Clarinet 2,
Clarinet 3, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Mallet Percussion,
Marimba, Oboe, Percussion
1, Percussion 2, Snare
Drum and more. - Grade 3
SKU: CF.CPS221F
A Viking Saga.
Composed by Gene Milford.
Concert Band (CPS). Full
score. With Standard
notation. 24 pages. Carl
Fischer Music #CPS221F.
Published by Carl Fischer
Music (CF.CPS221F).
ISBN 9781491153154.
UPC:
680160910656. The
Long Ships: A Viking
Saga portrays the
drama and excitement of
the adventures of Viking
heroes and great tales of
Norse mythology. Composer
Gene Milford has written
a descriptive work that
is bold, exciting, and
beautiful. It is a
rhapsodic piece with
great potential for
developing the
musicianship of your
students. The Long
Ships is a perfect
addition to your
ensemble's contest and
festival
repertoire. The
Vikings or Norsemen were
the great explorers,
warriors and traders of
the European Medieval
Age. In their iconic
“long shipsâ€
they traveled from their
Scandinavian home lands
as far west as Greenland
and New Foundland, south
into the Mediterranean
and East through Russia
to the Black Sea. The
Vikings were also the
scourge of the era, and
the cry “the Long
Ships are comingâ€
sent fear through coastal
and river communities
throughout Great Britain
and Europe. The Norse
sagas, tales of gods and
heroes, have inspired
musicians and authors
though the centuries.The
Long Ships: A Viking Saga
portrays the drama and
excitement of the
adventures of Viking
heroes and great tales of
Norse mythology.The anvil
in Percussion 2 should be
struck with a large metal
hammer. A low sounding
anvil is preferred but a
break drum can be
substituted. $14.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Long Ships Orchestre d'harmonie - Facile Carl Fischer
Band Anvil, Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarin...(+)
Band Anvil, Bass
Clarinet, Bass Drum,
Bassoon, Bells, Chimes,
Clarinet 1, Clarinet 2,
Clarinet 3, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Mallet Percussion,
Marimba, Oboe, Percussion
1, Percussion 2, Snare
Drum and more. - Grade 3
SKU: CF.CPS221
A Viking Saga.
Composed by Gene Milford.
Concert Band (CPS). Set
of Score and Parts. With
Standard notation.
8+8+4+8+16+16+4+4+4+4+4+4
+8+8+8+4+4+6+6+6+8+8+2+4+
10+24+4 pages. Duration
4:44. Carl Fischer Music
#CPS221. Published by
Carl Fischer Music
(CF.CPS221). ISBN
9781491152478. UPC:
680160909971. The
Long Ships: A Viking
Saga portrays the
drama and excitement of
the adventures of Viking
heroes and great tales of
Norse mythology. Composer
Gene Milford has written
a descriptive work that
is bold, exciting, and
beautiful. It is a
rhapsodic piece with
great potential for
developing the
musicianship of your
students. The Long
Ships is a perfect
addition to your
ensemble's contest and
festival
repertoire. The
Vikings or Norsemen were
the great explorers,
warriors and traders of
the European Medieval
Age. In their iconic
“long shipsâ€
they traveled from their
Scandinavian home lands
as far west as Greenland
and New Foundland, south
into the Mediterranean
and East through Russia
to the Black Sea. The
Vikings were also the
scourge of the era, and
the cry “the Long
Ships are comingâ€
sent fear through coastal
and river communities
throughout Great Britain
and Europe. The Norse
sagas, tales of gods and
heroes, have inspired
musicians and authors
though the centuries.The
Long Ships: A Viking Saga
portrays the drama and
excitement of the
adventures of Viking
heroes and great tales of
Norse mythology.The anvil
in Percussion 2 should be
struck with a large metal
hammer. A low sounding
anvil is preferred but a
break drum can be
substituted. $95.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Fantasy of Bells Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Carl Fischer
Concert Band Alto Saxophone, Baritone Saxophone, Bass Clarinet, Bass Drum, Basso...(+)
Concert Band Alto
Saxophone, Baritone
Saxophone, Bass Clarinet,
Bass Drum, Bassoon,
Bells, Chimes, Clarinet
I, Clarinet II,
Euphonium, Flute, Flute
II, Horn, Oboe, Orff
Instruments, Snare Drum,
Suspended Cy, Tenor,
Tenor Saxophone, Timpani,
Trumpet I, Trumpet II,
Tuba - Grade 1.5 SKU:
CF.FPS14 Composed by
Sean O'Loughlin. FS-SWS.
Carl Fischer First Plus
Performance Series. Score
and Set of Parts. With
Standard notation. Carl
Fischer Music #FPS14.
Published by Carl Fischer
Music (CF.FPS14). ISBN
9780825839825. UPC:
798408039820. 9 X 12
inches. An
aggressive, outgoing
fantasy on the famous
Westminster Chimes,
Fantasy of Bells utilizes
the ability of winds and
brass to make bell-like
sounds as well as
employing the actual
bell-sounds of various
metalophones. Quartal
harmony and colorful
scoring give this piece
an up-to-date sound and
make it ideal as a
concert opener for
contest and festival
time. Duration: 2'. $58.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Lake Dances Orchestre d'harmonie [Conducteur et Parties séparées] Carl Fischer
Composed by Gene Milford. Score and part(s). 32 160 pages. Duration 5 minutes,...(+)
Composed by Gene Milford.
Score and part(s). 32
160 pages. Duration 5
minutes, 2 seconds. Carl
Fischer #CPS0180.
Published by Carl Fischer
(CF.CPS180).
$95.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Jeannette, Isabella Orchestre d'harmonie [Conducteur] - Débutant Manhattan Beach Music
By Traditional French Carol. Arranged by William Ryden. Concert band. Suitable f...(+)
By Traditional French
Carol. Arranged by
William Ryden. Concert
band. Suitable for
elementary and middle
school bands. Christmas.
Grade 1. Conductor Full
Score. Duration 1:45.
Published by Manhattan
Beach Music
$12.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Days of Glory Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Carl Fischer
Concert Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clari...(+)
Concert Band Bass
Clarinet, Bass Drum,
Bassoon, Bells, Chimes,
Clarinet 1, Clarinet 2,
Clarinet 3, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Mallet Percussion 1,
Mallet Percussion 2,
Oboe, Percussion 1,
Percussion 2 and more. -
Grade 3-3.5 SKU:
CF.CPS2 Composed by
Sean O'Loughlin. FS-SWS.
Carl Fischer Concert
Performance Series.
Classical. Score and Set
of Parts. With Standard
notation.
32+8+8+4+8+8+8+4+4+4+4+4+
4+4+8+8+8+4+4+6+6+6+4+8+2
+4+2+4+8+32 pages. Carl
Fischer Music #CPS2.
Published by Carl Fischer
Music (CF.CPS2). ISBN
9780825837258. UPC:
798408037253. 9 X 12
inches. Key: Eb
major. A boldly
rhythmic and strikingly
tuneful piece by a gifted
young composer, Days Of
Glory, written in the
style of a concert
overture, is destined to
be a favorite for
contest/festival use. The
middle section has a
soaring lyrical idea that
is richly scored and
makes memorable and
sonorous use of the full
band at the climax.
Duration: 6'. $80.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Royal Regiment Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Carl Fischer
Concert Band Bass Clarinet, Bass Drum, Bassoon, Chimes, Clarinet 1, Clarinet 2, ...(+)
Concert Band Bass
Clarinet, Bass Drum,
Bassoon, Chimes, Clarinet
1, Clarinet 2, Crash
Cymbals, Euphonium,
Euphonium T.C., Field
Drum, Flute, Flute 2,
Horn, Mallet Percussion,
Oboe, Percussion 1,
Percussion 2, Snare Drum,
Timpani, Trombone,
Trumpet 1 and more. -
Grade 2-2.5 SKU:
CF.YPS16 Full
Score and Parts.
Composed by Joseph
Compello. FS-SWS. Carl
Fischer Young Performance
Series. Score and Set of
Parts. With Standard
notation.
16+4+8+4+2+2+10+2+2+8+8+8
+6+4+6+6+1+1+4+1+32
pages. Duration 3
minutes. Carl Fischer
Music #YPS16. Published
by Carl Fischer Music
(CF.YPS16). ISBN
9780825843426. UPC:
798408043421. 9 X 12
inches. Key: Eb
major. An exciting
British/Regimental style
march by a master of
writing for young
musicians, Joe
Compello's, The Royal
Regiment is tuneful and
harmonically straight
forward. Set in a stately
march tempo, the overall
effect is of a band on
parade approaching from
far away and, after a
fully-scored climax,
receding to the sound of
drums fading out in the
distance. This is a good
alternative march
selection for contest or
festival. Duration:
3'. $70.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Captive Orchestre d'harmonie [Conducteur et Parties séparées] Carl Fischer
Composed by Ed Kiefer. Score and part(s). 32 164 pages. Duration 4 minutes, 11...(+)
Composed by Ed Kiefer.
Score and part(s). 32
164 pages. Duration 4
minutes, 11 seconds. Carl
Fischer #CPS0186.
Published by Carl Fischer
(CF.CPS186).
$95.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| At the Threshold Orchestre d'harmonie [Conducteur et Parties séparées] Carl Fischer
Composed by Bill Calhoun. Score and part(s). 24 136 pages. Duration 4 minutes,...(+)
Composed by Bill Calhoun.
Score and part(s). 24
136 pages. Duration 4
minutes, 22 seconds. Carl
Fischer #YPS0165.
Published by Carl Fischer
(CF.YPS165).
$75.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Fortitude Orchestre d'harmonie [Conducteur] - Facile Carl Fischer
Band Anvil, Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, China Cymbal, Clar...(+)
Band Anvil, Bass
Clarinet, Bass Drum,
Bassoon, Bells, Chimes,
China Cymbal, Clarinet 1,
Clarinet 2, Clarinet 3,
Crash Cymbals, Euphonium,
Euphonium T.C., Floor
Tom, Flute 1, Flute 2,
Horn 1, Horn 2, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2 and more. - Grade 3
SKU: CF.CPS86F
Composed by Sean
O'Loughlin. SWS. Carl
Fischer Concert
Performance Series. Full
score. With Standard
notation. 24 pages. Carl
Fischer Music #CPS86F.
Published by Carl Fischer
Music (CF.CPS86F).
ISBN 9780825870392.
UPC: 798408070397. 9X12
inches. Key: F
major. Fortitude is
a rhythmic and energetic
piece, representing the
trials and tribulations
that we all have to
overcome at some point in
life. Keeping a positive
attitude is the message
heard in the music of
this inspiring work. A
strong choice for
contest/festival
performance. $13.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Emissary Orchestre d'harmonie [Conducteur] - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Chimes, Clarinet 1, Clarinet 2, Clarinet...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Chimes,
Clarinet 1, Clarinet 2,
Clarinet 3, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Mallet Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Suspended
Cymbal, Tambourine,
Timpani and more. - Grade
3 SKU: CF.CPS153F
Composed by Peter Terry.
Concert Band. Full score.
32 pages. Duration 4
minutes, 23 seconds. Carl
Fischer Music #CPS153F.
Published by Carl Fischer
Music (CF.CPS153F).
ISBN 9780825896460.
UPC: 798408096465. 9 x 12
inches. A piece
with cinematic flare, The
Emissary contains sounds
from all around the
world. Up-and-coming
composer Peter Terry
utilizes colorful scoring
of instruments, making
this a perfect choice for
contest or festival
performances. $13.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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