Concert Band (Full Score) - Grade 3

SKU: HL.44012426

Score. Composed by Ennio Morricone. Arranged by Lorenzo Bocci. De Haske Concert Band. TV-Film-Musical-Show. Softcover. Composed 2011. 16 pages. De Haske Publications #1114972-140. Published by De Haske Publications (HL.44012426).

9x12 inches.

The Ecstasy of Gold is the famous theme from the movie The Good, The Bad and The Ugly that leads up to and is heard during the movie's climax, the showdown! The complete soundtrack to The Good, the Bad and the Ugly was released in 1966 and sold millions of copies. Since 1983, heavy-metal band Metallica have been opening concerts with Morricone's dramatic and exciting song, The Ecstasy of Gold. Lorenzo Bocci has created an equally exciting arrangement for concert band.

The Ecstasy of Gold is het beroemde lied uit de muziek van de film The Good, The Bad and The Ugly en leidt naar het hoogtepunt van de film. Ennio Morricone componeerde de soundtrack voor deze spaghettiwestern van Sergio Leone. Ookde eerste twee delen van de filmtrilogie, A Fistfull of Dollars en For a Few Dollars More, voorzag hij van filmmuziek. De hardrockband Metallica opent sinds 1983 haar rockconcerten met dit dramatische en pakkende lied. Lorenzo Boccimaakte er een versie voor blaasorkest van. Spannend en meeslepend..!

The Ecstasy of Gold ist das beruhmte Lied aus der Filmmusik zu The Good, The Bad and The Ugly (Zwei glorreiche Halunken), welches den Showdown und zugleich Hohepunkt des Films einleitet. Komponiert wurde der Soundtrack zu Sergio Leones klassischem Italo-Wester von Ennio Morricone, der auch schon die beiden ersten Filme der Trilogie - Fur eine Handvoll Dollar und Fur ein paar Doller mehr - vertont hatte. Die Metal-Band Metallica eroffnet seit 1983 ihre Konzerte stets mit diesem dramatischen und packenden Lied, das Lorenzo Bocci fur Blasorchester arrangierte.

La legendaire melodie The Ecstasy of Gold vient aureoler le point culminant du film Le Bon, la brute et le truand. Ce film cloture la celebre Trilogie de l'homme sans nom dont les precedents films sont Pour une poignee de dollars, Et pour quelques dollars de plus. A la demande du realisateur Sergio Leone, Ennio Morricone composa la bande originale des trois films. Depuis 1983, le groupe Metallica ouvre ses concerts avec ce theme dont Lorenzo Bocci a realise un epoustouflant arrangement pour orchestre d'harmonie.

Film del 1966 diretto da Sergio Leone, Il Buono, Il Brutto, Il Cattivo e uno tra i piu celebri western della storia del cinema. L'Estasi dell'Oro (The Ecstasy of Gold) e una canzone composta da Ennio Morricone per il film, ricordata in particolare per essere il sottofondo musicale della scena in cui Tuco cerca freneticamente il cimitero con la tomba dove si trovano 200.000 dollari in oro.

Composed by Gwyneth W. Walker (1947-). Vocal Anthology/Vocal Solo. Secular, 21st century. Published by E.C. Schirmer Publishing (EC.7936).

Choral SSAA choir

SKU: CF.CM9570

Composed by John Ratledge. Psalms 47 from the Bible. Jbc. Performance Score. With Standard notation. 8 pages. Duration 1 minute, 44 seconds. Carl Fischer Music #CM9570. Published by Carl Fischer Music (CF.CM9570).

ISBN 9781491153581. UPC: 680160911080. 6.75 x 10.5 inches. Key: Bb major. Latin. Psalms 47 from the Bible.

Psalm 47 was commissioned by the Sigma Alpha Iota Chapter of Hardin Simmons University (Abilene, Texas), Suzanne Watts, conductor, back in 1978. I was a graduate student at the time, and the premiere was a great success. Consequently, the work has received many performances since that time; however, it remained unpublished until now. In a modified tripartite structure, the psalmist uses the imperative verb tense as a command to the people: (you clap), (you shout), (you sing) to exemplify that praise and joy should be public, intelligent, cheerful, and constant. The psalmist admonishes that praise and joy are visual, aural, palpable, and most definitely contagious. The contrasting slow section with a soprano solo should be like an accompanied arioso, where the soloist is supported by lush, major/minor seventh chords in inversion (accompanied recitative). The soloist actually becomes the narrator in this section, the preacher or deliverer of the news that the people will be protected, sustained and blessed. The rapid tempo of the A-section returns and the staggered entrances in the last section/coda indicate the ecstasy knowing that belief can manifest itself in individualized, energized, emotional responses that can change the world. Rise up and claim the power of JOY!.
Psalm 47A was commissioned by the Sigma Alpha Iota Chapter of Hardin Simmons University (Abilene, Texas), Suzanne Watts, conductor, back in 1978. I was a graduate student at the time, and the premiere was a great success. Consequently, the work has received many performances since that time; however, it remained unpublished until now. In a modified tripartite structure, the psalmist uses the imperative verb tense as a command to the people:A (you clap), (you shout), (you sing) to exemplify that praise and joy should be public, intelligent, cheerful, and constant. The psalmist admonishes that praise and joy are visual, aural, palpable, and most definitely contagious. The contrasting slow section with a soprano solo should be like an accompanied arioso, where the soloist is supported by lush, major/minor seventh chords in inversion (accompanied recitative). The soloist actually becomes the narrator in this section, the preacher or deliverer of the news that the people will be protected, sustained and blessed. The rapid tempo of the A-section returns and the staggered entrances in the last section/coda indicate the ecstasy knowing that belief can manifest itself in individualized, energized, emotional responses that can change the world. Rise up and claim the power of JOY!.
Psalm 47 was commissioned by the Sigma Alpha Iota Chapter of Hardin Simmons University (Abilene, Texas), Suzanne Watts, conductor, back in 1978. I was a graduate student at the time, and the premiere was a great success. Consequently, the work has received many performances since that time; however, it remained unpublished until now. In a modified tripartite structure, the psalmist uses the imperative verb tense as a command to the people: (you clap), (you shout), (you sing) to exemplify that praise and joy should be public, intelligent, cheerful, and constant. The psalmist admonishes that praise and joy are visual, aural, palpable, and most definitely contagious. The contrasting slow section with a soprano solo should be like an accompanied arioso, where the soloist is supported by lush, major/minor seventh chords in inversion (accompanied recitative). The soloist actually becomes the narrator in this section, the preacher or deliverer of the news that the people will be protected, sustained and blessed. The rapid tempo of the A-section returns and the staggered entrances in the last section/coda indicate the ecstasy knowing that belief can manifest itself in individualized, energized, emotional responses that can change the world. Rise up and claim the power of JOY!.
Psalm 47 was commissioned by the Sigma Alpha Iota Chapter of Hardin Simmons University (Abilene, Texas), Suzanne Watts, conductor, back in 1978. I was a graduate student at the time, and the premiere was a great success. Consequently, the work has received many performances since that time; however, it remained unpublished until now.In a modified tripartite structure, the psalmist uses the imperative verb tense as a command to the people:  (you clap), (you shout), (you sing) to exemplify that praise and joy should be public, intelligent, cheerful, and constant. The psalmist admonishes that praise and joy are visual, aural, palpable, and most definitely contagious. The contrasting slow section with a soprano solo should be like an accompanied arioso, where the soloist is supported by lush, major/minor seventh chords in inversion (accompanied recitative). The soloist actually becomes the narrator in this section, the preacher or deliverer of the news that the people will be protected, sustained and blessed. The rapid tempo of the A-section returns and the staggered entrances in the last section/coda indicate the ecstasy knowing that belief can manifest itself in individualized, energized, emotional responses that can change the world.Rise up and claim the power of JOY!

Choral SSAA choir

SKU: CF.CM9587

Composed by John Ratledge. Sws. Jbc. Performance Score. 16 pages. Duration 3:30. Carl Fischer Music #CM9587. Published by Carl Fischer Music (CF.CM9587).

ISBN 9781491154090. UPC: 680160912599. 6.875 x 10.5 inches. Key: C major. English. Transcribed by Wilson Hall. Hidegaard Von Bingen translated by William Hall.

I am the secret fire in all things, scored for SSAA divisi and two soprano soloists, was premiered by the Vancouver Chamber Choir, Jon Washbun, conductor, in November 2008. The Hildegard von Bingen text, translated by Wilson Hall (deceased professor of English at Shorter College in Rome, Georgia and dear friend), is a text that fosters many opportunities to depict the mysterious nature of God, His transcendence into all the human experience, and the hope, through vulnerability, that resonates in the gravamen for individual transubstantiation through the struggles inherent in Life's Stuff. This composition celebrates the transforming power of spirituality, the evolution of the human spirit when one amalgamates with unknowing, and the ecstasy that saturates Life when one acknowledges the God Presence already within.  .
I am the secret fire in all things, scored for SSAA divisi and two soprano soloists, was premiered by the Vancouver Chamber Choir, Jon Washbun, conductor, in November 2008. The Hildegard von Bingen text, translated by Wilson Hall (deceased professor of English at Shorter College in Rome, Georgia and dear friend), is a text that fosters many opportunities to depict the mysterious nature of God, His transcendence into all the human experience, and the hope, through vulnerability, that resonates in the gravamen for individual transubstantiation through the struggles inherent in Life's Stuff. This composition celebrates the transforming power of spirituality, the evolution of the human spirit when one amalgamates with unknowing, and the ecstasy that saturates Life when one acknowledges the God Presence already within.  .
I am the secret fire in all things, scored for SSAA divisi and two soprano soloists, was premiered by the Vancouver Chamber Choir, Jon Washbun, conductor, in November 2008. The Hildegard von Bingen text, translated by Wilson Hall (deceased professor of English at Shorter College in Rome, Georgia and dear friend), is a text that fosters many opportunities to depict the mysterious nature of God, His transcendence into all the human experience, and the hope, through vulnerability, that resonates in the gravamen for individual transubstantiation through the struggles inherent in Life's Stuff. This composition celebrates the transforming power of spirituality, the evolution of the human spirit when one amalgamates with unknowing, and the ecstasy that saturates Life when one acknowledges the God Presence already within.  .
I am the secret fire in all things, scored for SSAA divisi and two soprano soloists, was premiered by the Vancouver Chamber Choir, Jon Washbun, conductor, in November 2008. The Hildegard von Bingen text, translated by Wilson Hall (deceased professor of English at Shorter College in Rome, Georgia and dear friend), is a text that fosters many opportunities to depict the mysterious nature of God, His transcendence into all the human experience, and the hope, through vulnerability, that resonates in the gravamen for individual transubstantiation through the struggles inherent in Life's Stuff.This composition celebrates the transforming power of spirituality, the evolution of the human spirit when one amalgamates with unknowing, and the ecstasy that saturates Life when one acknowledges the God Presence already within. .

Niedermeyer,Berlioz,Gouno d,Viardot,Franck, Masse,Lalo,Saint-Saens, Delibes, Bizet,Massenet, Chabrier, Paladihle, Faure, Duparc, Chausson,Debussy, Satie, de Severac, Dupont, Poulenc(Fr). By Various. Edited by Nichols. For low voice, piano. Photoprint edition - publisher prints this title after order is received. Published by C.F. Peters.

Niedermeyer, Berlioz, Gounod, Viradot, Franck, Masse, Lalo, Saint-Saens, Delibes,Bizet, Massenet, Chabrier, Paladihle, Faure, Duparc, Chausson, Debussy, Satie,de Severac, Dupont, Poulenc(Fr). By Various. Edited by Nichols. For high voice, piano. Photoprint edition - publisher prints this title after order is received. Published by C.F. Peters.

Composed by Michael John Trotta. 21st Century. Choral score. Duration 4 minutes, 35 seconds. Galaxy Music Corporation #1.3526. Published by Galaxy Music Corporation

Medium Voice and Piano

SKU: AP.36-M328691

Composed by Amy Marcy Beach. Performance Music Ensemble. Master Vocal Series. Score. Alfred Music #36-M328691. Published by Alfred Music (AP.36-M328691).

UPC: 660355086960. English.

Songs: 1. For Me the Jasmine Buds (text by Florence Earle Coates), 2. Ecstasy (text by the composer), 3. Golden Gates (text author unknown, though it was published in a journal called Our Dumb Animals, which was published by the Massachusetts Society for the Prevention of Cruelty to Animals).

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Piano

SKU: BR.EB-8840

34 Piano Pieces for All Sides of Life. Composed by Michael Proksch. Solo instruments; stapled. Edition Breitkopf.

Proksch himself recorded the audio files of all the pieces available in the download area to provide orientation for interpretation.

Mic hael Proksch plays Piano Poetry on ISBN 9790004184196. 9 x 12 inches.

More and more people are looking for a way to offset the demands of everyday life by making music. Particularly welcome are pieces that often evoke poetic, meditative moods and are good for the soul through their simple harmonies. The majority of the pieces in this book arose from this premise. They also explore the multi-faceted expressive possibilities of the piano as well: they can convey exuberance, comfort, joy, longing, compassion, mourning, anger and ecstasy, but also mystical moments. Short programmatic annotations in the musical text, along with the titles and the music on the audiotracks, awaken inner relationships that infuse more spirit into ones playing. And the possibility of expressing feelings while playing can also be a motivation to expand ones own piano-technical resources.,,Dans la selection de Michael Proksch, tout est propice a l'improvisation, plus classique que reellement jazz. Le CD joint donne une bonne idee.(Pianiste).

Voice and Piano. By Various. Vocal Collection. Size 9x12 inches. 220 pages. Published by G. Schirmer, Inc.

Vocal Score. By Giuseppe Verdi. Arranged by Peter Fuchs. (Vocal Score). Vocal Score. Book only. Size 7.5x10.7 inches. 264 pages. Published by G. Schirmer, Inc.

Organ - Advanced

SKU: MN.12-116

Composed by Robert Sirota. Non Hymn-Based, Recital Music. MorningStar Music Publishers #12-116. Published by MorningStar Music Publishers (MN.12-116).

UPC: 688670121166.

In composing Celestial Wind, Sirota was inspired to write a brilliant toccata based upon Acts 2:2-3: And suddenly there came a sound from heaven of a rushing and mighty wind, and it filled all the house where they were sitting. And there appeared unto them cloven tongues like as of fire, and it sat upon each of them. Sirotas aim was not merely to imitate the sound of rushing wind and flames, as to evoke the sense of awe and ecstasy that must have been felt by Jesus disciples at this manifestation of the Holy Spirit.

High Voice and Piano

SKU: HL.14035520

Composed by Rolf Wallin. Music Sales America. 20th Century. Book [Softcover]. Composed 2003. 8 pages. Chester Music #CH65571. Published by Chester Music (HL.14035520).

ISBN 9781844492671.

Mode rn Norwegian composer Rolf Wallin's 'Drei Gedichte' arranged for a soprano voice and piano accompaniment. These three poems were written between 1900 and 1908, and they are very different in terms of form, subject matter, and atmosphere. Liebes-Lied is about a strong but painful love, Buddha in der Glorie, a description of religious ecstasy, quite unusual in the works of Rilke, and Sluss-stuck, about death, which exists in the midst of us, in the middle of life.

Piano

SKU: HL.50514154

Composed by Schafer. Lengnick Publishing. Classical. Book Only. Alfred Lengnick & Co #AL1589A. Published by Alfred Lengnick & Co (HL.50514154).

I The sun, the sea - II The earth: her dance - III Clouds, winds, skies. Composed by Christian Mason. Breitkopf and Haertel #EB 9334. Published by Breitkopf and Haertel

Composed by Helder Bettencourt. For concert band. Catalogue New Band Music Vol. 13/Original Compositions. Molenaar Original Compositions. Recorded on The Rise - 2351 (ML.311122720). Grade 4. Full set. Duration 10 minutes, 15 seconds. Published by Molenaar Edition

By Gabriel Jackson. For SATB choir (with divisions), a cappella. Mixed Voices. New Horizons. Sacred, Choral Leaflet. Vocal score. 20 pages. Duration 7'. Published by Oxford University Press

(String Quartet). Composed by Mohammed Fairouz. For String Quartet (Score and Parts). Peermusic Classical. Peermusic #70089-759. Published by Peermusic

Piano

SKU: BT.MV00000904

Ecstasy. Songbook . Music Vault #MV00000904. Published by Music Vault (BT.MV00000904).

Violin (VIOLIN SOLO)

SKU: HL.50487759

(1986). Composed by Laszlo Tihanyi. EMB. Score Only. Composed 1997. Duration 11'. Editio Musica Budapest #Z14099. Published by Editio Musica Budapest (HL.50487759).

ISBN 9790080140994. A/4 inches. Hungarian, English. Laszlo Tihanyi.

The piece was composed at the request of violinist Eszter Perenyi, my colleague at the Ferenc Liszt Academy of Music, and was several times amond the optional pieces of the yearly violin competition for students. It was inspired by the famous 63rd poem of Catullus that tells the story of Attis: the hero of the Greek mythology arrives at the Mount Ida in Frygia, to the invitation of the goddess Cybele, and becomes her lover. The Gallas, certitude priests of Cybele chase him into delirious dance, by the end of which he castrates himself. On waking from his paralysed dream he entreats in vain for his virility and freedom to Cybele, he will remain servant of the goddess for eternity. My work tells the story in four parts: 1) Attis' ecstasy 2) Dance of the Gallas 3) Attis' dream 4) Attis' entreaty. The Catullian galliambic metric that first appears in the 'prologue' of the piece, becomes the organisational principle of almost all musical aspects of it. (Hungaroton HCD 32484).

Bb Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 816 pages. Published by Hal Leonard.

Vocal Score. By Giuseppe Verdi. Arranged by Peter Fuchs. (score). Vocal Score. Published by G. Schirmer, Inc.