Composed by George Mead. Arranged by George Mead. 20th Century, Americana. Octav...(+)
Composed by George Mead.
Arranged by George Mead.
20th Century, Americana.
Octavo. Duration 4
minutes, 10 seconds.
Galaxy Music Corporation
#1.1716. Published by
Galaxy Music Corporation
Chamber Music flute, piano SKU: CF.WF228 Philippe Gaubert. Compose...(+)
Chamber Music flute,
piano
SKU:
CF.WF228
Philippe
Gaubert. Composed by
Philippe Gaubert. Edited
by Amy Porter. Arranged
by Amy Porter. Set of
Score and Parts. With
Standard notation.
104+1+32 pages. Carl
Fischer Music #WF228.
Published by Carl Fischer
Music (CF.WF228).
Piano seul [Partition] - Débutant Faber Music Limited
(A Basic Piano Method) Written by Nancy Faber, Randall Faber. For piano. Format:...(+)
(A Basic Piano Method)
Written by Nancy Faber,
Randall Faber. For piano.
Format: piano solo
songbook. With
introductory text, easy
piano notation,
fingerings, lyrics (on
some songs), harmony part
(for the teacher) and
illustrations. Solos. 32
pages. 9x12 inches.
Published by The FJH
Music Company Inc.
Piano 4 Hands SKU: IS.PND6330EM Composed by Patrick Hiketick. Keyboards -...(+)
Piano 4 Hands
SKU:
IS.PND6330EM
Composed
by Patrick Hiketick.
Keyboards - Piano.
Metropolis Music
Publishers #PND6330EM.
Published by Metropolis
Music Publishers
(IS.PND6330EM).
ISBN
9790365063307.
Patr
ick Hiketick is a Belgian
pianist and composer. As
a composer he worked for
nearly all theatre
companies in Flanders and
he wrote over a 100
different theatre plays,
amongst which the
complete oeuvre of
Molière and
Shakespeare. He was also
the musical director for
all Brecht plays for KNS
theatre in Antwerp, where
he worked as the home
composer for 10 years. He
than became the musical
coordinator for the Royal
Ballet of Flanders and he
wrote several ballet
compositions for symphony
orchestra. He has his own
close-harmony and jazz
trio, and he works
freelance as a composer
and as artistic director
in several musical
productions. He composed
many clarinet works for
the Flanders Clarinet
Quartet, and was honoured
in Japan with concerts
completely dedicated to
his works.
For
Piano and Orchestra -
Reduction for 2 Pianos, 4
Hands. Composed by
Mikis Theodorakis.
Arranged by Dimitris
Michas. This edition:
Saddle stitching. Sheet
music. Piano Duet.
Classical. Softcover.
Composed 1949-1955/2015.
78 pages. Duration 25'.
Schott Music #ED22590.
Published by Schott Music
(HL.49045284).
ISBN
9790001161268. UPC:
841886029767.
9.0x12.0x0.232
inches.
Suite No. 1
is a hymn to the divinity
of the dance. The piece
explores all
possibilities of extreme
rhythm, harmony and
orchestration in order to
place special emphasis on
the piano as a solo
instrument with all its
possibilities: from
percussion instrument to
lyric simplicity. At the
end, the composer quotes
the style of his scores
together with the ancient
tragedies in an epilogue
with prominent signals
from the wind
section.
Graded Pianoforte Studies First Series Gr.2 by Various. For Piano. Studies. Grad...(+)
Graded Pianoforte Studies
First Series Gr.2 by
Various. For Piano.
Studies. Grade 2. Sheet
Music. Published by ABRSM
(Associated Board of the
Royal Schools of Music)
Written by Floyd Richmond, Lee Whitmore, Stefani Langol, Tom Rudolph. Instructio...(+)
Written by Floyd
Richmond, Lee Whitmore,
Stefani Langol, Tom
Rudolph. Instructional
book and accompaniment CD
for keyboard. Series:
Alfred's MusicTech
Series, Textbook -
General. 68 pages.
Published by Alfred
Publishing.
Piano SKU: SU.12800034 For Piano. Composed by Cory Hall. Keyboard,...(+)
Piano
SKU:
SU.12800034
For
Piano. Composed by
Cory Hall. Keyboard,
Piano/Harpsichord. Music
Theory. Score. Subito
Music Corporation
#12800034. Published by
Subito Music Corporation
(SU.12800034).
BachScholar
Edition Vol. 34 –
The Holy Trinity of Piano
Technique, 2nd Edition
(17 pages) consists of
three essential exercises
for the development of
flexibility, strength,
economy of motion, and
understanding of musical
harmony: 1) Scales in
Chords by Franz Liszt; 2)
Study 91 by Carl Tausig;
3) Better than Hanon by
Cory Hall. Also includes
fingering for the three
exercises and a 3-page
introduction with
background information
about the exercises with
practice recommendations.
Indispensable for all
pianists and teachers
from the intermediate
through concert level.
Published by:
BachScholar.
by Bret Willmott. For all guitars. Complete. All styles. Level: Intermediate-Adv...(+)
by Bret Willmott. For all
guitars. Complete. All
styles. Level:
Intermediate-Advanced.
Book. Theory and harmony.
Size 8.75x11.75. 248
pages. Published by Mel
Bay Pub., Inc.
(The Grown-Up Approach to Music Theory). By Nathaniel Gunod. Book; CD; Reference...(+)
(The Grown-Up Approach to
Music Theory). By
Nathaniel Gunod. Book;
CD; Reference Textbooks;
Textbook - General;
Theory. For Adults. 96
pages. Published by
Alfred Music Publishing
Piano SKU: BT.ME0350 Play Music France. Tuition. Book and DVD. Composed 2...(+)
Piano
SKU:
BT.ME0350
Play Music
France. Tuition. Book and
DVD. Composed 2018. Play
Music Publishing #ME0350.
Published by Play Music
Publishing (BT.ME0350).
English.
This
coursebook explains in a
clear and practical way
how chords should be
handled. This first
volume, dedicated to the
principal three- and
four-tone major, minor
and seventh (maj7, 7, m7
and dim7) chords,
contains numerous
pedagogically valuable,
meticulously precise and
nonetheless melodic
examples, which will lead
you through harmony,
chord progressions,
accompanying and
composing. By practicing
the examples proposed in
this coursebook, you will
gradually familiarize
yourself with the basics
of harmony and will
discover step by step the
astoundingly malleable
world of chords. You will
thus approach the theme
in an empirical way, and
by doing so, you will
understand howindividual
components should be put
together to form a
well-made musical piece.
The accompanying data
disk (with mp3 audios and
mp4 videos) provides
demonstration videos of
all the examples played
on the piano, as well as
numerous audio
recordings, which will
allow you to play along
to backing tracks
specially designed for
each of them.
Piano (Piano) - very easy SKU: HL.49007464 Volume 1. Composed by A...(+)
Piano (Piano) - very easy
SKU: HL.49007464
Volume 1. Composed
by Alex Benson. This
edition: Saddle
stitching. Sheet music.
Edition Schott. The
Keyboard Method for all
one manual models with
automatic accompaniment
and rhythm facility for
teaching and private
study. Classical,
Contemporary,
Educational. 64 pages.
Schott Music #ED 7710.
Published by Schott Music
(HL.49007464).
ISBN
9790001080293.
9.0x12.0x0.217 inches.
English.
Keyboard
Essentials is aimed at
all who want to learn to
play keyboards
successfully in
methodically thought-out
teaching units with the
aid of popular songs and
useful tips, though
tutoring or private
study. It is aimed at
beginners of all ages but
also, for example, wind
players, singers or
guitaristswho want to
become musical 'insiders'
and who though playing
the keyboard see an
introduction to
improvisation,
composition, harmony,
etc. On the keyboard in
particular, with its
clearly arranged, regular
structure of keys,
scales, chords, and
harmonic relations are
presented more clearly
and systematically than
on any other instrument.
Musicians with previous
knowledge may join in at
volume 2 or 3.
Hymns
for Wind Ensemble.
Composed by Dan Welcher.
Folio. Set of Score and
Parts.
4+24+24+16+8+4+4+24+12+12
+8+4+4+4+4+8+8+8+8+4+4+4+
4+8+8+8+8+8+8+8+8+4+16+4+
8+4+8+8+4+4+4+48 pages.
Duration 10 minutes, 41
seconds. Theodore Presser
Company #165-00100.
Published by Theodore
Presser Company
(PR.165001000).
ISBN
9781491129241. UPC:
680160669776. 9 x 12
inches.
Commissione
d for a consortium of
high school and college
bands in the north Dallas
region, FOR THEMYSTIC
HARMONY is a 10-minute
inspirational work in
homage to Norwood and
Elizabeth Dixon,patrons
of the Fort Worth
Symphony and the Van
Cliburn Competition.
Welcher draws melodic
flavorfrom five American
hymns, spirituals, and
folk tunes of the 19th
century. The last of
these sources toappear is
the hymn tune For the
Beauty of the Earth,
whose third stanza is the
quatrain: “For the
joy of earand eye, For
the heart and
mind’s delight,
For the mystic harmony,
Linking sense to sound
and sight,â€giving
rise to the work’s
title. This work,
commissioned for a
consortium of high school
bands in the north Dallas
area, is my fifteenth
maturework for wind
ensemble (not counting
transcriptions). When I
asked Todd Dixon, the
band director
whospearheaded this
project, what kind of a
work he most wanted, he
first said
“something
that’s basically
slow,†butwanted to
leave the details to me.
During a long subsequent
conversation, he
mentioned that his
grandparents,Norwood and
Elizabeth Dixon, were
prime supporters of the
Fort Worth Symphony,
going so far as to
purchase anumber of high
quality instruments for
that orchestra. This
intrigued me, so I asked
more about his
grandparentsand was
provided an 80-page
biographical sketch.
Reading that article,
including a long section
about theirdevotion to
supporting a young man
through the rigors of the
Van Cliburn International
Piano Competition fora
number of years, moved me
very much. Norwood and
Elizabeth Dixon
weren’t just
supporters of the arts;
theywere passionate
lovers of music and
musicians. I determined
to make this work a
testament to that love,
and tothe religious faith
that sustained them both.
The idea of using extant
hymns was also suggested
by Todd Dixon,and this
10-minute work is the
result.I have employed
existing melodies in
several works, delving
into certain kinds of
religious music more than
a fewtimes. In seeking
new sounds, new ways of
harmonizing old tunes,
and the contrapuntal
overlaying of one
tunewith another, I was
able to make works like
ZION (using 19th-century
Revivalist hymns) and
LABORING SONGS(using
Shaker melodies) reflect
the spirit of the
composers who created
these melodies, without
sounding likepastiches or
medleys. I determined to
do the same with this new
work, with the added
problem of
employingmelodies that
were more familiar. I
chose five tunes from the
19th century: hymns,
spirituals, and
folk-tunes.Some of these
are known by differing
titles, but they all
appear in hymnals of
various Christian
denominations(with
various titles and
texts). My idea was to
employ the tunes without
altering their notes,
instead using aconstantly
modulating sense of
harmony —
sometimes leading to
polytonal harmonizations
of what are
normallysimple four-chord
hymns.The work begins and
ends with a repeated
chime on the note C: a
reminder of steeples,
white clapboard
churchesin the country,
and small church organs.
Beginning with a
Mixolydian folk tune of
Caribbean origin
presentedtwice with
layered entrances, the
work starts with a
feeling of mystery and
gentle sorrow. It
proceeds, after along
transition, into a second
hymn that is sometimes
connected to the sea
(hence the sensation of
water andwaves throughout
it). This tune, by John
B. Dykes (1823-1876), is
a bit more chromatic and
“shifty†than
mosthymn-tunes, so I
chose to play with the
constant sensation of
modulation even more than
the original does. Atthe
climax, the familiar
spiritual “Were you
there?†takes over,
with a double-time
polytonal feeling
propelling itforward at
“Sometimes it
causes me to
tremble.â€Trumpets
in counterpoint raise the
temperature, and the
tempo as well, leading
the music into a third
tune (ofunknown
provenance, though it
appears with different
texts in various hymnals)
that is presented in a
sprightlymanner. Bassoons
introduce the melody, but
it is quickly taken up by
other instruments over
three
“verses,â€cons
tantly growing in
orchestration and volume.
A mysterious second tune,
unrelated to this one,
interrupts it inall three
verses, sending the
melody into unknown
regions.The final melody
is “For the Beauty
of the Earth.†This
tune by Conrad Kocher
(1786-1872) is commonly
sung atThanksgiving
— the perfect
choice to end this work
celebrating two people
known for their
generosity.Keeping the
sense of constant
modulation that has been
present throughout, I
chose to present this
hymn in threegrowing
verses, but with a twist:
every four bars, the
“key†of the
hymn seems to shift
— until the
“Lord of all,
toThee we praiseâ€
melody bursts out in a
surprising compound
meter. This, as it turns
out, was the
“mystery
tuneâ€heard earlier
in the piece. After an
Ivesian, almost polytonal
climax, the Coda begins
over a long B( pedal. At
first,it seems to be a
restatement of the first
two phrases of “For
the Beauty†with
long spaces between them,
but it soonchanges to a
series of
“Amenâ€
cadences, widely
separated by range and
color. These, too, do not
conform to anykey, but
instead overlay each
other in ways that are
unpredictable but
strangely comforting.The
third verse of “For
the Beauty of the
Earth†contains
this quatrain:“For
the joy of ear and eye,
–For the heart and
mind’s delightFor
the mystic harmonyLinking
sense to sound and
sightâ€and it was
from this poetry that I
drew the title for the
present work. It is my
hope that audiences and
performerswill find
within it a sense of
grace: more than a little
familiar, but also quite
new and unexpected.
25 Easy and Progressive Studies, Op.100 by Johann Friedrich Burgmuller (1806-187...(+)
25 Easy and Progressive
Studies, Op.100 by Johann
Friedrich Burgmuller
(1806-1874). For Piano.
Studies. Easier Piano
Pieces. SMP Level 5
(Intermediate). Sheet
Music. Published by ABRSM
(Associated Board of the
Royal Schools of Music)
Alfred's Basic Piano Course - Merry Christmas! Ensemble Book (Level 1A) by Gayle...(+)
Alfred's Basic Piano
Course - Merry Christmas!
Ensemble Book (Level 1A)
by Gayle Kowalchyk and E.
L. Lancaster. For 4-part
piano ensemble.
Method/Instruction; Piano
- Alfred's Basic Piano
Course. Alfred's Basic
Piano Library.
Instructional and
Christmas. Beginner.
Piano songbook. Easy
piano notation, solo part
and harmony parts. 48
pages. Published by
Alfred Music Publishing
Bell Gate Blues Saxophone Alto et Piano [Set de Parties séparées] Advance Music
Alto Saxophone and Piano SKU: AP.1-ADV7081 For Alto Saxophone and Pian...(+)
Alto Saxophone and Piano
SKU: AP.1-ADV7081
For Alto Saxophone and
Piano (German Language
Edition). Composed by
Sebastian Sternal.
Series; Solo; Solo Small
Ensembles; Woodwind -
Alto Saxophone Solo.
Advance Music. Blues;
Jazz. Part(s). Advance
Music #01-ADV7081.
Published by Advance
Music (AP.1-ADV7081).
UPC: 805095040811.
German.
Bell Gate
Blues comes along as a
light, swinging piece for
alto saxophone and piano
with bluesy elements
reflected in its harmony.
As is usual in jazz
music, the piece contains
a short solo part in
which the performer can
either freely improvise
or play the notated
saxophone solo.
By Julio Herrlein. For guitar. Perfect binding, Perfect Binding. Methods/Improvi...(+)
By Julio Herrlein. For
guitar. Perfect binding,
Perfect Binding.
Methods/Improvisation.
Multiple Levels. Book/CD
Set. 312 pages. Published
by Mel Bay Publications,
Inc