Chamber Music & Piano Accompaniment 1 Oboe 1 Piano - Grade 1

SKU: FL.FX073423

Composed by Pascal Proust. Original Composition. Classical, Educational. Score and Set of Parts. FLEX Editions #FX073423. Published by FLEX Editions (FL.FX073423).

The Oboe du cote de chez Proust is a series of pieces composed by Pascal PROUST with piano accompaniment. Each piece is also published separately.

This volume, for beginners, is a visit full of surprises in an incredible zoo where nice elephants applaude a parade of ants... These 6 short pieces for very young oboists reflect those rare moments! ; Instruments: 1 Oboe 1 Piano; Difficuly Level: Grade 1; Duration: 6 mn 30 s; Musical Style: Classical, Educational; Category: Original Composition; Composer: Pascal PROUST;.

For voice, guitar or piano. Album. Pop / Jazz. Score. Published by Editions Henry Lemoine

For Trombone. Brass - Trombone and Baritone Method or Collection. Classic Festival Solos. Book. 44 pages. Published by Alfred Publishing.

(Easy - Middle Grade Solo Piano Pieces). By Mike Cornick. For Piano. Clever Cat Series. 23 pages. Published by Universal Edition

Piano

SKU: FP.FSF02

Composed by Ferguson Smith. Published by Forsyths Publications (FP.FSF02).

ISBN 979-0-57050-276-9.

Ten descriptive pieces for piano. Suggested grade 2-3.

(Piano)

SKU: HL.50571778

Editions Durand. Editions Durand #DD7188/2. Published by Editions Durand (HL.50571778).

Arranged by Nicholas Baratta. Concert Band. Concert Band. Belwin Young Band. Light Concert. Grade 2.5. Conductor Score. 20 pages. Published by Alfred Music Publishing

Cello - Preparatory

SKU: FH.VC0

Cello Series, 2013 Edition. Composed by The Royal Conservatory. Cello Series, 2013 Edition. Book/CD. The Frederick Harris Music Company #VC0. Published by The Frederick Harris Music Company (FH.VC0).

ISBN 978-1-55440-536-7.

This inaugural edition of the Cello Series offers a sound and progressive collection of Repertoire, Recordings, Etudes, Technique, and Orchestral Excerpts for the aspiring cellist. With an expansive representation of musical styles from all eras, this series addresses the need for a single collection of quality educational materials to foster musical development and instill appreciation for the richness and diversity of music written for cello.
Supporting a balanced course of study, this series organizes repertoire into nine volumes from the Preparatory Level through Level 8. Each level offers music from a range of styles and compositional eras, including standard literature, new arrangements of familiar tunes, and music written for cellists, by cellists. These selections provide the flexibility to choose pedagogically appropriate material suited to each individual, and to motivate students to fully develop their musicianship and technique.
Legato Pieces on a Slower Tempo: Beautiful Dreamer - Foster, Stephen arr. Forrest Kinney Shenandoah - American folk song arr. Jason Gray Waltz of the Elephants - Konicek, Zdenek Cradle Song (Wiegenlied), op. 49, no. 4 - Brahms, Johannes arr. Forrest Kinney Amazing Grace - American hymn arr. Forrest Kinney Loch Lomond - Scottish folk song arr. Christine Donkin Nocturne - Mendelssohn, Felix arr. Jason Noble Early One Morning - English folk song arr. Akiko and Forrest Kinney Austrian Hymn (Gott erhalte Franz den Kaiser), Hob. XXVIa: 43 - Haydn, Franz Joseph arr. Jason Noble The Minstrel Boy - Irish folk song arr. Christine Donkin Energetic Pieces in a Faster Tempo: Smash the Windows - Irish jig arr. Jason Gray Grandfather's Clock - Work, Henry Clay arr. Christine Donkin Sonatina in C Major, op. 36, no. 1 - Clementi, Muzio arr. Mark Mrozinski - Third Movement: Rondo Mean Street Chase - Blackwell, David and Kathy Blackwell Forlane (from La reine de Peris, act 3) - Aubert, Jacques arr. Kathleen Wood Allegro, K 3 - Mozart, Wolfgang Amadeus arr. Jason Noble Parson's Farewell - English country dance arr. Jason Gray Contredanse, K 106 (588a), no. 1 - attr. Mozart, Wolfgang Amadeus arr. Kathleen Wood Melted Mouse and Roasted Rat in Choc'late Sauce - Lumsden, Caroline and Ben Atwood Theme and Variations - Beethoven, Ludwig van arr. Endre Lengyel and arpad Pejtsik.

Concert Band Concert Band, (4 Voices + 4 Percussions) - Grade 2

SKU: FL.FX070641

Composed by Nicolas Jarrige. Classical, Educational. Score and Set of Parts. FLEX Editions #FX070641. Published by FLEX Editions (FL.FX070641).

In this musical suite, you will find eight short pieces depicting one day in a Zoo. You will discover emblematic animals such as monkeys, lions or elephants. The orchestration with four parts and percussions will allow you playing those pieces with all kind of musical groups, each part being provided in several transposition tonalities. These pieces are particularly suitable for young musicians from two years of instrument practice.

Concert Band Concert Band, (4 Voices + 4 Percussions) - Grade 2

SKU: FL.FX070648

Composed by Nicolas Jarrige. Classical, Educational. Score and Set of Parts. FLEX Editions #FX070648. Published by FLEX Editions (FL.FX070648).

In this musical suite, you will find eight short pieces depicting one day in a Zoo. You will discover emblematic animals such as monkeys, lions or elephants. The orchestration with four parts and percussions will allow you playing those pieces with all kind of musical groups, each part being provided in several transposition tonalities. These pieces are particularly suitable for young musicians from two years of instrument practice.

Piano - Grade 5

SKU: FA.MFCD017B

By Nicolas Horvath. By Claude Debussy and Robert Orledge. Rediscoverd Debussy. Christmas. Score. Musik Fabrik #MFCD017B. Published by Musik Fabrik (FA.MFCD017B).

8.27 x 11.69 inches.

Contains Le Roi Lear: Prelude,Premiere Fanfare, and La Mort de Cordelia,Toomai des elephants, Rodrigue et Chimene: Prelude a l'acte 1p. Le Martyre de Saint Sebastien: La Passion , and No-ja-li ou Le Palais du Silence

From Robert Orledge's notes:

My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelleas et Melisande in 1893-1902 and the ballet Jeux for Diaghilev's Ballets Russes in 1912-13). Of the rest, many were never started musically (like Siddartha and Orphee-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902-03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908-17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912-13; or Le Martyre de Saint Sebastien and La Boite a joujoux by his 'angel of corrections' ['l'ange des Corrections'] Andre Caplet in 1911 and 1919 respectively).

For it has to be admitted that what some scholars call Debussy's 'compulsive achievement' could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure's 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.

It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to 'write a ballet for him that he would sign' on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with Andre Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.

So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy's lost potential masterpieces from his existing sketches and drafts--then orchestrating them in Debussy's style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.

(from Carnival of the Animals). Composed by Camille Saint-Saens (1835-1921). Edited by Mark Bernat. For string bass and piano accompaniment. Score and part. Published by International Music Company

By Walter Noona. For piano. Level: Level 1. Piano method. Published by Heritage Music Press. (40/1005)

By Randall D. Standridge. For concert band. Grade 2 . Score and set of parts. Duration 6 minutes 21 seconds. Published by Grand Mesa Music

Arranged by Sylvia Woods. Harp. Size 8.5x11 inches. 173 pages. Published by Hal Leonard.

(from Carnival of the Animals ). By Camille Saint-Saens (1835-1921). Arranged by Matt Conaway. For young concert band. Rising Band series. Grade 1.5. Score and set of parts. Duration 1 minute, 22 seconds. Published by C.L. Barnhouse

By John G. Mortimer. For euphonium and piano. Swiss import. Play Along. Level: 2-2 . Sheet music and accompaniment CD. Published by Editions Marc Reift. (EMR 169)

Chamber Music & Piano Accompaniment 1 Bb Trumpet 1 Piano - Grade 1

SKU: FL.FX073590

Composed by Pascal Proust. Original Composition. Classical, Educational. Score and Set of Parts. 9 (score); 8 (parts) pages. Duration 6 minutes, 30 seconds. FLEX Editions #FX073590. Published by FLEX Editions (FL.FX073590).

The Trumpet du cote de chez Proust is a series of pieces composed by Pascal PROUST with piano accompaniment. Each piece is also published separately.

This volume, for beginners, is a visit full of surprises in an incredible zoo where nice elephants applaude a parade of ants... These 6 short pieces for very young trumpetists reflect those rare moments! ; Instruments: 1 Bb Trumpet 1 Piano; Difficuly Level: Grade 1.

By Jane Smisor Bastien. Bastien Piano. Bastien Piano Solos. Music Book. Published by Neil A. Kjos Music Company.
Level: Very Young Pianist.

Voice and Piano. By Richard Johnston. (resource book). Vocal Collection. Size 8.5x11 inches. 400 pages. Published by E.c. Kerby.

Edited by Thom Proctor. Educational instrumental collection (Trombone). 20 pages. Published by Belwin.

Chamber Music & Piano Accompaniment 1 Flute 1 Piano - Grade 1

SKU: FL.FX073378

Composed by Pascal Proust. Original Composition. Classical, Educational. Score and Set of Parts. FLEX Editions #FX073378. Published by FLEX Editions (FL.FX073378).

The Flute du cote de chez Proust is a series of pieces composed by Pascal PROUST with piano accompaniment. Each piece is also published separately.

This volume, for beginners, is A visit full of surprises in an incredible zoo where nice elephants applaude a parade of ants... These 6 short pieces for very young flutists reflect those rare moments! ; Instruments: 1 Flute 1 Piano; Difficuly Level: Grade 1; Duration: 6 mn 30 s; Musical Style: Classical, Educational; Category: Original Composition; Composer: Pascal PROUST;.

By John G. Mortimer. For trombone and piano. Swiss import. Play Along. Level: 2-2 . Sheet music and accompaniment CD. Published by Editions Marc Reift. (EMR 136)

Tuba quartet (TTTT)

SKU: TE.TEP10846

Composed by David Snow. Score and parts. Published by Tuba-Euphonium Press (TE.TEP10846).

Viola Part Only. By Colledge, K. & H. (Viola). Boosey and Hawkes Chamber Music. 7 pages. Published by Boosey & Hawkes.

By Rose. For piano. Published by ABRSM (Associated Board of the Royal Schools of Music).

Piano

SKU: FP.FHC51

Composed by Colin Hood. Published by Forsyths Publications (FP.FHC51).

ISBN 979-0-57050-153-3.

Thirteen pieces and two duets based on the novel. Suggested grade 2-3.