SATB choir a cappella, optional keyboard - Intermediate

SKU: MN.50-3018

Composed by Paul Gibson. Catholic Year A Passion/Palm Sunday; Catholic Year C Passion/Palm Sunday;. Triduum/Three Days, Tenebrae, 21st Century, Lament/Grief/Sorrow. Octavo. MorningStar Music Publishers #50-3018. Published by MorningStar Music Publishers (MN.50-3018).

UPC: 688670530180. English. Scripture: Psalms 22.

Expresses darker emotions of grief and despair. Stark, unaccompanied, slow, soft musical setting. Somber, reflective, prayerful mood.

String quartet (P/ST) - difficult

SKU: HL.49033305

Composed by Peteris Vasks. This edition: Saddle stitching. Sheet music. Edition Schott. Score and Parts. Composed 2004. 56 pages. Duration 25'. Schott Music #ED9809. Published by Schott Music (HL.49033305).

ISBN 9790001137911. UPC: 884088408053. 9.0x12.0x0.202 inches.

String Quartet No. 5 consists of two contrasting movements. The first movement, being present, immediately leads to an atmosphere of high emotional tension. The prevailing atmospheric elements of the music are dramatic and passionate, alternating with each other like a kaleidoscope. In contrast to that, a second theme is intoned three times - an invitation, a memory of the existence of another world, a light-house which illuminates the twilight in which we live so often. But this invitation remains unheard. The first movement concludes with dissonances in the upper register - a cry of utter desperation.The second movement, so distant ... yet so near, is the calm, unhurried vocal section of the quartet. A forgiving, loving look at a world tortured by grief and contradictions. Gradually, the singing becomes more personal, more emotional and more dramatic. The rhythmic figure of a funeral march in the recapitulation of the second movement is a gesture of loss. Eventually, the quartet loses itself in an atmosphere of light-filled grief. Peteris Vask.

Choral SA choir, piano

SKU: CF.CM9721

I Lift My Eyes. Composed by Austin Hunt. Mjts. 8 pages. Duration 3 minutes, 21 seconds. Carl Fischer Music #CM9721. Published by Carl Fischer Music (CF.CM9721).

ISBN 9781491161005. UPC: 680160919604. Key: C major. English. Psalm 121.

I will lift up mine eyes unto the hills, from whence cometh my help. My help cometh from the Lord, which made heaven and earth. He will not suffer thy foot to be moved: he that keepeth thee will not slumber. Behold, he that keepeth Israel shall neither slumber nor sleep. The Lord is thy keeper: the Lord is thy shade upon thy right hand. The sun shall not smite thee by day, nor the moon by night. The Lord shall preserve thee from all evil: he shall preserve thy soul. The Lord shall preserve thy going out and thy coming in from this time forth, and even for evermore. --Psalm 121, King James Version Psalm 121, from the canonical Book of Psalms, is one of fifteen psalms (meaning sacred song or hymn) included in the Songs of Ascents (Psalms 120-134). These powerful texts about hope and perseverance were likely chanted by Jewish pilgrims as they traversed the ascending road into Jerusalem, which sits atop a hill known as Mount Zion. Thousands of years later, the words of Psalm 121 continue to uplift and inspire those afflicted with pain, grief, or suffering; one need only look to the hills.  .
“I will lift up mine eyes unto the hills, from whence cometh my help. My help cometh from the Lord, which made heaven and earth. He will not suffer thy foot to be moved: he that keepeth thee will not slumber. Behold, he that keepeth Israel shall neither slumber nor sleep. The Lord is thy keeper: the Lord is thy shade upon thy right hand. The sun shall not smite thee by day, nor the moon by night. The Lord shall preserve thee from all evil: he shall preserve thy soul. The Lord shall preserve thy going out and thy coming in from this time forth, and even for evermore.”—P salm 121, King James VersionPsalm 121, from the canonical Book of Psalms, is one of fifteen “psalms” (meaning sacred song or hymn) included in the Songs of Ascents (Psalms 120-134). These powerful texts about hope and perseverance were likely chanted by Jewish pilgrims as they traversed the ascending road into Jerusalem, which sits atop a hill known as Mount Zion.Thousands of years later, the words of Psalm 121 continue to uplift and inspire those afflicted with pain, grief, or suffering; one need only “look to the hills.” .

By Kenneth T. Kosche. For SATB choir, a cappella. All Saints/All Souls, Memorial, Evening, Lament/Grief/Sorrow. Medium to Moderately Difficult. Octavo. Published by MorningStar Music Publishers . Octavo. All Saints/All Souls, Memorial, Evening, Lament/Grief/Sorrow.

Organ - intermediate/advanced

SKU: JK.02024

Composed by Various. Arranged by Clay Christiansen. Christian, Contemporary Christian, Gospel, Inspirational. Jackman Music Corporation #02024. Published by Jackman Music Corporation (JK.02024).

UPC: 093285020245.

From the renowned tabernacle organist, Clay Christiansen, we give you 9 Sacred Hymn Settings for Organ. You will love playing these glorious renditions of familiar hymns, including A Poor Wayfaring Man of Grief, Count Your Blessings, and Praise to the Man. They are intermediate to advanced in difficulty and are appropriate for prelude, postlude, and sacred organ performances of any kind.
Contents:
A Poor Wayfaring Man of Grief
Count Your Blessings
God, Our Father, Hear Us Pray
In Fasting We Approach Thee
O God, the Eternal Father
O Thou Kind and Gracious Father
Praise to the Man
The Spirit of God
Though Deepening Trials


Compose r: Various
Arranger: Clay Christiansen
Difficult y: Intermediate to Advanced
Nine Sacred Hymn Settings for Organ.

ChoirTrax CD Choral (Studiotrax CD)

SKU: HL.339753

Composed by Joseph M. Martin. Shawnee Sacred. General Worship, Patriotic, Sacred. CD. Duration 325 seconds. Published by Shawnee Press (HL.339753).

UPC: 840126916829. 5.0x5.0x0.145 inches. John 15:13.

There is no more poignant sight than the solemn ceremony of the folded flag. The dignity associated with honoring one who has given the last full measure of devotion is rich with tradition and provides a moment of deep reverence for those in grief. This inspiring anthem presents three moments with the flag as it moves from the hands of grief to soaring and into the hearts of the future. The music has a cinematic scope, following the text with a theme that lifts the message of commitment and devotion to the heavens. An instant classic! Score and Parts (fl 1-2, ob, cl 1-2, bn, hn 1-2, tpt 1-3, tbn 1-2, tbn3/tba, perc 1-3, timp, pno, hp, vn 1-2, va, vc, db) available as a digital download.

Organ - intermediate

SKU: HL.49016122

For Organ. Composed by Harald Genzmer. Edited by Franz Lehrndorfer. This edition: Saddle stitching. Sheet music. Organ Collection. Classical. Composed 2001/2003. 19 pages. Duration 12'. Schott Music #ED 9991. Published by Schott Music (HL.49016122).

ISBN 9790001144261. UPC: 884088202545. 9.0x12.0x0.065 inches.

Funeral music plays an important role in music history for the articulation of grief and sorrow is an essential task of music. The important German organ composer Harald Genzmer (born in 1909) wrote his 'Musik der Trauer' in 2001, deeply affected by the death of his wife. The music is full of emotion and sentiment, expressing grief, sorrow, desperation, but also fierce rebellion against the inescapability of fate. At the end, the motif 'Christ ist erstanden' can be heard as an expression of Christian hope.

(Lament, ye children of Israel - from Jephtha ). By Giacomo Carissimi (1605-1674). Arranged by Henry Clough-Leighter. For SSATTB choir, keyboard (organ or piano). General, Lament/Grief/Sorrow. Octavo. Scripture: Judges 11:38-40. 8 pages. Published by E.C Octavo General, Lament/Grief/Sorrow

Choral SSA Choir and Piano

SKU: CF.CM9718

Composed by Meredith Tompkins. 8 pages. Duration 2 minutes, 23 seconds. Carl Fischer Music #CM9718. Published by Carl Fischer Music (CF.CM9718).

ISBN 9781491160978. UPC: 680160919574. Key: D major. English. Manmohan Ghose.

Manmohan Ghose was a professor, poet, and brilliant scholar from Eastern India in the late 19th century. He was educated in London, and was one of the first poets originally from India to publish poetry in English. A Lament is one of his earliest published poems; it progresses with vivid, scenic language from lullaby to permanent goodbye. Much later in life, Manmohan experienced a series of family tragedies that gave him a unique perspective on grief. After returning to India to mourn his father's death and eventually the passing of his wife, he never again made it back to England as he had wished to before his own death. The text of this piece has been paired with a mixolydian modal structure and a blend of musical elements designed to invoke a nostalgic, dream-like atmosphere. In the words of the composer: I like to think of this piece as a metaphorical hall of mirrors. The original 'image' of the melody becomes the source for multiple echoes and imitations that blossom into layers of polyphonic movement. As a nod to the poet's birth place, notes reminiscent of the kan-swar grace note technique of Hindustani classical music add ornamental interest to the piano and voices. This piece functions as an excellent educational introduction or further study into the concept of modes. When presenting this piece to a choir, directors may find it helpful to identify G as the tonal center and follow up with an explanation that G mixolydian has the same key signature as the key of C, because it naturally has no sharps or flats.
Manmohan Ghose was a professor, poet, and brilliant scholar from Eastern India in the late 19th century. He was educated in London, and was one of the first poets originally from India to publish poetry in English. “A Lament” is one of his earliest published poems; it progresses with vivid, scenic language from lullaby to permanent goodbye. Much later in life, Manmohan experienced a series of family tragedies that gave him a unique perspective on grief. After returning to India to mourn his father’s death and eventually the passing of his wife, he never again made it back to England as he had wished to before his own death. The text of this piece has been paired with a mixolydian modal structure and a blend of musical elements designed to invoke a nostalgic, dream-like atmosphere. In the words of the composer: “I like to think of this piece as a metaphorical hall of mirrors. The original ‘image’ of the melody becomes the source for multiple echoes and imitations that blossom into layers of polyphonic movement.” As a nod to the poet’s birth place, notes reminiscent of the kan-swar grace note technique of Hindustani classical music add ornamental interest to the piano and voices. This piece functions as an excellent educational introduction or further study into the concept of modes. When presenting this piece to a choir, directors may find it helpful to identify G as the tonal center and follow up with an explanation that G mixolydian has the same key signature as the key of C, because it naturally has no sharps or flats.

SATB choir

SKU: ST.EM17

Composed by Henry Lichfild. Edited by Edmund H Fellowes. Library Volumes. Edited Edmund Fellowes. Revised Thurston Dart and David Scott. Paperback. Madrigals. Choral Score. Stainer & Bell Ltd. #EM17. Published by Stainer & Bell Ltd. (ST.EM17).

ISBN 9790220210297.

CONT ENTS
A seely Sylvan (SSAT (or A) B)
Alas my Daphne, stay (SSAT (or A) B)
All ye that sleep in pleasure (SSATB)
Arise, sweet heart (SSAT (or A) B)
Ay me, that life should yet remain (SSATB)
Ay me, when to the air (SSAT (or A) B)
Cruel, let my heart be bless'd (SSAT (or A) B)
First with looks he liv'd (SSATB)
I always lov'd to call my lady Rose (SSATB)
If this be love, to scorn (SSAT (or A) B)
Injurious hours (SSAT (or A) B)
My heart oppress'd (SSAT (or A) B)
O come Shepherds all together (SSATB)
O my grief, were it disclosed (SSATB)
Shall I seek to ease my grief? (SSATB)
Shepherd Claius seeing (SSATB)
Sweet Daphne, stay thy flying (SSATB)
Sylvan justly suffered (SSATB)
When first I saw those cruel eyes (SSAT (or A) B)
Whilst that my lovely Daphne (SSATB).

Voice & Piano

SKU: ST.LS19

Composed by Anonymous, Nicholas Lanier, Richard Alison, Thomas Campion, Thomas Giles, Thomas Lupo, Thomas Morley, Thomas Robinson, and Tobias Hume. Edited by David Greer. Vocal music. To the Lute, Bandora, Cittern and Lyra Viol. Edited by David Greer. No Lute Tablature is printed. Vocal score. Stainer & Bell Ltd. #LS19. Published by Stainer & Bell Ltd. (ST.LS19).

ISBN 9790220215209.

CONT ENTS

ALISON, Richard
O Lord, turn not away thy face (AATB or AAT)
When we sat in Babylon (AATB or AAT)

ANONYMOUS
But this, and then no more (C - C)
How can the tree but waste (B - B)
Sweet are the thoughts that savour of content (D - F)
Those eyes that set my fancy on a fire (A - B)

CAMPION, Thomas
More now with measur'd sound (Duet: D - E and G - A)
Now hath Flora robb'd her bow'rs (Duet: D - E and D - G)
Woo her and win her (F - E)

GILES, Thomas
Triumph now with joy and mirth (D - D)

HUME, Tobias
Cease, leaden slumber, dreaming (F sharp - F)
Fain would I change that note (D - G)
Soldier's Song: I sing the praise of honour'd wars (G - G)
Tobacco! Tobacco! Sing sweetly for tobacco! (D - F)
What greater grief (D - F)

LANIER, Nicholas
Bring away this sacred tree (D - F)

LUPO, Thomas
Shows and nightly revels (D - E flat)
Time that leads the fatal round (D - E)

MORLEY, Thomas
O grief! e'en on the bud (F - E flat)

ROBINSON, Thomas
Now, Cupid, look about thee (D - G).

Choral (TTBB Choir)

SKU: HL.419542

Composed by Joseph M. Martin. Shawnee Sacred. General Worship, Patriotic, Sacred. Octavo. 12 pages. Duration 325 seconds. Published by Shawnee Press (HL.419542).

UPC: 196288060949. 6.75x10.5x0.029 inches. John 15:13.

There is no more poignant sight than the solemn ceremony of the folded flag. The dignity associated with honoring one who has given the last full measure of devotion is rich with tradition and provides a moment of deep reverence for those in grief. This inspiring anthem presents three moments with the flag as it moves from the hands of grief to soaring and into the hearts of the future. The music has a cinematic scope, following the text with a theme that lifts the message of commitment and devotion to the heavens. An instant classic! Score and Parts (fl 1-2, ob, cl 1-2, bn, hn 1-2, tpt 1-3, tbn 1-2, tbn3/tba, perc 1-3, timp, pno, hp, vn 1-2, va, vc, db) available as a digital download.

Chamber Music flute, piano

SKU: PR.114422880

Composed by Phyllis Avidan Louke. Set of Score and Parts. 12+4 pages. Duration 11 minutes, 30 seconds. Theodore Presser Company #114-42288. Published by Theodore Presser Company (PR.114422880).

ISBN 9781491135143. UPC: 680160686995.

LITTL E ANGEL was composed in loving memory of a friend’s daughter who was stillborn, to commemorate a life unlived. The first movement, Hopes and Dreams, opens the work with sweet optimism and charm. The second movement, Anticipation and Loss is a musical setting of joy followed by profound sadness. LITTLE ANGEL concludes with Finding Peace as the third movement opens with grief and longing, followed by a plaintive cadenza, and finally ending with peace and hope.
Little Angel was commissioned by Janelle Barrera in loving memory of her daughter Daisy Rose who was stillborn, to commemorate a life unlived.Little Angel is written for flute and piano in three movements:1. Hopes and Dreams: The first movement begins with three brief statements that are introspective and hopeful, looking toward the future, followed by a lyrical melody in 3/4 meter.2. Anticipation and Loss: The second movement opens with a playful melody in mixed meter combining simple time and compound time. At letter C, the tempo slows, and the tone becomes decidedly more serious and eventually more somber.3. Finding Peace: The third movement opens with a melody expressing grief and longing, followed by a plaintive cadenza, and finally ending with peace and hope.

Orchestra Bassoon 1, Bassoon 2, Celesta, Clarinet 1, Clarinet 2, Contrabass, Flute, Flute 1, Flute 2, Harp, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Percussion, Piccolo, Timpani, Trombone 1, Trombone 2, Trombone 3, Trumpet 1, Trumpet 2, Trumpet 3 and more.

SKU: PR.41641515L

Composed by Behzad Ranjbaran. Premiered by the Philadelphia Orchestra, Yannick Nezet-Seguin, Music Director, Jeffrey Khaner, flute; Verizon Hall, Philadelphia. Contemporary. Large Score. With Standard notation. Composed 2013. Duration 28 minutes. Theodore Presser Company #416-41515L. Published by Theodore Presser Company (PR.41641515L).

UPC: 680160621750.

The melancholic tone of the Ney (the Persian bamboo flute) is known for its alluring sound, emulating the human voice. In Persian literature, the Ney is considered a mystic instrument capable of expressing deep human emotions. In writing my flute concerto, I aimed not only to highlight the modern flautist's ability to play agile and brilliant passages but also to emulate the delicate sound of the Ney, particularly in extended solo flute passages. Two prominent characters permeate the first movement of my concerto. They are marked in the score as lamentoso, and con spirito, expressing grief and loss, and joy of living respectively. The lament is mostly expressed in several extended cadenzas for solo flute while the con spirito consists of robust and energetic fast sections played by all forces of the orchestra. Apart from these two characters there are moments of mystery, comedy and the grotesque, among others. In the second movement, the lyrical and poetic character of the flute is prominently presented in dream-like passages surrounded by shimmering and tender orchestral colors. The solo flute is left out in an agitated middle section that references the first movement. In the third section of the movement the solo flute returns in meditative fashion culminating in a duet with the harp. The third movement is written as one continuous quasi scherzo, challenging the limits of agility and brilliance of the flute. Some of the materials from the earlier movements are presented again with joyous character. The coda elevates the concerto into its brightest and most festive character, driving to the end with relentless energy.
The melancholic tone of the Ney (the Persian bamboo flute) is known for its alluring sound, emulating the human voice.  In Persian literature, the Ney is considered a mystic instrument capable of expressing deep human emotions.In writing my flute concerto, I aimed not only to highlight the modern flautist’s ability to play agile and brilliant passages but also to emulate the delicate sound of the Ney, particularly in extended solo flute passages.Two prominent characters permeate the first movement of my concerto.  They are marked in the score as lamentoso, and con spirito, expressing grief and loss, and joy of living respectively.  The lament is mostly expressed in several extended cadenzas for solo flute while the con spirito consists of robust and energetic fast sections played by all forces of the orchestra.  Apart from these two characters there are moments of mystery, comedy and the grotesque, among others.In the second movement, the lyrical and poetic character of the flute is prominently presented in dream-like passages surrounded by shimmering and tender orchestral colors.  The solo flute is left out in an agitated middle section that references the first movement.  In the third section of the movement the solo flute returns in meditative fashion culminating in a duet with the harp.The third movement is written as one continuous quasi scherzo, challenging the limits of agility and brilliance of the flute.  Some of the materials from the earlier movements are presented again with joyous character.  The coda elevates the concerto into its brightest and most festive character, driving to the end with relentless energy.

By Elizabeth Alexander. For Women's Chorus and Piano (SSA choir and piano). Community Chorus, High School Chorus, Concert Music. Funeral & Memorial Services, Native American, Grief & Loss, Secular, Choral. Moderate. Octavo. Text language: English. Duratio. Octavo. Funeral & Memorial Services, Native American, Grief & Loss, Secular, Choral.

SKU: SU.28060141

Composed by Jesse Jones. Chamber Music, String Trio/Quartet/Quintet. Set of Parts. Subito Music Corporation #28060141. Published by Subito Music Corporation (SU.28060141).

A colossal, single movement quartet that traces the five stages of grief. string quartet Duration: 35' Composed: 2013 Published by: Distributed Composer.

SSATB choir and keyboard - Intermediate

SKU: MN.50-8800

Composed by V. Earle Copes. Thanksgiving, All Saints/All Souls, Funeral, National Songs/Patriotic, Lament/Grief/Sorrow. Octavo. MorningStar Music Publishers #50-8800. Published by MorningStar Music Publishers (MN.50-8800).

UPC: 688670588006.

Based on WYLDE GREEN with inclusive language version ofPraise We Now Famous Men text. Patriotic occasions, Memorial Day, Independence Day, Thanksgiving Day and All Saints Day. Mostly Unison and SATB, grandiose ending.

By Various. Arranged by Brent Jorgensen. Text: Various. For Instrumental Accompaniment. Easter. Level: Medium. Published by Jackman Music Corporation.

Piano - easy

SKU: HL.49008695

Waltzes of Longing, Grief and Hope. Composed by Ludwig van Beethoven. This edition: Saddle stitching. Sheet music. Einzelausgaben (Single Sheets). Classical. 8 pages. Schott Music #ED0282. Published by Schott Music (HL.49008695).

ISBN 9790001085519. UPC: 884088107130. 9.0x12.0x0.022 inches.

Composed by Mary McDonald. Choral, cantatas. Eastertide, Holy Week. Choral score. Lorenz Publishing Company #55/1188L. Published by Lorenz Publishing Company (LO.55-1188L).

Composed by David W. Brewer. Octavo. Alliance Music Publications #AMP 1095. Published by Alliance Music Publications

For Clarinet. Composed by Vince Guaraldi. Instrumental Play-Along. TV, Movies, Children. Softcover Audio Online. 24 pages. Published by Hal Leonard

SATB choir and piano

SKU: BC.146196

Composed by DeSermisy; Greyson. Choral Music. Secular. Octavo. Published by Bourne Music (BC.146196).

English text by Norman Greyson.

By Many. Arranged by Compiled And Arranged By Brent Jorgensen. Text: Many. For Easy Songbook. Published by Jackman Music Corporation.
Level: Easy.

Full orchestra

SKU: LO.30-3538L

Composed by Mary McDonald. Choral, cantatas. Eastertide, Holy Week. Full score and parts, plus CD with printable parts. Lorenz Publishing Company #30/3538L. Published by Lorenz Publishing Company (LO.30-3538L).

UPC: 000308148961.

The resurrection of Jesus changed the world and continues to change the world today. Jesus! The Resurrection of the Messiah tells the intimate story of the grief, the fear, the hope, the love, the tenderness, and the longing of God for His children expressed through the life, death, and resurrection of Jesus. Mary McDonald and Rose Aspinall combined their talents to create a compelling musical that will take you through the emotions of the Triumphal Entry, the raising of Lazarus, the Last Supper, the moment in the garden when Jesus is arrested, the Crucifixion, and finally to the joyous Resurrection. This work may be programmed in its entirety or presented in segments during Palm Sunday, Holy Week, and Resurrection Sunday worship settings. It may be done with choir and piano alone or can include the optional orchestrations created by Michael Lawrence and Ed Hogan. This powerful worship tool is an inspiring reminder of the life-changing impact of this Deliverer, Redeemer, and Savior….Jesus!