Concert Band - Grade 5

SKU: HL.44004965

Grade 5 - Score Only. Composed by Philip Sparke. Anglo Music Concert Band. Concert. Score Only. Composed 2002. 32 pages. Anglo Music Press #AMP013. Published by Anglo Music Press (HL.44004965).

UPC: 073999543179. 9x12 inches. English-German-French-Dut ch.

This piece opens with three repeated notes, then a short introduction leads to a robust theme from clarinets, horns and trombones. A restless bridge passage leads to a syncopated tune from the alto saxophone and then to a third theme from a solo euphonium. A graceful second subject, initially on a solo clarinet, leads back to a recall of the introductory material before a full-scale recapitulation. An intense allargando leads to a full-band version of the second subject under a running woodwind passage, which leads to a short coda.

Arranged by Paul Sheftel. Collection for Piano. This comprehensive volume for beginning piano students offers the player 132 original masterpieces from Beethoven to Bartok and covers a wide range of styles. Selected by noted piano pedagogue Paul Sheftel, this collection will offer the beginning student challenging repertoire as well as hours of enjoyment. 157 pages. Published by Carl Fischer.

Orchestra alto flute, clarinet, bass clarinet, bassoon, 2 horns, trumpet, trombone, marimba, harp, piano, violin, viola, cello, contrabass

SKU: CA.1633500

For marimbaphone solo and 15 instruments. Composed by Walter Feldmann. Feldmann: Esquisse: << le froid >> Full score. 44 pages. Duration 10 minutes. Carus Verlag #CV 16.335/00. Published by Carus Verlag (CA.1633500).

ISBN 9790007181079. Language: all languages.

The texts of the French author Anne-Marie Albiach have long been the point of departure for the works by Feldmann. A twofold perspective of the text underlies the composition Esquisse : << le froid >> : on the one hand, there is a spoken reading of the text, in which time of recitation is measured out, and on the other hand, there is a graphic measuring of the text. The latter serves as a foundation - the genetic code - for the temporal structures of the solo marimba, supported arally by the harp and piano. The reading appears int the rhythmic surfaces of the accompanying ensemble. Each word of the spoken text has its own instrumentation, and thus a compact network of instrumental combinations is created, in which, word by word, the text is made audible.

By Stadler. For 3 basset horns. Published by Arpeges Diffusion (IMD) (French import).

Brass Band - Grade 4

SKU: BT.AMP-335-030

Composed by Philip Sparke. Ceremonial Series. March. Set (Score & Parts). Composed 2012. Anglo Music Press #AMP 335-030. Published by Anglo Music Press (BT.AMP-335-030).

9x12 inches. English-German-French-Dut ch.

Marcho Brioso was commissioned by The Brioso Brass, a British-style brass band from Hokkaido, Japan. They gave the first performance in January 2012.The commission was for a bright and breezy march that the band could use as their theme tune, so Marcho Brioso falls into the composer’s series of Broadway-style marches, which includes Slipstream, The Bandwagon and Jubiloso. After a short introduction a solo cornet plays the main theme, accompanied by a euphonium counter-melody. A secondary phrase from the horns and baritones leads to a tutti version of the main theme which is followed by the traditional ‘bass’ strain. A change of key heralds thetrio section, which features a cantabile melody on euphonium; this is then taken up by the full band after a short bridge passage and further change of key.This takes us back to the home key which sees a quiet staccato version of the main theme lead to a recapitulation and a short coda which brings the march to a close.

Marcho Brioso is geschreven in opdracht van The Brioso Brass, een brassband in Britse stijl uit Hokkaido in Japan. De première vond plaats in januari 2012.De componist kreeg het verzoek een vrolijke, luchtige mars te schrijven die de band als herkenningstune zou kunnen gebruiken. Marcho Brioso past daarom uitstekend in Philip Sparke’s serie van marsen in Broadwaystijl - waarin ook Slipstream, The Bandwagon en Jubiloso thuishoren.

Mar cho Brioso wurde von The Brioso Brass, einer britisch geprägten Brass Band aus Hokkaido in Japan, in Auftrag gegeben. Das Stück wurde von der Band im Januar 2012 uraufgeführt.Gewüns cht war ein heiterer, flotter Marsch, welcher sich als Erkennungsmelodie der Brass Band eignen sollte. So fällt Marcho Brioso in die Reihe der Märsche des Komponisten im Broadway-Stil, zu denen auch Slipstream, The Bandwagon und Jubiloso zählen.Nach einer kurzen Einleitung spielt ein Solo-Cornet das Hauptthema, begleitet von einer Gegenmelodie im Euphonium. Die Nebenphrase in den Hörnern und Baritonen führen zu einer Tutti-Version des Hauptthemas, die vomtraditionellen Bass“-Solo abgelöst wird. Ein Tonartwechsel kündigt den Trio-Teil an, der eine cantabile gespielte Melodie auf dem Euphonium enthält; diese wiederum wird nach einer kurzen Überleitung und einem weiteren Tonartwechsel von der gesamten Band aufgegriffen.Der letzte Wechsel führt zurück zur ursprünglichen Tonart, in welcher dann eine Staccato-Version des Hauptthemas eine Rekapitulation hervorbringt sowie eine Coda, die den Marsch zu seinem Ende führt.

Marcho Brioso est une œuvre de commande pour le Brioso Brass, un Brass Band de style britannique basé Hokkaido, au Japon. La création mondiale de cette pièce eut lieu en janvier 2012.L’orchestre souhaitant une marche enjouée qui pourrait lui servir d’indicatif musical, Marcho Brioso s’inscrit dans la lignée des marches du compositeur : Jubiloso, Slipstream et The Bandwagon. Un style « broadwayien », des motifs fortement syncopés et quelques surprenantes et capricieuses mesures viennent troubler le rythme régulièrement cadencé de ces marches.Après une courte introduction, le cornet solo joue le thème principal, accompagné d’un contre-chant l’euphonium. Un second motif de huit mesures exécuté par les cors et les barytons mène une version tutti du thème principal. Puis une brève section intermédiaire est déléguée aux basses. Le changement de tonalité qui s’ensuit annonce le trio qui contient une mélodie cantabile confiée l’euphonium ; ce trio est ensuite repris par l’orchestre entier après un bref passage de transition et un autre changement de tonalité.Nous revenons ensuite la tonalité de départ pour un rappel du thème principal en une paisible version staccato et une courte coda, pour conclure cette marche brillante et sémillante.

Orchestra - intermediate to advanced

SKU: HL.49013774

Set of Parts. Composed by Giovanni Battista Viotti. Edited by Walter Lebermann. Sheet music. Concertino (Chamber Orchestra). Classical. Set of Parts. 154 pages. Duration 18'. Schott Music #CON 158-50. Published by Schott Music (HL.49013774).

ISBN 9790001024211. 9.0x12.0x0.408 inches.

It is elegance and brilliance that characterize this work by the violin master whose French form type takes up the essential music tendencies of that time coming from Mannheim, Paris and Italy. Violin and string orchestra; 2 oboes and 2 horns ad lib.

By Johann Sebastian Bach. For 2 trumpets, 2 horns, 2 trombones or 2 tubas. Published by Musik Fabrik (French import).

SATB choir and organ/chamber orchestra (violin solo, 2 optional bassoon, 2 optional horns, harp, organ, viola I/II, cello I/II, db) - easy

SKU: OU.9780193418042

From Requiem. Composed by Gabriel Faure. Edited by John Rutter. Sacred choral - mixed voices. Oxford Choral Classics Octavos. Vocal score. 8 pages. Duration 6'. Oxford University Press #9780193418042. Published by Oxford University Press (OU.9780193418042).

ISBN 9780193418042. 11 x 7 inches.

For SATB and organ/chamber orchestra. Taken from Rutter's edition of Faure's Requiem, this famous movement features both the original French words and an optional English text. John Rutter's complete edition of Faure's Requiem (1893 version) is available from Oxford University Press, with scores and parts available on sale and on hire from the publisher.

Brass Band - Grade 4

SKU: BT.AMP-335-130

Composed by Philip Sparke. Ceremonial Series. March. Score Only. Composed 2012. 44 pages. Anglo Music Press #AMP 335-130. Published by Anglo Music Press (BT.AMP-335-130).

9x12 inches. English-German-French-Dut ch.

Marcho Brioso was commissioned by The Brioso Brass, a British-style brass band from Hokkaido, Japan. They gave the first performance in January 2012.The commission was for a bright and breezy march that the band could use as their theme tune, so Marcho Brioso falls into the composer’s series of Broadway-style marches, which includes Slipstream, The Bandwagon and Jubiloso. After a short introduction a solo cornet plays the main theme, accompanied by a euphonium counter-melody. A secondary phrase from the horns and baritones leads to a tutti version of the main theme which is followed by the traditional ‘bass’ strain. A change of key heralds the triosection, which features a cantabile melody on euphonium; this is then taken up by the full band after a short bridge passage and further change of key.This takes us back to the home key which sees a quiet staccato version of the main theme lead to a recapitulation and a short coda which brings the march to a close.

Marcho Brioso is geschreven in opdracht van The Brioso Brass, een brassband in Britse stijl uit Hokkaido in Japan. De première vond plaats in januari 2012.De componist kreeg het verzoek een vrolijke, luchtige mars te schrijven die de band als herkenningstune zou kunnen gebruiken. Marcho Brioso past daarom uitstekend in Philip Sparke’s serie van marsen in Broadwaystijl - waarin ook Slipstream, The Bandwagon en Jubiloso thuishoren.

Mar cho Brioso wurde von The Brioso Brass, einer britisch geprägten Brass Band aus Hokkaido in Japan, in Auftrag gegeben. Das Stück wurde von der Band im Januar 2012 uraufgeführt.Gewüns cht war ein heiterer, flotter Marsch, welcher sich als Erkennungsmelodie der Brass Band eignen sollte. So fällt Marcho Brioso in die Reihe der Märsche des Komponisten im Broadway-Stil, zu denen auch Slipstream, The Bandwagon und Jubiloso zählen.Nach einer kurzen Einleitung spielt ein Solo-Cornet das Hauptthema, begleitet von einer Gegenmelodie im Euphonium. Die Nebenphrase in den Hörnern und Baritonen führen zu einer Tutti-Version des Hauptthemas, die vomtraditionellen Bass“-Solo abgelöst wird. Ein Tonartwechsel kündigt den Trio-Teil an, der eine cantabile gespielte Melodie auf dem Euphonium enthält; diese wiederum wird nach einer kurzen Überleitung und einem weiteren Tonartwechsel von der gesamten Band aufgegriffen.Der letzte Wechsel führt zurück zur ursprünglichen Tonart, in welcher dann eine Staccato-Version des Hauptthemas eine Rekapitulation hervorbringt sowie eine Coda, die den Marsch zu seinem Ende führt.

Marcho Brioso est une œuvre de commande pour le Brioso Brass, un Brass Band de style britannique basé Hokkaido, au Japon. La création mondiale de cette pièce eut lieu en janvier 2012.L’orchestre souhaitant une marche enjouée qui pourrait lui servir d’indicatif musical, Marcho Brioso s’inscrit dans la lignée des marches du compositeur : Jubiloso, Slipstream et The Bandwagon. Un style « broadwayien », des motifs fortement syncopés et quelques surprenantes et capricieuses mesures viennent troubler le rythme régulièrement cadencé de ces marches.Après une courte introduction, le cornet solo joue le thème principal, accompagné d’un contre-chant l’euphonium. Un second motif de huit mesures exécuté par les cors et les barytons mène une version tutti du thème principal. Puis une brève section intermédiaire est déléguée aux basses. Le changement de tonalité qui s’ensuit annonce le trio qui contient une mélodie cantabile confiée l’euphonium ; ce trio est ensuite repris par l’orchestre entier après un bref passage de transition et un autre changement de tonalité.Nous revenons ensuite la tonalité de départ pour un rappel du thème principal en une paisible version staccato et une courte coda, pour conclure cette marche brillante et sémillante.

By Stadler. For 3 basset horns. Published by Arpeges Diffusion (IMD) (French import).

SATB chorus, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Vl, Va, Vc, Cb (SATB chorus, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Vl, Va, Vc, Cb) - Grade 2

SKU: CA.1040231

Composed by Gabriel Faure. Edited by Denis Rouger. Single Part, horns 1 and 2. Composed 1887. Op. 50. 4 pages. Duration 5 minutes. Carus Verlag #1040231. Published by Carus Verlag (CA.1040231).

ISBN 9790007311315. Key: F sharp minor. French. Text: Montesquiou-Fezenzac, Robert de.

Gabriel Fauré’s Pavane is one of his most popular compositions. What is less known, however, is that the premiere of this stylized dance in April 1888 was actually performed in this present version for mixed choir rather than in the now more familiar orchestral version or instrumental arrange­ments. The text, in the style of Verlaine, sketches the carefree society of the Belle Époque, in particular the various flirtations and dalliances of the dancers. Based on Fauré’s autograph score, this new Carus edition reflects the original (faster) tempo marking. In addition to the composer’s revised piano reduction, Carus is also publishing a modern version for choir and four hands (Carus 10.402/10). Score and part available separately - see item CA.1040200.

(Opera comique en deux actes). Composed by Hector Berlioz (1803-1869). Edited by Hugh MacDonald. For 2 soprano voice solos, mezzo-soprano voice solo, tenor voice solo, baritone voice solo, 2 bass voice solos, 5 speakers, SSTTBB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, cornet, 3 trombones, timpani, percussion, strings. This edition: Complete edition, Urtext edition. Linen. New Berlioz Edition, Volume 3. Score. Language: French. Hol. 138. Duration 2 hours, 30 seconds. Published by Baerenreiter Verlag

Concert Band - Grade 5

SKU: HL.44007325

Grade 5 - Score Only. Composed by Philip Sparke. Anglo Music Concert Band. Concert Piece. Score Only. Composed 2007. Duration 720 seconds. Anglo Music Press #AMP214. Published by Anglo Music Press (HL.44007325).

UPC: 884088245221. 9.0x12.0x0.173 inches. English-German-French-Dut ch.

Colorado Springs was commissioned by the United States Air Force Academy Band, Lieutenant Steve Grimo, Commmander/Conductor. Colorado Springs, home of the USAF Academy, is set in spectacular landscape towards the southern end of the Rocky Mountains and is a popular tourist resort for skiing and hiking. The Academy plays an important part in the life of the area and serves as a base for the USAFA Band, one of the professional bands forming part of the musical life of the U.S. Air Force. The suite is in three movements: 1. The Springs (fanfare) - The Springs is the local residents' name for the town, and this first movement starts with a stirring fanfare for brass and percussion, opening with bold unison horns. The rest of the brass join in and woodwind add decorative figures. After a short change of style, the opening material reappears to close the movement. 2. Seven Falls - Seven Falls is a spectacular waterfall near to the town which cascades 181 feet in seven distinct steps down a solid cliff of pikes peak granite. In this movement, high woodwinds describe the sparkling water as it descends to a popular lookout post near the bottom of the falls. 3. Pikes Peak - To the north-west of the town and reaching an altitude 14,110 feet, Pikes Peak is the farthest east of the big peaks in the Rocky Mountain chain, which contributed to its early fame among explorers and pioneers, and made it the symbol of the 1859 Gold Rush to Colorado with the slogan, Pikes Peak or Bust. It is the second-most visited mountain in the world behind Japan's Mount Fuji. This atmospheric movement describes the majesty of the mountain and is based around the fanfare from the first movement. Opening on a solitary bassoon, it is not long before the main theme appears under bubbling woodwinds. The music reaches a passionate climax at which point the opening fanfare reappears to bring the whole work to a close.

Orchestra soprano/baritone vocal soli, SATB choir, 2 flutes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, violin, 2 violas, 2 cellos, contrabass, harp, organ

SKU: CA.2731215

Composed by Gabriel Faure. Edited by Marc Rigaudiere. Carus sheet music series: French Sacred Music, Vocal scores XL. Requiem. Fassung 1900 Fur Sinfonieorchest. Innovative practice aids, Sacred vocal music, Requiem, Mourning, death. Single Part, Cello 2. Composed 1900. Op. 48. 12 pages. Duration 40 minutes. Carus Verlag #CV 27.312/15. Published by Carus Verlag (CA.2731215).

ISBN 9790007201654. Language: Latin.

Version for symphony orchestra: 60 min; Church version: 35 min. Score and part available separately - see item CA.2731200.

(Solo Piano Music). By Helen Marlais. By Helen Marlais. For Piano. Classical Piano Music. Classical Period, Romantic Period and Baroque. Listening CD. Published by The FJH Music Company Inc

By Cesar Auguste Franck (1822-1890). Edited by Wolfgang Hochstein. For Soli STBar, SATB Choir, 2 Flutes, 2 Oboes, 2 Bassoons, 2 Horns, 2 Trumpets, 3 Trombones, Timpani, 2 Violins, Viola, Cello, Contrabass, Harp. French Sacred Music. German title: Die Sieb

Orchestra

SKU: HL.14040145

2 Flute, 2 Horns and Strings. Composed by Simon Le Duc. Music Sales America. Classical. Softcover. Editions Musicales Transatlantiques #ETR000397. Published by Editions Musicales Transatlantiques (HL.14040145).

French.

Solo trombone & orchestra - advanced

SKU: CY.CC2841

Composed by Camille Saint-Saens. Arranged by Benjamin Coy. French Romantic. Solo part, parts & Score. Published by Cherry Classics (CY.CC2841).

Cavatine, Opus 144 is a true Romantic solo work for the Trombone. This arrangement for full orchestra by Benjamin Coy is a pleasure to perform with its sweeping, majestic phrases, sweet and elegant middle section and dramatic conclusion.

For advanced performers, the 6-minute work is a great showpiece to feature your Trombone soloist.

Instrum entation:
Solo Trombone, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons
2 Horns, 2 Trumpets in B-flat, 3 Trombones, Tuba, Timpani, Percussion
Strings and Full Score

Orchestra Soli SBar, Coro SATB, 2 Cor, 2 Tr, 3 Trb, Timp, Vl solo, 2 Va, 2 Vc, Cb, Org, Arpa

SKU: CA.2731102

Composed by Gabriel Faure. Edited by Marc Rigaudiere. French Sacred Music. With attachement. Sacred vocal music, Requiem. Vocal score. Composed 1901. 40 pages. Duration 35 minutes. Carus Verlag #CV 27.311/02. Published by Carus Verlag (CA.2731102).

ISBN 9790007246778. Language: Latin.

The Requiem of Gabriel Faure is now available in two versions: in the symphonic version which was completed in 1900 and in a version with small orchestra of 1889. The symphonic version of Gabriel Faure's Requiem, published in 1901, was the product of a 13-year compositional process. Starting from the original five-movement form for strings, harp and organ, the composer wrote two additional movements, one after the other, and expanded the instrumentation in various stages for later performances. The present reconstruction of a version with small orchestra differs from other such attempts in that for the first time it presents the work not in a mixed version, but rather in the unified form from 1889. This is distinguished from the final version both in musical terms, as well as through the fact that it forgoes the use of flutes, clarinets and bassoons, while employing only two horns instead of four. With a critical Report with information about the source situation and the edition, and containing the individual readings (alternative readings, etc.). Since in 1889 the Offertoire was still without the choral section the present edition contains the Offertoire of the final version as appendix. Now available in carus music, the choir app. Score available separately - see item CA.2731100.

Orchestra soprano/baritone vocal soli, SATB choir, 2 flutes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, violin, 2 violas, 2 cellos, contrabass, harp, organ

SKU: CA.2731214

Composed by Gabriel Faure. Edited by Marc Rigaudiere. Carus sheet music series: French Sacred Music, Vocal scores XL. Requiem. Fassung 1900 Fur Sinfonieorchest. Innovative practice aids, Sacred vocal music, Requiem, Mourning, death. Single Part, Cello 1. Composed 1900. Op. 48. 12 pages. Duration 40 minutes. Carus Verlag #CV 27.312/14. Published by Carus Verlag (CA.2731214).

ISBN 9790007201647. Language: Latin.

Version for symphony orchestra: 60 min; Church version: 35 min. Score and part available separately - see item CA.2731200.