4 Trumpets - intermediate SKU: BT.DHP-1196060-404 Composed by Bert Lochs....(+)
4 Trumpets - intermediate
SKU:
BT.DHP-1196060-404
Composed by Bert Lochs.
Set and Audio Online.
Composed 2019. De Haske
Publications #DHP
1196060-404. Published by
De Haske Publications
(BT.DHP-1196060-404).
ISBN 9789043156103.
English-German-French-Dut
ch.
The concept of
the successful Swing
Quartets, Jazz
Quartets and
Groove Quartets
publications is now also
available in a Christmas
edition: Bert Lochs has
arranged four traditional
Christmas songs in a
swing style with combo
accompaniment. The
Swingin' Christmas
Quartets are
available for trumpet,
flute, clarinet and alto
saxophone quartets, and
all four versions can be
combined to create
whichever instrumentation
you require. The online
audio for each piece
contains not only a demo
version with a full
line-upâ??and a pure
playback versionâ??but
additionally four
versions in which each of
the four wind voices is
omitted in turn, making
them ideal forpractice
purposes.
Het
concept van de
succesvolle uitgaven
Swing Quartets,
Jazz Quartets en
Groove Quartets is
nu ook toegepast op
muziek voor Kerst: Bert
Lochs heeft vier
traditionele
kerstliederen
gearrangeerd in
swingstijl met
combobegeleiding. De
Swingin' Christmas
Quartets zijn
verkrijgbaar voor
trompet-, fluit-,
klarinet- en
altsaxofoonkwartet, en ze
kunnen worden
gecombineerd in elke
samengestelde bezetting.
De online audio bevat
voor elk stuk niet alleen
een volledige demoversie
en een meespeelversie,
maar ook vier opnamen
waarin telkens een van de
vier partijen is
weggelaten: ideaal om mee
te oefenen.
Das
Konzept der erfolgreichen
Ausgaben Swing
Quartets, Jazz
Quartets und
Groove Quartets
ist nun auch im
weihnachtlichen Gewand
verfügbar: Bert Lochs
hat vier traditionelle
Weihnachtslieder in einem
swingenden Stil mit
Combo-Begleitung
arrangiert. Die
Swingin' Christmas
Quartets sind
verfügbar für
Trompeten-, Flöten-,
Klarinetten- und
Altsaxophonquartett,
wobei alle vier Versionen
beliebig miteinander
kombinierbar sind. Im
Online-Audioteil dieser
Ausgabe gibt es nicht nur
eine Demoversion in
voller Besetzung und eine
reine Playback-Version,
sondern zusätzlich
auch Tracks, bei denen je
eine der vier Stimmen
weggelassen ist, sodass
diese zuÃ?bungszwecken
dazu gespielt werden
kann.
4 Clarinets - intermediate SKU: BT.DHP-1196062-404 Composed by Bert Lochs...(+)
4 Clarinets -
intermediate
SKU:
BT.DHP-1196062-404
Composed by Bert Lochs.
Set and Audio Online.
Composed 2019. De Haske
Publications #DHP
1196062-404. Published by
De Haske Publications
(BT.DHP-1196062-404).
ISBN 9789043156127.
English-German-French-Dut
ch.
The concept of
the successful Swing
Quartets, Jazz
Quartets and
Groove Quartets
publications is now also
available in a Christmas
edition: Bert Lochs has
arranged four traditional
Christmas songs in a
swing style with combo
accompaniment. The
Swingin' Christmas
Quartets are
available for trumpet,
flute, clarinet and alto
saxophone quartets, and
all four versions can be
combined to create
whichever instrumentation
you require. The online
audio for each piece
contains not only a demo
version with a full
line-upâ??and a pure
playback versionâ??but
additionally four
versions in which each of
the four wind voices is
omitted in turn, making
them ideal forpractice
purposes.
Het
concept van de
succesvolle uitgaven
Swing Quartets,
Jazz Quartets en
Groove Quartets is
nu ook toegepast op
muziek voor Kerst: Bert
Lochs heeft vier
traditionele
kerstliederen
gearrangeerd in
swingstijl met
combobegeleiding. De
Swingin' Christmas
Quartets zijn
verkrijgbaar voor
trompet-, fluit-,
klarinet- en
altsaxofoonkwartet, en ze
kunnen worden
gecombineerd in elke
samengestelde bezetting.
De online audio bevat
voor elk stuk niet alleen
een volledige demoversie
en een meespeelversie,
maar ook vier opnamen
waarin telkens een van de
vier partijen is
weggelaten: ideaal om mee
te oefenen.
Das
Konzept der erfolgreichen
Ausgaben Swing
Quartets, Jazz
Quartets und
Groove Quartets
ist nun auch im
weihnachtlichen Gewand
verfügbar: Bert Lochs
hat vier traditionelle
Weihnachtslieder in einem
swingenden Stil mit
Combo-Begleitung
arrangiert. Die
Swingin' Christmas
Quartets sind
verfügbar für
Trompeten-, Flöten-,
Klarinetten- und
Altsaxophonquartett,
wobei alle vier Versionen
beliebig miteinander
kombinierbar sind. Im
Online-Audioteil dieser
Ausgabe gibt es nicht nur
eine Demoversion in
voller Besetzung und eine
reine Playback-Version,
sondern zusätzlich
auch Tracks, bei denen je
eine der vier Stimmen
weggelassen ist, sodass
diese zuÃ?bungszwecken
dazu gespielt werden
kann.
A Love Supreme Big band [Conducteur et Parties séparées] - Avancé Jazz Lines Publications
Recorded by the Lincoln Center Jazz Orchestra. Arranged by Wynton Marsali...(+)
Recorded by the
Lincoln Center Jazz
Orchestra. Arranged
by Wynton Marsalis. Jazz,
Swing. Score and parts.
Published by Jazz Lines
Publications
(JL.JLP-7420).
Orchestra SKU: PR.11641867L Composed by William Kraft. Spiral. Large Scor...(+)
Orchestra
SKU:
PR.11641867L
Composed
by William Kraft. Spiral.
Large Score. Duration 16
minutes, 25 seconds.
Theodore Presser Company
#116-41867L. Published by
Theodore Presser Company
(PR.11641867L).
UPC:
680160683215.
Conte
xtures: Riots -Decade '60
was commissioned by Zubin
Mehta and the Southern
California Symphony
Association after the
successful premiere of
the Concerto for Four
Percussion Soloists and
Orchestra. It was written
during the spring and
summer months of 1967.
Riots stemming from
resentment against the
racial situation in the
United States and the war
in Vietnam were occurring
throughout the country
and inevitably invaded
the composer's creative
subconscious.
Contextures, as the title
implies, was intended to
exploit various and
varying textures. As the
work progressed the
correspondence between
the fabric of music and
the fabric of society
became apparent and the
allegory grew in
significance. So I found
myself translating social
aspects into musical
techniques. Social
stratification became a
polymetric situation
where disparate groups
function together. The
conflict between the
forces of expansion and
the forces of containment
is expressed through and
opposition of tonal
fluidity vs. rigidity.
This is epitomized in the
fourth movement, where
the brass is divided into
two groups - a muted
group, encircled by the
unmuted one, which does
its utmost to keep the
first group within a
restricted pitch area.
The playful jazzy bits
(one between the first
and second movements and
one at the end of the
piece) are simply saying
that somehow in this age
of turmoil and anxiety
ways of having fun are
found even though that
fun may seem
inappropriate. The piece
is in five movements,
with an interlude between
the first and second
movements. It is scored
for a large orchestra,
supplemented by six
groups of percussion,
including newly created
roto-toms (small tunable
drums) and some original
devices, such as muted
gongs and muted
vibraphone. There is also
an offstage jazz quartet:
bass, drums, soprano
saxophone and trumpet.
The first movement begins
with a solo by the first
clarinetist which is
interrupted by
intermittent heckling
from his colleagues
leading to a
configuration of large
disparate elements. The
interlude of solo violin
and snare-drum follows
without pause. The second
movement, Prestissimo, is
a display piece of
virtuosity for the entire
orchestra. The third
movement marks a period
of repose and reflection
and calls for some
expressive solos,
particularly by the horn
and alto saxophone. The
fourth movement opens
with a rather lengthy
oboe solo, which is
threatened by large
blocks of sound from the
orchestra, against an
underlying current of
agitated energy in the
piano and percussion.
This leads to a section
in which large orchestral
forces oppose one
another, ultimately
bringing the work to a
climax, if not to a
denouement. Various
thematic elements are
strewn all over the
orchestra, resulting in
the formation of a
general haze of sound. A
transition leads to the
fifth movement without
pause. The musical haze
is pierced gently by the
offstage jazz group as if
they were attempting to
ignore and even dispel
the gloom, but a legato
bell sound enters and
hovers over both the jazz
group and the orchestra,
the latter making
statements of disquieting
finality. Two films were
conceived to accompany
portions of Contextures.
The first done by Herbert
Kosowar, was a
chemography film
(painting directly into
the film using dyes and
various implements) with
fast clips of riot
photographs. The second
was a film collage made
by photographically
abstracting details from
paintings of Reginald
Pollack. The purpose was
to invoke a non-specific
response - as in music -
but at the same time to
define the subject matter
of the piece. The films
were constructed to
correspond with certain
developments in the piece
and in no way affect the
independence and musical
flow of the piece, having
been made after the piece
was completed.
Contextures: Riots -
Decade '60 is dedicated
to Mehta, the Southern
California Symphony
Association and the Los
Angeles Philharmonic
Orchestra. The news of
the assassination of Dr.
Martin Luther King came
the afternoon of the
premiere, April 4, 1968.
That evening's
performances, and also
the succeeding ones, were
dedicated to him and a
special dedication to Dr.
King has been inserted
into he score. All the
music that follows the
jazz group - beginning
with the legato bell
sound playing the first 2
notes to We shall
overcome constitutes a
new ending to commemorate
Dr. King's death.
Orchestra SKU: PR.11641867S Composed by William Kraft. Full score. Durati...(+)
Orchestra
SKU:
PR.11641867S
Composed
by William Kraft. Full
score. Duration 16
minutes, 25 seconds.
Theodore Presser Company
#116-41867S. Published by
Theodore Presser Company
(PR.11641867S).
UPC:
680160683208.
Conte
xtures: Riots -Decade '60
was commissioned by Zubin
Mehta and the Southern
California Symphony
Association after the
successful premiere of
the Concerto for Four
Percussion Soloists and
Orchestra. It was written
during the spring and
summer months of 1967.
Riots stemming from
resentment against the
racial situation in the
United States and the war
in Vietnam were occurring
throughout the country
and inevitably invaded
the composer's creative
subconscious.
Contextures, as the title
implies, was intended to
exploit various and
varying textures. As the
work progressed the
correspondence between
the fabric of music and
the fabric of society
became apparent and the
allegory grew in
significance. So I found
myself translating social
aspects into musical
techniques. Social
stratification became a
polymetric situation
where disparate groups
function together. The
conflict between the
forces of expansion and
the forces of containment
is expressed through and
opposition of tonal
fluidity vs. rigidity.
This is epitomized in the
fourth movement, where
the brass is divided into
two groups - a muted
group, encircled by the
unmuted one, which does
its utmost to keep the
first group within a
restricted pitch area.
The playful jazzy bits
(one between the first
and second movements and
one at the end of the
piece) are simply saying
that somehow in this age
of turmoil and anxiety
ways of having fun are
found even though that
fun may seem
inappropriate. The piece
is in five movements,
with an interlude between
the first and second
movements. It is scored
for a large orchestra,
supplemented by six
groups of percussion,
including newly created
roto-toms (small tunable
drums) and some original
devices, such as muted
gongs and muted
vibraphone. There is also
an offstage jazz quartet:
bass, drums, soprano
saxophone and trumpet.
The first movement begins
with a solo by the first
clarinetist which is
interrupted by
intermittent heckling
from his colleagues
leading to a
configuration of large
disparate elements. The
interlude of solo violin
and snare-drum follows
without pause. The second
movement, Prestissimo, is
a display piece of
virtuosity for the entire
orchestra. The third
movement marks a period
of repose and reflection
and calls for some
expressive solos,
particularly by the horn
and alto saxophone. The
fourth movement opens
with a rather lengthy
oboe solo, which is
threatened by large
blocks of sound from the
orchestra, against an
underlying current of
agitated energy in the
piano and percussion.
This leads to a section
in which large orchestral
forces oppose one
another, ultimately
bringing the work to a
climax, if not to a
denouement. Various
thematic elements are
strewn all over the
orchestra, resulting in
the formation of a
general haze of sound. A
transition leads to the
fifth movement without
pause. The musical haze
is pierced gently by the
offstage jazz group as if
they were attempting to
ignore and even dispel
the gloom, but a legato
bell sound enters and
hovers over both the jazz
group and the orchestra,
the latter making
statements of disquieting
finality. Two films were
conceived to accompany
portions of Contextures.
The first done by Herbert
Kosowar, was a
chemography film
(painting directly into
the film using dyes and
various implements) with
fast clips of riot
photographs. The second
was a film collage made
by photographically
abstracting details from
paintings of Reginald
Pollack. The purpose was
to invoke a non-specific
response - as in music -
but at the same time to
define the subject matter
of the piece. The films
were constructed to
correspond with certain
developments in the piece
and in no way affect the
independence and musical
flow of the piece, having
been made after the piece
was completed.
Contextures: Riots -
Decade '60 is dedicated
to Mehta, the Southern
California Symphony
Association and the Los
Angeles Philharmonic
Orchestra. The news of
the assassination of Dr.
Martin Luther King came
the afternoon of the
premiere, April 4, 1968.
That evening's
performances, and also
the succeeding ones, were
dedicated to him and a
special dedication to Dr.
King has been inserted
into he score. All the
music that follows the
jazz group - beginning
with the legato bell
sound playing the first 2
notes to We shall
overcome constitutes a
new ending to commemorate
Dr. King's death.
By Various. Arranged by Daniel Kelley. For Baritone Saxophone in Eb. Quartets. I...(+)
By Various. Arranged by
Daniel Kelley. For
Baritone Saxophone in Eb.
Quartets. Intermediate
Music for Four.
Classical. Level:
Intermediate. Part 4.
Published by Last Resort
Music Publishing.
By Niehaus. For soprano saxophone (optional alto saxophone), alto saxophone, ten...(+)
By Niehaus. For soprano
saxophone (optional alto
saxophone), alto
saxophone, tenor
saxophone, and baritone
saxophone. Saxophone
Quartet. Level: Grade 5.
Published by Kendor Music
Inc.
Woodwind Quartet SKU: ST.C524 Composed by Anton Reicha. Wind & brass musi...(+)
Woodwind Quartet
SKU:
ST.C524
Composed by
Anton Reicha. Wind &
brass music. Clifton
Edition #C524. Published
by Clifton Edition
(ST.C524).
ISBN
9790570815241.
Reicha wrote a Cours de
Composition and it is in
this book that the
Variations for Wind
Quartet are to be found.
Reicha presents the theme
as a two-part fragment,
which he suggests could
form the basis for the
Andante of a quartet or
quintet. He then
describes how to
elaborate the theme.
First he adds two simple
inner parts whose
accompanying role adds
harmonic richness,
variety and interest to
the outer counterpoint.
Then Reicha proceeds to
create variations out of
his original theme: he
inverts the outer parts,
varies them, inverts the
variations, varies them
again and finally inverts
the second variation. The
result is a short piece
in six eight-bar sections
which offer accessible
chamber music and an
example of compositional
techniques for teaching
use. A new edition of the
Variations offering a
wide range of
instrumentation has been
prepared by C.M.M. Nex
and F.H. Nex with the
permission of the Syndics
of Cambridge University
Library.
Composed by Masato
Tajino. Woodwinds -
Clarinet. Flanders
Clarinet Quartet.
Metropolis Music
Publishers #CQ6131EM.
Published by Metropolis
Music Publishers
(IS.CQ6131EM).
Easy-Intermediate
Trombone Ensemble
Book. Composed by
Various. Ensemble de
Anime. Anime Song; J-Pop.
Book. Yamaha Music Media
#GTW01101332. Published
by Yamaha Music Media
(YM.GTW01101332).
ISBN
9784636109566. 9 x 12
inches.
This is a
collection of 20 popular
theme songs from Japanese
anime, such as Neon
Genesis Evangelion, Space
Battleship Yamato, Galaxy
Express 999, and Mobile
Suit Gundam, arranged for
a duet, trio, and
quartet. The arrangements
are designed to be played
by the same type of
instruments in the same
key and are considerably
flexible, allowing the
trio to play as a duet
and the quartet as a
trio. Please refer to the
guide in the score if
full members are not
available. Many of the
pieces are arranged for
beginners, so they can be
enjoyed by anyone who has
just picked up an
instrument.
Game of Thrones Quatuor de Saxophones: 4 saxophones - Facile Beriato Music
Composed by Ramin Djawadi. Arranged by Emma Philips. Beriato Music Instrumenta...(+)
Composed by Ramin
Djawadi.
Arranged by Emma Philips.
Beriato Music
Instrumental.
TV-Film-Musical-Show. Set
(Score and Parts).
Composed
2020. Beriato Music
Publishing #BMI19010694.
Published by Beriato
Music
Publishing
Transcription for Guitar Quartet Score and Parts. Composed by Various. Arr...(+)
Transcription for Guitar
Quartet Score and Parts.
Composed by Various.
Arranged by Alessandro
Borin. Guitar. Softcover.
Ricordi #ER3070.
Published
by Ricordi
Composed by Ramin Djawadi. Arranged by Emma Philips. Beriato Music Instrumenta...(+)
Composed by Ramin
Djawadi.
Arranged by Emma Philips.
Beriato Music
Instrumental.
TV-Film-Musical-Show. Set
(Score and Parts).
Composed
2020. Beriato Music
Publishing #BMI19010695.
Published by Beriato
Music
Publishing
Game of Thrones Quatuor de Flûtes : 4 flûtes - Facile Beriato Music
Composed by Ramin Djawadi. Arranged by Emma Philips. Beriato Music Instrumenta...(+)
Composed by Ramin
Djawadi.
Arranged by Emma Philips.
Beriato Music
Instrumental.
TV-Film-Musical-Show. Set
(Score and Parts).
Composed
2020. Beriato Music
Publishing #BMI19010692.
Published by Beriato
Music
Publishing
Game of Thrones Quatuor de Clarinettes: 4 clarinettes - Facile Beriato Music
Composed by Ramin Djawadi. Arranged by Emma Philips. Beriato Music Instrumenta...(+)
Composed by Ramin
Djawadi.
Arranged by Emma Philips.
Beriato Music
Instrumental.
TV-Film-Musical-Show. Set
(Score and Parts).
Composed
2020. Beriato Music
Publishing #BMI19010693.
Published by Beriato
Music
Publishing
SKU: HL.50605317 For Recorder Quartet. Composed by Cheryl Frances-...(+)
SKU: HL.50605317
For Recorder
Quartet. Composed by
Cheryl Frances-Hoad.
Woodwind. Softcover. 56
pages. Duration 300
seconds. Chester Music
#CH88116. Published by
Chester Music
(HL.50605317).
ISBN
9781705177570. UPC:
196288102694. 9.0x12.0
inches.
Pieces of
Light was commissioned by
the Flautadors for their
20th Anniversary. When
the group approached me
about writing a piece, I
had just finished reading
Pieces of Light; The New
Science of Memory by
Charles Fernyhough, and
it struck me that a work
inspired by memories and
how they are created in
our brains would be very
appropriate for a group
of musicians celebrating
such a wonderful
milestone. A quote by
Nabokov in particular
provided ideas for both
the rapid, rhythmic music
that starts and ends the
piece and the slow,
'light-filled' chords of
the middle section: [In
Nabokov's autobiography,
Speak, Memory, he sees]
'the awakening of
consciousness as a series
of spaced flashes, with
the intervals between
them gradually
diminishing until bright
blocks of perception are
formed, affording memory
a slippery hold.' In
addition, this work has
really been shaped by the
recorders themselves:
before writing, I spent
several hours with Ian
Wilson (a member of the
group) learning about the
myriad different types of
instrument I could write
for. The renaissance
instruments particularly
appealed due to their
fabulous timbre, despite
the fact that, due to
their open hole design,
diatonic music works much
better than anything
chromatic. I became
rather obsessed with the
idea of writing chromatic
music for diatonic
instruments, and so in
this piece I use
recorders at both modern
(A440) and baroque (A415,
a semi-tone lower) pitch.
This allowed me to write
a piece that uses all
twelve semitones of the
scale throughout, whilst
never writing a note for
any individual recorder
that falls outside its
particular diatonic major
scale: a compositional
device that pleased me
greatly!-Cheryl
Frances-Hoad, 2019.
Bohemian Rhapsody Quatuor de Saxophones: 4 saxophones [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Saxophone Quartet - intermediate SKU: BT.DHP-1135506-070 Composed by Fred...(+)
Saxophone Quartet -
intermediate
SKU:
BT.DHP-1135506-070
Composed by Freddie
Mercury. Arranged by
Roland Kernen. De Haske
Saxophone Series. Pop &
Rock. Set (Score &
Parts). Composed 2013. 12
pages. De Haske
Publications #DHP
1135506-070. Published by
De Haske Publications
(BT.DHP-1135506-070).
Diesen Popsong
der Gruppe QUEEN kennt
eigentlich jeder - er
zählt zu den wohl
erfolgreichsten Hits
aller Zeiten.
Abwechslungsreich und
voller Ãœberraschungen
springt die Melodie
zwischen verschiedenen
Stilen hin- und her. Ein
Crossover mit
vielenHerausforderung
für alle Mitglieder
des Ensembles.
Bohemian
Rhapsody, celebre per
la sua struttura musicale
con un´introduzione a
cappella, un segmento in
stile ballata che termina
con un assolo di
chitarra, un passaggio
d´opera e una sezione
rock, conobbe un enorme
successo per il
suoapproccio totalmente
innovativo. L´ immenso
successo della band Queen
è un vero concentrato
di piacere musicale!
Strumentazione: Quartetto
di sassofoni: Sassofono
soprano (ad lib.) /
Sassofono contralto /
Sassofono tenore /
Sassofono baritono.
Horn Trio SKU: YM.GTW01100336 Composed by Joe Hisaishi. Studio Ghibli Son...(+)
Horn Trio
SKU:
YM.GTW01100336
Composed by Joe Hisaishi.
Studio Ghibli Songs.
Anime, Studio Ghibli.
Score and Parts. Yamaha
Music Media #GTW01100336.
Published by Yamaha Music
Media (YM.GTW01100336).
ISBN 9784636102338.
8.5 x 12
inches.
This is a
collection of 23 popular
songs from Studio
Ghibli's works, arranged
for a duet, trio, and
quartet. The arrangements
are designed to be played
by the same type of
instruments in the same
key and are considerably
flexible, allowing the
trio to play as a duet
and the quartet as a
trio. Please refer to the
guide in the score if
full members are not
available. Many of the
pieces are arranged for
beginners, so they can be
enjoyed by anyone who has
just picked up an
instrument.
Ragtime mallet collection - Medium SKU: TA.TSPB-40 Five Ragtime Xyloph...(+)
Ragtime mallet collection
- Medium
SKU:
TA.TSPB-40
Five
Ragtime Xylophone
Solos. Composed by
Paul Pratt, Scott Joplin,
and W.C. Powell. Arranged
by Eric Rath and Ralph
Hicks. Books and
Education. With piano and
marimba quartet
accompaniment. Book and
CD-ROM. Tapspace
Publications #TSPB-40.
Published by Tapspace
Publications
(TA.TSPB-40).
Ralph Hicks and
Eric Rath, co-authors of
the popular Five Minute
Drill, Nine Minute Drill,
and Beyond Basic
Percussion are partners
in crime yet again
bringing this charming
collection of xylophone
solos to the world of
percussion. The Golden
Age of Ragtime features
some of the most
quintessential pieces of
American music like Maple
Leaf Rag by Scott Joplin
and Funny Folks by W.C.
Powell. These authentic
ragtime xylophone solos
can be played with piano
accompaniment, four-part
marimba ensemble, or
both!
Going one
step further, Hicks and
Rath have provided
supplemental content in
an effort to give an
educational experience to
performers. They've
provided a brief history
of ragtime, a full page
of tips for more unique
performances, suggested
mallets for performance,
and each solo is
accompanied with a list
of historical facts
pertaining to the year
the solo was written.
This book is a must for
any percussion
educator!
Included in this
collection:
1.
Funny Folks by W.C.
Powell (Med-easy -
3'15) 2. The
Nonpareil by Scott Joplin
(Medium - 3'10) 3.
Colonial Glide by Paul
Pratt (Medium - 2'50)
4. Eugenia by Scott
Joplin (Med-Advanced -
3'00) 5. Maple Leaf
Rag by Scott Joplin
(Med-Advanced - 3'00)
The Golden Age of
Ragtime ships as a
fully-bound book with a
sleek cover design by
Jaime Crowley. It also
comes with recordings of
each solo, practice
tracks, parts for
printing or tablet
viewing, and assignment
charts.
Soloist:/
xylophone/
Accompaniment:/ 2
marimbas* -- low A/ Piano
-- can be used with
soloist only, or
optionally in conjunction
w/ marimba quartet
accompaniment./ * One of
the low A marimbas can be
swapped with a low F
marimba (4.5 octave)
allowing extended range
parts to be performed if
a larger instrument is
available.