By Johann Sebastian Bach. Arranged by Mark Williams. Music by Johann Sebastian B...(+)
By Johann Sebastian Bach.
Arranged by Mark
Williams. Music by Johann
Sebastian Bach / arr.
Mark Williams. For
Concert Band. Concert
Band. Alfred Concert
Band. Level: 3 (Medium)
(grade 3). Conductor
Score and Parts. 2 pages.
Published by Alfred
Publishing.
Cantata for Easter -
Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque. Sheet
Music. Duration 9'.
Breitkopf and Haertel #OB
32034-16. Published by
Breitkopf and Haertel
(BR.OB-32034-16).
ISBN
9790004350904. 10 x 12.5
inches.
The cantata
Christ lag in
Todes-Banden is a mixed
chorale cantata that sets
the first and last verses
of the corresponding
Luther chorale verbatim,
but the other movements
in free poetry based on
the content of the
chorale. The time of
composition cannot be
clearly determined, but
at the end of the copy
that serves as the basis
for the edition, there is
a date of January 1693.
According to this, the
composition was written
before 1693 and thus well
before Johann Kuhnau took
up his post as
Thomaskantor in Leipzig
(1701). The use of two
cornetti is also a
parallel to the cantata
Lobe den Herren, meine
Seele(PB 32091), whose
composition can be linked
to Kuhnau's stay in
Zittau. The two parts
marked Cornett are only
in the first two
movements of the cantata;
in the further course, a
collaparte lead would be
possible, but cannot be
proven. In principle,
according to the source,
the two cornett parts can
also be played by
violins. The title page
also notes the
possibility of adding
ripieno singers, i.e. a
choir, in the
non-soloistic
movements.The cantata,
according to its text
intended for Easter, is
very well suited for use
in church services with
its small size and
flexible scoring.
Tenor Vol. 1 Voix Tenor, Piano [Reduction] Barenreiter
Composed by Jean-Philippe Rameau (1683-1764). Edited by Benoit Dratwicki / Julie...(+)
Composed by Jean-Philippe
Rameau (1683-1764).
Edited by Benoit
Dratwicki / Julien
Dubruque / Sylvie
Bouissou. For Tenor voice
solo. This edition:
Urtext edition.
Paperback. Operatic
arias. Piano reduction.
Published by Baerenreiter
Verlag
Kantate
zu Mariae Reinigung.
Composed by Georg Philipp
Telemann. Edited by Klaus
Hofmann. Arranged by
Klaus Hofmann. This
edition: urtext.
Stuttgart Urtext Edition:
Telemann-Archiv. German
title: Herzlich tut mich
verlangen. Sacred vocal
music, Cantatas, Feasts
of the Blessed Virgin
Mary, Hymns in praise of
the Virgin Mary,
Mourning, death. Single
Part, Viola. TVWV 1:784.
8 pages. Duration 18
minutes. Carus Verlag #CV
39.108/13. Published by
Carus Verlag
(CA.3910813).
ISBN
9790007055448. Key: G
minor. Language:
German/English.
The
baroque cantata libretto
by Erdmann Neumeister
focuses upon the aged
Simeon in the Temple, who
desires to leave this
world and is longing for
the hereafter. Telemann's
setting is appealing
through its poetry,
warmth and ardor, and
through the exemplary
balance of its overall
form. The two chorales
which begin and end this
seven-movement work are
fashioned with particular
artistry and care.
Formally, the center and
heart of the work is a
motet-like choral
movement to the words
Selig sind die Toten, die
in dem Herrn sterben
(Revelation 14:13) - Also
suitable as a cantata for
Eternity Sunday, and for
funerals and memorial
services. Score and part
available separately -
see item CA.3910800.
Cantata for Easter -
Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque. Sheet
Music. Duration 9'.
Breitkopf and Haertel #OB
32034-54. Published by
Breitkopf and Haertel
(BR.OB-32034-54).
ISBN
9790004350966. 10 x 12.5
inches.
The cantata
Christ lag in
Todes-Banden is a mixed
chorale cantata that sets
the first and last verses
of the corresponding
Luther chorale verbatim,
but the other movements
in free poetry based on
the content of the
chorale. The time of
composition cannot be
clearly determined, but
at the end of the copy
that serves as the basis
for the edition, there is
a date of January 1693.
According to this, the
composition was written
before 1693 and thus well
before Johann Kuhnau took
up his post as
Thomaskantor in Leipzig
(1701). The use of two
cornetti is also a
parallel to the cantata
Lobe den Herren, meine
Seele(PB 32091), whose
composition can be linked
to Kuhnau's stay in
Zittau. The two parts
marked Cornett are only
in the first two
movements of the cantata;
in the further course, a
collaparte lead would be
possible, but cannot be
proven. In principle,
according to the source,
the two cornett parts can
also be played by
violins. The title page
also notes the
possibility of adding
ripieno singers, i.e. a
choir, in the
non-soloistic
movements.The cantata,
according to its text
intended for Easter, is
very well suited for use
in church services with
its small size and
flexible scoring.
Guitar Solo SKU: IS.G6764EM Composed by Silvio Leopold Weiss. Arranged by...(+)
Guitar Solo
SKU:
IS.G6764EM
Composed
by Silvio Leopold Weiss.
Arranged by Ben Beuming.
Plucked - Guitar.
Metropolis Music
Publishers #G6764EM.
Published by Metropolis
Music Publishers
(IS.G6764EM).
Cantata for Easter -
Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque. Sheet
Music. Duration 9'.
Breitkopf and Haertel #OB
32034-53. Published by
Breitkopf and Haertel
(BR.OB-32034-53).
ISBN
9790004350959. 10 x 12.5
inches.
The cantata
Christ lag in
Todes-Banden is a mixed
chorale cantata that sets
the first and last verses
of the corresponding
Luther chorale verbatim,
but the other movements
in free poetry based on
the content of the
chorale. The time of
composition cannot be
clearly determined, but
at the end of the copy
that serves as the basis
for the edition, there is
a date of January 1693.
According to this, the
composition was written
before 1693 and thus well
before Johann Kuhnau took
up his post as
Thomaskantor in Leipzig
(1701). The use of two
cornetti is also a
parallel to the cantata
Lobe den Herren, meine
Seele(PB 32091), whose
composition can be linked
to Kuhnau's stay in
Zittau. The two parts
marked Cornett are only
in the first two
movements of the cantata;
in the further course, a
collaparte lead would be
possible, but cannot be
proven. In principle,
according to the source,
the two cornett parts can
also be played by
violins. The title page
also notes the
possibility of adding
ripieno singers, i.e. a
choir, in the
non-soloistic
movements.The cantata,
according to its text
intended for Easter, is
very well suited for use
in church services with
its small size and
flexible scoring.
Flutes and Piano (Flute) SKU: HL.50511982 Composed by Ludwig Johann Krebs...(+)
Flutes and Piano (Flute)
SKU: HL.50511982
Composed by Ludwig Johann
Krebs. Baroque. EMB.
Volume 2. Book Only.
Editio Musica Budapest
#Z13924. Published by
Editio Musica Budapest
(HL.50511982).
ISBN
9790080139240. Bach (23 x
30,2 cm) inches. Johann
Ludwig Krebs; Eniko
Gyenge.
The present
edition of the trio
sonatas by Johann Ludwig
Krebs (1713-1780) is
based on pp. 113-158 of a
contemporary copy of the
trio sonata collection
which is held in the
Sachsische
Landesbibliothek,
Dresden, shelf-mark Mus.
1-Q-1. The common title
at the beginning of the
first trio reads: Sechs
Trio a 2 Flauti e Basso.
In spite of the
consistent indication of
instrument in the source
the music material of the
second flute part
suggests an alternative
use of instruments. Apart
from the characteristic
string turns occurring in
some places mention
should be made of the
range of voice up to g of
the first trio sonata if
the/in first place and
particulary of the
consistently applied
double stops of the
second melodic instrument
in the first movement of
piece No. 6. Territorial
restrictions may apply.
Please ask before
ordering.
Guitar and Orchestra SKU: IS.GOR14009AEM Composed by Karl Kohaut. Arrange...(+)
Guitar and Orchestra
SKU:
IS.GOR14009AEM
Composed by Karl Kohaut.
Arranged by Victor Van
Puijenbroeck. Plucked -
Guitar. Metropolis Music
Publishers #GOR14009AEM.
Published by Metropolis
Music Publishers
(IS.GOR14009AEM).
ISBN
9790365000616.
Karl
Kohaut (1726 - 1784) was
an Austrian lutenist and
composer of Czech
descent, considered to be
one of the last important
composers of music for
Baroque lute. Although
also a violinist active
in the Viennese music
scene, he was most
well-known as a lutenist.
Composing a total of
seven lute concertos
during his lifetime, this
Concerto in F Major, No.
1 is the most popular. It
is in three movements:
Allegro, Adagio, and
Tempo di Minuetto. This
edition includes the full
orchestral score,
orchestral parts, as well
as guitar and lute parts.
Victor Van Puijenbroeck
has adapted the original
solo part and included in
the set are parts for
both lute (the part has
been adapted from lute
tablature to modern
notation) and guitar
(capotasto).
Instrumentation: Full
Score, Guitar (or Lute) -
separate parts included
for each instrument,
Violin I, Violin II,
Cembalo/Cello/Contrabass.